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Journal articles on the topic 'Bernard Palissy'

Author: Grafiati

Published: 25 May 2024

Last updated: 31 July 2025

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1

Céard, Jean. "Relire Bernard Palissy." Revue de l'Art 78, no. 1 (1987): 77–83. http://dx.doi.org/10.3406/rvart.1987.347672.

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2

Céard, Jean. "Relire Bernard Palissy." Revue de l'art N° 78, no. 4 (1987): 77–83. http://dx.doi.org/10.3917/rda.078.0077.

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3

Cameron, Keith. "L'originalité de Bernard Palissy." Albineana, Cahiers d'Aubigné 4, no. 1 (1992): 133–43. http://dx.doi.org/10.3406/albin.1992.1305.

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4

Céard, Jean. "Bernard Palissy et l'alchimie." Albineana, Cahiers d'Aubigné 4, no. 1 (1992): 155–66. http://dx.doi.org/10.3406/albin.1992.1307.

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5

Sylvos, Françoise. "Balzac et Bernard Palissy." L'Année balzacienne 12, no. 1 (2011): 175. http://dx.doi.org/10.3917/balz.012.0175.

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6

Cecchetti, Dario. "Bernard Palissy, Œuvres complètes." Studi Francesi, no. 164 (LV | II) (September 1, 2011): 397. http://dx.doi.org/10.4000/studifrancesi.5579.

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7

Plaziat, Jean-Claude. "Bernard Palissy (1510–1590) and the French geologists: a critical reappraisal concerning the founding naturalist and his rustic ceramics." Bulletin de la Société Géologique de France 182, no. 3 (2011): 255–67. http://dx.doi.org/10.2113/gssgfbull.182.3.255.

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Abstract Bernard Palissy benefited from two centuries (mid-18th - mid-20th c.) of a striking reputation – only partly justified – as a precursor of the European geologists and as a prolific producer of a new ceramic ware. During the last decades that appreciation was revealed to be overrated. His scientific and technological fame were respectively founded on misreadings by 18th c. rediscoverers (Jussieu, Réaumur, Fontenelle) and on erroneous attributions to a so-called “rustic Palissy’s ware style” of most of the pieces of China with animals in full relief referred to Palissy. The attribution

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8

Schneider, Jeremy Robin. "Hunted to Extinction: Finding Lost Species in the World of Bernard Palissy (1510–89)." Renaissance Quarterly 77, no. 2 (2024): 493–528. http://dx.doi.org/10.1017/rqx.2024.104.

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Contrary to the idea that awareness of extinction is quintessentially modern, this article argues that Bernard Palissy conceived of extinct species—what he called “lost species” (“espèces perdues”)—in the sixteenth century. This premodern craftsman knew that human activity caused species to vanish. But how? By retracing his interactions with merchants and fishermen at the French Atlantic ports, I show that Palissy learned about the overfishing of waters from other commercial actors. Rather than paint human-caused extinction as a novel insight, I demonstrate that Palissy drew on common vernacul

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9

Dufay, Bruno, Yves Kisch, Pierre-Jean Trombetta, Dominique Poulain, and Yves Roumégoux. "L'atelier parisien de Bernard Palissy." Revue de l'Art 78, no. 1 (1987): 33–60. http://dx.doi.org/10.3406/rvart.1987.347668.

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10

Dufay, Bruno, Yves de Kisch, Dominique Poulain, Yves Roumégoux, and Pierre-Jean Trombetta. "L’atelier parisien de Bernard Palissy." Revue de l'art N° 78, no. 4 (1987): 33–57. http://dx.doi.org/10.3917/rda.078.0033.

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11

Clémens, Jacques. "Le troglodytisme imaginaire de Bernard Palissy." Albineana, Cahiers d'Aubigné 4, no. 1 (1992): 105–17. http://dx.doi.org/10.3406/albin.1992.1302.

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12

Sicard, Monique. "De Balthazar Claës à Bernard Palissy." Communications 78, no. 1 (2005): 79–97. http://dx.doi.org/10.3406/comm.2005.2275.

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13

Rèpaci-Courtois, Gabriella. "Unicité et multiplicité chez Bernard Palissy." Ligeia N°17-18, no. 1 (1995): 135. http://dx.doi.org/10.3917/lige.017.0135.

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14

Lecoq, Anne-Marie. "Morts et résurrections de Bernard Palissy." Revue de l'Art 78, no. 1 (1987): 26–32. http://dx.doi.org/10.3406/rvart.1987.347667.

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15

Boulay, Anthony du. "Bernard Palissy – potter and Huguenot martyr." Huguenot Society Journal 27, no. 2 (1999): 200–210. http://dx.doi.org/10.3828/huguenot.1999.27.02.200.

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16

Lecoq, Anne-Marie. "Morts et résurrections de Bernard Palissy." Revue de l'art N° 78, no. 4 (1987): 26–32. http://dx.doi.org/10.3917/rda.078.0026.

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17

Cortade, Ludovic. "Bernard Palissy et la théorie du cinema." French Review 90, no. 3 (2017): 115–24. http://dx.doi.org/10.1353/tfr.2017.0284.

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18

Schrenck, Gilbert, and Eric Surget. "Bernard Palissy dans l'œuvre d' Agrippa d'Aubigné." Albineana, Cahiers d'Aubigné 4, no. 1 (1992): 17–23. http://dx.doi.org/10.3406/albin.1992.1295.

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19

Legrand, Marie-Dominique. "Notes sur le lexique de Bernard Palissy." Albineana, Cahiers d'Aubigné 4, no. 1 (1992): 145–53. http://dx.doi.org/10.3406/albin.1992.1306.

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20

Perrin, I., and B. Velde. "Ceramic's Technics and Technology of Bernard Palissy." Key Engineering Materials 132-136 (April 1997): 1460–63. http://dx.doi.org/10.4028/www.scientific.net/kem.132-136.1460.

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21

Amico, Leonard N. "Les céramiques rustiques authentiques de Bernard Palissy." Revue de l'Art 78, no. 1 (1987): 61–69. http://dx.doi.org/10.3406/rvart.1987.347670.

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22

Amico, Leonard N. "Les céramiques rustiques authentiques de Bernard Palissy." Revue de l'art N° 78, no. 4 (1987): 61–69. http://dx.doi.org/10.3917/rda.078.0061.

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23

Gendron, Christian. "Les imitateurs de Bernard Palissy au XIXe siècle." Albineana, Cahiers d'Aubigné 4, no. 1 (1992): 201–6. http://dx.doi.org/10.3406/albin.1992.1312.

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24

Bleuzen, Alice. "Bernard Palissy (1510–1590): master of rustic pottery." Huguenot Society Journal 30, no. 3 (2015): 313–26. http://dx.doi.org/10.3828/huguenot.2015.30.03.313.

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25

Seguin, Marc. "Mentalités et délinquances saintongeaises au temps de Bernard Palissy." Albineana, Cahiers d'Aubigné 4, no. 1 (1992): 39–56. http://dx.doi.org/10.3406/albin.1992.1297.

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26

Andrews, Noam. "The space of knowledge: Artisanal epistemology and Bernard Palissy." Res: Anthropology and aesthetics 65-66 (March 2015): 275–88. http://dx.doi.org/10.1086/691039.

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27

Trocmé, Étienne. "Bernard Palissy, témoin de l'enthousiasme moral des premiers Réformés français." Albineana, Cahiers d'Aubigné 4, no. 1 (1992): 57–62. http://dx.doi.org/10.3406/albin.1992.1298.

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28

Quenot, Yvette. "Du jardin de Bernard Palissy au jardin d'Olivier de Serres." Albineana, Cahiers d'Aubigné 4, no. 1 (1992): 93–103. http://dx.doi.org/10.3406/albin.1992.1301.

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29

Rivet, Bernard. "Réflexions sur quelques aspects économiques de l'œuvre de Bernard Palissy." Albineana, Cahiers d'Aubigné 4, no. 1 (1992): 167–80. http://dx.doi.org/10.3406/albin.1992.1308.

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30

Poulain, Dominique. "Bernard Palissy : Sources du répertoire décoratif de l'atelier des Tuileries." Albineana, Cahiers d'Aubigné 4, no. 1 (1992): 187–200. http://dx.doi.org/10.3406/albin.1992.1311.

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31

KENNY, N. F. "Review. Recepte veritable. Edition critique par Keith Cameron. Palissy, Bernard." French Studies 44, no. 2 (1990): 203. http://dx.doi.org/10.1093/fs/44.2.203.

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32

Cacouros, Michel. "Littérature philosophique à Byzance et sa postérité à l’époque moderne." Annuaire de l'EPHE, section des Sciences historiques et philologiques (2022-2023) 155 (2024): 99–117. http://dx.doi.org/10.4000/11t4t.

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Programme de l’année 2022-2023 : Histoire de la philosophie et de l’exégèse d’Aristote, du Trivium, du Quadrivium et de l’enseignement à Byzance et dans l’après-Byzance. A. Les opuscules, scholies, corpus et schémas de logique dus à Jean Chortasménos (ca 1370-1431), étude et édition (suite). B. Le cycle de l’eau : doctrine et traditions, d’Aristote et de l’exégèse byzantine des Météorologiques à Bernard Palissy (1510-1589) et à Camille Flammarion (1842-1925).

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33

Boudgourd, Mariette. "L’oeuvre des Palissystes parisiens, imiter la nature ou se souvenir de l’histoire?" Sèvres. Revue de la Société des Amis du musée national de Céramique 32, no. 1 (2023): 50–62. http://dx.doi.org/10.3406/sevre.2023.1631.

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At the end of the 18th century, amateurs and collectors rediscovered the work of Bernard Palissy, geologist, chemist and potter to the king, who marked the history of the French Renaissance. In 1843, Charles-Jean Avisseau from Touraine rediscovered the secrets of the master potter, followed in Paris from 1851 by Barbizet, Pull, Sergent and Maurice. This luxury and fantasy pottery, between naturalism and historicism, participates in a renewal of artistic ceramics of Parisian factories.

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34

Gerbier, Aurélie. "Du modèle au tirage : le moulage dans l’œuvre de Bernard Palissy." Technè, no. 47 (June 1, 2019): 30–32. http://dx.doi.org/10.4000/techne.1448.

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35

Stoll, M. ""Sagacious" Bernard Palissy: Pinchot, Marsh, and the Connecticut Origins of American Conservation." Environmental History 16, no. 1 (2011): 4–37. http://dx.doi.org/10.1093/envhis/emq141.

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36

Cacouros, Michel. "Littérature philosophique à Byzance et sa postérité à l’époque moderne." École pratique des hautes études. Section des sciences historiques et philologiques. Livret-Annuaire 156 (2025): 96–113. https://doi.org/10.4000/13msy.

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Programme de l’année 2023-2024 : Histoire de la philosophie et de l’exégèse d’Aristote, du Trivium, du Quadrivium et de l’enseignement à Byzance et dans l’après-Byzance. A. Les opuscules, scholies, corpus et schémas de logique dus à Jean Chortasménos (ca 1370-1431), étude et édition (suite). B. Illustration schématique des Premiers et des Seconds Analytiques dans les manuscrits byzantins et post-byzantins d’Aristote, étude et édition (suite). C. Le cycle de l’eau : doctrine et traditions, d’Aristote et de l’exégèse byzantine des Météorologiques à Bernard Palissy (1510-1589) et à Camille Flamma

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37

Bouquillon, A., J. Castaing, F. Barbe, et al. "Lead-Glazed Rustiques Figulines (Rustic Ceramics) of Bernard Palissy (1510-90) and his Followers." Archaeometry 59, no. 1 (2016): 69–83. http://dx.doi.org/10.1111/arcm.12247.

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38

Godet, Marie, Gauthier Roisine, Emmie Beauvoit, et al. "Multi-Scale Investigation of Body-Glaze Interface in Ancient Ceramics." Heritage 2, no. 3 (2019): 2480–94. http://dx.doi.org/10.3390/heritage2030152.

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Bernard Palissy is a French Renaissance ceramist renowned for his masterpieces called Rustiques Figulines on which dozens of glazes of different chemistries (and thus firing behaviors) coexist harmoniously. This study aims at gathering information on the master procedure -never revealed- by investigating the body-glaze interface region (focusing on iron-colored honey transparent glaze-white body system). Optical and electron microscopies including transmission electron microscopy (TEM) are used to characterize the micro and nanostructure of both archaeological and replicas interfaces elaborate

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39

Legrand, Marie-Dominique. "Le lexique saintongeais et sa fonction dans l'œuvre de Bernard Palissy (vers 1510 - vers 1589)." Albineana, Cahiers d'Aubigné 6, no. 1 (1995): 55–67. http://dx.doi.org/10.3406/albin.1995.1338.

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40

Kayser, Petra. "The Intellectual and the Artisan: Wenzel Jamnitzer and Bernard Palissy Uncover the Secrets of Nature." Australian and New Zealand Journal of Art 7, no. 2 (2006): 45–61. http://dx.doi.org/10.1080/14434318.2006.11432774.

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41

Yvernault, Martine. "Ferdinand, Juliette. Bernard Palissy. Artisan des réformes entre art, science et foi , Berlin, Boston, De Gruyter, 2019, 412 p. + xviii." Réforme, Humanisme, Renaissance N° 92, no. 1 (2021): V. http://dx.doi.org/10.3917/rhren.092.0263e.

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42

Sabjan, Muhammad Azizan, and Ummi Zainab Mohd Ghazali. "Kitaran Air Semula Jadi: Dari Falsafah Kuno Ke Sains Moden Dan Kebenaran Al-Quran." Sains Insani 9, no. 2 (2024): 236–45. https://doi.org/10.33102/sainsinsani.vol9no2.694.

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Abstrak: Konsep kitaran air semula jadi, atau dikenali sebagai kitaran hidrologi dalam istilah moden, telah mengalami perkembangan pesat dari tamadun purba sehinggalah ke zaman era moden kini. Masyarakat silam mula memerhati bagaimana air seolah-olah mengalami proses kitaran semuala jadi melalui fasa kejadian hujan, sungai, dan laut. Pengamatan ini kemudiannya menjadi subjek renungan falsafah, di mana ahli falsafah Yunani seperti Plato dan Aristotle membuat pemerhatian asas tentang pergerakan air di muka bumi. Namun, sepanjang Zaman Pertengahan, perkembangan ini tersekat kerana pengaruh konser

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43

Presutti, Kelly. "Wood and Stone: Bernard Palissy’s Environmental Legacy." Metropolitan Museum Journal 59 (December 1, 2024): 58–72. https://doi.org/10.1086/734020.

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44

Lees-Jeffries, Hester. "An Elizabethan translation of Bernard Palissy's ‘On Waters and Fountains’." Studies in the History of Gardens & Designed Landscapes 30, no. 1 (2010): 1–56. http://dx.doi.org/10.1080/14601170902829691.

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45

Shell, Hanna Rose. "Casting Life, Recasting Experience: Bernard Palissy's Occupation between Maker and Nature." Configurations 12, no. 1 (2004): 1–40. http://dx.doi.org/10.1353/con.2005.0005.

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46

Dushenko, Konstantin V. "“A Quarter of an Hour before his Death, He Was Still Alive”: The Literary Character Image of La Palice and the Phenomenon of Nizy Style." Studia Litterarum 6, no. 3 (2021): 72–95. http://dx.doi.org/10.22455/2500-4247-2021-6-3-72-95.

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La Palis is a literary character that appeared in anonymous couplets The Death of La Palis published in the early 18th century. The image of La Palis in songs is ambiguous: he is both a naive simpleton and a parodic counterpart of the panegyric image of Marshal Jacques de La Palice (1470–1525). The irony of these early verses about La Palis is usually explained by the simplicity of the soldiers who allegedly composed them in 1525 or by the further distortion of the original text. In reality, this irony bears the imprint of the 17th century burlesque poetry. In 1715, the literary image of La Pa

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47

"Bernard Palissy (1510-1590)." Revue de l'art N° 78, no. 4 (1987): 58–60. http://dx.doi.org/10.3917/rda.078.0058.

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48

"Bernard Palissy: in search of earthly paradise." Choice Reviews Online 34, no. 06 (1997): 34–3129. http://dx.doi.org/10.5860/choice.34-3129.

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49

Deming, David. "Born to Trouble: Bernard Palissy and the Hydrologic Cycle." Ground Water, September 14, 2005, 050914063638001. http://dx.doi.org/10.1111/j.1745-6584.2005.00119.x.

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50

Mason, Peter. "Bernard Palissy: artisan des réformes entre art, science et foi." Journal of the History of Collections, December 8, 2020. http://dx.doi.org/10.1093/jhc/fhaa044.

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