Relevant bibliographies by topics / Beuron, Germany (Benedictine Abbey)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Beuron, Germany (Benedictine Abbey)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Beuron, Germany (Benedictine Abbey)"

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Davenport, Nancy. "Modernism and Mysticism in Germany: Wilhelm Worringer and Pater Desiderius Lenz." Religion and the Arts 14, no. 1-2 (2010): 78–138. http://dx.doi.org/10.1163/107992610x12596486893617.

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AbstractThe text seeks to integrate the late nineteenth and early twentieth-century art of the traditional Benedictine community of Beuron in southwestern Germany with early twentieth-century Modernist aesthetics, particularly as the latter are expressed in Abstraction and Empathy, a Contribution to the Psychology of Style by the German Art Historian Wilhelm Worringer. The influences on Beuron art—the German Kulturkampf that set Protestants and Catholics in northern and southern Germany in opposition and placed the few remaining monastic communities in limbo, the Beuron artist monks’ inspirati
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Davenport, Nancy. "Pater Desiderius Lenz at Beuron: History, Egyptology, and Modernism in Nineteenth-Century German Monastic Art." Religion and the Arts 13, no. 1 (2009): 14–80. http://dx.doi.org/10.1163/156852908x388359.

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AbstractThe text is an introduction to the art made by a Benedictine community of artist/monks in the village of Beuron in the state of Hohenzollern-Sigmaringen in southwestern Germany in the late nineteenth and early twentieth centuries. The founder of the school, Pater Desiderius Lenz, studied art in Munich, received a scholarship to work in Rome, but discovered the source for his work in the flat two-dimensional colored drawings and prints of Egyptian art in albums published by the German archaeologist, Richard Lepsius. The iconic and non-empathetic style of Beuron art inspired by Lenz's id
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Youn, InBok. "A Study on the Formative Characteristics of Beuron Art in the Paintings of Chang Bal." Korean Society of Culture and Convergence 44, no. 10 (2022): 405–20. http://dx.doi.org/10.33645/cnc.2022.10.44.10.405.

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The purpose of this paper is to analyze the formative characteristics of Beuron Art in the paintings of Chang Bal(雨石 張勃, 1901-2001) who is known as the pioneers of Korean Catholic paintings. In the early 1920s, while studying in Japan and the United States, Chang Bal worked as a Catholic paintings in Korea from the mid-20s. Born into a Catholic family, he developed a close relationship with the Catholic Church from an early age and naturally became interested in Catholic paintings. In addition, the St. Otilien Benedictine in Germany played a direct role in conveying the style of German Beuron
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4

Pohl, Benjamin. "(Re-)Framing Bede‘s Historia ecclesiastica in Twelfth-Century Germany: John Rylands Library, MS Latin 182." Bulletin of the John Rylands Library 93, no. 1 (2017): 67–120. http://dx.doi.org/10.7227/bjrl.93.1.4.

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This article offers the first comprehensive study of Manchester, John Rylands Library, MS Latin 182, a twelfth-century codex formerly belonging to (and possibly produced at) the Benedictine Abbey of (Mönchen-)Gladbach in Germany. I begin with a full codicological and palaeographical analysis of the entire manuscript, before moving on to a discussion of its contents. These include the Venerable Bede‘s Historia ecclesiastica gentis Anglorum and the Continuatio Bedae, as well as two hagiographical works copied at the end of the manuscript. I then propose a new possible context of reception for Be
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G. Bruce, Scott. "Alison I. Beach, Shannon M. T. Li, and Samuel S. Sutherland, Monastic Experience in Twelfth-Century Germany: The Chronicle of Petershausen in Translation. Manchester: Manchester University Press, 2020, 240 pp." Mediaevistik 34, no. 1 (2021): 415–17. http://dx.doi.org/10.3726/med.2021.01.91.

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Abstract: This volume presents the first English translation of the twelfth-century Chronicle of the Monastery of Petershausen (Casus monasterii Petrishusensis), an account of the history of a Benedictine community on the shores of Lake Constance written over three decades from ca. 1136 to ca. 1164. The anonymous chronicler ‐ very likely the future Abbot Gebhard I (r. 1164‐1170/1173) ‐ was an eyewitness to the most recent events of the chronicle, which charted the fortunes of his community from its late tenth-century foundation to its reform in 1086 by monks of Hirsau to the devastating fire t
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Sijka, Katarzyna. "Losy Sakramentarza Tynieckiego podczas II wojny światowej." Saeculum Christianum 25 (April 25, 2019): 327–40. http://dx.doi.org/10.21697/sc.2018.25.25.

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The SacramentoriumTynecensis was written in circa 1060-1070, probably in Cologne. It was located in the Benedictine Abbey in Tyniec from 11th century to 19th century. In 1814 the illuminated manuscript was bought by Stanisław Kostka Zamoyski, then in 1818 he located the codex in the Zamoyski Ordynacja Library in Warsaw. It stayed there to the end of World War II. Two formations of Nazi Germany were as follows: a military unit led by Professor of Archaeology, Peter Paulsen and a group led by art historian Kajetan Mühlman. Both were responsible for the plundering of Poland's cultural heritage. T
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7

Kugelmann, Robert. "Selections from Thomas Verner Moore's “Religious Values in Mental Hygiene” (1933)." Integratus 1, no. 2 (2023): 159–74. http://dx.doi.org/10.1521/intg.2023.1.2.159.

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Thomas Verner Moore (1877-1969) was one of the most prominent Catholic psychologists and psychiatrists of the first half of the 20th century. Born in Louisville, Kentucky, to a Presbyterian father and a Catholic mother, and raised as a Catholic, he entered the Congregation of the Missionary Priests of St. Paul the Apostle—the order called the “Paulists”—in 1896 and was ordained in 1901. The Paulist novitiate, located on the campus of the Catholic University of America, founded in 1887, provided Moore with the opportunity to study the “new psychology,” that is, experimental psychology, with Edw
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8

Farbaky, Péter. "Giovanni d’Aragona (1456‒1485) szerepe Mátyás király mecénásságában." Művészettörténeti Értesítő 70, no. 1 (2022): 47–91. http://dx.doi.org/10.1556/080.2021.00002.

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King Matthias Corvinus of Hungary (1458‒1490), son of the “Scourge of the Turks,” John Hunyadi, was a foremost patron of early Renaissance art. He was only fourteen years old in 1470 when he was elected king, and his patronage naturally took some time and maturity to develop, notably through his relations with the Neapolitan Aragon dynasty. In December 1476, he married Beatrice, daughter of Ferdinand of Aragon, who brought to Buda a love of books and music she had inherited from her grandfather, Alphonse of Aragon.I studied the work of Beatrice’s brother John of Aragon (Giovanni d’Aragona), pr
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Ruiz, Jiménez Juan. "Obras de Francisco Guerrero en la abadía benedictina de San Quirino de Tegernsee (Alemania)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10395451.

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Dissertations / Theses on the topic "Beuron, Germany (Benedictine Abbey)"

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Klugseder, Robert. "Quellen des Gregorianischen Chorals für das Offizium aus dem Kloster St. Ulrich und Afra Augsburg /." Tutzing : Schneider, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3078010&prov=M&dokv̲ar=1&doke̲xt=htm.

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Books on the topic "Beuron, Germany (Benedictine Abbey)"

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Freihart, Thomas M. The Benedictine Abbey of Weltenburg: History and art. Schnell + Steiner, 2019.

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Freihart, Thomas M. Benediktinerabtei Weltenburg: Geschichte und Kunst. 4th ed. Schnell + Steiner, 2019.

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3

Eichler, Katrin, and Katrin Eichler. Zur Baugeschichte der drei Regensburger Damenstifte Nieder-, Ober- und Mittelmünster. Schnell + Steiner, 2009.

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4

Weitlauff, Manfred, Thomas Groll, and Walter Ansbacher. Benediktinerabtei St. Ulrich und Afra in Augsburg (1012-2012): Geschichte, Kunst, Wirtschaft und Kultur einer ehemaligen Reichsabtei : Festschrift zum tausendjährigen Jubiläum. Verl. des Vereins für Augsburger Bistumsgeschichte, 2011.

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5

1450-1512, Engelberg Burkhard ca, ed. Burkhard Engelberg: "der vilkunstreiche Architector und der Statt Augspurg Wercke Meister" : Burkhard Engelberg und die süddeutsche Architektur um 1500 : Anmerkungen zur sozialen Stellung und Arbeitsweise spätgotischer Steinmetzen und Werkmeister. Wissner, 1999.

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6

Manfred, Wermter Ernst, Kottje Raymund, and Reiners-Stiftung, eds. Der Bücherbesitz des Klosters St. Vitus in Gladbach: Von der Gründung bis zur Auflösung des Klosters (974-1802). Rheinland, 1998.

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7

Genius loci: Aus dem geistigen Erbe der Benediktiner von St. Ulrich und Afra : Vortrag bei einer Tagung der Katholischen Akademie Augsburg. Katholische Akademie Augsburg, 1985.

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8

Reichenau und St. Gallen: Ihre literarische Überlieferung zur Zeit des Klosterhumanismus in St. Ulrich und Afra zu Augsburg um 1500. Thorbecke, 1985.

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9

Zur Baugeschichte der drei Regensburger Damenstifte Nieder-, Ober- und Mittelmünster. Schnell + Steiner, 2009.

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10

Quellen des gregorianischen Chorals für das Offizium aus dem Kloster St. Ulrich und Afra Augsburg. H. Schneider, 2008.

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Book chapters on the topic "Beuron, Germany (Benedictine Abbey)"

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Savill, Benjamin. "Papal Privileges and the English Benedictine Movement (c. 960–c. 1000)." In England and the Papacy in the Early Middle Ages. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198887058.003.0006.

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Abstract Chapter 6 focuses on the role—or lack thereof—of papal privileges in the tenth-century West Saxon (Cerdicing) ‘Kingdom of the English’. Why is our evidence for the use of papal documentary culture in England so comparatively poor for this period, when we know that strong Anglo-papal relations otherwise existed, and that a great many privileges were acquired across contemporary Europe? By surveying the dearth of English evidence against the corpus of acquisitions from Ottonian Germany and Italy, late Carolingian and Capetian France, and the emerging Catalan polity, this chapter argues
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2

Minnis, A. J., A. B. Scott, and David Wallace. "A Critical Colloquy: Conrad of Hirsau." In Medieval Literary Theory and Criticism C. 1100-C. 1375. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198112747.003.0003.

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Abstract Conrad of Hirsau (c. 1070-c. 1150?) is supposed to have been a schoolmaster in the Benedictine abbey of SS Peter and Paul at Hirsau, in the Black Forest of Germany. In addition to his Dialogue on the Authors, from which selections are translated below, he has been credited with several other works, including Dialogus de mundi contemptu vel amore and a Speculum virginum. The Dialogue on the Authors has resisted efforts at exact dating. Its editor, R. B. C. Huygens, regards it as having been produced late in Conrad’s life, mainly because the surviving manuscripts have a number of errors
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