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Bhasin, Aman K. K. [Verfasser], and Claus [Akademischer Betreuer] Jacob. "Synthesis and elucidation of biochemical mode of action of organoselenium compounds against cancer / Aman K. K. Bhasin. Betreuer: Claus Jacob." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2014. http://d-nb.info/1060715937/34.
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Chamadiya, Bhavin [Verfasser]. "Applications of textile based capacitive ECG recordings / Bhavin Chamadiya." Lübeck : Zentrale Hochschulbibliothek Lübeck, 2012. http://d-nb.info/102926404X/34.
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Kapadia, Bhavin K. [Verfasser], and Manfred [Akademischer Betreuer] Aigner. "Experimental study of oxyfuel combustion for stationary gas turbine applications / Bhavin K. Kapadia ; Betreuer: Manfred Aigner." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2017. http://d-nb.info/1137206756/34.
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Bhatia, Sanil [Verfasser]. "A role of nucleolin in human hematopoietic progenitor cells / Sanil Bhatia." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2015. http://d-nb.info/1075870127/34.
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Boonsermsuwong, Praphai. "A Contextual Approach to Multi-dimensional Analyses of Sai Bhajan: A Vocal Genre from South India." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1398093465.
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Rosenstein, Ludmila Lupu. "The devotional poetry of Svami Haridas : a study of early Braj Bhasa verse." Thesis, SOAS, University of London, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515220.
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Woolf, Rachel 1988. "Uncovering Aspects of Western and Indian Music in Vanraj Bhatia's Night Music for Solo Flute, and Selected Other Works." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248444/.
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Born in 1927 in Bombay, Vanraj Bhatia is an Indian composer of music for concerts, film, television, opera, meditation, and commercial jingles. His musical style is unique, stemming from his training in both Western and North Indian classical, or Hindustani, music. Little is known about Vanraj Bhatia in the Western classical world, and in India he is recognized primarily as a composer of film music. This dissertation aims to bring awareness of Vanraj Bhatia's significance as a Western classical composer, focusing on uncovering the cross-cultural influences of his only solo flute piece, Night Music, composed in 1964. This research offers Western flutists a better understanding of Indian music, specifically Hindustani and Indian folk music traditions, often not fully understood since Indian music is an aural tradition, rarely transcribed and notated, and relies on a guru/shishya (teacher/student) relationship. Such an understanding will elucidate the compositional choices made in Night Music, allowing flutists to be more informed in their performance of it. Although the focus of this study is on Night Music, other repertoire from Bhatia's concert music and film music will also be examined to illuminate Bhatia's compositional style, which includes elements of Hindustani music, Indian folk music, and Western musical traditions. An exploration of some of Bhatia's other compositions written for Western musicians will give readers beyond the realm of flutists a better understanding of his distinctive, cross-cultural style and influences, and will introduce larger audiences to this exceptional and little-known composer.
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Bhatia, Anuradha Ashok [Verfasser]. "Moisture Sorption in Porous Media: Experimental and Numerical Enquiries Applicable to the Automotive Passenger Compartment / Anuradha Ashok Bhatia." München : Verlag Dr. Hut, 2019. http://d-nb.info/1181515319/34.
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Sabir, Muazzam. "Projets d'infrastructure, conflits d'usages des terres et impacts socio-économiques : Etude du projet de barrage Diamer Bhasha, au Pakistan." Thesis, Université Paris-Saclay (ComUE), 2018. http://www.theses.fr/2018SACLA003/document.
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Les changements d’usage des terres à des fins de développement s'accompagnent toujours de conflits entre les différentes parties prenantes, en particulier dans le cadre de la construction ou de l'expansion de projets de développement dans les pays en voie de développement. C’est le cas des projets d'infrastructure comme les barrages hydrauliques et de leurs conséquences à la fois positives et négatives. Dans ces projets les conflits émergent en raison des problèmes liés aux attentes foncières, ainsi qu’aux intérêts divergents des différentes parties prenantes. En fonction de leur intensité, ils apparaissent alors sous différentes formes, avec des impacts importants sur les populations locales.La thèse traite des conflits qui surgissent entre les différents acteurs liés au projet de construction du barrage Diamer Bhasha au Pakistan, ainsi de leurs impacts socioéconomiques sur les personnes affectées. Ce projet a commencé à faire face à des oppositions concernant les acquisitions de terres et provoqué des manifestations, des actions en justice, le blocage des routes et des menaces à l’égard des promoteurs du projet.Afin d'analyser les conflits et d'évaluer les impacts socioéconomiques du projet, nous avons utilisé différentes sources de données primaires et secondaires. 61 entretiens ont ainsi été réalisés avec des experts et des parties prenantes appartenant à différents domaines.De plus, 289 articles de différents quotidiens nationaux et régionaux concernant les conflits et les impacts socioéconomiques du barrage ont été étudiés afin de vérifier et de corroborer ces informations. En outre, certains documents publiés par des organisations, publiques et privées, ont également été consultés. Les résultats révèlent différents conflits entre les personnes affectées et le Gouvernement, ainsi qu’entre différents groupes locaux d’acteurs, au sujet des compensations foncières et des droits de propriété. L’étude met en évidence les problèmes posés par le projet au niveau socio‐économiques, qui concernent en particulier un plan de réinstallation inefficace et la perte massive d'emplois. En outre, il explore les causes profondes des conflits, dues à la mauvaise planification, la mauvaise gouvernance, la mauvaise gestion, la corruption et le népotisme dans les différentes activités du projet. L’absence de participation de toutes les parties prenantes et la diffusion inexistante de l'information sur les activités du projet, sont également de très importantes sources de conflits entre les différents acteurs. Enfin, le travail présente des mesures de politiques et des recommandations pour une meilleure gouvernance, en termes de renforcement des capacités des populations locales dans différents domaines et de participation de toutes les parties prenantes à l’ensemble des composantes du projetLand use change for the purpose of development always comes with conflicts among different stakeholders, especially under the construction or expansion of developmental projects in developing countries. Thus, infrastructural projects like dams have both positive and negative consequences in this regard. The conflicts in such projects emerge with view of issues associated with the superposition of land expectation, as well as different stakeholders' interests. They appear in different forms, depending upon their intensity, with severe impacts on local people. The article deals with conflicts arising among different actors and their socioeconomic impacts on affected people, due to construction of Diamer Bhasha Dam project in Pakistan. This project started facing opposition from land acquisition and encouraged protestations, legal action in court, road blockage, threatening the project contractor, and violation.In order to analyze the conflicts and to assess the socioeconomic impacts of the project, we used both primary and secondary data sources. About 61 interviews with experts and stakeholders of different backgrounds were conducted.Moreover, under the secondary source about 289 articles from different national and regional dailies on conflicts and socioeconomics impacts of the Dam were studied in order to cross check the information. Further, some literature published by public and private organizations was also consulted.Preliminary results show different conflicts between affected people and Government and also among different groups of locally affected people, over land compensations and property rights. This study further highlights the socioeconomic issues of the project in the form of ineffective resettlement plan and loss of employment opportunities. It further, explores the root causes of conflicts, due to poor planning and governance, mismanagement, corruption and cronyism in different project activities. Lack of participation of all stakeholders and proper information dissemination about all project activities are also main source of conflicts among different actors. Finally, it provides policy measures and recommendations for better governance in the form of capacity building of local people in different areas and participation of all stakeholders in all project activities
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Toulmin, Matthew William Stirling, and matt_toulmin@sall com. "Reconstructing linguistic history in a dialect continuum: The Kamta, Rajbanshi, and Northern Deshi Bangla subgroup of Indo-Aryan." The Australian National University. Faculty of Arts, 2006. http://thesis.anu.edu.au./public/adt-ANU20070411.000201.
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This study outlines a methodological framework for reconstructing linguistic history within a dialect continuum and applies this methodology to an under-described, controversial, and complex subgroup of New Indo-Aryan (NIA)the Kamta, Rajbanshi and Northern Deshi Bangla lects (KRNB).
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Dialect continua are characterised by non-discrete boundaries between speech communities, and as a result previously divergent lects may undergo common innovations; the result is the familiar picture of overlapping dialectological isoglosses. The sequencing of these innovations and the historical relations between the lects involved are often highly ambiguous. Given the right sociohistorical conditions, a widespread innovation may be more recent than a localised innovationthe very opposite sequencing to that implied by the splits in a family tree.
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Not surprisingly, discrete application to the NIA continuum of traditional methodologiesincluding the Comparative Method, etymological reconstruction and dialect geographyhas yielded unsatisfactory and at times chronologically distorted results. Historical studies, therefore, have chosen between: (a) only studying the histories of NIA lects with written records; (b) reconstructing using the chronology suggested by the shape of a family tree; or (c) settling for a flat, non-historical account of dialect geography.
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Under the approach developed here, the strengths of each of these traditional methods are synthesised within an overarching framework provided by a sociohistorical theory of language change. This synthesis enables the linguistic history of the KRNB lects to be reconstructed with some detail from the proto-Kamta stage (1250-1550 AD) up to the present day. Innovations are sequenced based on three types of criteria: linguistic, textual and sociohistorical. The old Kamta stage, and its relation to old Bangla and Asamiya, is reconstructed based on linguistic Propagation Events and Speech Community Eventstwo concepts central to the methodology. The old Kamta speech community and its language became divided into western, central and eastern subsections during the middle KRNB period (1550-1787 AD, dates assigned by attested sociohistorical events). During the same period, KRNB lects also underwent partial reintegration with NIA lects further afield by means of more widely propagated changes. This trend of differentiation at a local level, concurrent with reintegration at a wider level, also characterises the modern KRNB period from 1787 AD to the present.
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This account of KRNB linguistic history is based on a rigorous reconstruction of changes in phonology and morphology. The result is not only a reconstruction of historical changes, but of the proto-Kamta phoneme inventory, hundreds of words of vocabulary, and specific areas of nominal and verbal morphology. The reconstruction is based on data collected in the field for the purposes of this study. Phonological reconstruction has made use of the WordCorr software program, and the reconstructed vocabulary is presented in a comparative wordlist in an appendix.
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The methodology developed and applied in this study has been found highly successful; though naturally not without its own limitations. This study has significance for its contribution both to the methodology of historical linguistic reconstruction and to the light shed on the linguistic prehistory of KRNB.
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BOUCHAMA, ABDALLAH. "Croissance et amenagement des petites villes du flanc nord-ouest du moyen-atlas : sefrou, bhalil, imouzzar-kandar et el menzel (maroc)." Limoges, 1996. http://www.theses.fr/1996LIMO2002.
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Si l'histoire des grandes cites marocaines est bien connue. Celle des petites villes marocaines est difficile de retracer etape par etape leur histoire. Mais sans donner plus de credit qu'il n'en faut a tout enseignement historique, rappelons que les petites villes d'etude sont parmi les plus anciennes cites du maroc. En 1991, la region etudiee s'est confirmee comme une province bien independante de fes. Elle se trouve cependant, confrontee dans son developpement a des contraintes de disparites profondes. Par contre, elle dispose ainsi, des potentialites non negligeables dans le domaine de l'agriculture, de l'artisanat, du tourisme et de l'industrie. De meme, elle presente sur le plan physique et humain des sous-ensembles homogenes, pouvant servir de base a un developpement economique et social aussi bien equilibre qu'harmonieux. C'est le but du schema de developpement et d'amenagement de la province de sefrou (horizon 2000)If the history of the big maroccan cities is well knows, that of the small maroccan towns is difficult to recount. Step by step howener, we can say that the small towns under consideration are among the oldest cities of marocco. In 1991, the region she died became a province, well independent of fes. The new province is confronted in its development with a lot of constraints of deep disparities. Yet, it has important potentialites in agriculture, arts and crafts, tourism and industry. Besides, it presents on the physical and human level homogenous groups which can serve as a basis to a social and economic development well-balanced and harmonious and that's the objective of this sketch on development and fitting-up of the province of sefrou
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Guimarães, José Raimundo. "A polifonia contemplada como construtora do interminável saber por meio do ato tradutório na tradução comentada e anotada do Sri Ramanuja Gita Bhasya." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/92257.
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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2009Made available in DSpace on 2012-10-24T07:13:29Z (GMT). No. of bitstreams: 1 271636.pdf: 49026150 bytes, checksum: 0ef116a8cb91d738d4899780e9ef3482 (MD5)
O objetivo principal desta pesquisa é demonstrar e analisar a polifonia como construtora do saber por meio de atos tradutórios. Visando a demonstração de tal propósito, esta pesquisa conta com uma parcial tradução comentada e anotada, ao português, da obra Sri Ramanuja Gita Bhasya, que compreende o clássico filosófico-espiritual Bhagavad Gita, junto ao canônico BhaKya (comentário) de Sri Ramanuja (1017-1137). Ambos os textos foram escritos originalmente na língua sânscrita e traduzidos para o inglês da Índia por Svami Adidevananda (1912-1983), portanto, a minha tradução anexada a esta dissertação é uma tradução indireta, ou seja, do inglês indiano para o português brasileiro, mas com ênfase na terminologia filosófica do texto original em sânscrito e em seu aspecto milenar da cultura hindu. Essa estratégia tradutória foi fundamentada nos princípios da teoria funcionalista de Christiane Nord (2001), especificamente, na estratégia tipo documento-filológica. O fato de se tratar de uma tradução interlingual indireta, envolvendo a presença de várias vozes tradutoras enriquece o teor da tradução e da pesquisa que contempla tal aspecto, não como uma perda, ou melancolia (LAGES, 2007), mas, essencialmente, como somatória no processo de construção do saber por meio da produção textual tradutória.
The main purpose of this study is to demonstrate and analyse the polyphony as constructor of knowledge by means of translational acts. Aiming at the demonstration of this purpose the present study includes a partial commented and annotated translation into Portuguese of the Sri Ramanuja Gita Bhasya, which includes the philosophical-spiritual classic Bhagavad Gita together with its canonical BhaKya (comment) by Sri Ramanuja (1017-1137). Both texts were originally written in Sanskrit and dranslated into Indian English by Svam Adidevananda (1912-1983). Thus the translation included in this dissertation is an indirect translation, from Indian English into Brazilian Portuguese, with emphasis on the original Sanskrit texts philosophical terminology and its millenar aspects of hindu culture. This translation strategy was based on Christiane Nords (2001) functionalist theory, more especifically her philological, document-type strategy. The fact of being an interlingual indirect translation that involves the presence of various translating voices is enriching thecontents of the translation and of the analysis that contemplates this aspect, not as a loss or melancholy (LAGES, 2007), but rather as an essential adding up in the process of building knowledge through texts produced by translation.
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Bhati, Sampat Singh [Verfasser], Matthias [Akademischer Betreuer] Rehahn, and Markus [Akademischer Betreuer] Busch. "Optimization and calibration of high-temperature liquid chromatographic separation of polypropylene and propylene based copolymers / Sampat Singh Bhati ; Matthias Rehahn, Markus Busch." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2016. http://d-nb.info/1122286295/34.
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Ausman, Tasha. "Indian Diasporic Films as Quantum (Third) Spaces: A Curriculum of Cultural Translation." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/22928.
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This thesis examines narrative articulations in the films Bend It Like Beckham, Bhaji on the Beach, and American Chai as a complicated conversation in relation to bicultural-identity construction in the Indian diaspora. Unpacking the way desi identities are managed in/as a quantum (third) space – one that is continuously shifting and deferred – the films exemplify how "desi" is a heterogeneous cultural "group" without a homeland from which to speak or to return. The narratives of these films are considered cultural translations that expose inter-generational culture-clashes in the spaces between Indian and Western cultures. Screenplay pedagogy was used as a methodology to (re)read analysis of the films, revealing the ways that different movies employ and reinscribe themes of the multicultural pastoral, the carnivalesque, and melodrama, respectively. This thesis concludes by opening up some of the places from which individuals enunciate their desi identities, including the possibilities for (self)reflection.
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Kirsch, Anaïs. "Signatures moléculaires impliquées dans la transformation des cellules Bhas 42 induite par les silices amorphes synthétiques." Thesis, Université de Lorraine, 2020. http://www.theses.fr/2020LORR0015.
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Les nanoparticules de silice amorphe synthétique (SAS) sont utilisées dans de nombreuses applications industrielles. De par leur structure amorphe, les SAS ne sont pas considérées comme cancérogènes chez l'Homme, contrairement aux silices de structures cristallines. Pourtant, des études in vivo et in vitro ont proposé que certaines SAS pourraient potentiellement être cancérogènes. Le test de transformation des cellules Bhas 42 a été développé afin d’évaluer les effets transformant des agents chimiques. Une étude menée à l’INRS a mis en évidence la capacité des SAS précipitées NM-200 et NM-201 et des SAS pyrogénées NM-202 et NM-203 à induire la transformation cellulaire. Afin d’étudier les effets moléculaires induits par les SAS conduisant à la transformation des cellules Bhas 42, nous avons effectué une analyse transcriptomique non supervisée, après exposition des cellules Bhas 42 à la SAS NM-203, et à des agents chimiques de référence, la silice cristalline Min-U-Sil 5® (témoin positif particulaire), la terre à diatomée (DE), une microparticule de silice amorphe (témoin négatif particulaire) et le 12-O-tétradécanoylphorbol-13-acétate (TPA), un agent promoteur de tumeur. Les résultats montrent un lien entre la transformation des cellules Bhas 42 induite par la SAS pyrogénée NM-203, la silice cristalline Min-U-Sil 5® et le TPA et la modification de l’expression de gènes et de voies de signalisation impliquées dans la prolifération, l’adhésion cellulaire, la réparation de l’ADN et l’inflammation. De plus, nous avons identifié une signature commune de 21 gènes impliqués dans les stades précoces de la transformation cellulaire induite par les trois agents chimiques. Parmi eux, 12 gènes ont été sélectionnés en fonction de leur niveau d'expression (sur ou sous-exprimés) 48 heures après traitement avec les agents chimiques. Des altérations géniques similaires ont été obtenues lorsque des cellules Bhas 42 sont traitées avec les SAS précipitées NM-200 et pyrogénées NM-202. En conclusion, ce travail met en évidence un lien entre la formation de foyers de transformation induits par le traitement des cellules Bhas 42 avec les SAS, la silice cristalline Min-U-Sil 5® et le TPA et des modifications des profils d'expression de gènes et de voies de signalisation. La mise en évidence de la signature des 12 gènes représente une liste de "bio-marqueurs" potentiels et communs de la transformation cellulaire induite par les SAS, la silice cristalline Min-U-Sil 5® et le TPASynthetic amorphous silica nanoparticles (SAS) are used in many industrial applications. Due to their amorphous structure, SAS are not considered carcinogenic in humans, unlike silica with crystalline structures. However, in vivo and in vitro studies have proposed that certain SAS could potentially be carcinogenic. The Bhas 42 cell transformation test was developed to assess the transforming effects of chemical agents. A study carried out at the INRS highlighted the capacity of the precipitated SAS NM-200 and NM-201 and the pyrogenic SAS NM-202 and NM-203 to induce cell transformation. In order to study the molecular effects induced by SAS which lead to the transformation of Bhas 42 cells, we performed an unsupervised transcriptomic analysis, after exposure of Bhas 42 cells to SAS NM-203, and to reference chemical agents, crystalline silica Min-U-Sil 5® used as a positive particulate control, diatomaceous earth (DE), an amorphous silica microparticle used as a negative particulate control and 12-O-tetradecanoylphorbol-13-acetate (TPA), a tumor promoter. The results show a link between the transformation of Bhas 42 cells induced by pyrogenic SAS NM-203, crystalline silica Min-U-Sil 5® and TPA and the modification of the expression of genes and signaling pathways involved in proliferation, cell adhesion, DNA repair and inflammation. In addition, we have identified a common signature of 21 genes involved in the early stages of cell transformation induced by the three chemical agents. The genes composing the common signature are involved in cell proliferation and adhesion. Among them, 12 genes were selected according to their expression level (over-expressed or under-expressed) 48 hours after treatment with chemical agents. Similar gene alterations have also been obtained when Bhas 42 cells are treated with NM-200 precipitated SAS and NM-202 pyrogenic. In conclusion, this work highlights a link between the formation of transformation foci induced by the treatment of Bhas 42 cells with SAS, crystalline silica Min-U-Sil 5® and TPA and changes in expression profiles of genes and signaling pathways. The signature of the 12 genes represents a list of potential and common "biomarkers" of cell transformation induced by SAS, crystalline silica Min-U-Sil 5® and TPA
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Kenene, Antoinette Nomvuselelo. "Ukuhlalutywa ngesiXhosa kwamabali esiXhosa angeenkokheli zoluntu, afumaneka kwimagazini iBona kusetyenziswa uhlobo oluyijenri." Thesis, Stellenbosch : Stellenbosch University, 2005. http://hdl.handle.net/10019.1/50538.
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Thesis (MA)--University of Stellenbosch, 2005.This study concerns the genre analysis of five texts (articles) in isiXhosa from Bona Magazine using genre theoretic approach.
ENGLISH ABSTRACT: This study concerns the genre analysis of five texts (articles) in isiXhosa from Bona Magazine using genre theoretic approach. They all analyse genre of social community leaders using the theory of Grabe & Kaplan. (1996) All five articles re attached as appendices at the end of this assignment. The chapters 2 and 3 present an overview of different views expressed by different linguistics and researchers in relation to the genre theoretic approach and how these theories are applied in analyses. The views of Bhatia (1993) are also used in that he promotes the use of language in text when people communicate either in written or verbal format. Bhatia emphasizes the use of text linguistic properties and insights in the culture of participants to ensure that communication purpose is reached. Among other things, he invokes text structure, lexical choices, cohesion and coherence of text, content and theme are analyzed. This study investigates the social cognitive and linguistic choices and how they influence writing and reading. The purpose and meaning of the text is depicted as very important in the analysis of written text. (Bhatia; 1993) The first part of chapter 4 deals with the theory of Grabe & Kaplan (1996), which emphasizes the use of ethnography of writing. The ethnography of writing according to Grabe & Kaplan (1996) entails the answers to the following basic questions: Who is writing? To whom? For what purpose? Why? When? And how? The answers to these questions are to be formed in the analysis of the articles on Grabe & Kaplan's views on the relationship between ethnography of writing and lexicon of writing skills are also analyzed. The study also includes Halliday's (1984) views. Educating children in their home language environment makes them to learn better as they write in their own language and about the things they know. Lastly there is a short discussion about the relationship between the new genre approach and Outcomes-Based Education. (OBE) The similarities they share in connection with aims, goals and purposes as language teaching approached are touched upon.
AFRIKAANSE OPSOMMING: Hierdie studie hou verband met die genre analise van vyf tekste (artikels) in Xhosa uit die Bona tydskrif. Die analises handel oor die genre van sosiale gemeenskapsleiers binne die raamwerk van Grabe en Kaplan (1996). AI vyf die artikels is in In Appendix aangeheg aan die einde van hierdie werkstuk. Hoofstukke 2 en 3 bied In oorsig aan van verskillende sieninge van linguiste t.o.v. die genre-teoretiese benadering en die aanwending van die teoretiese uitgangspunte in analises van tekste. Die sieninge van Bhatia (1993) word ook ingespan m.b.t. die kommunikasie tussen mense. Bhatia wend tekslinguistiese eienskappe aan asook sosiale en kulturele insigte in die ondersoek van hoe kommunikatiewe doelstelling bereik word. Hy gebruik o.a. tekslinguistiese kenmerke, leksikale keuses, kohesie en koherensie, en tematiese realiserings in die teks. Die doelstelling van die teks is uiters belangrik volgens die betekenis wat Bhatia in die teks ondersoek. Die eerste gedeelte van hoofstuk 4 handel oor Grabe en Kaplan (1996) se model van tekskonstruksie en die etnografie van skryf. Die onderrig van leerders is beter as hulle in hulle huistaal skryf en leer. Die studie beskou die onderliggende uitgangspunte van Kurrikulum 2005 m.b.t. die genre benadering tot die onderrig van Xhosa
ISICATSHULWA Olu fundo luphanda ngohlalutyo ngohlobo Iwejenri kumabali esiXhosa afumaneka kwimagazini iBona kusetyenziswa ulwimi IwesiXhosa. La ngamabali amahlanu angeenkokheli zoluntu, nazakuhlalutywa ngokweembono zikaGrabe noKaplan (1996). Kuqalwe ngokushwankathela iinkcazo zohlobo Iwejenri, neembono zabaphononongi neengcali ezahlukeneyo malunga nolu hlobo lutsha lokuhlalutya. Kucaciswa imbono kaBhatia (1993) mlunga nokuphononongwa kwendlela yokusetyenziswa kolwimi xa kunxityelelwana, kwiitekisi ezithethwayo nezibhaliweyo. Oku kucaciswa ngokupheleleyo xa kuhlalutywa la mabali mahlanu angenkokheli zolunu. Phakathi kwezinto ezijongwayo xa kuhlalutywa nobhalo Iwamabali; lulwakhiwo Iweetekisi, ngumxholo, lukhetho Iwamagama, lunamathelwano nonxulumano. Kwakhona indlela umbhali ayiphuhlisa ngayo intsingiselo yetekisi yakhe ukuze injongo yakhe izaliseke. Indlela ezisetyenziswa ngayo iimpawu eziziparametha eziyimbono ka Grabe noKaplan (1996) xa kuhlalutywa la mabali angenkokheli zoluntu. Xa kuthethwa ngezi mpawu, kuxelwa ukuphendulwa kwemibuzo yobhalo ethi; ngubani umbhali? Ubhala ntoni? Ubhalela bani? Yintoni injongo yakhe? Kutheni ebhala nje? Ezi mpawu azaneli knceda umbhali ukuba abhale kakuhle koko zinceda nomfundi ukuba ahlalutye kakhuhle okubhaliweyo. Kwakhona imbono kaHaliday ethi xa kusetyenziswa ulwimi makusetyenziswe izinto nemizekelo engentlalo nenkcubeko yabantu. Lilonke yena ugxininisa ukufakwa kwenkcubeko kwimfundo yabantwana. Uyixhasa lembono yakhe ngokuthi abafundi baqonda lula xa befunda ngolwimi Iwabo nange nkcubeko yabo nangezinto ezibangqongileyo. Le mbono iyahambelana nokufundisa ngohlobo Iwejenri yona imkhululayo umntwana ukuba azifundele ngokwengqondo angadityaniswa nomnye. Kwakhona kolu fundo kuthelekiswe uhlobo Iwejenri nohlobo olusetyenziswayo kwizikolo zethu olujonge iziphumo uhlobo Iwe O. B. E. Kujongwa nendlela ezinxulumene ngayo, ngenxa yokufana kweenjongo zazo kwaneziphumo kubantwana abafundiswayo kusetyenziswa zona.
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Shambhulingappa, T. "Karnataka bhasha bhushanam' mattu 'Andhra bhasha bhushanamu' ondu thoulanika adhyayana." Thesis, 1990. http://hdl.handle.net/2009/2970.
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Puttaraju, S. "Kollegala kannada- Ondu Bhasika adhyayana." Thesis, 1998. http://hdl.handle.net/2009/2260.
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Rao, Narayana D. "Prakasham jillalo Telugu bhasha sahitya vikaasam." Thesis, 2001. http://hdl.handle.net/2009/1258.
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Muthaiah, Prathipati. "Telugu baibilu anuvadalu bhasa parisilana." Thesis, 1996. http://hdl.handle.net/2009/1074.
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Lakshminarayana, S. "Kannadadalli bhasa-Ondu thoulanika adhyayana." Thesis, 1992. http://hdl.handle.net/2009/2568.
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Varaprasad, Deevi I. "Krishna Zilla grama namalu - Charitraka shmajika bhasha pariseeana." Thesis, 1997. http://hdl.handle.net/2009/1208.
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Ahlborn, Matthias. "Pratijnayaugandharayana - Digitalisierte Textkonstitution, Übersetzung und Annotierung." Doctoral thesis, 2007. https://nbn-resolving.org/urn:nbn:de:bvb:20-opus-24082.
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Diese Dissertation enthält eine Edition und eine annotierte Übersetzung des dem Bhasa zugeschriebenen Sanskrit-Schauspiels "Pratijnayaugandharayana". Die Edition beruht auf zehn Manuskripten, von denen bisherige Ausgaben nur drei verwendet hatten. Um Zusammenhänge zwischen den Manuskripten sichtbar zu machen, und so deren jeweiligen Wert besser beurteilen zu können, werden quantitative Methoden verwendet. In diesem Zusammenhang wird die effektive Verwendung von EDV für die Veröffentlichung von Sanskrit-Schauspielen reflektiert. Die vorgestellte Herangehensweise ermöglichte auch die automatische Erstellung des als Anhang enthaltenen Index aller in dem Schauspiel vorkommenden Sanskrit- und Prakrit-WortformenThis dissertation contains an edition and an annotated German translation of the Sanskrit play "Pratijnayaugandharayana". The edition is based on ten manuscripts, of which only three have been used so far in other editions. To make relations between the manuscripts visible, and therefore to be in a better position to evaluate their usefullness, a quantitative approach is adopted. In this connexion, the reasonable application of computing for publishing Sanskrit plays is discussed. The presented approach also provided also the possibility to generate an index of all Sanskrit and Prakrit word forms of the play
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Vishalakshi, K. M. "Kannada shasanagala bhashe mattu lipiya praadesika vaividyathe (Aadikaladinda Vijayanagara kaaladavarege)." Thesis, 1987. http://hdl.handle.net/2009/2539.
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Vathsala, G. B. "A critical and comparative study of vyasa-Bhasya and bhojavrtti on patanjalayogadsutra." Thesis, 1986. http://hdl.handle.net/2009/2465.
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Kumar, Rajesh. "Hindi Bhasha ke vidhyarthiyon ka thruthi-vishleshan durasth aur pratyaksh shikshan paddhatiyon ke aadhar par tulanatmak adhyayan." Thesis, 1987. http://hdl.handle.net/2009/4624.
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Roxo, Pedro Miguel Meio-Tostão. "Bollywood, Bhajan e Garba: práticas expressivas e representações identitárias na Diáspora Hindu-Gujarati em Moçambique, Portugal e Inglaterra." Doctoral thesis, 2016. http://hdl.handle.net/10362/19538.
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Partindo de uma Etnografia multi-situada e de propostas analíticas no âmbito da
Etnomusicologia e da Antropologia centradas no estudo da ‘identidade’ e nos processos identitários de
populações migrantes, esta dissertação problematiza o uso da cultura expressiva nos trajectos migratórios
da população hindu-gujarati de genealogia indiana historicamente associada aos processos coloniais e
pós-coloniais que marcaram Portugal. O consumo e a prática ubíqua de música Bollywood (associada à
indústria cinematográfica indiana centrada na área de Bombaim), bhajan (canção devocional hindu) e
garba (prática musical-coreográfica de índole tradicional e religiosa) ao longo das décadas e das
trajectórias que marcaram este segmento populacional nas redes conectando o Gujarat, Diu, Moçambique,
Portugal e Inglaterra, contribuíram para a contínua provisão de representações partilhadas sob a forma de
sons, símbolos, rituais, narrativas e códigos identitários que foram modelares no fortalecimento da
identidade e do ethos do grupo. Esta disposição foi particularmente manifesta em momentos de apreensão
identitária (p.ex.: a crise de Goa em 1961, o processo pós-colonial em Moçambique após 1975, os
processos de fixação em Portugal nas décadas de 1970 e 1980 e de remigração para Inglaterra a partir da
década de 1990) nos quais estas práticas expressivas contribuíram para articular a negociação de
posicionamentos sociais, étnicos e políticos, da relação do grupo com os grupos e as estruturas
dominantes no âmbito de cada contexto histórico, mas também com outros grupos minoritários ou
subalternizados. Concomitantemente, a análise das práticas expressivas dos hindu-gujarati permite
igualmente diagnosticar a heterogeneidade interna do próprio grupo, expondo conflitualidades manifestas
por exemplo nas tensões de casta, em práticas de desafio da autoridade patriarcal, ou em antagonismos
entre grupos fixados em diversos espaços pós-coloniais da diáspora exibindo padrões de identificação
com ex-colonizadores.This dissertation problematizes the use of expressive culture in the migratory trajectories of the Hindu-Guajarati population of Indian genealogy historically associated with the colonial and postcolonial processes that marked Portugal. It is anchored on a multi-situated ethnography and a theoretical framework deriving from Anthropological and Ethnomusicological literature on identity and identity building in migrant populations. The ubiquitous consumption of Bollywood music (produced by the Indian film industry based in Bombay), bhajan (a hindu devotional song) and garba (a traditional religious music and dance practice) through the trajectories that marked this population and the networks that connect Gujurat, Diu, Mozambique, Portugal and England, contributed to the constant provision of shared identity representations through sounds, symbols, narratives and codes that reinforced the group’s identity and ethos. This disposition was articulated clearly in moments in which identity was apprehended such as the Goa crisis in 1961, the post-colonial process in Mozambique following 1975, the establishment of residence in Portugal during the 1970s and 1980s and the migration to England starting in the 1990. In these moments, the above mentioned expressive practices contributed to the articulation and negotiation of social, ethnic and political positions with respect to the dominant groups and structures within each historical context, but also with respect to other minority and subaltern groups. The analysis of the expressive practices of the hindu-gujarati also allows us to diagnose the internal heterogeneity of the group, exposing conflicts that are manifested in the tensions between casts, in challenges to patriarchal authority, and in antagonisms between groups who reside in different post colonial spaces in the diaspora, exhibiting patterns of identification with the former colonizers.
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SYU, KAI-HUI, and 許楷慧. "Individual,Belief and Group Dynamics of Dunhuang Dance of Buddhism-A Case Study of Buddhist of Fo Guang Bhan Monastery." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/5t5622.
Full textAbstract:
碩士東吳大學
社會學系
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Abstract This study departs from my investigation of female disciples’ progress in Fo Guang Shan Dunhuang Dance Group. I study the disciples’ family background, personality, personal history and research into how these women turn to religious commitment because of surrounding factors in their life and how they choose Dunhuang Dance as the proper medium to connect their own body, mind and soul to adapt to life. In the triangular model, through the disciples’ self-interpretation in the face of their sources of pressure in life, I discover how they manage to find religious commitment in life. By way of the choreographic essence and group dynamics in Dunhaung Dance, these women produce individual meanings of their unique corporeal awareness of their selves during practices and performances, and interpret their own experiences with these meanings. I demonstrate how women, when overwhelmed by annoyance of everyday life, move out of their group along the Line of Flight, approach Body without Organs with the divine, sublimate their consciousness and finally return to secular mundane life. Chapter one introduces the motivation, background, goal, methodology as well as materials and data of my study. Chapter two provides a literature review, which includes the history of Dunhuang Dance and its religious significance, which elicit the topics of the study; the passage from religious belief to identification with one’s own body, which forms the axis of the study, and a survey on Deleuzian concepts such as Body without Organs, Rhizome, Line of Flight and molecules of different stages that function as the structural elements of the study. Chapter three follows the structure and applies the methodology introduced in chapter one and extensively explores the organization of Fo Guang Shan Monastery and the disciples, the main concern of the study. Chapter four attempts to analyze the interviewees of the study and examine my research findings with scholars’ profound theories. Chapter five is the end and the conclusion of the study, which addresses the question: after undergoing self-reorganization and recuperative process, how does one return to secular life and keep improving oneself; that is, how does one adjust oneself and return to quotidian life? The aim of the study is to evoke a possibility to excavate, find and accept the Line of Flight for us from limited accessible resources in life. Key words：Religious Commitment, Dunhuang Dance, Group Dynamics, Line of Flight, Body without Organs
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Johal, Ranbir Kaur. "Where are the women? : the representation of gender in the Bhai Bala janamsakhi tradition and the women's oral janamsakhi tradition." Thesis, 2001. http://hdl.handle.net/2429/11552.
Full textAbstract:
The janamsakhis are a Sikh literary tradition, which consist of hagiographies
concerning Guru Nanak's life and teachings. Although the janamsakhis are not reliable
historical sources concerning the life of Guru Nanak, they are beneficial in imparting
knowledge upon the time period in which they developed. The representation of women
within these sakhis can give us an indication of the general views o f women of the time.
A lack of representation of women within the janamsakhi supports the argument
that women have traditionally been assigned a subordinate role within patriarchal society.
Due to this subordinate position, they have not had access to written forms of expression;
thus, their voices have not been heard, affirming the status of women as a muted group in
society. Men, as the dominant group with access to the written word, have been able to
make their experiences and opinions heard through written means. The result has been a
literature which is 'political', in that it promulgates specific views about women, and
'male', in that it concentrates upon the masculine, masculine characters, masculine plots
and masculine perspectives.
A reading of the Bhai Bala Tradition, the most popular of the janamsakhi
traditions, results in the determination that this literature is firmly rooted as a 'male' and
'political' literature. This conclusion is all the more apparent when comparing the written
Bhai Bala Tradition to the oral women's janamsakhi tradition in the District of Jalandhar,
in the Punjab. A firm division between the public and private spheres is very evident
when comparing the two traditions. Males have exercised control over the written
tradition, so that the stories contained within this tradition emphasize the public sphere,
where men dominate and the focus is upon adventure oriented plots which take place
away from the domestic world, which is familiar to women. In contrast, in the women's
oral tradition, because they are exercising control, the emphasis is upon the private
sphere, where women dominate and the focus is upon stories concerning the domestic
world and the women's realm.
The women's oral janamsakhi tradition is evidence that, though they may be
denied a voice through the written world, women can succeed in finding a voice through
alternate means of expression. Through these oral stories, women are able to voice their
opinions and frustrations.