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Relevant bibliographies by topics / Bhabha, Homi K

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Academic literature on the topic 'Bhabha, Homi K'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Bhabha, Homi K"

1

Angelovska, Despina, та Lindita Ahmeti. "Кон Homi K. Bhabha (Ed.), Nation and Narration". Identities: Journal for Politics, Gender and Culture 1, № 2 (2002): 175–76. http://dx.doi.org/10.51151/identities.v1i2.52.

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Author(s): Despina Angelovska | Деспина Ангеловска Title (Macedonian): Кон Homi K. Bhabha (Ed.), Nation and Narration Title (Albanian): Për Homi K. Bhabha (Ed.), Nation and Narration  Translated by (Macedonian to Albanian): Lindita Ahmeti Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 2 (Winter 2002) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 175-176 Page Count: 2 Citation (Macedonian): Деспина Ангеловска, „Кон Homi K. Bhabha (Ed.), Nation and Narration“, Идент

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2

Hall, Gary, and Simon Wortham. "Rethinking authority: Interview with Homi K. Bhabha." Angelaki 2, no. 2 (1997): 59–63. http://dx.doi.org/10.1080/09697259708571932.

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3

Schwarz, Henry. "Texture as Substance: Reading Homi K. Bhabha Re-membering Frantz Fanon." PMLA/Publications of the Modern Language Association of America 132, no. 1 (2017): 179–85. http://dx.doi.org/10.1632/pmla.2017.132.1.179.

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[T]he idea of Man as his alienated image, not Self and Other but the “Otherness” of the self inscribed in the perverse palimpsest of colonial identity. (116)According to Isaac Julien, the director of Black Skin, White Mask, a film imagining the life of Frantz Fanon, Homi Bhabha is presented in a nonspeaking role as a colored, racialized “colonial subject” to lend “texture” to the cinematography (Interview). Unlike the eloquent postcolonial critics Stuart Hall and Françoise Vergès, who are interviewed extensively in the ilm, the mute Bhabha is a cipher, a visual trace of diference in the philos

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McCarthy, R. "Miniaturizing Modernity: Shahzia Sikander in Conversation with Homi K. Bhabha." Public Culture 11, no. 1 (1999): 146–50. http://dx.doi.org/10.1215/08992363-11-1-146.

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Peimanfard, Shima, and Mohsen Hanif. "Antoinette the Outsider: The Representation of Hybridity and Mimicry in Jean Rhys’s Wide Sargasso Sea." International Letters of Social and Humanistic Sciences 72 (August 2016): 15–20. http://dx.doi.org/10.18052/www.scipress.com/ilshs.72.15.

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This essay sets out to study the function of hybridity and mimicry in Jean Rhy’s acclaimed novel Wide Sargasso Sea drawing on Homi K. Bhabha’s theoretical framework in this regard. In this novel, Antoinette emerges as the “Other” who aims to prove herself to the “Centre”. Undergoing extreme sufferings, the heroine wistfully ponders mimicry as an impulse to break out of her mare’s nest and to establish herself within one culture. Indeed, unlike what Bhabha believes mimicry cannot upset the total authority of the “Centre”. Meanwhile, Antoinette used it as a result of her longings for the positio

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Oliveira, Jonata, and Alcione Alves. "TESEU, O LABIRINTO E SEU NOME: COMO HOMI K. BHABHA PODERIA NOS AJUDAR A COMPREENDER UMA PASSAGEM DE MOI, TITUBA SORCIÈRE…, DE MARYSE CONDÉ?" Caderno de Letras, no. 27 (December 20, 2016): 91. http://dx.doi.org/10.15210/cdl.v0i27.8840.

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Propõe-se uma interpretação da obra de Maryse Condé, intitulada Eu, Tituba, feiticeira...negra de Salem (1997); o romance é inspirado na história de Tituba, sendo esta a única negra entre as mulheres condenadas no trágico incidente, ocorrido há três séculos, na cidade de Salem, promovido pela intolerância religiosa no interior de uma sociedade influenciada por normas puritanas. Busca-se compreender a ressignificação do termo feiticeira, por parte de Tituba, em um estudo fundamentado, sobretudo, nas noções de hibridismo e fronteira trazidas por Homi K. Bhabha em O local da cultura (2013). As di

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Bhandari, Nagendra Bahadur. "Cultural Identity of the First-Generation Immigrants in Tan’s The Bonesetter’s Daughter and Lahiri’s The Namesake." SCHOLARS: Journal of Arts & Humanities 2 (August 31, 2020): 55–64. http://dx.doi.org/10.3126/sjah.v2i0.35013.

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This article examines the problematic cultural identity of the first-generation immigrants in Amy Tan’s The Bonesetter’s Daughter (2001) and Jhumpa Lahiri’s The Namesake (2003). The immigrant characters problematize their cultural identity by oscillating in the cultural spaces of their home country and the host country. They tend to adopt new cultural identity of their host country while sustaining the old one of their home country. As a result, they negotiate their cultural identity in the shared cultural space which Homi K Bhabha terms as the third space. While analyzing the third space of c

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Monteiro, Rebecca. "DO CORPO E DA LITERATURA: UMA APROXIMAÇÃO À POÉTICA DA RESISTÊNCIA EM HOMI K. BHABHA." Em Tese 7 (December 31, 2003): 73. http://dx.doi.org/10.17851/1982-0739.7.0.73-82.

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Estudo sobre a estratégia de resistência que orienta a atividade crítica de Homi Bhabha. Entre as ferramentas conceituais que articulam essa resistência, destacaremos a questão da mímica. Para que melhor se demonstre seu funcionamento, será avaliada sua utilização por duas dimensões discursivas: o corpo e a literatura.

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Han, Jin Hee. "Homi K. Bhabha and the mixed blessing of hybridity in biblical hermeneutics." Bible and Critical Theory 1, no. 4 (2005): 37.1–37.12. http://dx.doi.org/10.2104/bc050037.

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Furqon, Syihabul, and NFN Busro. "HIBRIDITAS POSTKOLONIALISME HOMI K. BHABHA Dalam Novel Midnight’s And Children Salman Rushdie." JENTERA: Jurnal Kajian Sastra 9, no. 1 (2020): 73. http://dx.doi.org/10.26499/jentera.v9i1.494.

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Postcolonialism is a branch of the cultural studies that focuses on socio-cultural analysis, including signs and languages. Colonialism had clear implications in the actions of postcolonial society. Homi K. Bhabha found identification that in postcolonialism there emerged what he called as hybridity. Hybridity is a cross-culture (both intrinsic and extrinsic) that appears in society in many forms, one of which is language and attitude. This research will review Salman Rushdie's Midnight’s Children novel to reveal which aspects are hybridities. As a methodological tool, the authors use descript

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Dissertations / Theses on the topic "Bhabha, Homi K"

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Runions, Erin. "Reading gender, nation and future vision in Micah : reconfiguring the reader as subject." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37828.

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This dissertation looks at the way in which the shifting configurations of nation, gender and future in Micah might affect readers' positioning as subjects---that is their positioning as agents of speech and action---in a way that might engender resistance to oppression. It is suggested that if readers of Micah identify with the ambiguous and shifting national and gendered identities, within the context of the book's visions for the future, they are urged to recognize contradictions within their own subjectivity. This has the possible effect of shifting the reader's pre-formed subject position

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Nyman, Anna. "Diskursiv och kulturell kontextualisering i narratologi och postkolonialism : En interdisciplinär studie med utgångspunkt i Mieke Bal och Homi K. Bhabha." Thesis, Mid Sweden University, Department of Humanities, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-11367.

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Selby, Don. "Bridging the gap? : a critical reading of Bhabha, Said and Spivak's postcolonial positions." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0001/MQ43947.pdf.

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Johnson, Courtney E. "From Essentialism to Hybridity: Fatih Akin’s Gegen die Wand as Portrayal of Second-Generation Turks in Germany." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1151346632.

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Johansson, Fredrik. "Postcolonial Identity in Ireland: Hybridity, Third Space, and the Uncanny : in Hugo Hamilton’s THE SPECKLED PEOPLE A Memoir of a Half-Irish Childhood and THE SAILOR IN THE WARDROBE." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-40358.

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This essay explores and investigates post-colonial identity in Ireland in Hugo Hamilton’s The Speckled People: A Memoir of a Half-Irish Childhood (2003) and The Sailor in the Wardrobe (2006). Relying primarily on Homi K. Bhabha’s postcolonial criticism, which draws on some ideas from psychoanalysis, this essay argues that the autobiographies resonate well with the ideas of culture as a strategy of survival and of the post-colonial child as an analyst of Western modernity. Thus, three chosen concepts; ‘the Uncanny’, ‘Third Space’ and ‘Hybridity’ work together to reveal a recurring theme of spli

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Bergqvist, Sandra, and Nina Wictorin. "Det mångkulturella biblioteket : En kritisk diskursanalys av vetenskapliga artiklar ur ett postkolonialt perspektiv." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-49695.

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Multiculturalism is a current issue in our globalized society, which also the library field must relate to. In the Swedish Library Act from 2014 it is stressed that users with another linguistic background than Swedish shall be prioritized. However, an undifferentiated comprehension of what multicultural services at the library really means prevails, and the underlying values of the concept are rarely questioned. The purpose of this bachelor thesis is to problematize the concept of multiculturalism in a library context, by the identification of ideological patterns in the research discourse. N

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De, Beer Amanda Erika. "Fremde Schreiben : Zu Ilija Trojanows Roman Der Weltensammler (2006)." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4199.

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Thesis (MA (Modern Foreign Languages))--University of Stellenbosch, 2010.<br>ENGLISH ABSTRACT: This dissertation investigates the different forms of otherness and alterity (“Fremde”) in Bulgarian born German author, Ilija Trojanow’s novel, Der Weltensammler (2006). In this novel, alterity, as portrayed by Trojanow, is read as threatening and uncanny (“unheimlich”), on the one hand, and fascinating on the other. The novel, Der Weltensammler, translated by William Hobson and published under the title The Collector of Worlds (2008), narrates the life of the historical figure Sir Richard Fra

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Prikladnicki, Fábio. "Desconstrução e identidade : o caminho da diferença." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/12097.

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Por meio de uma investigação que incide sobre as práticas críticas, o trabalho apresenta uma elaboração sobre o potencial político da desconstrução para uma leitura de textos literários comprometida com reivindicações identitárias feitas às margens dos discursos hegemônicos. O gesto desconstrutivo, como proposto pelo pensador franco-argelino Jacques Derrida, desafia a estabilidade de categorias que fundamentam estes discursos, tais como “essência”, “natureza”, “origem” e outros nomes metafísicos que envolvem a idéia de identidade a si, demonstrando, desta forma, que toda estrutura é atravessad

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Nyoni, Triyono Johan. ""It's the Englishness" : Bildung and Personality Forming as Postcolonial Criticism in Tsitsi Dangarembga’s Nervous Conditions." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-95354.

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Through a close reading of Tsitsi Dangarembga’s Nervous Conditions, this essay shows the key links between the novel and Frantz Fanon’s major works. In addition to providing a deeper understanding of Dangarembga’s narrative as a whole, it takes into particular consideration the embedded criticism of colonialism in the text. The psychological conditions implied by the title play a central role: the essay shows how these conditions relate to the colonial situation and how refusing to consent to subjugation can be understood as radical criticism of colonial, Christian, as well as patriarchal sup

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Liu, Linjing. "When Silenced Voices Meet Homi. K. Bhabha’s “Megaphone”." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-76243.

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Drawing upon Homi. K. Bhabha's essay A Personal Response and Gayatri Chakravorty Spivak's Can The Subaltern Speak? I initiated my research project When the Silenced Voices Meet Homi. K. Bhabha's "Megaohone". The focal point of this paper aims at identifying and questioning the limitatpons of Bhabha's theories while highlighting Spivak's insightful perspectives. In conducting this project, the motif of my paper is derived, which is to question male scholars’ gender-blindness under the feminist lens in the field of post-colonial studies. Issues, such as identity, hybridity and representation are

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Books on the topic "Bhabha, Homi K"

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Byrne, Eleanor. Homi K. Bhabha. Palgrave Macmillan, 2009.

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Homi K. Bhabha. Routledge, 2005.

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Byrne, Eleanor. Homi K. Bhabha. Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-04398-6.

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Huddart, David. Homi K. Bhabha. Routledge, 2006.

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Struve, Karen. Zur Aktualität von Homi K. Bhabha. Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-94251-3.

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Dritte Räume: Homi K. Bhabhas Kulturtheorie : Anwendung. Kritik. Reflexion. Turia + Kant, 2011.

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Huddart, David. Homi K. Bhabha. Taylor & Francis Group, 2006.

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Huddart, David. Homi K. Bhabha. Taylor & Francis Group, 2006.

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Huddart, David. Homi K. Bhabha. Taylor & Francis Group, 2006.

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Homi K. Bhabha. Taylor & Francis Group, 2006.

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Book chapters on the topic "Bhabha, Homi K"

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Langemeyer, Peter. "Bhabha, Homi K." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_1585-1.

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Struve, Karen. "Homi K. Bhabha." In Handbuch Postkolonialismus und Literatur. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05386-2_3.

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Byrne, Eleanor. "Unpacking Homi Bhabha’s Library: Bhabha, Said and the Postcolonial Archive." In Homi K. Bhabha. Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-04398-6_3.

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Byrne, Eleanor. "Introduction ‘The Missing Person’: Re-/Locating Homi K. Bhabha." In Homi K. Bhabha. Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-04398-6_1.

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Byrne, Eleanor. "Migrant Visions." In Homi K. Bhabha. Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-04398-6_2.

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Byrne, Eleanor. "Fanon, Bhabha and the ‘Return of the Oppressed’." In Homi K. Bhabha. Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-04398-6_4.

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Byrne, Eleanor. "Bhabha’s Postal Politics." In Homi K. Bhabha. Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-04398-6_5.

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Byrne, Eleanor. "Dwelling in/on the Ruins: Postcolonial Futures." In Homi K. Bhabha. Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-04398-6_6.

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Byrne, Eleanor. "Afterword Politics of Empire, Anxiety, Migration and Difference Post-9/11." In Homi K. Bhabha. Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-04398-6_7.

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Struve, Karen. "Homi K. Bhabha: Biographie und theoretische Verortung seines Denkens." In Zur Aktualität von Homi K. Bhabha. Springer Fachmedien Wiesbaden, 2012. http://dx.doi.org/10.1007/978-3-531-94251-3_1.

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Conference papers on the topic "Bhabha, Homi K"

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Milostivaya, A., E. Nazarenko Ekaterina, and I. Makhova. "Post-colonial Theory of Homi K. Bhabha: Translator's and Translatologist's Reflection." In 7th International Scientific and Practical Conference "Current issues of linguistics and didactics: The interdisciplinary approach in humanities" (CILDIAH 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/cildiah-17.2017.31.

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