Relevant bibliographies by topics / Bestial

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Bestial'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Bestial"

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Field, Miranda. "Bestial." Antioch Review 57, no. 4 (1999): 496. http://dx.doi.org/10.2307/4613903.

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Birkhead, Tim. "A bestial feast." Nature 418, no. 6897 (August 2002): 483. http://dx.doi.org/10.1038/418483a.

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Hawhee, Debra. "Toward a Bestial Rhetoric." Philosophy and Rhetoric 44, no. 1 (2011): 81–87. http://dx.doi.org/10.1353/par.2011.0007.

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Hawhee. "Toward a Bestial Rhetoric." Philosophy & Rhetoric 44, no. 1 (2011): 81. http://dx.doi.org/10.5325/philrhet.44.1.0081.

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Brandão, Jacyntho Lins. "Mente humana em corpo bestial." Aletria: Revista de Estudos de Literatura 21, no. 3 (December 31, 2011): 63–73. http://dx.doi.org/10.17851/2317-2096.21.3.63-73.

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Este artigo propõe um estudo das narrativas de metamorfose em Luciano de Samósata (Lúcio ou o asno) e Apuleio de Madaura (O asno de ouro), a partir do exame de três aspectos: a) a conjunção e a disjunção entre mente humana e corpo bestial; b) a possibilidade de ler o texto como uma experiência mental; e c) a relação entre metamorfose e contrametamorfose, o que torna possível que a própria experiência possa ser narrada. Trata-se de abordar certas estratégias narrativas utilizadas pelos dois autores, incluindo os dados pelos quais homens e animais se aproximam e se distinguem – a alimentação, o sexo, o trabalho e a linguagem –, o que faz com que a experiência mental não seja senão uma radical experiência de um corpo ficcional.
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Maeso, Silvia Rodríguez. "Bestial traces: race, sexuality, animality." Ethnic and Racial Studies 37, no. 5 (October 25, 2013): 909–10. http://dx.doi.org/10.1080/01419870.2013.851400.

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Rossi, Paolo. "Fury: Heroic, Bestial and Collective." Psychopathology 33, no. 4 (2000): 171–81. http://dx.doi.org/10.1159/000029140.

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Fujita, Jun. "Vacámara : le silence bestial du temps." Vertigo 28, no. 1 (2006): 61. http://dx.doi.org/10.3917/ver.028.0061.

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Lovejoy, Laura. "The Bestial Feminine in Finnegans Wake." Humanities 6, no. 3 (August 4, 2017): 58. http://dx.doi.org/10.3390/h6030058.

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Powell, Matthew T. "Bestial Representations of Otherness: Kafka's Animal Stories." Journal of Modern Literature 32, no. 1 (December 2008): 129–42. http://dx.doi.org/10.2979/jml.2008.32.1.129.

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Dissertations / Theses on the topic "Bestial"

1

Kidd, Catherine. "Bestial rooms : a work of prose fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0001/MQ39923.pdf.

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Machell, Christopher. "The politics of bestial imagery in satire, 1789-1820." Thesis, Northumbria University, 2011. http://nrl.northumbria.ac.uk/5846/.

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This thesis examines the widespread use of bestial imagery in satirical verse, prose and prints published between 1789 – 1820, through a study of Shelley, Spence, Gillray, Gifford, Robinson, Catherine Ann Dorset, Thelwall, Eaton, and Wolcot. The thesis asks why these writers and printers used animal metaphors so frequently, but moreover, what impact the use of this imagery had on the political landscape of satire in the period. Recent criticism has focussed on the historical and political contexts of Romantic-era satire, and this thesis follows that criticism with an historicist methodology, combining literary, historical and political approaches. Furthermore, the thesis analyses verse, prose and pictorial satires as contributing to the same political discourse and as doing so in closely related cultural arenas. This thesis claims originality on the basis that not only the use of animal imagery has a significant impact on how both contemporary and modern readers interpret its political meanings and contexts, but also that this is an argument that has not yet been posited by other critics. In addition, this thesis argues that through bestial metaphors, satirical writers and artists create a community wherein imagery is exchanged, developed and manipulated, and that this practice of cultural exchange significantly shapes those satires’ historical contexts. Each of the thesis’ five chapters focuses on a major satiric animal metaphor, whereby close readings of satires are offered alongside wider political and historical contexts. Consequently, this thesis provides a map of the most common satiric animal metaphors and their concomitant politics, and in doing so creates a new critical framework in which the growing interest in Romantic- period satire can be further developed.
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Nykvist, Andréa. ""A bestial life is turning me into a beast" - koloniserande maktutövande och ambivalens i Deliverance och Waiting for the Barbarians." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-17393.

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Paula, Júnior Luiz Rogério de. "Meu nome é Brasil – as figuras do homem cordial e do bestializado em canções de Tom Zé." Universidade Federal de Juiz de Fora (UFJF), 2016. https://repositorio.ufjf.br/jspui/handle/ufjf/3167.

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O presente trabalho tem como objetivo analisar algumas canções de Tom Zé a partir das quais se pretende mostrar de que forma o compositor brasileiro representa e interpreta a identidade nacional. Em função da amplitude e da complexidade desse tema, fez-se necessário um estudo prévio dos conceitos de nação e identidade, partindo das análises de Ernest Renan, Benedict Anderson, Homi K. Bhabha e Stuart Hall. No que tange à identidade brasileira, cujos estudos também são vastos e complexos, privilegiam-se neste trabalho as figuras do Homem Cordial e do Bestializado, fundamentadas por Sérgio Buarque de Holanda e José Murilo de Carvalho, respectivamente, além da obra do sociólogo Richard Sennett, que debate as relações entre as esferas pública e privada, fundamentais para a leitura crítica aqui desenvolvida. Por fim, busca-se mostrar como a leitura de Tom Zé acerca do Brasil e do brasileiro, presente em suas canções, dialoga com a teoria já existente sobre o assunto ao mesmo tempo em que a ultrapassa, revelando uma leitura própria do Brasil.
This paper´s goal is to analyze some Tom Zé´s songs from which it is intended to show in what way the Brazilian composer represents and interprets the national identity. Due to this theme´s amplitude and complexity, it is necessary a previous study of nation and identity from the analysis of Ernest Renan, Benedict Anderson, Homi K. Bhabha e Stuart Hall. As for the Brazilian identity, whose studies are also vast and complex, the Cordial and Bestial Man´s figures are privileged in this paper, they are grounded by Sérgio Buarque de Holanda e José Murilo de Carvalho, respectively, besides the sociologist Richard Sennett´s work that debates the relations between public and private spheres, fundamental for the critical reading developed here. Lastly, it is searched to show how Tom Zé´s reading about Brazil and Brazilians, present in his songs, dialogs with the existing theory about the subject at the same time that surpasses it, revealing an own reading of Brazil.
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Tice, Rebecca N. "Bestiary." Claremont Graduate University, 2010. http://ccdl.libraries.claremont.edu/u?/stc,79.

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Nilsen, Ellinor. "Nobodies." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-23264.

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Last summer, when I began thinking about my thesis, I tried to look back on my earlier work with a more critical eye. I noticed that my focus had largely been on trying to find my own idiom, and improving my construction skills. In the middle of my education I discovered the freedom in draping, and I challenged myself by putting the pen aside and instead make three-dimensional sketches. Looking back, I believe that I succeeded in producing the organic expression I had envisioned. I had still to explore materials more deeply, though, and therefore I made a summer course with exclusive focus on materials. These were the first steps towards beginning my thesis. There were a lot of things I wanted to explore in my thesis, and many techniques I wanted to try. I wanted to believe in myself and my strong sides, but also dare to explore completely new things and go one step further than before, without fear- ing failure. Being very comfortable with construction and cutting, I can quickly try my ideas to see if they work out or not. My sketching is uncontrolled, coarse and pretty abstract, it is through sketching my ideas evolve. I am fast when I make my sketches, be it by pen or three-dimensionally, but I work much more slowly towards the end when it’s time to work on the details, where I am meticulous.
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Viada, Jessica. "La Bestia and Other Stories." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/344.

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The following collection of short stories explores the notion of being caught between two worlds, of straddling physical, emotional, linguistic and metaphorical borders. I have chosen these characters in order to give voice to those who are often voiceless. The collection has been divided in two parts in order to challenge ideas of what is "real." I argue that the emotional truth of a story is paramount, and this reality can sometimes be best achieved through unconventional means.
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Tingström, Emilia, and Linus Axelsson. "Varför bestiga berg?" Thesis, Linköpings universitet, Kultur, samhälle, mediegestaltning, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-93288.

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This essay will focus on the people using and are involved in, and have a large interest in the horror film genre. The purpose of this essay is to find what urge these people to continuously watch horror movies and how they believe to be acknowledge by the society in a modern sense. Our study is mainly based on two separate interviews and therefore, mainly from the users perspective. This essay is also complemented by earlier research on this topic. In context of stigma, violence debate, exclusion we found that the users truly can be found in a rare type of alternative sphere, besides the public sphere. But this is also in relationship with age and gender of the user. Our stands in all this is that horror movies should be accepted as an escape from reality, not a genre that twist people to become violent, and that users can see the difference between reality and fiction and using horror movies should not be considered a deviant behavior in a modern society.
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Johannesson, Karl-Fredrik, and Daniel Skärle. "Goodwill : Ett berg att bestiga." Thesis, Linnéuniversitetet, Ekonomihögskolan, ELNU, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-12854.

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Elahipanah, Nooshin. "Saki's Bestiary, an aesthetics of contradiction." Thesis, Royal Holloway, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.427782.

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Books on the topic "Bestial"

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Bestial. México, D.F: El Tucán de Virginia, 2003.

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Garton, Ray. Bestial. New York: Leisure Books, 2009.

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Carl, William D. Bestial: A werewolf novel. New York: Gallery Books, 2011.

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A book of bestial nonsense. Woodbridge, Suffolk: Antique Collectors' Club, 1986.

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Paasilinna, Arto. Le bestial serviteur du pasteur Huuskonen. [Paris]: Gallimard, 2008.

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Yowell, Donna Lynne. Human speech and bestial silence: De vulgari eloquentia in Inferno XXXI-XXXIV. Ann Arbor, MI: University Microfilms International, 1988.

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Clark, Stephen R. L. La naturaleza de la bestia: Ŝon morales las bestias? México: Fondo de Cultura Económica, 1987.

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Di bestia in bestia. Torino: Einaudi, 2013.

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Bestia. Kraków: Wyd. Otwarte, 2007.

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Swierczek, Marek. Bestia. Krakow: Wydawnictwo Otwarte, 2007.

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Book chapters on the topic "Bestial"

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Ogal, George Ouma, and Titus Karuri Macharia. "Bestial Zoosemic Labelling in Kenyan Political Songs." In Cultural Archives of Atrocity, 275–89. New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429262166-21.

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Boehrer, Bruce Thomas. "4. Bestial Buggery in A Midsummer Night's Dream." In The Production of English Renaissance Culture, edited by David Lee Miller, Sharon O’Dair, and Harold Weber, 123–50. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501744686-006.

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Calè, Luisa. "Bestial Metamorphoses: Blake’s Variations on Transhuman Change in Dante’s Hell." In Beastly Blake, 153–81. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-89788-2_7.

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Andersen, Tea Sindbæk. "“Organized Bestial Gangs”—The Second World War and Images of Betrayal in Yugoslav Socialist Cinema." In Traitors, Collaborators and Deserters in Contemporary European Politics of Memory, 265–83. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66496-5_11.

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Worthen, Hana. "Martial’s damnatio ad bestias." In Humanism, Drama, and Performance, 63–97. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44066-4_2.

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Gill, Jo. "Bestiary USA." In A Companion to Poetic Genre, 555–67. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781444344318.ch39.

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Nash, David, and Anne-Marie Kilday. "The Everyday Life of a Wexford Parson: The Rev. William Hughes’ Taste for Drink, Blasphemy, Indecent Exposure, Criminal Damage, Bestial Voyeurism and Field Sports." In Cultures of Shame, 113–33. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230309098_6.

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van Leeuwen, R. B., and Tj Bruintjes. "Bestaat cervicale duizeligheid?" In Vademecum permanente nascholing huisartsen, 2825–26. Houten: Bohn Stafleu van Loghum, 2006. http://dx.doi.org/10.1007/978-90-313-8808-0_1480.

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Rendall, Alan D. "A Calvin Bestiary." In Patterns of Dynamics, 318–37. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64173-7_18.

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Schoenmakers, Tim, Matilda Hellman, Benjamin Nordstrom, and Ruth van Holst. "Bestaat online-gameverslaving?" In Gedragsverslaving?, 1–10. Houten: Bohn Stafleu van Loghum, 2014. http://dx.doi.org/10.1007/978-90-368-0792-0_1.

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Conference papers on the topic "Bestial"

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Pimple, Kenneth D. "Tutorial - Working with ethicists: A bestiary." In 2014 IEEE International Symposium on Ethics in Engineering, Science, and Technology (ETHICS). IEEE, 2014. http://dx.doi.org/10.1109/ethics.2014.6893404.

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Polyanskiy, Mikhail N., Marcus Babzien, and Igor V. Pogorelsky. "BESTIA (Brookhaven Experimental Supra-Terawatt Infrared at ATF) laser: A status report." In ADVANCED ACCELERATOR CONCEPTS: 17th Advanced Accelerator Concepts Workshop. Author(s), 2017. http://dx.doi.org/10.1063/1.4975920.

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Pathak, Heman, Nipur, and Kumkum Garg. "A Fault Tolerant Comparison Internet Shopping System: BestDeal by Using Mobile Agent." In 2009 International Conference on Information Management and Engineering. IEEE, 2009. http://dx.doi.org/10.1109/icime.2009.77.

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Vásquez Sáenz, Henry Ferney. "Simbolismo y presencia subversiva del agua en L’Ombre de Venceslao y La Tour de la Défense de Copi." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3159.

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Raúl Damonte Botana, conocido artísticamente como Copi, fue un escritor, dramaturgo y dibujante argentino (1939-1987) que llegó a París en los años 60 del siglo pasado. Allí escribió y publicó en francés la mayor parte de sus obras hasta su muerte. Dentro de su gran variedad literaria (novelas, historietas, obras de teatro) resaltamos dos en las que el agua es un motivo recurrente que condiciona la intriga y los espacios donde evolucionan los personajes. En La Sombra de Wenceslao (escrita originalmente en español), el agua aparece en espacios abiertos y está en permanente contacto con los personajes. Se trata de un elemento omnipresente que, a pesar de generar vida, se transforma en un componente destructor que incita a la muerte. En La Tour de la Défense (escrita en francés) nos encontramos en un espacio cerrado e íntimo donde el agua es un elemento ambiguo que apasiona e inquieta: por un lado despierta los deseos sexuales más desenfrenados y por otro, propicia la aparición de bestias escalofriantes destinadas a ser devoradas.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.3159
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Akulov, S. V. "Constructive features of the device of the container platform at the station Lower Bestah." In All-Russian scientific-practical conference of young scientists, graduate students and students. Технического института (ф) СВФУ, 2018. http://dx.doi.org/10.18411/a-2018-37.

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"Cultural Symbiosis: Chu Culture and Course Teaching of Interface Design- A Case Study on A Chinese Bestiary." In 2017 the 7th International Workshop on Computer Science and Engineering. WCSE, 2017. http://dx.doi.org/10.18178/wcse.2017.06.084.

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Reed, Harvey, Nathaniel D. Dailey, Robert Carden, and David Bryson. "Blockchain Enabled Space Traffic Awareness (BESTA): Discovery of Anomalous Behavior Supporting Automated Space Traffic Management." In ASCEND 2020. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2020. http://dx.doi.org/10.2514/6.2020-4105.

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Reports on the topic "Bestial"

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Brussaard, Lijbert. De bodem onder ons Bestaan. Wageningen: Wageningen University & Research, 2016. http://dx.doi.org/10.18174/396108.

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Dawkins, S., ed. Path Aware Networking: Obstacles to Deployment (A Bestiary of Roads Not Taken). RFC Editor, June 2021. http://dx.doi.org/10.17487/rfc9049.

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