Relevant bibliographies by topics / Beyala, Calixthe – Criticism and interpretation

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Academic literature on the topic 'Beyala, Calixthe – Criticism and interpretation'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 January 2023

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Dissertations / Theses on the topic "Beyala, Calixthe – Criticism and interpretation"

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Chomga, Annick Vanessa Magne. "Freedom of female sexuality in Calixthe Beyala's C'est le soleil qui m'a brûlée: a critical analysis in translation." Thesis, 2016. http://hdl.handle.net/10539/22323.

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A research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Arts in Translation Johannesburg, March 2016<br>The study provides a comparative and contrastive analysis of Calixthe Beyala’s novel, C'est le soleil qui m'a brûlée, and its translation, The Sun Hath Looked upon Me, by Marjolijn de Jager focusing on textual, paratextual and metatextual elements of these two texts. The analysis shows how the translator dealt with the disruptive stylistic effects of a postcolonial t
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2

Moutien, Caitan Shirley. "Tradition et modernitė dans C'est le soleil qui m'a brûlee (1987), Assèze, l'Africaine (1994) et Femme nue, femme noire (2003) de Calixthe Beyala." Diss., 2016. http://hdl.handle.net/10500/22070.

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Text in French; abstract in French and English<br>Observatrice des réalités quotidiennes camerounaises, Calixthe Beyala a publié, en 1987, un roman intitulé C’est le soleil qui m’a brûlée. Dans ce roman, elle montre au lecteur comment la femme, victime de la tradition, utilise, avec l’apport de la modernité, son corps comme moyen pour reconquérir son moi profond, et retrouver sa liberté. En 1994, elle a écrit et publié Assѐze, l’Africaine. Et en 2003, elle a publié Femme nue, femme noire. Après une lecture minutieuse de ces trois livres, le lecteur peut facilement découvrir que Calixthe Be
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3

Schleppe, Beatriz Eugenia. "Empowering new identities in postcolonial literature by Francophone women writers." Thesis, 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3116178.

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Masters, Karen Beth. "Women adrift : familial and cultural alienation in the personal narratives of Francophone women." Thesis, 2015. http://hdl.handle.net/10500/21017.

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This study analyzes the experience of alienation from family and culture as portrayed in the personal narratives of francophone women. The authors appearing in this study are Assia Djebar and Marie Cardinal, from Algeria, Mariama Bâ and Ken Bugul, from Senegal, Marguerite Duras and Kim Lefèvre, from Vietnam, Calixthe Beyala, from Cameroon, Gabrielle Roy, from Canada, and Maryse Condé, from Guadeloupe. Alienation is deconstructed into the domains of blood, money, land, religion, education and history. The authors’ experiences of alienation in each domain are classified according to severity and
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5

Ferreira-Meyers, Karen Aline Francoise. "Comparative analysis of autofictional features in the works of Amelie Nothomb, Calixthe Beyala and Nina Bouraoui." Thesis, 2011. http://hdl.handle.net/10413/9837.

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30 years after the coining of autofiction (Doubrovsky, 1977), there is still no general consensus about its exact meaning. This research set out to discover autofiction, whether there is a need for this term, why the public has taken such an interest in autofiction. Research questions were divided into two major categories: 1. What is autofiction? What is its origin? How has it evolved? Which differences are there, if any, between autobiography and autofiction? Is there a need for the separate genre of autofiction? Why/why not? What are its general characteristics? 2. Do the three analysed wom
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Books on the topic "Beyala, Calixthe – Criticism and interpretation"

1

Gallimore, Rangira Béatrice. L' œuvre romanesque de Calixthe Beyala: Le renouveau de l'écriture féminine en Afrique francophone sub-saharienne. L'Harmattan, 1997.

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2

Les écrivaines francophones en liberté: Farida Belghoul, Maryse Condé, Assia Djebar, Calixthe Beyala : écritures de l'hybridité postcoloniale et métaphores cognitives. Harmattan, 2007.

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Book chapters on the topic "Beyala, Calixthe – Criticism and interpretation"

1

Ojo, Philip. "Black Sojourners in the Métropole and in the Homeland: Challenges of Otherness in Calixthe Beyala’s Loukoum: The “Little Prince” of Belleville and Myriam Warner-Vieyra’s Juletane." In Deferred Dreams, Defiant Struggles. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786940339.003.0004.

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Chapter explores the complexities of the postcolonial migrant experience in France via francophone literary works Loukoum: The “Little Prince” of Bellville (Calixthe Beyala) and Juletane Philip Ojo (Myriam Warner-Vieyra). In doing so, it illustrates the extent to which literary representations provide a space for criticism and mediation of migration and otherness, and a voice for disenfranchised immigrants who long for a hybrid space that they can call home. The characters’ use of language, which includes word play and transformations of standard French, is analysed, alongside other ways in which they attempt to negotiate migratory space.
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