Relevant bibliographies by topics / Biblia pauperum

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Academic literature on the topic 'Biblia pauperum'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Biblia pauperum"

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Cieślińska-Lobkowicz, Nawojka. "Żydowska Biblia pauperum." Zagłada Żydów. Studia i Materiały, no. 11 (December 1, 2015): 743–52. http://dx.doi.org/10.32927/zzsim.509.

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„Ogromna, powalająca, zrobiona z wielkim rozmachem” – pisano zgodnie w kraju i za granicą po otwarciu w październiku 2014 r. wystawy stałej Muzeum Historii Żydów Polskich w Warszawie, zwanym krótko Polin. Dalej jej oceny już nie były tak jednomyślne. Niemniej wszyscy piszący chylili głowy przed monumentalną panoramą ponadsiedemsetletniej obecności Żydów na polskich ziemiach. Także większość pierwszych zwiedzających była pod jej wrażeniem. Muzeum zaś uczciło ją autotematyczną wystawą czasową. Podzielam szacunek dla imponującej historycznej bazy materiałowej, na której oparto osiem następujących w porządku chronologicznym galerii, składających się na liczącą ponad 4500 m kw. prezentowaną całość. Uwagi te nie dotyczą jednak zawartości treściowej i interpretacji zaproponowanych przez autorów poszczególnych galerii. Ich przedmiotem jest przyjęta przez organizatorów programowa formuła wystawiennicza i sposób, w jaki ją zrealizowano. Budzą one moje zasadnicze wątpliwości, które być może wydadzą się czytelnikom w świetle powszechnego podziwu towarzyszącego otwarciu wystawy przesadne. Pocieszam się, że bynajmniej nie trzeba się z nimi zgadzać; nadto najważniejszym celem tych uwag jest zaproszenie do wnikliwego zapoznania się z nią na miejscu.
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Cieślińska-Lobkowicz, Nawojka. "The Jewish Biblia Pauperum." Zagłada Żydów. Studia i Materiały, Holocaust Studies and Materials (December 6, 2017): 521–30. http://dx.doi.org/10.32927/zzsim.737.

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Jelonek, Tomasz. ""Biblia pauperum" katechezą średniowiecza." Ruch Biblijny i Liturgiczny 55, no. 1 (March 31, 2002): 16. http://dx.doi.org/10.21906/rbl.1722.

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Azanza López, José Javier. "Conectando testamentos: Números como tipo en Biblia Pauperum y Speculum Humanae Salvationis." IMAGO. Revista de Emblemática y Cultura Visual, no. 11 (January 28, 2020): 41. http://dx.doi.org/10.7203/imago.11.16064.

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ABSTRACT: In the close typological relationship established in the Middle Ages between the Old and New Testaments, the Book of Numbers becomes an exemplary Christological and Mariological prefigurative example. The episodes of the Murmuring of Miriam and Aaron, the Spies from Canaan, the Rebellion of Korah, Dathan, and Abiram, the Brazen Serpent, the Budding of Aaron’s Rod and the Prophecy of Balaam, constitute types of New Testament passages collected in the Biblia Pauperum and the Speculum Humanae Salvationis, whose repercussion will be felt in Medieval and Modern Art as a theological visual synthesis present in stained glass windows, sculptures of portals, tapestries, goldsmith works and altarpieces. KEYWORDS Book of Numbers; Typological Method; Biblia Pauperum; Speculum Humanae Salvationis; Medieval and Modern Art. RESUMEN: En la estrecha relación tipológica establecida en la Edad Media entre Antiguo y Nuevo Testamento, el libro de los Números se convierte en exepcional ejemplo prefigurativo cristológico y mariológico. Los episodios de la murmuración de Miriam y Aarón, los exploradores de Canaán, la rebelión de Coré, Datán y Abirón, Moisés y la serpiente de bronce, la vara florida de Aarón y la profecía de Balaam, constituyen otros tantos tipos anunciadores de pasajes neotestamentarios recogidos en Biblia Pauperum y Speculum Humanae Salvationis, cuyo eco se dejará sentir en el arte medieval y moderno como síntesis visual teológica plasmada en vidrieras, portadas, tapices, piezas de plata y retablos.
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Rosa, Cintia Maria Falkenbach. "A Adoração dos magos na Biblia Pauperum." Revista VIS: Revista do Programa de Pós-Graduação em Arte 15, no. 2 (November 7, 2016): 301–17. http://dx.doi.org/10.26512/vis.v15i2.20200.

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Nos séculos XIV e XV circulavam livremente duas Bíblias na Europa: a Vulgata, uma bíblia em Latim e a Bíblia Pauperum, uma edição ilustrada, com pouco texto, destinada aos que não sabiam ler; um dos primeiros incunábulos ilustrados impressos na Europa, de autoria anônima e data de aparecimento estimada por volta de 1460. Este livro foi impresso artesanalmente na técnica da Xilogravura. Grande divulgador da Doutrina Cristã na Idade Média, cópias permaneceram conservadas até a atualidade. Nosso objeto de estudo é a página da Epifania que se encontra nessa Bíblia.
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Vidalin, Antoine. "Quand l’exégèse passe par les yeux. Typologie, imitatio Christi et anti-judaïsme." Nouvelle revue théologique Tome 146, no. 1 (January 2, 2024): 134–41. http://dx.doi.org/10.3917/nrt.455.0134.

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Wataghin, Gisella Cantino. "Biblia pauperum ? A proposito dell’arte dei primi cristiani." Antiquité Tardive 9 (January 2002): 259–74. http://dx.doi.org/10.1484/j.at.2.300602.

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Przybyłok, Arkadiusz. "Karchowicka Biblia Pauperum źródłem dla poznania kultury materialnej." Acta Universitatis Lodziensis. Folia Archaeologica, no. 31 (September 27, 2017): 145–62. http://dx.doi.org/10.18778/0208-6034.31.08.

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Friedman, John B. "Bald Jonah and the Exegesis of 4 Kings 2.23." Traditio 44 (1988): 125–44. http://dx.doi.org/10.1017/s0362152900007030.

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In recent years, a good deal of attention has been paid to the place of typology in late medieval art. This way of thought so characteristic of the Middle Ages, in which Old Testament persons and events are seen to have a prefigurative relationship to those of the New, was a popular teaching device. It is nowhere better seen than in the Biblia pauperum or picture Bible, which originated in a mid-thirteenth-century Dominican milieu and was probably inspired by the altar piece of Nicholas of Verdun, made in 1181. The pages of these books contain drawings that show the typological relationship between Old and New Testament events by means of a center roundel depicting some episode of Christ's life, known as the anti-type, flanked by two Old Testament scenes, the types, which were thought to prefigure it. Appropriate Bible prophecies in banners heightened the visual impact of the drawings for the literate. From its inception, the Biblia pauperum was of enormous importance for northern European art, and its influence can be seen well into the Reformation.
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Bastock, Michelle, and David W. Jardine. "Children's Literacy, the Biblia Pauperum and the Wiles of Images." Journal of Curriculum and Pedagogy 2, no. 2 (December 2005): 65–69. http://dx.doi.org/10.1080/15505170.2005.10411547.

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Dissertations / Theses on the topic "Biblia pauperum"

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Andreani, Nicola. "Bande dessinée et séquentialité : les formes de la narration par images." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040215.

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Cette thèse porte sur le principe même de séquentialité d’images fixes, pour comprendre la différence entre la Bande Dessinée et les différentes formes de narration par images fixes, même les autres arts. Cela nous aide à comprendre pourquoi la Bande Dessinée est devenue un art autonome, pourquoi la Bande Dessinée s’est plus developpée que d'autres formes de narration par images, et quelles sont plus précisément les origines de la Bande Dessinée.Analyser la naissance de la Bande Dessinée signifie donc tracer un parcours à travers des oeuvres, des auteurs ou des mouvements fondamentaux, et considérer les thèmes, les poétiques, les technologies qui l'ont définie à telle ou telle époque. Ce travail vise donc à identifier les oeuvres qui forment une ligne de partage entre le Moyen Âge et l'Âge Moderne. Une analyse historique, mais également paradigmatique, aidera à mieux comprendre comment la Bande Dessinée a évolué, quelles influences ont eu les autres formes d'art (comme la peinture, la littérature, la caricature ou le théâtre) mais surtout, quelles techniques et stratégies ont été mises en place et ont fait évoluer la Bande Dessinée vers un système narratif à base iconique
This thesis focuses to question the very principle of sequentiality of still images, that is to understand how in Sequential Art this dynamic takes different forms, but at the same time, how Sequential Art can be differentiated from other Arts. This help us to understand why it became an autonomous art, why it has developed more than any other sequential art, how and when the Comic was actually created.Analyze the rise of the Comics means tracing a path through the works, authors and the basic movements, considering the new poetics, themes, techonologies, that have defined this. This work aims to identify works which form a connection between the Middle Ages and the Modern Age. A historical analysis, but also paradigmatic one, will help to better understand how Comics evolved, what influences have had other forms of art (such as painting, literature, theater or caricature) but, above all, which techniques and strategies have been implemented and have changed Comics toward a narrative system based on images
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Nylander, Anna. "De medeltida målningarna i Arbrå kyrka : en typologisk tolkning." Thesis, University of Gävle, Ämnesavdelningen för kultur- och religionsvetenskap, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-7365.

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The aim of this essay is to investigate the murals in the church of Arbrå, what they portrait and how they can be linked to medieval typology as described in Biblia Pauperum (BP), the Poor Man’s Bible. The aim is also to find out what the purpose was to paint medieval churches and what the function of the paintings was. Arbrå Church was painted around 1520-1530, and almost all of the motifs from the Old Testament can be directly traced back to BP as can one motif from the New Testament. Together these paintings represent most of the important events which make out the foundation of the Christian Cult. The purpose of painting churches was probably a combination of at least three; People of wealth could pay for different things for their church as a tribute to God, the paintings made people feel closer to God as they became enclosed in the biblical history and the paintings served an educative purpose as people could more easily remember what the priests preached.

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Books on the topic "Biblia pauperum"

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Avril, Henry, ed. Biblia pauperum: A facsimile and edition. Ithaca, N.Y: Cornell University Press, 1987.

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1935-, Henry Avril, ed. Biblia pauperum: A facsimile and edition. Aldershot: Scolar, 1987.

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Björndahl, Margareta. Biblia pauperum: Med svensk text ur Bibel 2000. Göteborg: B4Press, 2008.

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Manuel, Roca Juan, ed. Temporada de estatuas y Biblia de pobres siblia pauperum). México, DF: Editorial Praxis, 2015.

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Nadia, Ceroni, Viroli Giordano, Agostini Grazia, Museo nazionale di Ravenna, and Italy. Soprintendenza per i beni artistici e storici per le province di Bologna, Ferrara, Forlì e Ravenna., eds. Biblia pauperum: Dipinti dalle diocesi di Romagna 1570-1670. [Bologna, Italy]: Nuova Alfa, 1992.

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Sznajderman, Monika. Współczesna Biblia pauperum: Szkice o wideo i kulturze popularnej. Kraków: Wydawn. Uniwersytetu Jagiellońskiego, 1998.

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Christoph, Wetzel, ed. Biblia pauperum =: Armenbibel : die Bilderhandschrift des Codex Palatinus latinus 871 im Besitz der Biblioteca Apostolica Vaticana. Stuttgart: Belser, 1995.

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C, Labriola Albert, and Smeltz John W, eds. The Bible of the poor =: Biblia pauperum : a facsimile edition of the British Library Blockbook C.9.d.2. Pittsburgh, Pa: Duquesne University Press, 1990.

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F, Palmer Nigel, and Staatliche Museen zu Berlin (Germany). Kupferstichkabinett, eds. Apokalypse ; Ars moriendi ; Biblia pauperum ; Antichrist ; Fabel vom kranken Löwen ; Kalendarium und Planetenbücher ; Historia David: Die lateinische-deutschen Blockbücher des Berlin-Breslauer Sammelbandes ; Staatliche Museen zu Berlin; Preussischer Kulturbesitz, Kupferstichkabinett, Cim. 1, 2, 5, 7, 9, 10, 12. München: Edition Helga Lengenfelder, 1992.

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L, Bosman H., Gous I. G. P, and Spangenberg I. J. J, eds. Plutocrats and paupers: Wealth and poverty in the Old Testament. Pretoria: J.L. van Schaik, 1991.

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Book chapters on the topic "Biblia pauperum"

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Rasmussen, Tarald. "Chapter Three. Bridging the Middle Ages and the Renaissance: Biblia Pauperum, their Genre and Hermeneutical Significance." In Hebrew Bible / Old Testament: The History of Its Interpretation, 76–93. Göttingen: Vandenhoeck & Ruprecht, 2008. http://dx.doi.org/10.13109/9783666539824.76.

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"Biblia pauperum." In 1900–1904, 331–36. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110581072-015.

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Lobrichon, Guy. "The Production of Medieval Bibles." In The Oxford Handbook of the Latin Bible, 187–207. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780190886097.013.22.

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Abstract Abstract: This chapter presents the development of the Latin Bible in the West from the eleventh to the fifteenth centuries. Overall, five types of Bibles are found in this period: liturgical Bibles, glossed Bibles, portable Bibles, luxury Bibles, and picture Bibles. Some are in the form of pandects containing the complete text, from the giant “Atlantic Bibles” to the all-in-one Paris Bibles. Their production, contents, and organization are described, including details of the sequence of books and their paratexts (prefaces, prologues, and argumenta). The rise of illustrated Bibles is seen in the two Bibles of Pamplona and the Bible moralisée, as well as certain “parabiblical” books such as the Speculum humanae salvationis and the Biblia pauperum. Consideration is given to the role played by patrons as well as producers and users in developing new styles and formats, and the contexts in which they were used, such as the requirements of the different religious orders and schools.
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Bastock, Michelle, and David W. Jardine. "Children’s Literacy, the Biblia Pauperum, and the Wiles of Images." In Back to the Basics of Teaching and Learning, 59–66. Routledge, 2017. http://dx.doi.org/10.4324/9781315096681-4.

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"11 Salvation History, Typology, and the End of Time in the Biblia Pauperum." In Between Jerusalem and Europe, 217–32. BRILL, 2015. http://dx.doi.org/10.1163/9789004298187_013.

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Nellhaus, Tobin. "10. Mementos of Things to Come: Orality, Literacy, and Typology in the Biblia pauperum." In Printing the Written Word, 292–322. Cornell University Press, 2020. http://dx.doi.org/10.7591/9781501735042-013.

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"Chapter 4. Oxford Doctors, Archbishop Arundel, and Dives and Pauper on the Advisability of Scripture in English." In The Middle English Bible, 50–70. University of Pennsylvania Press, 2017. http://dx.doi.org/10.9783/9780812293081-006.

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