Academic literature on the topic 'Betrayal in literature'

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Journal articles on the topic "Betrayal in literature"

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Annin, Felicia. "The Personal is Political." Matatu 52, no. 2 (October 20, 2022): 390–415. http://dx.doi.org/10.1163/18757421-05202008.

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Abstract In this article, I posit that Ngũgĩ’s oeuvre presents numerous instances of love, betrayal, and adultery. While love and adultery are limited to personal spaces, betrayal occurs in both the personal and political spheres in Ngũgĩ’s works. In the novel A Grain of Wheat, betrayals in the personal sphere are juxtaposed with betrayals in the political sphere. The betrayal within the political sphere has implications for the personal relations of the characters. Political ideals are betrayed by the complex and divided characters in Ngũgĩ’s narratives. The characters are not spared betrayal on personal and political levels. The personal and political betrayals thus are conflated and make it a critical area of study. This study seeks to emphasise that both forms of betrayal are crucial and the relationship between them is inseparable. The personal betrayal in Ngũgĩ’s A Grain of Wheat (1967) occurs in romantic relationships; more specifically, the betrayal is represented by adultery in marriage, while the political betrayal emerges as betraying one’s country.
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Oldfield, Ronald G. "You Can't Betray a Fish: One Reason Eating Fish May Cause Less Harm Than Eating Cows." Journal of Animal Ethics 12, no. 1 (April 1, 2022): 51–58. http://dx.doi.org/10.5406/21601267.12.1.05.

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Abstract In The Ultimate Betrayal: Is There Happy Meat?, Bohanec (2013) proposed that farmed animals raised humanely may experience betrayal when slaughtered. I argue based on personal experience that humans often betray trust relationships with farmed animals. Using published scientific literature, I find that typical farmed animals (mammals) and farmed fishes are both cognitively capable of a rudimentary experience of betrayal. However, the manner in which fishes are typically maintained does not present opportunities for human-fish trust relationships to develop. Eating farmed fishes presents fewer ethical implications than eating cows, at least in some cases.
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Ali, Maryam Amjad, and Shamaila Dodhy. "Exploration of Betrayal in Exploited Spaces: A Bakhtinian Study of The Shadow of the Crescent Moon." New Middle Eastern Studies 11, no. 1 (July 23, 2021): 1–15. http://dx.doi.org/10.29311/nmes.v11i1.3846.

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In post 9/11 literature, the wave of terrorism and its penetration into third world countries have been a serious concern. Since then, Pakistani literature has encapsulated the impact of war on terror in multi-faceted ways – investigating its implications on social, political and cultural levels. This article strives to focus on how betrayal seeps into the exploited spaces of the tribal areas. Bakhtinian studies assess the concept of betrayal from multiple perspectives, considering the applicability of the terms in unveiling the betrayal in relationships and state level as well. By the application of the concepts of chronotope and polyphony, the enforcement and discretion of being betrayed or by betraying have been analysed via considering the aftermaths of imposed war in terms of social-political aspects. The work has also focused on the penetration of betrayal in fictional tribal areas, by the youngsters of a native town who associated themselves with violent groups, spreading anarchy and disorder. The transgression from the order of the normal life due to encounter with grotesque reality has been unveiled in the study. With fear of violence, hope also germinates in the disordered world. It elucidates the multidimensional view of betrayal due to the disparities faced by the people of the tribal area.
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Chronister, Kay. "“A True Landmark to Warn”: Seduction-Betrayal and the Recognition of History in Delarivier Manley’s The New Atalantis." Eighteenth-Century Fiction 34, no. 3 (March 1, 2022): 269–85. http://dx.doi.org/10.3138/ecf.34.3.269.

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Organized as a diffuse collection of vignettes, Delariver Manley’s The New Atalantis (1709) has proven challenging to approach as a discrete work. In this essay, I engage Atalantis as a romance and argue that the text is struct urally unified by patterns of repetition, in particular the repeti tion of a narrative that I term “the seduction-betrayal fantasy.” The topos of political seduction-betrayal was widespread in early eighteenth-century Tory historiography as a means of acknowledging the failures of the Stuart monarchy while displacing blame away from monarchs onto others in their orbits. Yet it was frequently difficult for historians to “prove” that political seduction-betrayal had occurred. I argue that Manley addresses this challenge in Atalantis by pairing vignettes concerning political treachery with structurally analogous vignettes about well-known sexual seduction-betrayals. These sets of dyads invite readers to interpret controversial episodes from political history through paradigms generated by strategically selected stories of sexual wrongdoing. However, they also enable Manley to inject moments of ambivalence into her Tory secret history.
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Aimone, Jason A., Daniel Houser, and Bernd Weber. "Neural signatures of betrayal aversion: an fMRI study of trust." Proceedings of the Royal Society B: Biological Sciences 281, no. 1782 (May 7, 2014): 20132127. http://dx.doi.org/10.1098/rspb.2013.2127.

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Decisions are said to be ‘risky’ when they are made in environments with uncertainty caused by nature. By contrast, a decision is said to be ‘trusting’ when its outcome depends on the uncertain decisions of another person. A rapidly expanding literature reveals economically important differences between risky and trusting decisions, and further suggests these differences are due to ‘betrayal aversion’. While its neural foundations have not been previously illuminated, the prevailing hypothesis is that betrayal aversion stems from a desire to avoid negative emotions that arise from learning one's trust was betrayed. Here, we provide evidence from an fMRI study that supports this hypothesis. In particular, our data indicate that the anterior insula modulates trusting decisions that involve the possibility of betrayal.
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Knapp, Bettina L., Hong Ying, and Martha Avery. "Summer of Betrayal." World Literature Today 71, no. 4 (1997): 863. http://dx.doi.org/10.2307/40153489.

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Korteling, Nonia Williams. "Genre Betrayal." Women: A Cultural Review 26, no. 3 (July 3, 2015): 354–56. http://dx.doi.org/10.1080/09574042.2015.1069144.

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Sameeni, Maleeha Shahid, Faisal Qadeer, Sana Shahid, and Mehreen Khurram. "Differential Effects of Performance versus Value-based Brand Betrayal on Hate and Unfavorable Consumer Behaviors." Spring 2023 3, no. 2 (June 30, 2023): 775–91. http://dx.doi.org/10.54183/jssr.v3i2.236.

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Despite existing studies on negative consumer-brand relationships, understanding of extreme negative states, such as brand betrayal and brand hate, is still in the infancy stage. The current study addresses this crucial gap by investigating the effect of brand betrayal on brand hate and subsequent consumer behaviors. Specifically, it examines the effect of two different forms of betrayal (i.e., performance versus value-based betrayal) in influencing brand hate and unfavorable consumer behaviors (i.e., vindictive complaining and boycotting). The study respondents were recruited and surveyed online via Prolific. The sample included 391 responses which were further divided into two groups, i.e., one who suffered from performance-based betrayal and the other from value-based betrayal. The findings reveal a significant positive association of brand betrayal with brand hate, vindictive complaining, and consumer boycott. Interestingly, the magnitude of the effects of value-based brand betrayal is greater than that of performance-based betrayal. Moreover, brand hate is significantly associated with vindictive complaining and consumer boycotts. The findings enrich negative consumer-brand relationship literature and provide managerial guidance for devising effective strategies for brand transgressions.
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Irfani, Suroosh. "Double Betrayal." American Journal of Islam and Society 13, no. 3 (October 1, 1996): 405–8. http://dx.doi.org/10.35632/ajis.v13i3.2302.

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Since 1989, more Kasluniris have died in the struggle against Indianrule than the cumulative number of Bosnian casualties of Serb attacks inSarajevo and of Palestinians during the intifada. Even so, not many peopleare aware of the mass freedom movement that has gripped the northernHimalayan state of Jammu and Kashmir for the past six years. Reasons forsuch apathy are not hard to gauge: Western stakes in Kashmir are of a differentkind than those in the Balkans or the oil-rich Middle- EastConsequently, the uprising in Kashmir and the massive human rights vio­lations there have been relegated to the fringe of the Western media. Overburdenedby its post-cold war concerns, the Western conscience seems tobe on recess in Kashmir. A corollary to the lack of international concern over Kashmir is thevirtual absence of literature on contemporary Kashmiri reality. The studyby Paula Newberg, a senior associate at the Camegie Endowment whohas visited Kashmir several times, is an apt response to this doubledeficit. Academically unpretentious and refreshingly free of prescriptivesolutions, Double Betrayal (available from The Brooking Institution inWashington, DC) etches a disturbing image of mass resistance and insularmass repression in this land-locked Indian-administered state. Thebook encapsulates the nature of the Kashmiri insurgency, Indian repression,and the agony of an entire population whose suffering the worldrefuses to fathom ...
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Levine, Miriam. "Food, Sex, and Betrayal." American Literature 68, no. 1 (March 1996): 85. http://dx.doi.org/10.2307/2927541.

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Dissertations / Theses on the topic "Betrayal in literature"

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Kallstrom, Martha Ann. "Textual fidelity and betrayal : Chaucer's deserted women /." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1302802060.

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Weaver, Kimberly C. "Mothering and Surrogacy in Twentieth-Century American Literature: Promise or Betrayal." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/77.

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Twentieth-century American literature is filled with new images of motherhood. Long gone is the idealism of motherhood that flourished during the eighteenth and nineteenth centuries in life and in writing. Long gone are the mother help books and guides on training mothers. The twentieth-century fiction writer ushers in new examples of motherhood described in novels that critique the bad mother and turn a critical eye towards the role of women and motherhood. This study examines the trauma surrounding twentieth-century motherhood and surrogacy; in particular, how abandonment, rape, incest, and negation often results in surrogacy; and how selected authors create characters who as mothers fail to protect their children, particularly their daughters. This study explores whether the failure is a result of social-economic or physiological circumstances that make mothering and motherlove impossible or a rejection of the ideal mother seldom realized by contemporary women, or whether the novelists have rewritten the notion of the mother’s help books by their fragmented representations of motherhood. Has motherhood become a rejection of self-potential? The study will critique mother-daughter relationships in four late twentieth-century American novels in their complex presentations of motherhood and surrogacy: Toni Morrison’s The Bluest Eye (1970), Kaye Gibbons’s Ellen Foster (1990), Dorothy Allison’s Bastard Out of Carolina (1992) and Sapphire’s Push (1997). Appropriated terminology from other disciplines illustrates the prevalence of surrogacy and protection in the subject novels. The use of surrogate will refer to those who come forward to provide the role of mothering and protection.
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Phillips, James. "The enemy within : division and betrayal in literature of the Second World War." Thesis, University of Birmingham, 2018. http://etheses.bham.ac.uk//id/eprint/8402/.

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Although descriptions of civilian experience during the Second World War tend to stress concepts of unity and the nation 'pulling together', much literature ofthe period repeatedly suggests division and distrust, and fears of an 'enemy within' that can be seen directly in the numerous fifth columnist plotlines and more indirectly through stories of personal treachery and duplicity. Here the work of a number of authors writing during World War II is examined, with close comparison of how themes of betrayal and mistrust are woven into their texts. This is placed in context through consideration both of government propaganda warning citizens of the dangers of spies and fifth columnists during the war and social fracturings along gender, class and political lines that were already in existence when war began. The 'enemy within' motif exists in a number of forms and discussion of this is extended to consider, for example, contemporary concerns that the increasing authoritarianism of the British government meant the country was moving towards the fascism it had gone to war to defeat, presentations of the home as an enemy space, and repeated depictions of fragmented identity and trauma that suggest the enemy also exists within the individual psyche.
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Levin, Janina. "Modern Reinterpretations of the Cuckold." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/91450.

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Ph.D.
The cuckold has been a neglected character in Western literary history, subject to derision and often cruel comic effects. Yet three major modern novelists portrayed the cuckold as a protagonist: Gustave Flaubert in Madame Bovary, Henry James in The Golden Bowl, and James Joyce in Ulysses. This study compares their portrayal of the cuckold with medieval storytellers' portrayal of him in the fabliau tales. The comparison shows that modern writers used the cuckold to critique Enlightenment modes of knowing, such as setting up territorial boundaries for emerging disciplines and professions. Modern writers also attributed a greater value than medieval writers did to the cuckold's position as a non-phallic man, because he allowed his wife sexual freedom. Finally, they saw the cuckold as the other side of the artist; through him, they explore the possibility that the Everyman can be a vehicle for reflected action, rather than heroic action. This study combines Lacanian psychoanalysis with narratology to analyze the cuckold as a subject and as a compositional resource for modern novelists.
Temple University--Theses
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Hoveka, Dineo Ida. "A study of selected themes of protest in Zakes Mda's post-apartheid fiction." Thesis, University of Limpopo, 2009. http://hdl.handle.net/10386/2627.

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Thesis (M.A. (English Studies)) --University of Limpopo, 2009
This dissertation examines elements of protest in four of Zakes Mda’s novels, namely, Ways of Dying (1995a), She Plays with the Darkness (1995b), The Heart of Redness (2000), and The Madonna of Excelsior (2002). The elements of protest that are identified and investigated in this study are abuse, betrayal, discrimination, and violence. This study also shows that these elements of protest that are investigated are a result of a lack of integrity and social accountability on the part of government, the civil service, and individuals themselves. In addition, this dissertation reveals the extent to which social injustices negatively influence the thinking and behaviour of the general South African society and thwart the aspirations of ordinary people. Finally, suggestions to curb abuse, betrayal, and discrimination are made.
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Boyer, Andrée Mary. "Nathalie Sarraute's Enfance or Tropismes rewritten." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1257791751.

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Thesis (M.A.)--Kent State University, 2009.
Title from PDF t.p. (viewed April 21, 2010). Advisor: Maryann De Julio. Keywords: Tropismes; Childhood; Enfance; betrayal; education; non-dit. Includes bibliographical references (p. 66-67).
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Bulut, Bilge. "Betrayal In Under Western Eyes By Joseph Conrad, The Painted Veil By Somerset Maugham, And Bir Dugun Gecesi By Adalet Agaoglu." Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/2/12611311/index.pdf.

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This study examines the theme of betrayal in three different literary works.Betrayal is seen in different forms in the three novels. In the first chapter of the thesis, the protagonist&rsquo
s betrayal to his friend in the English writer Joseph Conrad&rsquo
s Under Western Eyes is evaluated in terms of the reasons, process, and results. Psychological analysis of the character that betrays is made. In the second chapter adultery is examined in The Painted Veil by Somerset Maugham, who is another English writer. The reasons for the adultery the woman commits, her guilty conscience after the adultery, and the enlightenment process are discussed. In the third chapter, two characters&rsquo
betrayal to their ideology is examined with the background set as Turkey in the 1970s in Bir Dü

n Gecesi by Adalet Agaoglu, who is a Turkish writer. Psychological status of the characters is studied based on their feelings at a wedding night with their reasons to have deviated from their political views.Themes such as lack of love and dilemma, which collect the three novels under the same title, are particularly examined.
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Bender, John Brett. "Lost tramps & cherry tigers." Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/english_theses/68/.

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Souza, Anny Ribeiro. "Bentinho é Capitu: a autotraição do narrador de Dom Casmurro." Universidade do Estado do Rio de Janeiro, 2015. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=8298.

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Bentinho não é um personagem completamente inocente em suas memórias autobiográficas. Apesar de se colocar na posição de vítima, algumas atitudes suas dentro do romance Dom Casmurro, de Machado de Assis, são capazes de acusar o narrador de primeira pessoa de outras coisas além da imagem que pretende fazer de marido traído. Desta forma, este trabalho vai investigar como o personagem, através de sua versão casmurra, sai da posição de acusador para a de réu. Veremos como o personagem, que tem o poder da narrativa nas mãos, ironicamente trai a si mesmo, deixando-se mostrar, mesmo que sem claramente perceber, suas características acusatórias. Assim, encontraremos nele não só um personagem ciumento com toques de loucura, mas também uma pessoa tão dissimulada e manipuladora quanto Capitu, sua namorada e depois esposa a quem julga e condena ao longo do romance. Ser como ela leva Bento ao mesmo destino da moça: a solidão e o exílio que, no caso dele, acontece, em sua própria terra natal. Há ainda um segundo corpus sobre o qual esta análise se debruça: a microssérie Capitu (2008), exibida pela TV Globo em comemoração ao centenário de morte de Machado de Assis. Mostraremos como o trabalho audiovisual dirigido por Luiz Fernando Carvalho levou para a televisão as orientações de Machado de Assis, mantendo o mistério do Bruxo do Cosme Velho. Além disso, a microssérie também traduz em imagens a ideia de que Bentinho é um reflexo, um desdobramento de Capitu.
Bentinho is not a completely innocent character in his autobiographical memories. Despite posicioning himself as victim, some attitudes of him inside the novel Dom Casmurro, written by Machado de Assis, are able to accuse the first-person narrator of other things besides the image of betrayed husband that he wants to show. Thus, this study will investigate how the character, through his cranky old version leaves the accuser position for the defendant. We will see how the character, who has the power of the narrative in his hands, ironically betrays himself, showing, even without clearly see, his accusatory characteristics. Thus, we will find in him, not only a jealous character with some madness, but also a person who is as disingenuous and manipulative as Capitu, his girlfriend, an then, the wife who is judged and sentenced throughout the novel. Being like her, gives Bento the same destination of the girl: loneiness and exile that, in his case, happens in his own homeland. There is a second corpus on which this analysis focuses: the miniseries Capitu (2008), displayed by TV Globo in celebration of the centenary of the death of Machado de Assis. We will show how this audiovisual work directed by Luiz Fernando Carvalho presented on television the Machado de Assis guidelines, keeping the mystery of the Bruxo do Cosme Velho. In addition, the miniseries also translates into images the idea that Bentinho is a reflection, a breakdown of Capitu.
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Duarte, Valeska de Souza. "Traição em Nelson Rodrigues : um leitura da tragédia moderna." Universidade Federal de Alagoas, 2005. http://repositorio.ufal.br/handle/riufal/510.

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The presented dissertation has as purpose to develop a reading about the modern tragedy inserted in the plays A falecida, Anjo negro e Perdoa-me por me traires, of Nelson Rodrigues, including as analytical category the betrayal, appealing theme in the studied texts, which presence echoes in the reflection dramatic action. This work points as a theoretical discussion, the concept of modern tragedy elaborated by Raymond Williams, who included the social thought of the literary work and its performance as a reflexive instrument and transformer, having in view its permanent correlation with the history and the culture. In that sense, the tragedy expresses a critical-reflexive approach, for presenting the tension between the traditional and the individual human experience, and the betrayal, as immanent resource in the composition tragic of Nelson Rodrigues, comes to represent the lonely human fight as expression of the Brazilian modern dramatic art.
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
A dissertação apresentada tem como finalidade desenvolver uma leitura sobre a tragédia moderna inserida nas peças A falecida, Anjo negro e Perdoa-me por me traíres, de Nelson Rodrigues, incluindo como categoria analítica a traição, temática recorrente nos textos estudados, cuja presença repercute na reflexão da ação dramática. Este trabalho salienta como discussão teórica, o conceito de tragédia moderna elaborado por Raymond Williams, o que inclui o pensamento social da obra literária e sua atuação como instrumento reflexivo e transformador, tendo em vista a sua permanente correlação com a história e a cultura. Nesse sentido, a tragédia expressa uma abordagem crítico-reflexiva, por apresentar a tensão entre o tradicional e a experiência humana individual, e a traição, como recurso imanente na composição trágica rodrigueana, vem a representar a luta humana solitária como expressão da moderna arte dramática brasileira.
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Books on the topic "Betrayal in literature"

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1934-, Miller Jonathan, ed. Don Giovanni: Myths of seduction and betrayal. Baltimore: Johns Hopkins University Press, 1991.

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1934-, Miller Jonathan, ed. Don Giovanni: Myths of seduction and betrayal. New York: Schocken Books, 1990.

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Grace-Jones, Diana. The necessity of Heathcliff: Vengeance and betrayal in Emily Brontë's Wuthering heights. London: Guild of Pastoral Psychology, 2002.

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Coates, Geraldine. Treacherous foundations: Betrayal and collective identity in early Spanish epic, chronicle, and drama. Woodbridge, Suffolk [England]: Tamesis, 2009.

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McCormack, W. J. From Burke to Beckett: Ascendancy, tradition and betrayal in literary history. Cork, Ireland: Cork University Press, 1994.

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1942-, Mattenklott Gert, Scherpe, Klaus R. (Klaus Rüdiger), 1939-, and Humboldt-Universität zu Berlin. Institut für Deutsche Literatur, eds. Künste der Verneinung: Mosse-Lectures 2006. Berlin: Humboldt-Universität, 2007.

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Kaya, Kerry. Betrayal. Boldwood Books, 2022.

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Sigurðardóttir, Lilja. Betrayal. Orenda Books, 2020.

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Betrayal. Penguin Books, Limited, 2024.

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Sigurðardóttir, Lilja. Betrayal. Orenda Books, 2020.

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Book chapters on the topic "Betrayal in literature"

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Aberbach, David. "The environment and the betrayal of the covenant." In The Environment and Literature of Moral Dilemmas, 13–19. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003169734-2.

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Keating-Miller, Jennifer. "Writing Republicanism: A Betrayal of Entrenched Tribalism in Belfast’s Own Vernacular." In Language, Identity and Liberation in Contemporary Irish Literature, 58–99. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230275089_3.

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Batiste, Stephanie Leigh. "Close/Bye: Staging [State] Intimacy and Betrayal in ‘Performance of Literature’." In Black Women's Liberatory Pedagogies, 181–94. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-65789-9_10.

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Wasosa, Wellington. "The Post-independence Zimbabwean Leadership and the Literary Imaginings of Betrayal in I.T. Mabasa’s Novel Mapenzi (1999)." In Sub-Saharan Political Cultures of Deceit in Language, Literature, and the Media, Volume I, 149–66. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-35323-9_10.

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Madongonda, Angeline Mavis, and Enna Sukutai Gudhlanga. "Through the Lenses of Betrayal: Ambivalence and Other Markers of Deception in Aaron Chiundura Moyo’s Kuridza Ngoma Nedemo (1985)." In Sub-Saharan Political Cultures of Deceit in Language, Literature, and the Media, Volume I, 127–47. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-35323-9_9.

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"5. Leaving Literature Behind." In The Betrayal of Substance, 183–200. Columbia University Press, 2021. http://dx.doi.org/10.7312/rawl19904-009.

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"Aubigné, Josephus, and Useful Betrayal." In Itineraries in French Renaissance Literature, 266–79. BRILL, 2017. http://dx.doi.org/10.1163/9789004351516_017.

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"Betrayal and Revenge in Amos Oz’s Judas." In Hebrew Literature and the 1948 War, 228–52. BRILL, 2019. http://dx.doi.org/10.1163/9789004377608_012.

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"A Betrayal: Oh Sang-won (translated by Kim Chong-wun)." In Modern Korean Literature, 333–48. Routledge, 2012. http://dx.doi.org/10.4324/9780203038543-32.

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Baron, Jane B. "Interdisciplinary Legal Scholarship As Guilty Pleasure: The Case of Law and Literature." In Law and Literature, 21–46. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198298137.003.0002.

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Abstract Legal scholarship has increasingly borrowed from other, non-law, disciplines; as it has done so, legal scholars have taken increasing interest in the possibilities and limits of interdisciplinarity. Tellingly, virtually all discussions of interdisciplinary scholarship call upon two related metaphors. The first is a metaphor of border-guarding. This is an immigrant—emigrant scholarship, employing tropes of insiders and outsiders, residents and aliens; it relies on images of imperialism, scavenging, and parasitism. The second metaphor is one of fidelity. This metaphoric realm employs tropes of seduction, enchantment, betrayal, faithlessness and abandonment, calling on images of marriage, adultery, and divorce. The two metaphors are linked by a common theme, the theme of boundaries that can be respected or crossed.
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Conference papers on the topic "Betrayal in literature"

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Janicki, Joel J. "Anarchy and Betrayal in Joseph Conrad’s The Secret Agent." In Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2014. http://dx.doi.org/10.5176/2251-3566_l314.24.

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Stankevicha, Anna. "ARCHETYPICAL CONCEPT �BETRAYAL�: A VARIANT OF CONTEMPORARY RUSSIAN LITERATURE (V. MAKANIN)." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s11.23.

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Ying, Yiyuan, and Vytautas Dikčius. "INFLUENCER CHARACTERISTICS IN SOCIAL MEDIA INFLUENCER MARKETING: A SYSTEMATIC LITERATURE REVIEW." In 13th International Scientific Conference „Business and Management 2023“. Vilnius Gediminas Technical University, 2023. http://dx.doi.org/10.3846/bm.2023.1024.

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In light of rising interest in research on influencer marketing, this paper aims to analyse the impact of influencer characteristics on consumer behaviour. The study was based on a systematic analysis of 127 peer-reviewed articles published or accepted from 2000 to 2021. The paper included 52 influencer characteristics classified into four categories: psychological, social, behavioural and demographic characteristics. The findings show that influencers’ psychological characteristics, such as trustworthiness, expertise, and attractiveness, have been over-studied. However, research gaps exist in the area of influencers’ social characteristics, such as envy and betrayal, as well as behavioural characteristics, such as facial expression, body language, speaking speed and sharing secrets. In addition, there is also a lack of research on the importance of demographic characteristics such as gender, age and ethnicity.
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Xu, Xingwu. "THE COMMUNITY OF FOXES." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.07.

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Liao Zhai zhi yi (Strange Stories from a Lonely Studio) and Yue Wei Cao Tang Bi Ji (The Notes of Yuewei Cottage), two renown Classical Chinese novels of the Qing Dynasty, contain many stories about foxes. The former contains more than 70 such stories and the latter contains more than 130. Foxes in these stories vary greatly in terms of their types. More importantly, a noticeable phenomenon in these stories is that, just like human beings, foxes’ dwellings can be identified as rural and urban, domestic and wild. In other words, foxes from different communities bear overt differences concerning their characters and behaviors. For example, Liao Zhai zhi yi is skilled in delineating rural foxes with pastoral temperament, who frequently escalate their emotion and lust. On the other hand, Yue Wei Cao Tang Bi Ji is adept in rendering urban foxes with intellectual men, who often show their nurturing and wisdom. And this phenomenon reveals the differing life experience, social statuses and cultural visions of the two authors. Concomitantly, it also betrays the different folklore sources utilized by the two authors.
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