Academic literature on the topic 'Bibhutibhuson'

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Journal articles on the topic "Bibhutibhuson"

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Dey, Shruti Lekha, and Emiliyamma K.G. "Earwigs (Insecta: Dermaptera) recorded first time from different Wildlife Sanctuaries of West Bengal, India." International Journal of Zoology and Applied Biosciences 9, no. 5 (2024): 68–72. http://dx.doi.org/10.55126/ijzab.2024.v09.i05.011.

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The present communication deals with the first record of Earwigs (Insecta: Dermaptera) from Bibhutibhushan, Bethuadahari and Kulik Wildlife Sanctuary, West Bengal, India. This study reports five species from Bibhutibhushan Wildlife Sanctuary, single species from Bethuadahari Wildlife Sanctuary, single species from Kulik Wildlife Sanctuary. Two Surveys (December 2021 & October 2023) were conducted to understand the Dermapetra fauna diversity of Wildlife Sanctuaries of West Bengal (Bibhutibhushan, Bethuadahari and Kulik Wildlife Sanctuary). The result of the study based on these survey colle
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Chetia, Mousumi. "The Novels of Syed Abdul Malik and Bibhutibhushan Bondopdhyay: A Comparative Study." Journal of Humanities and Social Sciences Studies 2, no. 5 (2020): 59–62. http://dx.doi.org/10.32996/jhsss.2020.2.5.8.

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Comparative literature is a new prospective which established in the nineteenth century. In a comparative method, all literature is considered as a single subject and a meticulous analysis of literature is carried out in a scientific and through manner. It is also called a kind of ‘Intra-literature’ study. Novel is a branch of literature which reflects or presents the human life beautifully. The novels of Syed Abdul Malik and Bibhutibhushan Bondopadhyay are taken up as topics of discussion. To analysis this subject, Sayed Abdul Malik’s ‘Xurujmukhir Swapna’ and ‘Rupabarir Palax’; on the other h
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Iftakhar Ahmed. "Environmental Mayhem in Bibhutibhushan Bandyopadhyay’s Aranyak: An Ecocritical Study." Journal of the Asiatic Society of Bangladesh, Humanities 70, no. 1 (2025): 109–22. https://doi.org/10.3329/jasbh.v70i1.82658.

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Ecocriticism is an emerging arena of literary criticism that questions humans’ anthropocentric tendency to dominate nature. This study scrutinizes Bangla writer Bibhutibhushan Bandyopadhyay's novel Aranyak (1939) from the ecocritical perspective. The Bangla novel Aranyak was translated into English by Rimli Bhattacharya in 2002, and she titled the translated novel Aranyak: Of the Forest. A qualitative textual analysis approach is adopted to conduct this study. Primary data is collected from the translated version of the novel. This study also gathers required information from several authentic
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Mitra, Bulganin, and P. Parui. "Diversity of True Flies (Diptera: Insect A) in the Bibhutibhusan Wildlife Sanctuary." Records of the Zoological Survey of India 112, no. 2 (2012): 57. http://dx.doi.org/10.26515/rzsi/v112/i2/2012/122088.

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Shajeev, Dr. Runa. "Fluid Relations: Water and Humanity in Bibhutibhushan Bandopadhyay's Literary Imagination." International Journal of Advance and Applied Research 6, no. 32 (2025): 35–37. https://doi.org/10.5281/zenodo.15393560.

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<strong>Abstract:</strong> Ecology punctuates the interdependence of every life form on the other, echoed in the dictum, &ldquo;Everything is connected to everything else&rdquo;. It comprises of living and non-living things like the natural resources in the environment such as the flora and fauna, air, soil and water. This very confluence of man and nature is a fact that provides the material basis for the generation and development of living beings. This interdependence of mankind and nature is also a mutually beneficial relationship called synergy, which is the creation of a whole greater th
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Shinde, Pooja Pradeep. "The depiction of Poverty in Bibhutibhushan Bandyopadhyay’s Pather Panchali: An Analytical Study." Shanlax International Journal of English 7, no. 2 (2019): 18–20. http://dx.doi.org/10.34293/english.v7i2.326.

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In developing nations poverty is seen not only affecting the personal but also social life of an individual, because of which he remains deprived of all the amenities that he wants to enjoy. Poor and poverty goes hand in hand. Though both are different where poor means a poor person or family whereas poverty affects the whole community. Due to lack of fundamental government policies the developing countries are facing such crisis. This paper explores Bibhutibhushan Bandyopadhyay’s major character and their struggle for upgrading their life.
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Chaudhary, Aradhana, and Jasmine Purushothaman. "Assessment of Testate Amoeba (Protozoa) assemblage in Bibhutibhushan Wildlife Sanctuary, West Bengal." International Journal of Ecology and Environmental Sciences 50, no. 1 (2023): 107–12. http://dx.doi.org/10.55863/ijees.2024.3123.

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In this study we assessed the assemblage of the testate amoeba in the fresh water sample collected from the Bibhutibhushan Wildlife Sanctuary, West Bengal, India during January 2023. Twenty three species belonging to 10 Genera, 6 Families, and 2 orders are recorded from this sanctuary where 57 percent belongs to Phylum Tubulinea and rest 43 percentage belongs to Phylum Cercozoa. This evergreen forest showed a significant diversity and serves as a repository for many testaceans which indicates the fertile quotient of alluvial soil found in this region.
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Pooja, Pradeep Shinde. "The Depiction of Poverty in Bibhutibhushan Bandyopadhyay's Pather Panchali: An Analytical Study." Depiction of Poverty in Bibhutibhushan Bandyopadhyay's Pather Panchali: An Analytical Study 7, no. 2 (2019): 18–20. https://doi.org/10.5281/zenodo.2591155.

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In developing nations poverty is seen not only affecting the personal but also social life of an&nbsp;individual, because of which he remains deprived of all the amenities that he wants to enjoy.&nbsp;Poor and poverty goes hand in hand. Though both are different where poor means a poor&nbsp;person or family whereas poverty affects the whole community. Due to lack of fundamental&nbsp;government policies the developing countries are facing such crisis. This paper explores&nbsp;Bibhutibhushan Bandyopadhyay&rsquo;s major character and their strugglefor upgrading their&nbsp;life.
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Shehin TV, Muhamed. "Representation of The Child In Modern Indian Novels: A Comparative Study of Bibhutibhusan Bandopadhyaya’s Pather Panchali and Krishna Baldev Vaid’s Uska Bachpan." SMART MOVES JOURNAL IJELLH 8, no. 2 (2020): 8. http://dx.doi.org/10.24113/ijellh.v8i2.10420.

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The representation of the child in art has a long history. Great importance is attached to the child in the indigenous literary traditions of India. The antics of Krishna , the ‘balgopal’ are represented vividly in the Bhagavata Purana and the Mahabharath. Likewise, the adventures of the child Rama are sketched in great detail in another epic Ramayana. An array of Indian writers have made the child the protagonist in their novels ; Manu Bhandari’s Aap ka Bunty, Ganeswar Misra’s Face of the Morning, R.K. Narayanan’s Swami &amp; Friends, Salman Rushdie’s Midnight’s Children, and Amitav Ghosh’s S
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সোহানুজ্জামান, মো. "চিরস্থায়ী বন্দোবস্ত প্রথার প্রভাব ও প্রতিμিয়া : বিভূতিভূষণ বন্দ্যোপাধ্যায়ের আরণ্যক". Arts Faculty Journal 13, № 18 (2024): 215–26. http://dx.doi.org/10.62296/kop20241318012.

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The Permanent Settlement Regulation Act of 1793 was the most significant and revolutionary change made to the Indian land and revenue system under British administration over the Indian subcontinent. Following the implementation of this Act, Indian society experienced significant turmoil. The ancient Indian social structure and customs saw significant transformations and had a wide-ranging impact. It is a wellestablished fact that writers have always been impacted by significant societal shifts. In that regard, Bibhutibhushan Bandyopadhyay is not an outlier in terms of sociocultural transition
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Books on the topic "Bibhutibhuson"

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Caṭṭopādhyāẏa, Sunīlakumāra. Bibhutibhushan Bandopadhyaya. Sahitya Akademi, 1994.

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1973-, Gupta Seemantini, Gupta Amitābha, and All India Anti-Communal Forum, eds. Golden book of Bibhutibhusan Bandopadhyay. All India Anti-Communal Forum, 1995.

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Bibhutibhushan: Swabirodhi Sangbed, Apur Jibon Theke Aranyajagat. Oxford University Press, 2019.

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Roy, Sumana. Plant Thinkers of Twentieth-Century Bengal. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198929314.001.0001.

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Abstract Plant Thinkers of Twentieth-Century Bengal takes an unexpected cast of writers and artists and, in studying their work as ‘plant thinkers’, looks at how their stories and songs, art and films, and, of course, the idiomatic affected Bengali life and thought. Forest and garden, grass and root, weeds and magical plants—supported by a foliage of thought that allowed them to see beyond the botanical, Rabindranath Tagore, Bibhutibhushan Bandyopadhyay, Jibanananda Das, Shakti Chattopadhyay, Satyajit Ray, and others derived their worldview, their poetics and politics, from the plant world. Ja
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Book chapters on the topic "Bibhutibhuson"

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Ramasubramanian, K. "Bibhutibhusan Datta (1888–1958): Historian of Indian Mathematics". У Gaṇitānanda. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-1229-8_43.

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Mukherjee, Indrajit. "Constructing Ecotopian Space as a Protest Against the Urban Worldview in Bibhutibhusan Bandyopadhyay’s Literary Oeuvre." In Asia in Transition. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-3933-2_11.

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AbstractErnest Callenbach defined an ecotopian space as an ecologically perfect area or form of imaginary society, a place of refuge from the hustle and bustle of modern metropolitan life. The concept of an ecotopia serves as an appeal to avoid acts of violent aggression that are damaging to the environment and calls for a shift in cultural norms to address the present ecological catastrophe. In Bengali writer Bibhutibhusan Bandyopadhyay’s (1894–1950) literary oeuvre, nature becomes a site of dwelling, a sacred locus bearing witness to the hardships of human existence in the construction of ru
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Roy, Sumana. "Bibhutibhushan Bandyopadhyay." In Plant Thinkers of Twentieth-Century Bengal. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198929314.003.0004.

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Abstract Bibhutibhushan Bandyopadhyay gives us a revolutionary formulation of history in his novel Ichhamati—the history of plant life, records of its settlement on land as well as its death and evacuation from these spaces, a census of plants and trees, all these constitute our national history, not only the life of kings, queens, and the famous. Returning to his philosophy of ananda, particularly in Pather Panchali, he notes the difference between the plant and human worlds—in doing so he allows us to understand concepts like poverty and miserliness, abundance and riches, in an unexpected re
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Gupta, Diya. "‘Every Day I Witness Nightmares’." In India in the Second World War. Oxford University Press, 2023. http://dx.doi.org/10.1093/oso/9780197694701.003.0003.

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Abstract Chapter Two considers emotions associated with hunger arising from the Bengal Famine of 1943 and 1944. It assesses Bengali photojournalist Sunil Janah’s images alongside soldiers’ letters and Bibhutibhushan Bandyopadhyay’s Bengali novel Ashani Sanket (Intimations of Thunder, 1944–1946), and analyzes famine-related Bengali modernist poetry by Sukanta Bhattacharya and Samar Sen. The chapter focuses on how starvation is imagined, witnessed, and represented, and argues that letter-writing and literary texts read alongside each other yield new meaning to the emotions of hunger in the homel
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