Relevant bibliographies by topics / Bharatanatyam

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Bharatanatyam'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Bharatanatyam"

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Radhika, Puthenedam. "Globalization, Diaspora and the Cultural Landscape: The case of Bharatanatyam in the Diaspora." Nartanam, A quarterly Journal of Indian Dance (ISSN 2455-7250) 4, no. 1 (2004): 15–34. https://doi.org/10.5281/zenodo.5795654.

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Taking the case of Bharatanatyam, a popular form of classical dance in the Indian diaspora, this article deals with the following: 1. how bharatanatyam plays an important role in fulfilling the cultural needs and asserting identity of Indian diaspora community 2. brief history of bharatanatyam in India and its diaspora (both colonial and post colonial/ new diaspora) 3. bharatanatyam beyond diaspora- glogal harmony, cultural diplomacy,  4. cultural interaction in the international arena and its impact on bharatanatyam. These four dimensions intersect one another in significant ways. An att
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IYENGAR, KALPANA MUKUNDA. "Bharatanatyam Dance." Dev Sanskriti Interdisciplinary International Journal 13 (January 31, 2019): 16–24. http://dx.doi.org/10.36018/dsiij.v13i.111.

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This article explores an Asian Indian American youth’s Bharatnatyam dance literacy education in a major city in the southwest of the U.S. I draw from sociocultural, multimodal, transmediation, and multiple intelligencies theories to support my claims. Findings reveal the young adult’s dance education contributed to cultural preservation (Iyengar & Smith, 2016). A plethora of research on the contributions of dance education in the physical development of children is available. This study offers understandings of how formal classical dance (Bharatanatyam) is both beneficial physically and ps
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Sarashetti, Priyanka Dundappa. "The Influence of Bharatanatyam Dance on Mental Health." International Journal of All Research Education and Scientific Methods 12, no. 11 (2024): 3207–9. https://doi.org/10.56025/ijaresm.2024.1211243207.

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Bharatanatyam, one of the oldest classical dance forms of India, has traditionally been revered for its intricate movements, emotional expression, and spiritual significance Recent studies, however, suggest that Bharatanatyam holds therapeutic potential in improving mental health. This research investigates the impact of Bharatanatyam on mental health, focusing on stress reduction, emotional regulation, cognitive improvement, and overall psychological well-being. Through a combination of literature review, qualitative interviews with practitioners, and quantitative analysis of mental health in
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Ramya, A., S. Natarajan, A. Nithya, M. S. Sarala, and S. Karuppuchamy. "EVALUATION OF VARIOUS PARAMETERS OF NATTADAVU IN BHARATANATYAM USING A RASPBERRY Pi-BASED SENSOR." MOMENTO, no. 68 (January 2, 2024): 11–26. http://dx.doi.org/10.15446/mo.n68.110342.

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The Bharatanatyam dance requires excellent coherency and precision from the performer. In order to calibrate and gauge the physical moments of the performer, we propose a Raspberry Pi based sensor. Using the data obtained from the prototype, the classical Bharatanatyam dance movements of a performer have been sensed and analyzed. Based on the results, suggestions to improve the performance of Bharatanatyam are reported.
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Tharmenthira, Shopana. "Aesthetics and Choreography of Bharatanatyam." Journal of Research in Music 2, no. 2 (2024): 29–40. http://dx.doi.org/10.4038/jrm.v2i2.29.

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The word “Aesthetic” in the context of Indian Aesthetics means “Science and philosophy of Fine Art” Bharathe muni wrote the theoretical treatise Natyasastra on Indian performing Arts including theatre, dance acting, and Music. Natyasastra is said to explain Indian aesthetics. Natyasastra is the scientific explanation of classical Indian dances. In this context, Bharatanatyam is also grounded in the principles of the Natyashastra. This research highlights how aesthetic aspects permeate Bharathanatya choreography, which involves designing the dance according to the rhythm of the ragas, along wit
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Anami, Basavaraj S., and Venkatesh Arjunasa Bhandage. "A Comparative Study of Certain Classifiers for Bharatanatyam Mudra Images' Classification using Hu-Moments." International Journal of Art, Culture and Design Technologies 8, no. 2 (2019): 58–71. http://dx.doi.org/10.4018/ijacdt.2019070104.

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India is rich in culture and heritage where various traditional dances are practiced. Bharatanatyam is an Indian classical dance, which is composed of various body postures and hand gestures. This ancient art of dance has to be studied under guidance of dance teachers. In present days there is a scarcity of Bharatanatyam dance teachers. There is a need to adopt technology to popularize this dance form. This article presents a 3-stage methodology for the classification of Bharatanatyam mudras. In the first stage, acquired images of Bharatanatyam mudras are preprocessed to obtain contours of mud
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Kumar, P. M., and G. J. Leema Rose. "PHYSICAL FITNESS FOR BHARATANATYA DANCERS." ShodhKosh: Journal of Visual and Performing Arts 5, no. 6 (2024): 37–42. http://dx.doi.org/10.29121/shodhkosh.v5.i6.2024.1053.

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Bharatanatyam is an Indian classical dance that originated from Tamil Nadu in southern India. It is a tradition steeped in Indian history and culture. Today, Bharatanatyam is a dance style that encompasses religious and non-religious themes, as well as fusion styles. Characterized by precise movements, sharp edges, and expressive body language, this tradition has delighted audiences for generations. Like many other aspects of Indian tradition, this art form has struggled through times of oppression. However, with the efforts of teachers and students all over the world, Bharatanatyam has been r
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Tharmenthira, Shopana. "The God Murugan in Bharatanatyyam." International Research Journal of Tamil 2, no. 2 (2020): 74–81. http://dx.doi.org/10.34256/irjt2028.

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Bharatanatyam is the bhava (expression), raga (melody) and tala (rhythm) are gathered together. It is a beautiful aesthetic art. This article is exploring how God Murugan is special in this great Bharatanatyam dance. The purpose of this study is to examine how hand seals, foot movements, and heroic bhavas are used to illustrate the characteristics of Kandan or God Murugan. The idea is to lead the people and the person into a spiritual state of light when they are revealed through the Bharata dance rather than the highlighting of Kandan's unique qualities. In this case, the Bharatanatyam forms
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Palange, Sakshi, and Albin Jerome. "Prevalence of Flat Foot in Bharatanatyam Dancers." International Journal of Health Sciences and Research 14, no. 5 (2024): 254–59. http://dx.doi.org/10.52403/ijhsr.20240533.

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Aim: To study the prevalence of flat foot in Student Bharatnatyam dancers. Objectives: To evaluate foot posture in Student Bharatanatyam dancers with foot posture index. Methodology: The study was conducted on 223 participants who are practicing Bharatanatyam from 4 month up to 7 years. A written consent was taken and procedure was explained to subjects. Participants who had history of congenital lower limb deformity and lower limb injury in last 6 months, BMI >25 i.e. overweight were excluded from selection criteria. Foot structure was assessed with the help of Foot Posture Index 6 assessm
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Ramaprasad, Preethi. "Nandanar: Visibilizing Caste in Bharatanatyam Performance." Arts 13, no. 2 (2024): 55. http://dx.doi.org/10.3390/arts13020055.

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What are the implications of a bejeweled dancer in fine silk on the proscenium stage performing a piece that undeniably centers caste? As the Bharatanatyam field reflects on the art form’s appropriation from the hereditary dance community, analyzing choreography reveals different bodily representations of caste. Many Bharatanatyam dancers globally perform excerpts of the Nandanar Charitram, by Tamil composer Gopalakrishna Bharathi. The plot traces Nandanar, a Dalit saint who is not allowed in many temples and ends with his immolation, allowing his “purified” self to unite with the Hindu god Sh
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Dissertations / Theses on the topic "Bharatanatyam"

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Banerjee, Suparna. "Emerging contemporary Bharatanatyam choreoscape in Britain : the city, hybridity and technoculture." Thesis, University of Roehampton, 2015. https://pure.roehampton.ac.uk/portal/en/studentthesis/emerging-contemporary-bharatanatyam-choreoscape-in-britain(96730b2d-768c-4d04-b9ee-d50e831c14be).html.

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The thesis investigates how Bharatanatyam dance practice is reconfigured through the specific cultural histories and novel practices of emerging dance artists in Britain. At the outset, I engage with how various dance labels are contested socially and culturally by diverse groups of people. In doing so, I intertwine the discussion with the politics of identity to illuminate how these dance artists negotiate their multiple identities, encompassing the issues related to race, ethnicity, gender and citizenship. Through a situated reading of postmodern and postcolonial praxes, I argue that these d
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MORTILLARO, MARIA CATERINA. "Il Bharatanatyam cristiano: Una forma d'inculturazione del cristianesimo attraverso la danza-teatro indiana." Doctoral thesis, Università degli Studi di Milano-Bicocca, 2016. http://hdl.handle.net/10281/102550.

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Il Bharatanatyam è uno degli otto stili di danza classica indiana ufficialmente riconosciuti dalle istituzioni indiane. Anche se proviene dalla regione del Tamil Nadu, dopo la riforma negli anni Trenta e Quaranta, si è diffuso in tutto il subcontinente ed è praticato anche in Sri Lanka, nelle Mauritius e ovunque ci sia una comunità indiana. E’ ritenuto un simbolo dell’identità indiana. Nel Natyashastra, uno degli antichi testi teorici su questo argomento, è scritto che il dio Brahma avrebbe originariamente insegnato la scienza della gestualità e della danza in modo che la conoscenza dei Veda p
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Menon, Vidyakartik Vijayadas. "Reasons Why Dravidian Boys in Australia Do or Do Not Choose to Learn Bharatanatyam." Thesis, Griffith University, 2017. http://hdl.handle.net/10072/367366.

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This thesis explores the attitudes of Dravidian boys in Australia towards learning and performing bharatanatyam—a classical dance form that traces its origins to Tamil Nadu in South India. The study argues that at present, research into immigrant South Asian men’s attitudes towards performing identity through classical art forms such as bharatanatyam is highly disjointed and underdeveloped. This thesis identifies significant gaps in existing research, including the role of performing arts education in the negotiation of cultural and gender identity among immigrant men; the experiences of the S
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Polauszach, Ester <1985&gt. "A lezione di Bharatanatyam: processi e pratiche di trasmissione di uno stile coreutico dell'India meridionale." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2326.

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Rocton, Julie. "Modes d’existence et d’appropriation de l’Abhinayadarpana de Nandikesvara : étude du texte, de son édition et de son usage dans le milieu du bharatanatyam." Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0657.

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Cette thèse propose une étude sur l’Abhinayadarpaṇa, « le Miroir du Geste », de Nandikeśvara, traité sanskrit médiéval traitant de l’art de l’expression au moyen des gestes. Ce texte est aujourd’hui une référence théorique particulièrement populaire dans la pratique du bharatanāṭyam, la danse « classique » du Tamil-Nadu (Sud-Est de l’Inde), notamment depuis le tournant dit « revivaliste » dans les années 1930. Conjuguant les approches philologique et ethnographique, cette étude propose une analyse des différentes formes et modes d’appropriation de ce texte. L’étude et la traduction du texte sa
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Hamilton, Mark James. "Martial Dance Theatre: A Comparative Study of Torotoro Urban Māori Dance Crew (New Zealand) & Samudra Performing Arts (India)." Thesis, University of Canterbury. Theatre and Film Studies, 2010. http://hdl.handle.net/10092/5092.

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This thesis examines two examples of martial dance theatre: Mika HAKA performed by Torotoro (New Zealand), and The Sound of Silence performed by Samudra (India). Both productions were created for international touring, and this thesis looks at their performance at the Edinburgh Fringe Festival (UK). The companies’ choreography integrates native and foreign dance with their hereditary martial arts. These disciplines involve practitioners in displays of prowess that are also entertaining spectacles. They have an expressive dimension that makes them contiguous with dance – a potential that Toroto
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Jayakrishnan, Kavitha. "Dancing Architecture: The parallel evolution of Bharatanatyam and South Indian Architecture." Thesis, 2011. http://hdl.handle.net/10012/6356.

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In her book, "Indian Classical dance", Kapila Vatsyayan describes dance as the highest order of spiritual discipline, the enactment of which is symbolic of a ritual sacrifice of one's being to a transcendental order. The Natya-Shashtra, a treatise on drama and dance, reveals the status of the performing arts as equal to prayer and sacrificial rites in the pursuit of moksha, the release form cycles of rebirth. Both dance and dancer function as a vehicle for divine invocation and are mirrored in the architectural surroundings. To investigate this connection between dance and place, it is imperat
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Natarajan, Srividya. "Another stage in the life of the nation: Sadir, Bharatanatyam, feminist theory." Thesis, 1997. http://hdl.handle.net/2009/755.

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Books on the topic "Bharatanatyam"

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Khokar, Ashish Mohan. Bharatanatyam. Rupa, 2002.

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Alka, Raghuvanshi, ed. Bharatanatyam. Wisdom Tree, 2004.

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Bhagyalekshmy, S. Approach to Bharatanatyam. CBH Publications, 1992.

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Soneji, Devesh. Bharatanatyam: A reader. Oxford University Press, 2010.

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Devesh, Soneji, ed. Bharatanatyam: A reader. Oxford University Press, 2010.

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1936-, Dinesh M. R., and Leela Ramanathan, eds. Bharatanatyam, yesterday, today, tomorrow. Sujata Dinesh, 1985.

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Vaidyanathan, Saroja. Bharatanatyam, an in-depth study. Ganesa Natyalaya, 1996.

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Suresh, Vidya Bhavani. A comprehensive dictionary of Bharatanatyam. Skanda Publication, 2004.

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Kalarani, R. Bharatanatyam in Tamilnadu, after A.D. 1200. J.J. Publications, 2004.

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Rāṇi, Kamalā. Essence of Nattuvangam: [Bharatanatyam guide book]. Centre for the Promotion of Traditional Arts, 1997.

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Book chapters on the topic "Bharatanatyam"

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Dere, Kishor. "Bharatanatyam." In Spiritual Consciousness as Evolutionary Learning. Routledge, 2025. https://doi.org/10.4324/9781003402572-9.

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Bhuyan, Himadri, Mousam Roy, and Partha Pratim Das. "Motion Classification in Bharatanatyam Dance." In Communications in Computer and Information Science. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-8697-2_38.

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Bhuyan, Himadri, and Partha Pratim Das. "Recognition of Adavus in Bharatanatyam Dance." In Communications in Computer and Information Science. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-1103-2_16.

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Jadhav, Sangeeta, and Jyoti Pawar. "BharataNatyam Dance Classification with Rough Set Tools." In Advances in Intelligent Systems and Computing. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-6602-3_8.

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Bhuyan, Himadri, Partha Pratim Das, and Vishal Tewari. "Automatic Bharatanatyam Dance Video Annotation Tool Using CNN." In Communications in Computer and Information Science. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-58181-6_43.

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Jadhav, Sangeeta, and Jyoti D. Pawar. "Aesthetics of BharataNatyam Poses Evaluated Through Fractal Analysis." In Advances in Intelligent Systems and Computing. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-2471-9_39.

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Aich, Achyuta, Tanwi Mallick, Himadri B. G. S. Bhuyan, Partha Pratim Das, and Arun Kumar Majumdar. "NrityaGuru: A Dance Tutoring System for Bharatanatyam Using Kinect." In Communications in Computer and Information Science. Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0020-2_42.

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Mallick, Tanwi, Akash Anuj, Partha Pratim Das, and Arun Kumar Majumdar. "Using Musical Beats to Segment Videos of Bharatanatyam Adavus." In Advances in Intelligent Systems and Computing. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-2104-6_52.

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Mallick, Tanwi, Patha Pratim Das, and Arun Kumar Majumdar. "Bharatanatyam Dance Transcription Using Multimedia Ontology and Machine Learning." In Digital Techniques for Heritage Presentation and Preservation. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-57907-4_10.

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Jisha Raj, R., Smitha Dharan, and T. T. Sunil. "Systematic Approach to Tuning a Deep CNN Classifying Bharatanatyam Mudras." In Lecture Notes in Electrical Engineering. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-4136-8_1.

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Conference papers on the topic "Bharatanatyam"

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Akarsha, D. P., B. S. Monisha, K. L. Bhoomika, and V. Deeksha Rao. "Bharatanatyam Mudra Classification using CNN." In 2024 First International Conference on Software, Systems and Information Technology (SSITCON). IEEE, 2024. https://doi.org/10.1109/ssitcon62437.2024.10796631.

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D P, Akarsha, Hansitha C, N. Padma Priya, Santhwana K. Suresh, and Vaaruni K S. "Bharatanatyam Hastas Recognition using CNN and Computer Vision." In 2025 5th International Conference on Pervasive Computing and Social Networking (ICPCSN). IEEE, 2025. https://doi.org/10.1109/icpcsn65854.2025.11035099.

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Subramanian, R. Raja, V. Devamani, S. Prasanna, U. Sravanthi, V. Pranitha, and M. Sunkireddy Hamsika. "Automated Real-Time Hand Gesture Detection for Bharatanatyam Dance." In 2025 International Conference on Computational Robotics, Testing and Engineering Evaluation (ICCRTEE). IEEE, 2025. https://doi.org/10.1109/iccrtee64519.2025.11053091.

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Baskar, Sarvesh, W. Jino Hans, V. R. Anuprapaa, V. Sherlin Solomif, and R. Arthi. "MudraGyaan: A Novel Feature Extraction Algorithm for Machine Learning-Based Bharatanatyam Mudra Classification." In 2024 International Conference on Advancement in Renewable Energy and Intelligent Systems (AREIS). IEEE, 2024. https://doi.org/10.1109/areis62559.2024.10893664.

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Sadhana, P., Nandhitha Ravishankar, and Suja Palaniswamy. "Bharatanatyam Pose Perfection: Deep Learning vs. Meta-Learning & Real-Time Pose Evaluation with MediaPipe and OpenCV." In 2024 4th International Conference on Ubiquitous Computing and Intelligent Information Systems (ICUIS). IEEE, 2024. https://doi.org/10.1109/icuis64676.2024.10866894.

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Jadhav, Sangeeta, Manish Joshi, and Jyoti Pawar. "Modeling BharataNatyam dance steps." In the CUBE International Information Technology Conference. ACM Press, 2012. http://dx.doi.org/10.1145/2381716.2381776.

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Saha, Sriparna, Amit Konar, Deblina Gupta, et al. "Bharatanatyam hand gesture recognition using polygon representation." In 2014 International Conference on Control, Instrumentation, Energy and Communication (CIEC). IEEE, 2014. http://dx.doi.org/10.1109/ciec.2014.6959152.

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Majumdar, Rwitajit, and Priya Dinesan. "Framework for Teaching Bharatanatyam through Digital Medium." In 2012 IEEE Fourth International Conference on Technology for Education (T4E). IEEE, 2012. http://dx.doi.org/10.1109/t4e.2012.53.

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Dileep, Krishnapriya, Kaithappillil Shine Anna, and Maya Lakshmana Pai. "Bharatanatyam pose estimation using convolutional neural networks." In THE 6TH INTERNATIONAL CONFERENCE OF ICE-ELINVO 2023: Digital Solutions for Sustainable and Green Development. AIP Publishing, 2025. https://doi.org/10.1063/5.0249298.

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Nandeppanavar, Anupama S., Shanta S. Kallur, Puneeth Thotad, and Vaishnavi A. Sankannavar. "Bharatanatyam hasta mudra categorization using deep learning approaches." In 2023 IEEE North Karnataka Subsection Flagship International Conference (NKCon). IEEE, 2023. http://dx.doi.org/10.1109/nkcon59507.2023.10396139.

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