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Dissertations / Theses on the topic 'Biblioteca apostolica vaticana – Manuscrits'

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Published: 4 June 2021
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1

Gebrael, Simon. "L'eschatologie dans le manuscrit Vatican Syriaque 59." Université Marc Bloch (Strasbourg) (1971-2008), 2007. http://www.theses.fr/2007STR20054.

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Le manuscrit Vatican Syriaque 59 est le plus ancien témoin de l'office maronite des funérailles pour les évêques, les prêtres et les diacres. La présente thèse propose une traduction complète et une étude liturgique et théologique de cet office. L'étude liturgique met en évidence l'organisation générale de ce rituel, mis en oeuvre sur les lieux de décès des prêtres, et qui comporte des pièces hymniques et des lectures bibliques, disposées en vingt quatre séquences. L'étude théologique a permis de repérer des concepts, des symboles et des figures propres à l'eschatologie maronite. Celle-ci, tout en abordant les sujets traditionnels de l'eschatologie chrétienne, comme la mort, le destin de l'homme, la résurrection, le jugement, le shéol, etc. Se distingue cependant par une approche particulière, très liées à la mentalité biblique et sémitique. Dans ce sens, l'office des funérailles est représentatif de la théologie et de la spiritualité propres à l'Eglise antiochienne syriaque maronite. Cependant, dans l'examen des sources de cette théolgie, on a relevé une influence de la pensée hellénistique, qui se manifeste dans une vision dualistede l'homme et de sa destinée. Des compositions hymniques se dégagent un portrait, certainement idéaliste, des prêtres de l'Eglise maronite, un inventaire des actes de leur ministère et une évocation des relations pastorales avec leurs églises. Cette recherche a été menée en lien avec le mouvement de retour aux sources liturgiques et historiques demandé par le Synode des évêques pour le Liban de 1997
The most ancient evidence of the Maronite office is the manuscript named Vatican Syriac 59 used for the funeral of the bishops, the priests and the deacons. This thesis suggests a complete translation and a liturgical and theological study of this office. The liturgical study reveals the general organization of this ritual office, set on the places of priest's deaths, which involve some extracts of hymn from the Bible and which are arranged into 24 events. The theological study let us find out some concepts, symbols and proper figures belonging to the Maronite eschatology. Whilt talking about traditional subjects of Christian eschatology like death, human destiny, Resurrection, judgment, scheol, and so on, however, this differ by a particularly approach linked to the biblical and semitic mentality. On that way, the funeral office is typical of the theology and the spirituality belonging to the Antiochus Syrian Maronite Church. However, while examining the sources of this theology we have noticed an influence of the Hellenistic thinking which appears in a dualistic vision of the human being and his destiny. Some hymns give a portrait, probably idealistic, of the Maronite Church priests, an inventory of the acts of their ministry and also an evocation of their pastoral relations with their churches. This research has been done in connection with the movement of back to the liturgical and historical sources which has been requested by the Synod of the Bishops for Lebanon in 1997
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2

Münch, Christoph. "Musikzeugnisse der Reichsabtei Lorsch eine Untersuchung der Lorscher musikalischen Handschriften in der Bibliotheca Palatina in der Vatikanischen Bibliothek /." Lorsch : Verlag Laurissa, 1993. http://books.google.com/books?id=6xTjAAAAMAAJ.

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3

Cinato, Franck. "Glose de Prisciano : travaux de maîtres carolingiens sur L'Ars de Priscien : gloses interlinéaires, marginales et collectées." Paris, EPHE, 2010. http://www.theses.fr/2010EPHE4043.

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L’étude de l’Ars de Priscien débutée discrètement dans les Îles britanniques au VIIe siècle, a occupé une place centrale dans la formation médiévale. Sous l’impulsion d’Alcuin puis de générations d’écolâtres, elle a ouvert de nouvelles perspectives aux réflexions grammaticales. Les plus anciens témoins manuscrits de l’Ars attestent que les innombrables explications notées en marges jouaient le rôle de véritable moyen de transmission du savoir. Une approche typologique des gloses carolingiennes révèle la grande diversité et la spécialisation de certains corpus. Le manuscrit Vatican, Reg. Lat. , 1650 conserve une collection de glossae collectae qui renvoie à l'étude de Priscien produite au début du IXe siècle, peu après la constitution du Liber glossarum, et qui pourrait remonter au travail de grammairiens dans l'entourage de la cour de Charlemagne. En tant que corpus « témoin », sa comparaison avec d'autres collections constituées plus tard dans le siècle permet d'observer l'évolution d'un fonds commun et de mesurer les apports particuliers, notamment ceux de Sedulius et Jean Scot. Ils constituent une exception notable dans la mesure où ils ont étudié le grec de Priscien, alors négligé. Les gloses faisant continuellement l’objet de discussions critiques subirent un renouvellement plus ou moins important. Il apparaît que les explications dites « lexicales », en vertu de leur polyvalence, font preuve d'une longévité et d'une propagation plus importante que celles dédiées exclusivement au texte de Priscien et discutant exclusivement de doctrines grammaticales. Par enrichissements successifs, les corpus de gloses sur Priscien ont fini par constituer une source riche en explications variées, qui, à partir de la fin du IXe siècle, a été exploitée autant lors de la constitution de glossaires qu’à l’occasion de la rédaction de commentaires, faisant ainsi des corpus de gloses sur Priscien une étape majeure dans l’histoire de la lexicographie
The study of Priscian's Ars started quietly in the British Isles on VIIth century, has occupied a major place in medieval formation. With Alcuin impulse and followed by generations of scholars, it has opened new perspectives on grammatical theory. Some of the older manuscript witnesses of the Ars provide evidences that the extent numbers of explanations in margins was real tools of transmitting knowledge. In a typological view, Carolingian glosses reveal the great diversity and specialization of some corpus. The Vatican manuscript, Reg. Lat. , 1650 preserve a collection of glossae collectae which refers to the study Priscian produced in the early ninth century, shortly after the formation of Liber glossarum, which could date back to the work of grammarians in the circle of the court of Charlemagne. As corpus “witness”, its comparison with other later collections in the century gives a way to observe the evolution of a common fund and to measure individual contributions, including those of Sedulius and John Scot. They are a notable exception because they have studied Greek from Priscian, then neglected. As the glosses were continually discussed, they underwent a renewal more or less important. It appears that the explanations called "lexical", by virtue of their versatility, have demonstrated longevity and a greater spread than those dedicated only to Priscian and discussing exclusively of grammatical doctrines. By successive enrichments, the corpus of glosses on Priscian eventually became a rich source of varied explanations, which, from the late ninth century, has been used both during the formation of glossaries and on writing comments, thus making glosses corpora on Priscien a major stage in the history of the lexicography
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4

De, Fouchier Pierre-Adrien. "Le manuscrit arabe-chrétien au XIIIe siècle : considérations à partir du fonds de la Vaticane." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP039/document.

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À partir du fonds de la Vaticane cette thèse vise à établir une typologie du manuscrit arabe chrétien au XIIIe siècle. Les différents signes présents sur les manuscrits sont analysés et mis en perspective : la numérotation des cahiers, la numérotation des bifeuillets, la foliotation, les marques de milieu de cahier, les marques de fin de cahier et enfin la réglure. Une analyse chimique du papier et de l’encre est aussi présentée. Les informations récoltées permettent une meilleure connaissance de l’histoire des textes mais aussi d’appréhender les spécificités des pratiques chrétiennes en langue arabe
From the funds of the Vatican library this thesis aims to establish a typology of the Christian-Arabic manuscript of the thirteenth century. The different signs found on the manuscripts are analyzed and put into perspective: the numbering of the quires, the numbering of the bifolium, the foliation, the marks of the middle of the quire, marks the end of the quire and finally the ruling. A chemical analysis of the paper and the ink is also presented. The information collected enable a better understanding of the history of the texts and also to understand the specificity of Christian practices in the Arabic language
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5

Fouquet-Arnal, Cécile. "Le Manuscrit Reg. Lat. 12 de la Bibliothèque apostolique vaticane et la réforme monastique en Angleterre : fonction de l'image dans le psautier au XIe siècle." Rennes 2, 2005. http://www.theses.fr/2005REN20017.

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Le Psautier de Bury Saint Edmunds (Rome, Bibliothèque Apostolique Vaticane, Ms. Reg. Lat. 12) est un témoin important de l’illustration des psautiers au XIe siècle. Son cycle d’images presque exclusivement marginal en fait un manuscrit exceptionnel. Réalisé peu de temps après la mise en place de la Regularis Concordia, il s’inscrit dans le contexte de la réforme bénédictine anglaise. Son étude permet de revaloriser la place du monastère de Ramsey et de saisir le rayonnement de cette abbaye en East Anglia. Outre l’illustration du texte des psaumes, les images sont l'expression d'une pensée religieuse qui réaffirme ses convictions théologiques sur l’Incarnation du Verbe et sur la Trinité au moment même où se met en place le Schisme entre l’Eglise de Rome et l’Eglise de Constantinople. En reprenant une disposition marginale de l’image, similaire à celle établie dans quelques psautiers byzantins réalisés au cours du IXe siècle lors de la crise iconoclaste, les images du manuscrit anglais dépassent la stricte littéralité pour une illustration qui devient exégétique, qui réaffirme les dogmes chers à l’Eglise de Rome
The Bury Saint Edmunds Psalter (Rome, Vatican Library, MS. Reg. Lat. 12) is an important example of Psalter illustration in the 11th Century. Its cycles of images, positioned almost exclusively in the margins of the pages, makes it an exceptional manuscript. Created shortly after the establishment of the Regularis Concordia, it forms part of the landscape of English monastic reform. By studying the Psalter, we can reassess the place of the Monastery of Ramsey and fully appreciate the East Anglian abbey’s far-reaching influence. In addition to illustrating the text of the Psalms, the images contained in the Psalter are an expression of a particular religious philosophy, one in the process of very moment when the Schism was dividing the Church of Rome and the Church of Constantinople. By positioning images in the margins of the page, in a style similar to that adopted by certain Byzantine Psalters at the time of the iconoclast crisis during the 9th Century, the image contained in the English manuscript transcend strict literality to form an illustration that is exegetic, reaffirming the dogmas held by the Church of Rome
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6

Vachon, Maxime. "Édition critique, traduction française, annotation et étude historico-doctrinale de Nicolas de Paris (Nicolas Parisiensis), Rationes super libro Peryarmenias (manuscrit Città del Vaticano, Biblioteca Apostolica Vaticana, Vat. lat. 3011, folios 21vb-34vb) : sa contribution pour la lecture du chapitre 9 du traité De l'interprétation d'Aristote." Doctoral thesis, Université Laval, 2018. http://hdl.handle.net/20.500.11794/34420.

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Cette thèse offre la première édition latine complète et la première traduction française, toutes deux annotées, du texte des Rationes super libro « Peryarmenias » (manuscrit Città del Vaticano, Biblioteca Apostolica Vaticana, Vat. lat. 3011, folios 21vb-34vb) de Nicolas de Paris (Nicolas Parisiensis) jusqu’alors partiellement édité seulement par H. Hansen et A. M. Mora-Márquez. Le texte est un cours de la Faculté des arts de l’Université de Paris du XIIIe siècle sur le traité De l’interprétation d’Aristote. Je le fais précéder d’une courte étude dans laquelle il est montré que les Rationes super libro « Peryarmenias », de même que les Notulae super « Peryermenias » de Kilwardby et un texte anonyme des archives munichoises de contenu semblable aux Rationes (probablement de Nicolas aussi) appartiennent à la tradition d’enseignement de la lectio. L’édition et la traduction sont suivies d’une étude historico-doctrinale du chapitre 9 du traité De l’interprétation — sur les paires d’énoncés contradictoires relatifs au futur — dans laquelle je dégage les doctrines d’Aristote et de Nicolas, en plus de celles de quelques auteurs anciens et contemporains, notamment Ammonius, Boèce, Kilwardby et Thomas d’Aquin. Il est montré que d’après Aristote chaque partie de la contradiction relative à un futur contingent est « vraie ou fausse », le ‘ou’ (ἢ) faisant partie intégrante de la valeur de vérité, ce que Nicolas exprime en disant qu’un tel énoncé est vrai ou faux sous la disjonction seulement (sub disiunctione).
This thesis offers the first complete Latin edition and the first French translation, both annotated, of the Rationes super libro "Peryarmenias" (manuscript Città del Vaticano, Biblioteca Apostolica Vaticana, Vat. Lat. 3011, folios 21vb-34vb) by Nicolas of Paris (Nicolas Parisiensis) until now only partially edited in its first four lessons by H. Hansen and A. M. Mora-Márquez. The text is a medieval course of the Faculty of Arts of the University of Paris of the thirteenth century on Aristotle’s treatise On interpretation that I introduced with a short study in which it is shown that the Rationes super libro "Peryarmenias", as well as the Kilwardby’s Notulae super "Peryermenias" and an anonymous manuscrit of similar content to the Rationes (probably also of Nicolas) belong to the lectio teaching tradition. The edition and translation are followed by a historico-doctrinal study of chapter 9 of On Interpretation — on the pairs of contradictory statements concerning the future — in which I bring out the doctrines of Aristotle and Nicolas, as well as those of some ancient and contemporary authors, especially Ammonius, Boethius, Kilwardby and Thomas Aquinas. It is shown that according to Aristotle every part of the contradiction relating to a contingent future is "true or false", the "or" (ἢ) being an integral part of the truth value of the statement, which Nicholas expresses by saying that such a statement is true or false under disjunction only (sub disiunctione).
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7

Geyer, Angelika. "Die Genese narrativer Buchillustration : der Miniaturenzyklus zur Aeneis im Vergilius Vaticanus /." Frankfurt am Main : V. Klostermann, 1989. http://catalogue.bnf.fr/ark:/12148/cb35415372v.

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8

Hellmann, Martin. "Tironische Noten in der Karolingerzeit am Beispiel eines Persius-Kommentars aus der Schule von Tours /." Hannover : Hahnsche Buchhandlung, 2000. http://catalogue.bnf.fr/ark:/12148/cb37705289w.

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Diss.--Neuphilologische Fakultät--Heidelberg--Ruprecht-Karls-Universität, 1999. Titre de soutenance : Der älteste überlieferte Persius-Kommentar geschrieben in tironischen Noten in der Schule von Tours.
Contient le texte latin d'un commentaire de Perse. Bibliogr. p. XI-XXVIII.
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9

Schlechter, Armin. "Die althochdeutschen Aratorglossen der Handschrift Rom Biblioteca apostolica vaticana Pal. Lat. 1716 und verwandte Glossierungen /." Göttingen : Vandenhoeck und Ruprecht, 1993. http://catalogue.bnf.fr/ark:/12148/cb37146048s.

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10

Metzger, Wolfgang. "Das Stundenbuch Rom : Biblioteca Vaticana, Ms. Pal. lat. 537 und verwandte Handschriften : Studien zur englischen Buchmalerei 1330-1370 /." Frankfurt am Main : Peter Lang, 1994. http://catalogue.bnf.fr/ark:/12148/cb388638679.

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11

Berisso, Marco. "La raccolta dei poeti perugini del Vat. Barberiniano Lat. 4036 storia della tradizione e cultura poetica di una scuola trecentesca /." Firenze : L.S. Olschki, 2000. http://catalog.hathitrust.org/api/volumes/oclc/44135461.html.

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12

Peterson, Jon Charles. "Editing and Performance Issues in Oratorio per la Settimana Santa from the Barberini Collection of the Biblioteca Apostolica Vaticana." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/194327.

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Housed among the anonymous manuscripts in the Barberini Collection of the Biblioteca Apostolica Vaticana, Oratorio per la Settimana Santa is a prototypical example of oratorio volgare (Italian-language oratorio) from mid-seventeenth-century Rome. Written in two parts and scored for two violins, continuo, three- and five-part chorus, and soli, this oratorio was once attributed to Luigi Rossi (c.1598-1653) and was believed to be composed during his service to the Barberini family prior to their departure from Rome in 1645, though this attribution has since been called into question. Regardless, Oratorio per la Settimana Santa holds an important place in the development of the Roman oratorio as a genre as well as that of the Passion, specifically the Passion oratorio. The purpose of this study is to demonstrate that Oratorio per la Settimana Santa can be made accessible to modern choral-instrumental ensembles through the creation of an historically informed performance edition of the work that incorporates the latest scholarship on editorial and performing practices of the early Baroque. This document provides the background information that is most relevant to the creation of the edition and an informed performance. As well, it offers a discussion of the editorial practices that were used in the creation of the edition and a presentation of select performance-practice considerations that should be taken into account when producing a performance of the oratorio. The document culminates with a performance edition of Oratorio per la Settimana Santa in its entirety with accompanying edition notes.
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13

Robb, Stuart James. "To begin, continue and complete : music in the wider context of artistic patronage by Pope Alexander VI (1492-1503) and the hymn cycle of CS 15." Thesis, University of Manchester, 2011. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:122374.

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This thesis takes as its area of exploration the papal chapel choir and its repertory, alongside the papacy and its patronage of the arts at the end of the fifteenth century. It draws on previous research concerning the singers, polyphonic manuscripts and artistic culture of the Vatican, but places Pope Alexander VI as the central figure of the thesis, showing schemes of patronage that shaped his reign. The research presents a transcription and analysis of the hymn cycle contained within the manuscript Cappella Sistina 15, alongside an assessment of the polyphonic music collection and places these against accounts of music making and evidence of music copying at the papal chapel during Alexander’s reign. The thesis also considers the environment of secular music making at Alexander’s court. In order to provide a context in which to understand this information, the life of Alexander VI is examined, tracing his artistic patronage and involvement with music both prior to his election and afterwards. Of particular note is the engagement of the artist Pintoricchio to decorate the papal apartments. Here, the artist’s representation of music as part of the seven liberal arts is analysed, providing a unique, contemporary and important insight into music practices in Alexander’s court. Three classifications of patronage are identified for Alexander’s reign, while also showing that these were strategies that he had used before he became pope. The music culture at the papal chapel is shown to be part of this strategy, through the consolidation of old music and the introduction of new music into the repertory, ending a task that had taken approximately 60 years. It shows that Alexander’s reign was an important period musically, that instituted new musical traditions and created an environment that prepared the way for the golden ages of patronage of Julius II and Leo X.
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14

Hary, Nicoletta Mattioli. "The Vatican Library and the Carnegie Endowment for International Peace the history, the impact, and the influence of their collaboration in 1927-1947 /." Ann Arbor, Mich. : UMI, 1992. http://books.google.com/books?id=Uh_iAAAAMAAJ.

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15

Brix, Thomas [Verfasser]. "Ein unbekanntes Rechtsgutachten von Felinus Sandeus über die Auslegung des Testaments des Juristen Johannes de Lignano. : (Biblioteca Apostolica Vaticana, MS Vat. lat. 14094, fol. 88r–95v). / Thomas Brix." Berlin : Duncker & Humblot, 2016. http://d-nb.info/1238437761/34.

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16

Smith, A. William. "Descriptive analysis of fifteenth-century Italian dance and related concepts found in Antonio Cornazano's dance treatise Libro dell'arte del danzare (Città del Vaticano, Biblioteca Apostolica Vaticana, Codice Capponiano 203) and in the dance treatise." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1299523715.

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17

Hary, Nicoletta Mattioli. "The Vatican Library and the Carnegie Endowment for International Peace the history, the impact, and the influence of their collaboration in 1927-1947 /." 1991. http://books.google.com/books?id=Ft3gAAAAMAAJ.

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