Academic literature on the topic 'Bianchi (Firm)'
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Journal articles on the topic "Bianchi (Firm)"
Venturini, Alfonso. "l cinema a Firenze durante la seconda guerra mondiale." MONDO CONTEMPORANEO, no. 3 (April 2011): 25–54. http://dx.doi.org/10.3280/mon2010-003002.
Full textRuggieri, Lynn. "Michael Bianco Inc. Immigrant Workers To Save Costs." Journal of Business Case Studies (JBCS) 7, no. 4 (June 24, 2011): 91–104. http://dx.doi.org/10.19030/jbcs.v7i4.4687.
Full textZinni, Maurizio. "L'impero sul grande schermo. Il cinema di finzione fascista e la conquista coloniale (1936-1942)." MONDO CONTEMPORANEO, no. 3 (May 2012): 5–38. http://dx.doi.org/10.3280/mon2011-003001.
Full textOsrečak, Mirela, Marko Karoglan, Bernard Kozina, and Darko Preiner. "Influence of leaf removal and reflective mulch on phenolic composition of white wines." OENO One 49, no. 3 (September 30, 2015): 183. http://dx.doi.org/10.20870/oeno-one.2015.49.3.82.
Full textKosenko, Maria A. "Results and prospects of European radish breeding." Vegetable crops of Russia, no. 4 (September 7, 2019): 29–31. http://dx.doi.org/10.18619/2072-9146-2019-4-29-31.
Full textCalderaro, Monica, and Marta Senesi. "Disney: crime in fairy tales*." Rivista di Psicopatologia Forense, Medicina Legale, Criminologia 22, no. 1-2-3 (December 27, 2017): 27–30. http://dx.doi.org/10.4081/psyco.2017.10.
Full textCoelho Paraguassu, Eber, Jamille Dos Passos Lacerda, and Karina Figueira. "Total Withdrawal." Brazilian Journal of Implantology and Health Sciences 2, no. 10 (September 29, 2020): 06–09. http://dx.doi.org/10.36557/2674-8169.2020v2n10p06-09.
Full textMusse, Christina Ferraz, and Ana Clara Campos dos Santos. "Memória e filmes domésticos em Super 8: a família Assis em Juiz de Fora - MG." Revista Observatório 1, no. 3 (December 26, 2015): 181. http://dx.doi.org/10.20873/uft.2447-4266.2015v1n3p181.
Full textVieira, Sofia Lerche, and Eloisa Maia Vidal. "Liderança e gestão democrática na educação pública brasileira (Democratic leadership and management in Brazilian public education)." Revista Eletrônica de Educação 13, no. 1 (January 5, 2019): 11. http://dx.doi.org/10.14244/198271993175.
Full textDung, Mai Xuan, Mai Van Tuan, Hoang Quang Bac, Dinh Thi Cham, Le Quang Trung, Le Dinh Trong, Nguyen Trong Tung, and Duong Ngoc Huyen. "Low-Temperature ZnO Thin Film and Its Application in PbS Quantum Dot Solar Cells." VNU Journal of Science: Natural Sciences and Technology 34, no. 3 (September 24, 2018). http://dx.doi.org/10.25073/2588-1140/vnunst.4788.
Full textDissertations / Theses on the topic "Bianchi (Firm)"
Schemel, Bianca [Verfasser], Karin [Gutachter] Hirdina, and Wolfgang [Gutachter] Engler. "Sie lebt für ihre Arbeit. Die schöne Arbeit. Gehen sie an die Arbeit. / Bianca Schemel ; Gutachter: Karin Hirdina, Wolfgang Engler." Berlin : Humboldt-Universität zu Berlin, 2011. http://d-nb.info/1208074164/34.
Full textMädler, Peggy [Verfasser], Bianca Verfasser] Schemel, Karin [Akademischer Betreuer] Hirdina, and Wolfgang [Akademischer Betreuer] [Engler. "Sie lebt für ihre Arbeit. Die schöne Arbeit. Gehen sie an die Arbeit. : die Inszenierung von Arbeit und Geschlecht in Dramatik und Spielfilm der DDR / Peggy Mädler ; Bianca Schemel. Gutachter: Karin Hirdina ; Wolfgang Engler." Berlin : Humboldt Universität zu Berlin, Philosophische Fakultät III, 2011. http://d-nb.info/1015017037/34.
Full textDöge, Frank Ulrich. "Pro- und antifaschistischer Neorealismus Internationale Rezeptionsgeschichte, literarische Bezüge und Produktionsgeschichte von La nave bianca und Roma aperta, die frühen Filme von Roberto Rossellini und Francesco De Robertis /." [S.l.] : [s.n.], 2004. http://www.diss.fu-berlin.de/2004/283/index.html.
Full textDöge, Frank Ulrich [Verfasser]. "Pro- und antifaschistischer Neorealismus : Internationale Rezeptionsgeschichte, literarische Bezüge und Produktionsgeschichte von La nave bianca und Roma aperta, die frühen Filme von Roberto Rossellini und Francesco De Robertis / Frank Ulrich Döge." 2004. http://d-nb.info/972701370/34.
Full textBooks on the topic "Bianchi (Firm)"
Colombo, Sandro. Dalle auto Bianchi alle Autobianchi: Storia e tecnica. Torino: Libreria Automotoclub storico italiano, 2013.
Find full textColombo, Sandro. Le moto della Bianchi: Storia, tecnica e corse. Torino: Libreria Automotoclub storico italiano, 2012.
Find full textColletti bianchi a Torino: Il ceto medio e l'industria privata, 1900-1945. Rivoli (TO) [i.e. Turin, Italy]: Neos, 2010.
Find full textIl giorno dei colletti bianchi: La marcia dei quarantamila 30 anni dopo, i picchetti alla Fiat, la sconfitta del sindacato, la fine della classe operaia, la vittoria della maggioranza silenziosa. Torino, Italia: D. Piazza, 2010.
Find full textMeriggi, Maria Grazia. Gli operai della Dalmine e il loro sindacato: Momenti della pratica sindacale della FIOM in una zona bianca. [Bergamo]: Il filo di Arianna, 2002.
Find full textPapajani, Adrian. Veprimtaria ekonomike e firmave tregtare shkodrane Çoba dhe Bianki (1795-1912): Monografi. Tiranë: Pegi, 1998.
Find full text1950-, Thompson Kristin, ed. Film art: An introduction. 4th ed. New York: McGraw-Hill, 1993.
Find full textBook chapters on the topic "Bianchi (Firm)"
"Bianca." In Through the Fire – From Intake to Credential, 10–18. Brill | Sense, 2018. http://dx.doi.org/10.1163/9789004388192_003.
Full text"Within this field of serial fiction, American product leads, French ranks second, and British third. This triangular force field explains Neighbours’s anomalous position in the French market. American serial fiction is, in the form of Dallas especially, very well known in France. Such American imports are treated with a culturally characteristic ambivalence: admiration for the narrative drive and polish of American product counterposed by distaste for its spectacularization and superficiality. As seen with reference to the American market, a serial fiction market dominated by Dallas and Santa Barbara offers a less than congenial soil for a Neighbours to take root. French serial fiction production offers few more televisual referents to make Neighbours accessible/familiar/popular on French screens. Crucial here is a long history of French distaste for continuous television serial fiction: “you might say that French serial fiction quickly runs out of steam” (Bianchi 1990: 92). One French forte in this field is the series, the sequence of narratively discrete stories engaging the same characters (more or less) across (usually) weekly transmissions for some months. The best known examples are Les cinq dernières minutes, dating from 1958, Commissaire Moulin, and Maigret. Besides the series, the other forte of French television serial production is the mini-series. And the reasons underpinning the dominance of these two modes, especially the mini-series, will explain both the limited field of the French soapscape and the difficulties for a Neighbours. First, a cultural snobbery attaches to the mini-series, indicated by one critic’s sneering at the genre as representing “a serial of interminable insipidity, the television equivalent of the photo-novel or romance, destined above all to housewives [sic]” (Oppenheim 1990: 43; the sexism of this account may further point to certain assumptions about soaps among French television executives). High(er) cultural literature, in other words, commonly supplies the mini-series’ source material and cultural cachet. Second, then, French television scriptwriters have long traditions of the skills of literary compression and visualization of the psychological, skills which would be seen as wasted on scripting soaps. A further occupational/industrial factor working against the imminent success of soaps focuses on the reluctance of directors of mini-series and longer series to cede the dominant creative role to scriptwriters, the major creative force in continuous serials. And finally, actors in a country with vibrant film and theater industries are loath to commit themselves to the lengths of term required by soaps (Bianchi 1990: 96). These factors militate against the continuous fictional serial which involves a large number of characters engaged by multiple, interweaving plot strands of indeterminate duration and with limited resolution at the end of any given episode (usually 30 minutes long, and often stripped across three–five days weekly). Thus there were, at the time of Neighbours’s launch on French television, only four home-grown French soaps, of which the longest-running, Voisin, voisine, launched by La Cinq in September 1988, ran to only 360 episodes; contrast the British Coronation Street which started in 1960 and is still going! French soaps, then, “were far from proven successes” (A.W. 1989: 7). “The French have been uneasy about soaps” (Pélégrin." In To Be Continued..., 126. Routledge, 2002. http://dx.doi.org/10.4324/9780203131855-28.
Full textConference papers on the topic "Bianchi (Firm)"
Godani, Nisha. "LRS Bianchi Type II in f (R, T ) gravity." In PROCEEDINGS OF THE SECOND INTERNATIONAL CONFERENCE ON FRONTIERS IN INDUSTRIAL AND APPLIED MATHEMATICS (FIAM-2019). AIP Publishing, 2020. http://dx.doi.org/10.1063/5.0018981.
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