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1

Field, Miranda. "Bestial." Antioch Review 57, no. 4 (1999): 496. http://dx.doi.org/10.2307/4613903.

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Birkhead, Tim. "A bestial feast." Nature 418, no. 6897 (August 2002): 483. http://dx.doi.org/10.1038/418483a.

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Hawhee, Debra. "Toward a Bestial Rhetoric." Philosophy and Rhetoric 44, no. 1 (2011): 81–87. http://dx.doi.org/10.1353/par.2011.0007.

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Hawhee. "Toward a Bestial Rhetoric." Philosophy & Rhetoric 44, no. 1 (2011): 81. http://dx.doi.org/10.5325/philrhet.44.1.0081.

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Brandão, Jacyntho Lins. "Mente humana em corpo bestial." Aletria: Revista de Estudos de Literatura 21, no. 3 (December 31, 2011): 63–73. http://dx.doi.org/10.17851/2317-2096.21.3.63-73.

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Este artigo propõe um estudo das narrativas de metamorfose em Luciano de Samósata (Lúcio ou o asno) e Apuleio de Madaura (O asno de ouro), a partir do exame de três aspectos: a) a conjunção e a disjunção entre mente humana e corpo bestial; b) a possibilidade de ler o texto como uma experiência mental; e c) a relação entre metamorfose e contrametamorfose, o que torna possível que a própria experiência possa ser narrada. Trata-se de abordar certas estratégias narrativas utilizadas pelos dois autores, incluindo os dados pelos quais homens e animais se aproximam e se distinguem – a alimentação, o sexo, o trabalho e a linguagem –, o que faz com que a experiência mental não seja senão uma radical experiência de um corpo ficcional.
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Maeso, Silvia Rodríguez. "Bestial traces: race, sexuality, animality." Ethnic and Racial Studies 37, no. 5 (October 25, 2013): 909–10. http://dx.doi.org/10.1080/01419870.2013.851400.

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Rossi, Paolo. "Fury: Heroic, Bestial and Collective." Psychopathology 33, no. 4 (2000): 171–81. http://dx.doi.org/10.1159/000029140.

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Fujita, Jun. "Vacámara : le silence bestial du temps." Vertigo 28, no. 1 (2006): 61. http://dx.doi.org/10.3917/ver.028.0061.

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Lovejoy, Laura. "The Bestial Feminine in Finnegans Wake." Humanities 6, no. 3 (August 4, 2017): 58. http://dx.doi.org/10.3390/h6030058.

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Powell, Matthew T. "Bestial Representations of Otherness: Kafka's Animal Stories." Journal of Modern Literature 32, no. 1 (December 2008): 129–42. http://dx.doi.org/10.2979/jml.2008.32.1.129.

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Powell, Matthew T. "Bestial Representations of Otherness: Kafka's Animal Stories." Journal of Modern Literature 32, no. 1 (September 2009): 129–42. http://dx.doi.org/10.2979/jml.2009.32.1.129.

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Diamond-Lenow, Chloe. "Christopher Peterson. Bestial Traces: Race, Animality and Sexuality." Humanimalia 6, no. 2 (March 6, 2015): 190–96. http://dx.doi.org/10.52537/humanimalia.9918.

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Niećko-Bukowska, Bożena. "Funkcjonowanie pojęć „nieludzkie”, „zwierzęce”, „zezwierzęcone” na przykładzie potocznego ich rozumienia." Zoophilologica, no. 6 (December 29, 2020): 287–99. http://dx.doi.org/10.31261/zoophilologica.2020.06.19.

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In the opinion of Jan Wawrzyniak, the attitude of humans towards other non-human persons is characterised by ethological falsehood. In relations with other creatures humans show species-oriented chauvinism. On the basis of a survey study concerning the colloquial understanding of the symptoms of “inhuman”, “bestial” or “animalistic” behaviour we may describe the functioning of these notions among average users of the Polish language. The paper aims at presenting the results of the survey concerning the colloquial functioning of the notions: inhuman, bestial and animalistic. Fifty people, students of the first-degree university course in Philology took part in the research, with the use of the because-test and free association method.
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Engashev, S. V., F. I. Vasilevich, M. D. Novak, and E. S. Engasheva. "Practical value of food bait «Fliblok gran-ules» in order to reduce the number of zoo-philic flies at the pig farms." International bulletin of Veterinary Medicine 2 (2020): 51–57. http://dx.doi.org/10.17238/issn2072-2419.2020.2.51.

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Bestial flies are widely spred at various types of livestock enterprises (dairy farms, fattening farms, pig farms, sheep farms, stud farms, poultry farms) of the Russian Federa-tion; they are mechanical and biological carriers of many pathogens of infectious and invasive diseases, can cause anemia and stress in productive farm animals and young animals. The economic damage from infec-tious and parasitic diseases, the causative agents of which carry licking and blood-sucking flies, as well as from a decrease in productivity due to stress, is measured in hundreds of millions of rubles a year. In addition, high costs are required for veteri-nary, anti-epizootic and recreational activi-ties. We conducted a test to study the effective-ness of the Flyblock® food pellet bait (organization-developer of NEC Agrovet-zashchita LLC), an insecticidal and attract-ant measurement during the period of the maximum number of bestial flies on a pig farm.The food bait was tested from the sec-ond half of summer until the end of Septem-ber in three commercial pig farms of the Ryazan Region: 50 x 12 m - experimental, 5 x 12 m - control № 1 (fodder kitchen), 50 x 12 m - control № 2. In the experimental room, the Flyblock® drug granules were distributed by the rate of 5 g per 5 m2 in cardboard containers 12 x 8 cm in size with 4 cm high side walls in plac-es not accessible to animals - window open-ings. The Flyblock® pellet food bait was placed once with regular monitoring (starting from the first day and for 2.5 months) of its effectiveness against bestial flies with the obligatory re-moval of dead flies. Studies have showed the high efficiency of Flyblock® food pellets against bestial flies. The effectiveness of the the drug against licking and bloodsucking flies when keeping pigs for fattening in the premises of a com-mercial pig farm is in almost all cases of research more than 95%.
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Riley, Stephen. "Dignity as the Absence of the Bestial: A Genealogy." Journal for Cultural Research 14, no. 2 (March 24, 2010): 143–59. http://dx.doi.org/10.1080/14797580903481298.

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16

Baghaei, Payman. "The Role of Absurdity and Animal Bestial in Albert Camus Idea." Afro Asian Journal of Anthropology and Social Policy 4, no. 1 (2013): 72. http://dx.doi.org/10.5958/j.2229-4414.4.1.013.

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Sax, Boria. "Bestial Wisdom and Human Tragedy: The Genesis of the Animal Epic." Anthrozoös 11, no. 3 (September 1998): 134–41. http://dx.doi.org/10.2752/089279398787000652.

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Johnson, David R. "The Mark of the Beast, Reception History, and Early Pentecostal Literature." Journal of Pentecostal Theology 25, no. 2 (September 10, 2016): 184–202. http://dx.doi.org/10.1163/17455251-02502003.

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This article examines appearances of the mark of the beast or beast in the early Pentecostal Literature from 1908–1918. By utilizing Wirkungsgeschichte, this article demonstrates that early Pentecostal interpretations were not monolithic when interpreting bestial texts. Dispensationalism did not control their interpretations. The Apocalypse had a significant impact on early Pentecostal reflection including their criticism of issues associated with World War i.
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Kuksa, Polina V. "“Zoomorphic” details in the structure of the characters in Mikhail Sholokhov’s novel “And Quiet Flows the Don”." Rhema, no. 4, 2019 (2019): 21–33. http://dx.doi.org/10.31862/2500-2953-2019-4-21-33.

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This article discusses one aspect of the poetics of Mikhail Sholokhov’s novel “And Quiet Flows the Don”. The originality of the poetics of the zoomorphic detail in this novel is revealed. The article discusses the most frequent bestial elements pertaining to the characters of Sholokhov’s novel. It has been established that the zoomorphic imagery of the novel demonstrates the dynamics from zoomorphic associations and metaphors to zoomorphic constant details.
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KREISEL, DEANNA K. "Wolf Children and Automata: Bestiality and Boredom at Home and Abroad." Representations 96, no. 1 (2006): 21–47. http://dx.doi.org/10.1525/rep.2006.96.1.21.

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ABSTRACT This essay explores the coincidence of boredom, animalism, and trance states in several late-Victorian and early modernist texts. Through analyses of colonialist novels, mid-Victorian writings on the automaton debate, and case studies of Indian ““wolf children,”” it demonstrates how attempts to escape dehumanizing boredom have paradoxical results, leading to confrontations with other emblems of the bestial and uniting the animal and the automaton, human and machine.
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McHugh, S. "Bestial Traces: Race, Sexuality, Animality / Animalia Americana: Animal Representations and Biopolitical Subjectivity." American Literature 86, no. 1 (January 1, 2014): 199–201. http://dx.doi.org/10.1215/00029831-2395465.

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22

Shakespeare, Steven. "A Walk on the Wild Side: Church and Identity beyond Humanism." Journal of Anglican Studies 7, no. 1 (May 2009): 13–34. http://dx.doi.org/10.1017/s1740355309000060.

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AbstractWestern culture romanticizes wildness even as it fears the destruction of our humanity by all that is bestial, savage and unconstrained. Identity is constructed as a supposedly pure, bounded and sovereign force, constantly fascinated and repelled by its animal others.The consequences of the church’s investment in this modern humanism are disparate, but united by a strange colonial logic, according to which the savage and the unnatural must be domesticated and incorporated into an empire of light. In the labelling of non-heterosexuals as ‘inhuman’ or ‘bestial’, complex links between the rhetoric of empire and resistance to that rhetoric are exposed. Appeals to African authenticity and liberal universalism are contextualized in postcolonial debates about securing human identity, debates in which the human/animal boundary becomes a key site of struggle.This paper asks what the church looks like if our obsession with a pure identity of the (Western or African) human is challenged in the context of debates about sexuality within the Anglican Communion. It is argued that the dynamic of Christian revelation works to throw such categories into confusion, to release liberating encounters with the ‘inhuman’ others within and beyond our invented boundaries. An inherently plural, multilingual and differentiated process of Christian community is proposed.
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Thurston, Jonathan W. "The Face of the Beast: Bestial Descriptions and Psychological Response in Horror Literature." Human Ecology Review 25, no. 2 (December 19, 2019): 35–48. http://dx.doi.org/10.22459/her.25.02.2019.04.

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24

Blackwell, Mark R. "Bestial Metaphors: John Berkenhead and Satiric Royalist Propaganda of the 1640s and 50s." Modern Language Studies 29, no. 1 (1999): 103. http://dx.doi.org/10.2307/3195362.

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Blackwell, Mark R. "Bestial Metaphors: John Berkenhead and Satiric Royalist Propaganda of the 1640s and 50s." Modern Language Studies 29, no. 2 (1999): 21. http://dx.doi.org/10.2307/3195406.

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26

SAFRONOVA, E. YU. "TOPOGRAPHIC DETAILS OF THE STORY F.M. DOSTOEVSKY "UNCLE'S DREAM": CHOLERA AND BESTIAL CASE." Culture and Text, no. 40 (2020): 84–105. http://dx.doi.org/10.37386/2305-4077-2020-1-84-105.

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27

Christensen, Timothy. "The "Bestial Mark" of Race in The Island of Dr. Moreau." Criticism 46, no. 4 (2005): 575–95. http://dx.doi.org/10.1353/crt.2005.0013.

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Moreno, Juan Diego Pérez. "Sonido bestial: Afecto y memoria posthumana a partir de Sacrificio de Clemencia Echeverri." Diálogo 22, no. 2 (2019): 89–103. http://dx.doi.org/10.1353/dlg.2019.0046.

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29

Jacoviello, Stefano. "Lovely Beasts, Bestial Lovers: Animals, Righteous Men and the Semiotics of Musical Mirrors." International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique 31, no. 3 (June 18, 2018): 621–35. http://dx.doi.org/10.1007/s11196-018-9567-8.

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30

Marques, Sónia. "O Outro: de ‘besta' a ‘bestial'. Reflexões em torno da diferença e da representação." Revista Mulemba 9, no. 16 (July 10, 2017): 86–102. http://dx.doi.org/10.35520/mulemba.2017.v9n16a5793.

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Este artigo tem como objetivo refletir acerca do modo como o Ocidente foi criando e se relacionando historicamente com o Outro, salientando a importância da diferença e da representação, conceitos chave na teoria pós-colonial. Partindo da constatação que um dos campos contemporâneos mais relevantes para a análise das trocas interculturais é o dos media, ao longo do texto discute-se a forma como os discursos hegemónicos do passado se atualizaram e adaptaram, mas também o modo como práticas alternativas emancipatórias e diálogos efetivos podem ser concretizados.
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Chan, Stephen. "A Problem for IR: How Shall We Narrate the Saga of the Bestial Man?" Global Society 17, no. 4 (October 2003): 385–413. http://dx.doi.org/10.1080/1360082032000132153.

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32

Asherie, Rebecca. "Heavenly voices and bestial bodies: Issues of performance and representation in celebrity voice-acting." Animation Practice, Process & Production 1, no. 2 (June 27, 2012): 229–48. http://dx.doi.org/10.1386/ap3.1.2.229_1.

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Guzauskyte, Evelina. "Fragmented Borders, Fallen Men, Bestial Women: Violence in theCastaPaintings of Eighteenth-century New Spain." Bulletin of Spanish Studies 86, no. 2 (March 2009): 175–204. http://dx.doi.org/10.1080/14753820902783977.

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Burn, Charlotte C. "Bestial boredom: a biological perspective on animal boredom and suggestions for its scientific investigation." Animal Behaviour 130 (August 2017): 141–51. http://dx.doi.org/10.1016/j.anbehav.2017.06.006.

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Dorman, K., and R. Kauffman. "C-37 Music and Cognitive Aging Across Species." Archives of Clinical Neuropsychology 34, no. 6 (July 25, 2019): 1066. http://dx.doi.org/10.1093/arclin/acz034.199.

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Abstract Objective Recent research has revealed that dogs suffer from bestial boredom, which is the degeneration of the brain due to lack of stimulation. To prevent this we looked at everyday stimulation owners could leave for their dogs, such as different types of audio. Within music there are various types that effect dog behavior differently. We not only looked at this stimulation within dogs to help prevent bestial boredom, but then connected this to Alzheimer's patients. There are multiple studies out that show the benefits of music before and during the onset of Alzheimer’s. We find this to be true with dementia in dogs too. A review of the research reveals there to be a lack of consensus regarding the efficacy of music in psychological practice. We believe this is because different music serves different functions, and because of familiarity. Data Selection Articles chosen for the meta analysis had to show the connection between music and canines, music and Alzheimer’s patients, and neurodegeneration in humans and within canines. Data Synthesis We conducted a meta analysis to review and analyze whether researchers have taken different forms/styles of music into account in their studies. Conclusions Music is a significant factor for cognitive functioning and aging in both dogs and humans. There are not many studies out there about the effect of music on dogs. The few studies that are out there used kenneled dogs, therefore studies should also be conducted on dogs with homes to see if familiar music has more of an effect.
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Kay, Sarah. "Rigaut de Berbezilh, the Physiologus Theobaldi, and the opening of animal inspiration." Reinardus / Yearbook of the International Reynard Society 28 (December 31, 2016): 81–99. http://dx.doi.org/10.1075/rein.28.06kay.

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In two of his songs (421.1 and 421.2) the troubadour Rigaut de Berbezilh aspires to sing in response to a voice that is bestial yet somehow metaphysical. Scholars have attributed these animal images to the influence of the Physiologus, but Rigaut’s likeliest source in that tradition has not yet been identified. This article proposes to fill that lacuna by contending that the bestiary redaction closest to Rigaut’s imagery is the Physiologus Theobaldi, a verse text that unlike other bestiaries was used to teach Latin poetry and even song. In both the Physiologus Theobaldi and (though in a different way) Rigaut’s songs, animals’ breath and voice are identified with life and spirit, an identification that places these works within the wider medieval context of natural philosophical interest in pneuma. Whereas Theobaldus allegorizes his beasts in the third person, Rigaut’s first-person lyrics assume their voice, breath, life or spirit as potentially his own. He thereby opens his songs to a being that is not human. No longer anthropocentric, they enact a hybridity that we find elsewhere associated with revelation and apocalypse. The horizon of human history that opens (in Heidegger’s sense) the world of human language is thereby in turn opened up to that which it closes off, and the demarcations by which humanity defines itself are suspended.
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McEachern, Patricia A. "La Vierge et la bete : Marian Iconographies and Bestial Effigies in Nineteenth-Century French Narratives." Nineteenth Century French Studies 31, no. 1 (2002): 111–22. http://dx.doi.org/10.1353/ncf.2002.0056.

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Gusarova, Ksenia. "‘Retaining their bestial character’: Fashion, fear of degeneration and animal protection in late imperial Russia." Clothing Cultures 3, no. 3 (December 1, 2016): 283–303. http://dx.doi.org/10.1386/cc.3.3.283_1.

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Elmore, Rick. "Christopher Peterson, Bestial Traces: Race, Sexuality, Animality (New York, Fordham University Press, 2013), 208 pp." Oxford Literary Review 37, no. 1 (July 2015): 153–57. http://dx.doi.org/10.3366/olr.2015.0155.

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Blevins, Roger O. "A case of severe anal injury in an adolescent male due to bestial sexual experimentation." Journal of Forensic and Legal Medicine 16, no. 7 (October 2009): 403–6. http://dx.doi.org/10.1016/j.jflm.2009.02.001.

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Moeller-Sally, Betsy F. "The Theater as Will and Representation: Artist and Audience in Russian Modernist Theater, 1904-1909." Slavic Review 57, no. 2 (1998): 350–71. http://dx.doi.org/10.2307/2501854.

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There is for us an inexplicable rapture when we feel ourselves a crowd, a unified crowd, moved by a single feeling. Let us leave it to the researches of scholars to ascertain from what elements of our distant prehistoric past this phenomenon is composed. Let us leave it to them to determine whether it sprang from half-bestial orgies or from half-divine cults. One thing is indubitable: a shock runs through us when we feel ourselves fused in a single passion with others, with a multitude of other people, when we feel ourselves one grandiose whole, a unified mass.—Georg Fuchs, The Revolution of the Theater
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Weinberg, Robert. "Demonizing Judaism in the Soviet Union during the 1920s." Slavic Review 67, no. 1 (2008): 120–53. http://dx.doi.org/10.2307/27652771.

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In this article, Robert Weinberg explores the visual representation of Judaism and observant Jews in the Soviet journalBezbozhnik u stanka(The atheist at the workbench), which appeared in the 1920s. In their efforts to promote atheism and undermine organized religion, the artists responsible for the images in this journal singled out the Jewish god to be depicted with inhuman, bestial, and bizarre features such as a single eye and a nose made out of a fist. This portrayal of Judaism and religious Jews drew upon the pervasive antisemitic tropes and motifs in Russian culture and society and served to demonize Judaism and its adherents.
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Loughnan, Steve, Nick Haslam, Robbie M. Sutton, and Bettina Spencer. "Dehumanization and Social Class." Social Psychology 45, no. 1 (June 1, 2014): 54–61. http://dx.doi.org/10.1027/1864-9335/a000159.

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Three studies examined whether animality is a component of low-SES stereotypes. In Study 1a–c, the content of “white trash” (USA), “chav” (UK), and “bogan” (Australia) stereotypes was found to be highly consistent, and in every culture it correlated positively with the stereotype content of apes. In Studies 2a and 2b, a within-subjects approach replicated this effect and revealed that it did not rely on derogatory labels or was reducible to ingroup favoritism or system justification concerns. In Study 3, the “bogan” stereotype was associated with ape, rat, and dog stereotypes independently of established stereotype content dimensions (warmth, competence, and morality). By implication, stereotypes of low-SES people picture them as primitive, bestial, and incompletely human.
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Correa, Sílvio Marcus de Souza. "“Gorilas” no imaginário colonial: fantasias sexuais em torno do liame entre o humano e o bestial." Anuário Antropológico, v.46 n.2 (May 30, 2021): 36–65. http://dx.doi.org/10.4000/aa.8315.

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Parreira, Marcelo Pen. "Fantasmas de si mesmo: uma leitura demoníaca de James e de Machado." Machado de Assis em Linha 6, no. 12 (December 2013): 117–37. http://dx.doi.org/10.1590/s1983-68212013000200009.

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Este artigo prossegue na discussão sobre o papel do duplo no mundo desencantado da era liberal. Por meio da análise de algumas histórias de Henry James e de Machado de Assis, ele investiga a figuração do sujeito, esvaziado e iludido, assombrado por seu outro eu mutilado - imagem replicada tornada pavorosa pelo horror que o homem moderno comete contra si próprio. As narrativas de Machado, além disso, ao evocar personagens como que possuídos por vestígios de sua "herança bestial" ou por projeções de feitos mundanos (que eles metonimicamente tomam como sua essência integral), desestabilizam ainda mais o conceito de individuação. Nos dois autores, lidar com esse paradoxo também significa conduzir a narrativa a seus momentos negativos ou de falência, quando narrar deixa de ser possível.
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Teglia Alonso, Vanina María. "El nativo americano en Bartolomé de las Casas: la proto-etnología “colegida” de la polémica." Latinoamérica. Revista de Estudios Latinoamericanos 1, no. 54 (September 5, 2016): 217. http://dx.doi.org/10.22201/cialc.24486914e.2012.54.56484.

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La Historia de las Indias de Bartolomé de las Casas es un texto constitutivamente polémico. Sus episodios narrativos intentan ser pruebas refutadoras, particularmente, de la Historia General y natural de las indias de Gonzalo Fernández de Oviedo y también de los textos de Juan Ginés de Sepúlveda escritos para el Debate de Valladolid. De esta polémica, resulta una particular representación del nativo americano. Estudiaremos detenidamente las estrategias de inversión del fraile dominico sobre ciertas imágenes estigmatizadoras de la incapacidad, carencia e imperfección del indio: su “ociosidad”, carácter “bestial”, “inferioridad” e idolatría. Para su discurso adversativo, Las Casas se sirve de ciertas técnicas de refutación y de algunas figuras de la agresión: la retorsión, la metástasis, la desmitificación, las disociaciones, la injuria, entre otros.
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Haskins, Susan. "Bestial or human lusts? The representation of the matron and her sexuality in Apuleius' Metamorphoses (10.19.3-22.5)." Acta Classica 57, annual (2014): 30–52. http://dx.doi.org/10.15731/aclass.057.03.

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I. Cox, Catherine. "Plague like Cats." Explorations in Renaissance Culture 41, no. 1 (March 16, 2015): 1–29. http://dx.doi.org/10.1163/23526963-04101001.

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Although many scholars have acknowledged the dark thread interwoven into William Baldwin’s playful narrative Beware the Cat, they have largely ignored the role of plague in heightening the work’s sense of impending danger. Baldwin intensifies our sense of peril by including at every level of his narrative references to plague. In Beware the Cat, contagious disease symbolically melds with other kinds of divine punishment. These include bestial transformations, farcical exposure, and painful afflictions, especially the startling appearances of and painful biting, scratching, strangling, and suffocation by cats. All are ways that God punishes his creatures for their abominations. Baldwin’s emphasis on plague as God’s vengeance for sin becomes one of the cats’ most significant meanings and a key to our understanding of the protagonist Gregory Streamer’s strange quest.
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Urabayen, Julia, and Jorge León. "El humanismo es una violencia propia de bestias. Filosofando a martillazos, a partir de Levinas y Derrida, la medida de lo humano y lo humano como medida." Anales del Seminario de Historia de la Filosofía 33, no. 1 (April 8, 2016): 253–84. http://dx.doi.org/10.5209/rev_ashf.2016.v33.n1.52297.

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La reflexión levinasiana surge como una crítica a la filosofía tradicional que, al estar basada en la presencia y la identidad, conduce a la exclusión del otro. Frente a un pensar onto-lógico, el lituano propone que la ipseidad del ser humano sea constituida por la alteridad, y lo sea éticamente, porque el sujeto es sujeto-a, es decir, responsabilidad. En un intento por llevar aún más allá la obligada atención a la otredad del otro, Derrida desarrollará una crítica radical a la postura levinasiana. Deconstrucción de todo rastro de ipseidad y soberanía en la relación con el otro, la lectura de la obra de Derrida aquí realizada apuesta por una concepción no definible de lo humano. De ahí que toda de-limitación de un ámbito ético como propiamente humano conlleve una violencia bestial que el levinasiano humanismo del otro pretendía superar.
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Cardeira, Esperança, and Alina Villalva. "Tendências metafóricas no léxico português: o que os dicionários não dizem." LaborHistórico 6, no. 3 (December 20, 2020): 140–61. http://dx.doi.org/10.24206/lh.v6i3.35048.

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Abstract:
A lexicografia portuguesa é tradicionalmente baseada em trabalhos lexicográficos anteriores. Como resultado desta tradição, os dicionários contemporâneos apresentam um grande número de significados para cada entrada, mas não mencionam a frequência de uso ou as mudanças semânticas que as palavras sofreram ao longo do tempo. É o caso do vocábulo esquisito, definido nos dicionários como ‘estranho’, mas também como ‘elegante’, ou de bizarro (inicialmente ‘corajoso’, hoje em dia ‘estranho’). O significado original destas palavras, que era positivo, sofreu uma mudança que lhes criou uma conotação negativa. Por outro lado, palavras como bestial e brutal (ambas com o significado inicial de ‘selvagem’) ganharam um significado positivo bastante inesperado (‘sensacional’). Que usos metafóricos permitiram estas mudanças? E como lidam os dicionários com estas alterações? A análise de fontes lexicográficas históricas e contemporâneas pode ajudar-nos a elucidar este tipo de mudanças semânticas no léxico português.
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