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Relevant bibliographies by topics / Bestiarier

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Academic literature on the topic 'Bestiarier'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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Journal articles on the topic "Bestiarier"

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Martín Pascual, Llúcia. "La tradición de los bestiarios franceses y su influencia en la Península Ibérica." Estudios Humanísticos. Filología, no. 36 (November 29, 2014): 115. http://dx.doi.org/10.18002/ehf.v0i36.1147.

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<p>Resumen</p><p>Este trabajo pretende realizar, en primer lugar, una descripción de los textos de los bestiarios conservados en francés en verso y en prosa, éstos últimos tanto de temática moral como amorosa. Una vez realizada esta descripción, observaremos como se ha producido la evolución de la materia animalística, hecho que propicia el cambio de perspectiva de unos textos religioso-morales a otros amorosos. Finalmente, intentaremos demostrar que los bestiarios en prosa franceses, tanto amorosos como morales influyen en la configuración de los bestiarios toscanos, fuente a su vez de los bestiarios catalanes.</p><p>Palabras clave: Bestiarios, <em>Physiologus</em>, tradición animalística, bestiarios franceses, bestiarios catalanes, bestiarios amorosos.</p><p>Abstract</p> <p>This paper aims, first, make a description of texts in French bestiaries preserved in verse and prose, with moral issue and loving. After this description, we see how there has been the evolution of matter animalistic, that causes the change of perspective about moral-religious texts to other loving. Finally, it will be shown that the bestiaries in both French prose loving and moral, makes influence in shaping the Tuscan bestiaries, in turn source of Catalan bestiary.</p><p>Key words: Bestiary, <em>Physiologus</em>, animalistic tradition, French bestiaries, Catalan bestiary, loving bestiaries.</p>

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Gramusset, François. "En el arca de Arreola, carne y palabra se buscan (sobre su Bestiario de 1958)." LA PALABRA, no. 26 (January 15, 2015): 85. http://dx.doi.org/10.19053/01218530.3256.

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Este artículo es un análisis del compendio "zoológico" presente en Bestiario de Juan José Arreola. El acercamiento al universo imaginario de Arreola se aborda en primer lugar a través de la puesta en diálogo del Bestiario con el Physiologos, texto embrionario de los bestiarios de la tradición occidental y en segundo lugar a través de un análisis de texto. En esencia se pretende subrayar el modo en que los animales del bestiario (a través de su lexicalización) se encarnan en representaciones imaginarias, vinculadas éstas con los tiempos primordiales. Para tal fin estudiamos tres paradigmas clasificatorios de la carne animal que denominamos: tierra, aire, agua. Dicha clasificación pretende dar cuenta de la significación espiritual de la palabra en el libro de Arreola y a la vez reflejar la manera en que los animales del bestiario simbolizan la carne humana, hecha posible a través del lenguaje poético.Palabras clave: Figuración literaria; zoología; símbolo; animalidad; bestiario.

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De Barros Dias, Isabel Maria. "«Parir por la boca». vicisitudes de un tema sorprendente del imaginario de la comadreja." Lectura y Signo, no. 10 (December 29, 2015): 73. http://dx.doi.org/10.18002/lys.v0i10.2652.

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<p align="JUSTIFY"> </p><p><strong>Resumen </strong></p><p align="JUSTIFY"> </p><p>Estudio de un motivo impactante recurrente en bestiarios: la comadreja que da a luz a través de la boca. Se muestran diferentes variantes de este <em>topos</em> y se debate su origen, probablemente una anécdota procedente de la mitología antigua, específicamente la historia de Galantis, sierva de Alcmena, que ayudó en el nacimiento de Hércules. Esta historia fue versificada por Ovidio de forma magistral y se encuentra también en Eliano. Su recuerdo persistió aún en algunos textos medievales.</p><p align="JUSTIFY"> </p><p>Palabras Clave: comadreja; bestiario; motivos literarios; fuentes; mitología clásica</p><p align="JUSTIFY"> </p><p> </p><p align="JUSTIFY"> </p><p><strong>Abstract</strong></p><p align="JUSTIFY"> </p><p>Study of an impressive recurrent motif in Bestiaries: the weasel that gives birth through the mouth. Different variants of this <em>topos</em> are shown and its origin is discussed, probably a tale from Ancient mythology, specifically the story of Galanthis, servant of Alcmene, who helped the birth of Hercules. This story was masterfully versified by Ovid, and it can also be found in Aelianus. Its memory still lasted in some medieval texts.</p><p align="JUSTIFY"> </p><p>Key Words: weasel; bestiary; literary motifs; sources; classical mythology</p><p align="JUSTIFY"><span style="font-family: 'Book Antiqua', serif;"><span lang="es-ES"><br /></span></span></p>

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González García, Francisco. "Nuevos bestiarios en la literatura española contemporánea." Lectura y Signo, no. 11 (December 20, 2016): 83. http://dx.doi.org/10.18002/lys.v0i11.4754.

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<p>El artículopretende mostrar cómo el bestiario, una de las formas literarias más antiguas que existen, se<br />mantiene vigente en la literatura española de los siglos xx y xxi. A partir de varios bestiarios de escritores<br />contemporáneos (Javier Tomeo, Gustavo Martín Garzo, Daniel Nesquens, Ángel García López, etc.),<br />proponemos una taxonomía que ayude a clarificar su utilidad actual. Revisamos, asimismo, las características<br />del género, constatando no solo su vigencia, sino también su actualización y revitalización.</p><p><br />Palabras clave: bestiario, animales, monstruos, literatura española, contemporánea<br /><br />The article shows how the bestiary, one of the oldest literary forms, are still valid in the Spanish literature<br />of the xx and xxi centuries. From several bestiary of contemporary writers (Javier Tomeo, Gustavo<br />Martín Garzo, Daniel Nesquens, Angel García López, José María Merino, José Luis Sampedro, Juan Jacinto<br />Muñoz Rengel, etc.), we propose a taxonomy to help clarify the current use of the Spanish bestiary.<br />In addition, we review the definition and characteristics of the genre.</p><p><br />Key words: bestiary, animals, monsters, Spanish literature, contemporary</p>

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Campbell, Emma. "Sound and Vision." Romanic Review 111, no. 1 (May 1, 2020): 128–50. http://dx.doi.org/10.1215/00358118-8007985.

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Abstract As moralized works of natural history that are simultaneously scientific and religious, medieval bestiaries combine the modes Bruno Latour terms reference [REF] and religion [REL]. Bestiaries challenge the dualisms Latour identifies as central features of Modern thinking: they foreground the mediated nature of the world, they ground their descriptions in textual traditions and religious doctrine rather than direct observation, and they represent nature as articulate rather than mute. Latour’s modes help us understand the multimodal nature of bestiaries in ways that refuse the Modern preconceptions that often determine the reception of these texts today. Bestiaries in turn expose certain Modern biases that persist in Latour’s modes of existence, most notably in the crossing of the referential and religious modes [REF•REL]. This essay explores the larger implications of this problem by focusing on the operations of the religious mode [REL] in medieval bestiaries—a mode that includes reference [REF] but does not cross with it as a separate mode. Latour’s dismantling of the Modern opposition between world and words invites a reassessment of how we conceptualize the agency of language in the modes of existence.

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Hawhee, Debra. "Bestiaries, Past and Future." Rhetoric Society Quarterly 47, no. 3 (May 12, 2017): 285–91. http://dx.doi.org/10.1080/02773945.2017.1309929.

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Honegger, Thomas. "The Legacy of the Bestiaries in Chaucer and Henryson." Reinardus / Yearbook of the International Reynard Society 12 (September 15, 1999): 45–65. http://dx.doi.org/10.1075/rein.12.05hon.

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Abstract The influence of bestiaries on Chaucer and Henryson is not an obvious one. Thus, Chaucer avoids explicit allegorizations and merely hints at the allegorical dimension of his animals. Yet, he makes use of the ready symbolism of (bestiary) animals in his similes and characterizations of protagonists. Henryson, on the other hand, applies the technique of allegorical interpretation of animals - a typical feature of the bestiaries -to the protagonists of his Aesopic and Reynardian fables.

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Eguiarte, Enrique A., and Mauricio Saavedra. "Bestiario agustiniano." Mayéutica 44, no. 97 (2018): 5–30. http://dx.doi.org/10.5840/mayeutica201844971.

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Martínez, Anel, and María José Gallardo-Rubio. "Bestiario profano." La Colmena, no. 101 (May 9, 2019): 109. http://dx.doi.org/10.36677/lacolmena.v0i101.12005.

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La artista visual Anel Martínez (Larvae) presenta una selección de obra en tinta china y papel de algodón que encarna mediante la oscuridad los terrores y deseos nocturnos que reptan en la imaginación.

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Varty, Kenneth, and Debra Hassig. "Medieval Bestiaries: Text, Image, Ideology." Sixteenth Century Journal 28, no. 1 (1997): 203. http://dx.doi.org/10.2307/2543245.

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Dissertations / Theses on the topic "Bestiarier"

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Gunnarsson, Therese. "Katten i medeltidens symbolvärld : En studie om framställningen av kattdjur i medeltida bestiarier." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-37112.

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Andreasson, Christine. "De medeltida djurfigurernas idévärld : med kyrkomålaren Johannes Rosenrods exemplifiering." Thesis, Högskolan på Gotland, Institutionen för humaniora och samhällsvetenskap, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hgo:diva-1917.

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In the medieval ruling catholic time the church walls was swarmed with programs of pictures with religious motives there the animal figures rich symbolics was significant first and foremost for the illiterate. Principally the inspiration comes from the antiquitys pagan world of fables and bestiary Christian world of symbols with the bible as the essential source. The essay describes six of the most common animal symbols who occur; dragon, the sneak in the Paradise, mouth of hell, lion, the fox as a preacher and the devil. To attain to a discussion about why just animals are used as symbols for human characteristics in the medieval church art instead for human beings as it's actually be about, I have studied bestiary and other literature about medieval churchpainting to get an understanding about the history of ideas about the thoughts of the time and about symbolics of animals, worth and how the Christianity have had an influence on the pictures. I have used Johannes Rosenrods church pictures from Tensta church in Uppland from 1437 as an exemplification but also mentioned other unknown painters who used similar animal codes and motives. It's plausible that the purpose of the animal figures was both religious and political, which was used by both the spiritual and the worldly authority so they could keep their dominance over the peasant. The figures was simple to read and remember and they made a deep impression on the people together with the sermon. The churchgoer get so to speak a sound- and image experience, a medieval reality who impress their world of ideas. When it's about the artistic formation of religious expression and characteristics it was undoubtedly a great advantage for the artists to use an animal code like a schemata. The medieval unchangeable animal symboles was ready to be used for anyone who wished.

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Trautzsch, Nadine. "Professor Allerhands unbekannte Tierwelt kleines Bestiarium der Alltagsphänomene." Berlin Onkel & Onkel, 2007. http://d-nb.info/988942925/04.

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Calabrese, Filomena. "Il Bestiario : scienza e letteratura in Leonardo da Vinci." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82691.

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Le Bestiaire de Leonard de Vinci (datable aux alentours de 1493-1494) est une oeuvre qui s'inscrit dans le cadre de la complexe tradition litteraire-scientifique tout en etant, de plusiers facons, differenciee par rapport au corpus a facettes des ouvrages de Vinci. L'analyse des sources (le Fiore di virtu, l'Acerba de Cecco d'Ascoli, l'Histoire naturelle de Pline, et d'autres textes inspires au Physiologus grec) constitue la premiere partie de l'etude, ou grande place est donnee aux innovations de Leonard. Dans la deuxieme partie les aspects scientifiques et litteraires, qui sont presents simultanement dans l'oeuvre, viennent ainsi examines minutieusement dans l'intention de demontrer que le Bestiaire ne constitue pas simplement un emprunt aux sources, mais est plutot une contribution originale a la tradition dont elle fait partie et dont on ressent la touche creative de Leonard et l'universalite de sa pensee.

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Penzo, Junge Sergio. "Bestiario de la publicidad chilena. Mascotas de marca nacionales contemporáneas." Tesis, Universidad de Chile, 2004. http://www.repositorio.uchile.cl/handle/2250/100591.

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Mi propuesta consiste, básicamente, en desarrollar un libro objeto, una publicación que represente bajo mi particular sensibilidad el universo de las mascotas contemporáneas de marcas chilenas. Un libro como objeto, un libro espejo, un libro reflejo. Un libro con valor para todos aquellos interesados en las comunicaciones, en los mensajes de marca y en una herramienta muy particular que hemos desarrollado los profesionales de las comunicaciones para poder establecer relaciones más cercanas con nuestros prospectos. Este es el bestiario de la Publicidad Chilena, una experiencia que tiene como protagonistas, las Mascotas de Marca Chilenas.

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Litsgård, Matilda. "Aldrig stilla, aldrig farliga : Groteska kroppar i Mare Kandres romaner Bestiarium och Xavier." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-156042.

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In this paper, I study the bodies in Mare Kandre’s two novels Bestiarium (1999) and Xavier (2002), with the help of Mikhail Bakhtin’s theories of the grotesque. I examine the worldview that is portrayed in the novels – focusing on the attitude towards death – and seek answers to the following questions: how do the human bodies look and how do they relate to their surroundings? What does the way they are portrayed say about the world the novels portray? And what role does laughter play in the novels? I also examine the similarity between a grotesque body, and a gothic monster. As a result, I find that one body may exist both in life and death at the same time, that the bodies can merge together, and that the boundaries between body and world may be exceeded. I also find the grotesque abilities of the body not to be threatening, but filled with possibilities. Here, even monsters are not harmful.
I den här uppsatsen undersöker jag kropparna i Mare Kandres två romaner Bestiarium (1999) och Xavier (2002), med utgångspunkt i Michail Bachtins teorier om det groteska. Jag söker svar på hur hans begrepp kan öka förståelsen för den värld som målas upp i romanerna, med ett fokus på inställningen till döden. Jag ställer mig frågor om hur de mänskliga kropparna ser ut och hur de förhåller sig till resten av världen, vad sättet de gestaltas på säger om romanvärlden och vilken roll skrattet spelar i romanerna. Jag undersöker också likheten mellan groteska kroppar och gotiska monster. I min analys visar jag att kropparna i Mare Kandres romaner kan befinna sig både i livet och döden samtidigt, att de ständigt är i rörelse och kan uppgå i varandra. Dessutom kan gränsen mellan kropp och värld upplösas. Jag visar också på att den glädje som kännetecknade medeltidens grotesk bara kan förnimmas, men att de groteska kropparna trots det besitter positiva möjligheter. Inte ens monster måste här besegras, då de inte utgör något hot.

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Bedini, Daniella Cadiz. "Bestiaries the animal and the human in Mila Kundera's The Unbearable Lightness of Being and J.M. Coetzee's Disgrace." Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/9996.

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Includes abstract.
In his book, The Open (2004), Giorgio Agamben suggests that the border between the human and the animal passes "first of all as a mobile border within living man". At stake in the construction of this border is a division of the human and the animal into separate and homogenous groups, and subsequently a denial of a multiplicity of life forms and experience. This relates to what Derrida (2004) has deemed "the self-interested misrecognition of what is called the Animal in general", and is something other critics working in the field of animal studies have discussed. In this thesis I read Milan Kundera's novel The Unbearable Lightness of Being and J.M. Coetzee's Disgrace in line with Agamben's notion of the fluidity of the human-animal border. The first chapter of this dissertation, 'Behaving like Animals', offers a reading of the biblical tale of Genesis and of the numerous sexual encounters in the novels that complicate the assumption of shame as being 'proper to man'. The second chapter, "Alternative lives, Alternative Deaths", challenges the idea of Driepoot's death in Disgrace as being "euthanasia" and, moreover, examines the complexities of mourning the death of what Jeff McMahan has deemed "beings on the margins of life", which includes both humans and animals. In my analysis of these novels, I have borrowed from different, seemingly disconnected, critical discourses. In some cases, this has meant "inserting" the animal into these theories in places where the animal was not explicitly named. This has meant putting pressure on existing lines of enquiry. My multi-disciplinary approach to theorising animals, and our relations to and with them, suggests different avenues for research in the growing field of animal studies.

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Rodriguez, Rocha Rita Sheila. "El bestiario en Canto ceremonial contra un oso hormiguero (1968), de Antonio Cisneros." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2015. https://hdl.handle.net/20.500.12672/8814.

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Pretende realizar la identificación y la clasificación de los animales que emplea el poeta Antonio Cisneros en su cuarto poemario titulado Canto ceremonial contra un oso hormiguero (1968) para poder establecer las coordenadas ―el campo figurativo de la metáfora y el empleo de la metáfora orientacional arriba-abajo― que configuran el bestiario cisneriano, el cual articula, bajo la lectura, una crítica patente contra la modernidad. Después de realizar la identificación de los animales que presenta Cisneros y realizar la clasificación pertinente para establecer lo que estos representan, dilucida la posición ética del sujeto de la enunciación, quien reestructura el concepto “hombre” a partir de las relaciones que este teje con el mundo animal.
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Contadini, Anna. "The Kitab nact al-hayawan (book on the characteristics of animals, BL, Or. 2784) and the #Ibn Bakhtishu'c' illustrated bestiaries." Thesis, SOAS, University of London, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245106.

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The purpose of this thesis is to examine an illustrated Medieval Arabic bestiary (British Library Or. 2784), and the so-called Ibn Bakhttshü bestiary tradition to which it belongs. Despite the fact that this bestiary tradition is one of the most important in Medieval Islam--and the richest in illustrated copies--there exists for it not a single edited text or critical translation. Analysis of this tradition from both a textual and iconographical point of view thus fulfills a longstanding need and may logically begin with the earliest manuscript: the Kitab nact al-hayawn. In VOLUME ONE: Chapter One outlines the purpose of the thesis, and discusses the methodology used. The authorship of the manuscript, its commissioner, its sources and text are then examined in Chapter Two and the two main sources, Aristotle and Ibn Bakhtishüc , are discussed in detail. Historical information (translated for the first time from Arabic sources) on the Bakhtishüc family of physicians is presented. The listing and identification of other sources is accompanied by a bibliographical apparatus. Finally, the place of the Nact in the history of zoology is discussed. Chapter Three examines the manuscript itself. It presents a general description of its contents, the paper and pigments used. A description folio by folio follows, with a reconstruction of the history of the manuscript. Relying on both internal syntactic evidence and collation with other manuscripts, a reconstruction of the original order of the folios then follows since the sequence of folios has been drastically altered in subsequent rebindings. Chapter Four describes the other bestiaries of the so called Ibn Bakhtishüc tradition, and discusses and interprets the relationship of the Nact to them. Chapter Five examines the miniatures. Their organization, pictorial and compositional elements are considered. A detailed stylistic and iconographical analysis of those of particular significance for an understanding of the place in history and provenance of the manuscript is provided, together with an analysis of those which present peculiarities in terms of composition and narrative. Chapter Six discusses the date, geographical provenance, and the historical context of the Nact.

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Lindvall, David. "Från barnbok till musiksaga : En undersökning om hur karaktärerna i Kiras och Luppes Bestiarium uppfattas genom en adaption." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-12502.

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Books on the topic "Bestiarier"

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Loynaz, Dulce María. Bestiarium. La Habana, Cuba: Editorial Jose Martí, 1993.

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Bestiarium. Kraków: Wydawnictwo Znak, 2012.

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Loynaz, Dulce María. Bestiarium. Medellín, Colombia: D.M. Loynaz, 2006.

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Gombrowicz, Witold. Bestiarium. Kraków: Wydawn. Literackie, 2004.

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Garduño, Flor. Bestiarium. Zürich: U. Bär, 1987.

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Restrepo, Beatriz Restrepo. Bestiario. Bogotá: Universidad de los Andes, Facultad de Artes y Humanidades, Departamento de Humanidades y Literatura, 2014.

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Tomeo, Javier. Bestiario. [Zaragoza, Spain?]: Prames, 2007.

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Bertrana, Prudenci. Bestiaris. Barcelona: Edicions 62, 1989.

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Buzzati, Dino. Bestiario. Milano: A. Mondadori, 1991.

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Feria, Luis. Bestiario. Madrid: Ediciones ENEIDA, 1999.

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Book chapters on the topic "Bestiarier"

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Landry, Harald. "Blei, Franz: Bestiarium literaricum." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5972-1.

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Lindberg, David C. "Der Ursprung der Naturwissenschaften." In Von Babylon Bis Bestiarium, 1–21. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03506-6_1.

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Lindberg, David C. "Die Wiederentdeckung und Assimilierung der Griechischen und Islamischen Naturwissenschaft." In Von Babylon Bis Bestiarium, 223–53. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03506-6_10.

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Lindberg, David C. "Der Mittelalterliche Kosmos." In Von Babylon Bis Bestiarium, 255–92. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03506-6_11.

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Lindberg, David C. "Die Physik des Sublunaren Bereiches." In Von Babylon Bis Bestiarium, 293–331. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03506-6_12.

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Lindberg, David C. "Medizin und Naturgeschichte im Mittelalter." In Von Babylon Bis Bestiarium, 333–72. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03506-6_13.

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Lindberg, David C. "Das Naturwissenschaftliche Vermächtnis von Altertum und Mittelalter." In Von Babylon Bis Bestiarium, 373–88. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03506-6_14.

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Lindberg, David C. "Die Griechen und der Kosmos." In Von Babylon Bis Bestiarium, 23–48. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03506-6_2.

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Lindberg, David C. "Die Naturphilosophie des Aristoteles." In Von Babylon Bis Bestiarium, 49–72. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03506-6_3.

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Lindberg, David C. "Die Hellenistische Naturphilosophie." In Von Babylon Bis Bestiarium, 73–89. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03506-6_4.

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