Dissertations / Theses on the topic 'Bibliology'

This study deals with how E.W. Kenyon’s use of the Bible was the foundation used by Kenneth Hagin and Kenneth Copeland to build the Word of Faith Movement. Kenyon could be considered the grandfather of this movement, while Hagin can be regarded as the father and Copeland, the one on whose shoulders Hagin’s mantle has fallen since his death. It includes brief biographies of Kenyon, Hagin and Copeland and their ministries. It looks into how influential Kenyon’s use of the Bible is in developing his doctrines, which have been copied by both Hagin and Copeland and the Word of Faith's pastors throughout the world. This study is not an exhaustive examination of Kenyon’s doctrines but enough is studied to show he does not conform to traditional reformed theological hermeneutics. Kenyon’s writings date back to the early twentieth century. Hagin’s writings are from the mid- and late twentieth century, while Copeland writes from the late twentieth century to the present day. It will be shown that Hagin and Copeland copied Kenyon’s use of the Bible almost verbatim, resulting in them promoting doctrines in the Word of Faith Movement similar to his doctrines. This study deals with Kenyon’s writings in Chapter 2, while Chapter 3 deals with Hagin’s and Copeland’s teachings. Chapter 4 compares the three’s teachings from a reformed theological perspective, using literature by fairly modern-day writers on reformed theology. Chapter 5 evaluates and concludes and offers recommendations for further study. Finally, Kenyon’s and his two followers’ teachings are summarised and evaluated. The study will also examine some of the effects these teachings have on the individual who attends Word of Faith Movement churches. Future research topics that could help in understanding the attraction these teachings have for people and the danger they pose to reformed churches today are suggested.
Thesis (MA (Dogmatics))--North-West University, Potchefstroom Campus, 2013.

L'objectif de cette these est d'approfondir l'histoire de la bibliologie en france a travers une etude qualitative des textes et une etude quantitative de la production des livres du debut xviieme siecle a la deuxieme guerre mondiale. Les deux etudes ont pour corpus une bibliographie de la bibliologie en france, que nous avons elaboree dans le cadre du programme de recherche internationale sur la bibliologie. L'etude des textes nous montre l'existence d'une theorie de la bibiologie a partir de la fin du xviiieme siecle avec l'apparition d'un vocabulaire systematise. Le long du xixeme siecle, cette theorie se developpe autour de quatre axes : les systemes et les sciences de l'ecriture, l'histoire de l'ecrit non periodique, la bibliographie et la bibliotheconomie. L'evolution de la production generale des imprimes non periodiques en france. Les fluctuations de la production semblent suivre des mouvements decennaux et interdecennaux. Les periodes de hausse de cette production se situeraiet plutot dans les periodes de stagnation economique, alors que les periodes de baisse se situeraient dans des periodes de croissance economique. Dans ce sens la bibliologie evoluerait comme l'histoire dont la theorie de zoltowski explique un fonctionnement similaire. Enfin les deux etudes qualitative et quantitative montrent qu'a la base de la constitution d'une theorie de la bibliologie il y a eu la constitution des sciences de l'ecriture
The main target of this doctoral thesis is to deepen the hystory of bibliology in france as a written communication science all through a qualitative study of texts and alsow a bibliometric quantitat tive study of book's production from the beginning of the xviiith centry to the second world war. Both studies include a bibliography of bibliology in france which has been elaborated through a international research program on bibliology. Text's study reveals the existin a bibliology theory since the end of a xviiith century through the apperance of a methodical vocabulary. The theory has been developped accross the xixth century around four axis : writing sciences systems, non periodic writing history, bibliography and bibliotheconomy. The development of bibliology production allowds us to identify the mouvments which seem to go with the growth of the whole production of non periodic printintings in france. Production putting together bibliology and history, according to zoltowski and his explanation about a same working. Finally, the quantitative study and the qualitative study show that the constitution of a biblilogy theory comes after the creation of writin sciences

A l’heure où l’ « archéologie du livre » est une thématique prisée par les historiens et philologues médiévistes, ce travail de doctorat en archéologie grecque entend proposer une étude du livre antique à travers l’exemple de l’Iliade. Pour cela, il commence par interroger les différents regards successivement portés sur le livre en tant qu’objet de recherche, d’abord comme simple support, dont la matérialité est largement ignorée par les philologues au profit du seul message qu’il transmet, puis comme objet historique dont la matérialité est progressivement prise en compte par les collectionneurs, bibliophiles et enfin archéologues. Cette première partie, historiographique et épistémologique débouche sur une étude historique et sociale des conditions de la transmission et de la réception de l’Iliade dans le monde antique, qui permet de mettre en évidence la spécificité du manuscrit homérique dans la civilisation gréco-romaine et l’apport des sources testimoniales sur ce point. À la lumière de ces deux temps de réflexion complémentaires, l’analyse technique du livre antique, enfin, propose un bilan critique des connaissances actuelles sur la fabrication, l’utilisation et le rangement du livre de papyrus dans l’Antiquité gréco-romaine
At a time where the “archaeology of the book” is a highly-valued theme among historians and medieval philologists, this PhD in Greek Archaeology intends to offer a study of the antique book through the example of the Iliad. To this end, we will start by interrogating the various perspectives successively used to consider the book as a research object, first as a simple medium, whose materiality is largely ignored by philologists in favour of the sole message it delivers, then as an object of history, whose materiality is gradually taken into account by collectors, bibliophiles and archaeologists. This first part, historiographic and epistemological, ends with a historic and social study of the conditions of the transmission and reception of the Iliad in the antique world, which helps us bring to light the specificity of the Homeric manuscript in the Graeco-Roman civilisation and the input of testimonial sources on that subject. In the light of these two complementary reflection points / times, the technical analysis of the antique book, lastly, offers a critical assessment of the current knowledge on fabrication, use and stocking of the papyrus book in the Graeco-Roman Antiquity

Cet ouvrage constitue une contribution a la recherche bibliologique internationale et plus particulierement a la bibliologie dynamique. La globalite de la production des imprimes non periodiques au liban de 1733 a 1920 est apprehendee et deux fluctuations a caractere cyclique ont ete degagees. La premiere couvre les annees 1733-1839 et presente une tendance a la stagnation. La deuxieme couvre les annees 1840-1920 et presente une tendance a la croissance. Cette derniere se decompose en plusieurs cycles d'environ quinze ans: 1847-1861, 1862-1878, 1879-1893, 1894-1905 et 1906-1918. Cette these devoile le centre d'interet des libanais pour les differentes classes representatives du savoir humain. La religion monopolise 39,40% de cette production, ce qui laisse supposer que l'esprit libanais pour le xviiie, xixe et debut du xxe siecle est totalement immerge dans ses croyances. La litterature occupe la deuxieme position avec 25,22% de la production. La linguistique arrive en troisieme position avec 12,33%. Les autres matieres viennent tres loin derriere. Les statistiques par lieux d'edition demontrent que la geographie de l'edition est presque inexistante au liban. Beyrouth domine la production des imprimes non periodiques avec 86,60% des ouvrages. L'etude par imprimeur-editeur complete l'histoire de l'imprimerie au liban par des donnees numeriques. Trois imprimeurs-editeurs controlent cette periode a savoir par ordre d'importance l'imprimerie catholique avec 27% de la production, l'imprimerie americaine avec 15% et l'imprimerie des belles-lettres avec 11%. Le deuxieme tome est une contribution a la bibliographie nationale des imprimes non periodiques au liban de 1733 a 1920. Il constitue un ouvrage de reference assez important pour les chercheurs qui s'interessent au liban
This work constitutes a contribution to the international bibliologic research and more particularly to the dynamic bibliology. All the production of non-periodics printed in lebanon between 1733 and 1920 is apprehended. Cyclic fluctuations appeared in the evolution of this production. The first covers the period 1733-1839 and presents a tendency towards stagnation. The second covers the period 1840-1920 and presents a tendency towards growth. The latter is composed of several cycles of approximately fifteen years: 1847-1861, 1862-1878, 1879-1893, 1894-1905 and 1906-1918. This thesis unveils the center of the lebanese interest in the different classes that represent human knowledge. The religion monopolizes 39,40% of this production. This make us suppose that the lebanese spirit of the xviiith, xixth and the beginning of the xxth century is completely immersed in its beliefs. The literature occupies the second position with 25,22% of the production. The linguistic is placed in the third position with 12,33%. Other subjects fall far behind. Statistics by places of publication reveal that the geography of the publishing is almost non existent in lebanon. Beirut dominates this production with 86,60% of printed works. The study by printer-publiqher completes the history of the press in lebanon by numerical data. Three printers-publishers control this period namely by importance order the catholic press with 27% of the production, the american press with 15% and the press of the belles-lettres with 11%. The second volume is a contribution to the national bibliography of non-periodics printed in lebanon between 1733 and 1920. It constitutes an important reference work for researchers who are interested in lebanon

L'etude des ouvertures romanesques de jean giono enrichit la poetique de l'incipit inventee par aragon et la comprehension d'une oeuvre prise dans son ensemble. Au moyen d'indices et d'ellipses, tout incipit gionien metaphorise et problematise, dans une forme-sens plus ou moins concentree, a la fois un programme narratif et un protocole de lecture. Tout incipit gionien prend ainsi en charge quatre fonctions. La fonction codifiante annonce le systeme de reference du texte. La fonction seductive sollicite le lecteur. La fonction informative met en scene la fiction. La fonction dramatique met l'histoire en mouvement. En combinant cette etude fonctionnelle avec une chronologie homogene (celle de la publication des vingt-six romans consideres), on decouvre la diversite et l'unite, les evolutions et les continuites des incipit gioniens. Le romancier n'a pas elabore une entree en matiere type. N'empeche qu'il est presque toujours possible de superposer les incipit gioniens par paires : l'artisan n'a cesse de reecrire et de corriger ses premiers commencements romanesques. C'est a partir d'un noyau in inconstantia constans que giono a elabore des variations, au sens musical du terme. Ce faisant, il a reconcilie tradition et liberte creatrices. Temoignent de la premiere l'usage des procedes utilises, le recours a quatre topoi d'ouverture narrative et la facon de s'appuyer sur de grands textes, de la bible a ceux de faulkner en passant par beaucoup d'autres. Temoignent de la seconde le developpement d'images ou de phrases germinatives, la transgression de dichotomies convenues, la mise en bombe du cadre, l'invention de strategies mixtes et meme d'un topos personnel. Tout concourt finalement a faire apparaitre la question de l'origine derriere celle du commencement. Cette question donne du sens a l'ensemble d'une oeuvre qui n'a jamais renonce ni a la quete du bonheur, ni a la recherche d'une verite
The study of the opening scenes of giono's novels highlights the poetics of the incipit, a notion invented by aragon, and the understanding of the complete works of the novelist. Thanks to clues and ellipses, giono, in his incipit, metaphorizes and problematizes, through a meaningful form, a narrative pattern together with a reading contract. Giono's incipit will then assume four functions: the codifying function which announces the referential system of the text, the seductive function which stirs the reader's curiosity, the informative function which stages the story and the dramatic function which sets the story into motion. Combining this functional study with a homogeneous chronology (that of the publication of the twenty-six novels we have studied), one may discover the diversity and unity, the evolutions and continuity of giono's incipit. Never did the novelist work out any typical opening. However one cannot help classifying giono's incipit in pairs : the writer endlessly wrote, rewrote and corrected the beginnings of his early novels. Giono composed variations, in the musical sense of the term, from an in inconstantia constans nucleus. He thus reconcilied literary tradition and freedom of creation. The literary tradition is to be found in the use of devices such as the resort to four topoi of narrative opening or to classics, from the bible to faulkner's writings and many others; his freedom of creation is to be found in the development of germinating images and sentences, the transgression of conventional dichotomies, the explosion of the frame, the invention of parallel strategies and even of a personal topos

Das 19. Jahrhundert wird in den westlichen Ländern Zeuge tiefer Veränderungen auf dem Bereich des Buchdruckes, der dank der Fortentwicklung der Technik ihre handwerklichen Herstellungsverfahren in eine industrialisierte Produktion umwandelt. Es erlebt den Ausbruch und die Entfaltung des Pressewesens und die rasante Steigerung der Konsumentenzahl von Druckerzeugnissen. Diese Entwicklung, die als Revolution – die zweite Revolution des Buchdruckes – bezeichnet wird, resultiert aus den parallel laufenden soziokulturellen Veränderungen – wie die Demokratisierung der Bildung –, die sich schon im 18. Jahrhundert ihren Weg anbahnten und die sich kraft des Vorantreibens und der Verbreitung einer schriftlichen Kultur fortwährend entwickeln konnten. Die Etablierung liberalen Gedankengutes treiben auch in Spanien eine neue Konzeption des Individuums voran, das Bildung, Information, öffentliche Meinungsäußerung, die eine schriftliche, gedruckte Kommunikationsform implizieren, als seine elementaren Rechte betrachtet. Infolge dieses Hergangs wird der Leserkreis stetig größer und differenzierter; nicht nur neue gesellschaftliche Schichten erringen für sich den Zugang zur Schrift, sondern auch die geschlechtsspezifischen, aus der traditionellen, patriarchalischen, spanischen Mentalität resultierenden Defizite hinsichtlich der Bildung der Frau nehmen, ihren Eintritt in die Lesergemeinschaft ebnend, konstant ab. Die Wandlung der Frau zur Teilhaberin und sogar zur Mitgestalterin der schriftlichen Kultur in Spanien erfolgt abhängig von den historischen und politischen Gegebenheiten und nicht konstant und in gleichem Maße im ganzen Land. Der schwierige Weg zur Bildung, der Einfluss der katholischen Kirche, die sozialen Unterschiede, sind entscheidende Faktoren für die Geschwindigkeit, mit der sich diese Veränderung vollzieht. Ziel dieser Arbeit ist eine geschichtliche Veranschaulichung der Entstehung und Konsolidierung einer weiblichen Leserschaft und der begleitenden Umstände auf den Bereichen des Buch-, Bibliotheks-, und Bildungswesens.
In the course of the 19th century deep changes take place in the world of printing, mostly due to the improvements of the techniques and the industrialisation of the production. But this revolutionary development, known as the second revolution of the printing, results itself from the cultural, political and social transformations which happen contemporaneously. The advance of liberal ideologies with their new conception of the individual, who regards education, information and freedom of speech - which imply a written, a printed communication form - as his elementary rights, strengthens the spreading of a written culture, so that many countries experience a rapid increase of the number of consumers of printed products. These innovations will also reach Spain and deeply influence its society and culture. The alphabetised population increases, the number of readers becomes constantly larger and the readership more differentiated. New social groups achieve the right of education and become in this way potential readers, the women being the most important of them. The traditional, patriarchal, catholic Spanish mentality changes slowly allowing them to be alphabetised and educated. Women begin in the 19th century to take actively part on the cultural live of the country and not only as readers but also as authors. This transformation does not take place continually and in the same measure all along the country, due to the influence of the historical and political conditions. The difficult way to education, the power of the Catholic Church and the social differences become for instance crucial factors which define the rapidity and the significance of the development. This thesis presents the process of the emergence and consolidation of a female readership during the 19th century, illustrated with a description of the evolution on the ranges of the book production, of the library and education system and many examples of reading materials and publications for and of women.

La specificite du rythme des mises en scene de theatre et sa perception par le spectateur peuvent etre abordees du point de vue des formes de groupements et de leur hierarchisation dans des structures superieures. Face a une definition prealable du rythme fondee sur une structure precise ou sur un type de groupement, les attentes differentes qui apparaissent des le debut de chaque mise en scene, les cadres rythmiques, s'averent fondamentales pour comprendre le deroulement rythmique. L'analyse concrete de ces aspects au theatre permet une appriche dynamique dy rythme visuel, du rythme prosodique de la voix des comedien analyse realisee grace a une etude phonetique-, du rythme des mouvements; elle revele des caracteristiques specifiques au deroulement temporel d'un spectacle de theatre
The specificity of the rhythm of a theatrical production and his perception are extremely complex. Among the more important aspects are groups and the inclusion of these groups within larger groups of theatrical elements which create a rhythmic hierarchy. The initial expectations that arise for every spectator at the begining of a production, which i call rhythmical frames are essential to understand the rhythm. These aspects are first applied to the actor's voice, - this thesis focus specially on the prosodic rhythm using a phonetic analysis of pitch and speed- , secondly to the movement realized by the actors, and finally to the whole of the prodution. This analysis reveals specific characteristics of theatrical developement

Cette these est consacree a l'etude des livres de lecture, de francais, de geographie et d'histoire a l'usage des ecoles coloniales et actuelles du congo. Elle aborde plusieurs aspects : les auteurs, les editeurs, les circuits de distribution, les repertoires bibliographiques, les reglementations et l'aide internationale. Elle presente aussi les structures politiques et scolaires qui ont pu influencer la vie du livre scolaire a des epoques donnees. La methodologie appliquee a cette etude s'appuie sur la bibliometrie (ou mesure de l'ecrit et du livre) a partir de trois manuels de lecture, dont deux ont ete publiees pendant la periode coloniale et le troisieme en 1976. L'etude bibliometrique porte sur le contenu des textes, sur les illustrations et sur l'aspect materiel de ces manuels
This thesis is devoted to the study of french; geography, history and reading school textbooks in use in the colonial and contemporary schools of the congo. It deals with several aspects : authors. Editors, distribution networks, bibliographical indexes; regulations and international aid. It also sets out the political and educational structures that may have influenced the life of the school textbook during the given periods. The methodology which has been used in this study is based on bibliometrics (or measurement of the writing and the book), and is made up of three reading school textbooks, two of which were published during the colonial period and the third, in 1976. The bibliometrical study deals with the contents of the texts, the illustrations and the material aspect of these school textbooks

Le but de cette these est d'etudier l'evolution de la production des livres arabes imprimes entre 1955 et 1981. Elle comprend donc une introduction definissant les cadres scientifique et methodologique de la recherche qui sont respectivement la bibliologie et la bibliometrie. Elle comprend egalement quatre chapitres. Le premier porte sur le contexte historique du livre arabe imprime tant en france que dans les pays arabo-musulmans. Le deuxieme aborde l'importance de la production generale arabe par rapport a celle des pays developpe. Le troisieme chapitre fait ressortir le mouvement de la production intellectuelle par pays arabe tant en volume qu'en matieres. Enfin, le quatrieme chapitre presente les ecquisitions de la bibliotheque nationale et de la bibliotheque des langues orientales en matiere de livre arabe imprime
This thesis aims at surveying the evolution of printed arabic books'production between 1955 and 1981. It includes therefore an introduction setting the scientific and methodological research frames i. E bibliology and bibliometry. It involves four chapters as well. The first deals with the historic framework of the printed arab book in france as in the arab and moslem countries. The second examines the volume of the overall arab production compared to developed countries. The third chapter, underscores the intellectual production for each arab country as far as volume and subject matters are concerned. And finally the fourth chapter looks into the acquisitions of the bibliotheque nationale and bibliotheque des langues orientales in the field of printed arabic books

Книжкова колекція академіка Б. С. Якобі, яка збережена і досліджується в НТБ НТУ "ХПІ", — це новий нестандартний портрет вченого, представлений зібранням книг. Також подана інформація про учених, автографи яких містяться в книгах колекції.
The book collection of academician B. S. Jacobi, which is stored and explored in the NTU "KhPI" Scientific and Technical Library, is a new non-standard portrait of a scientist, presented by a collection of books. The article also provides information on scientists whose autographs are contained in the books of the collection.