Journal articles: 'Biblioteca apostolica vaticana – Manuscrits'

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Siragan Arlen, Jesse. "Armenian Manuscripts in the Biblioteca Apostolica Vaticana." Manuscripta 62, no. 1 (January 2018): 1–31. http://dx.doi.org/10.1484/j.mss.5.116007.

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Bass, Ian L. "St Thomas de Cantilupe's Welsh miracles." Studia Celtica 53, no. 1 (December 1, 2019): 83–102. http://dx.doi.org/10.16922/sc.53.6.

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The purpose of this article is to provide transcriptions and translations of the twenty-seven miracles recorded in Oxford, Exeter College, MS 158 and Vatican, Biblioteca Apostolica Vaticana, Vat. Cod. Lat. 4015 relating to Wales. The miracles occurred through the invocation of St Thomas de Cantilupe, bishop of Hereford (1275–82), and were recorded by the custodians at the shrine in the north transept of Hereford Cathedral between 1287 and 1312. This article examines both the Oxford and Vatican manuscripts and their significance. The collection is useful for study of the context and aftermath of King Edward I's conquest of Wales in 1283 and the subsequent Anglo-Welsh conflicts and rebellions.

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Cancela Cilleruelo, Álvaro. "Sobre la historia y contenidos del manuscrito Vaticano Ross. 350." Minerva. Revista de Filología Clásica, no. 31 (November 18, 2018): 177–98. http://dx.doi.org/10.24197/mrfc.31.2018.177-198.

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El presente artículo aborda la historia y los contenidos el códice Città del Vaticano, Biblioteca Apostolica Vaticana, Ross. 350 (s. XV). Por un lado, se restituye una nota de posesión perdida de la abadía de Florencia mediante el uso de luz ultravioleta y el cotejo de ex libris similares. Sus contenidos, relacionados con el códice Paris, Bibliothèque Nationale de France, lat. 2997, podrían secundar un origen alemán, propuesto sobre base iconográfica. Se ofrece la identificación del único texto desconocido del manuscrito: un fragmento del Liber de compunctione cordis de Efrén Sirio, traducido del griego en época tardoantigua. Su estudio permite deducir que el códice fue comisionado por un eclesiástico seglar desconocido que intervino activamente en el texto.

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Kelly, Thomas Forrest. "OLD-ROMAN CHANT AND THE RESPONSORIES OF NOAH: NEW EVIDENCE FROM SUTRI." Early Music History 26 (October 2007): 91–120. http://dx.doi.org/10.1017/s0261127907000241.

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Among the manuscript fragments in the Archivio comunale of Sutri (Province of Viterbo), Italy, are four consecutive folios of an Old-Roman antiphoner of the later eleventh century. The two bifolios are now identified as fragments 141 (Frammenti teologici 40) and 141bis (Frammenti teologici 41). These fragments, which preserve music for the feasts of Sexagesima, Quinquagesima and Ash Wednesday, are remnants of what appears to be the oldest witness of Old-Roman music for the office. When added to the two surviving antiphoners (London, British Library, Add. MS 29988, of the twelfth century, and Vatican City, Biblioteca Apostolica Vaticana, MS San Pietro B 79, of the end of the twelfth century) and two recently discovered fragments (in Frosinone and Bologna), the Sutri fragments bring to five the number of Old-Roman antiphoners of which at least some evidence survives. It begins to appear that manuscripts of this music were once not so rare. The Sutri fragments show some unusual liturgical characteristics that provide new information on the Roman liturgy; I will discuss these aspects shortly.

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Sela, Shlomo, Carlos Steel, C. Philipp E. Nothaft, David Juste, and Charles Burnett. "A Newly Discovered Treatise by Abraham Ibn Ezra and Two Treatises Attributed to Al-Kindī in a Latin Translation by Henry Bate." Mediterranea. International Journal on the Transfer of Knowledge 5 (March 21, 2020): 193–305. http://dx.doi.org/10.21071/mijtk.v5i.12257.

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The main objective of the current study is to offer the first critical edition, accompanied by an English translation and introductory study, of a tripartite Latin text addressing world astrology preserved in a single manuscript: MS Vatican City, Biblioteca Apostolica Vaticana, Pal. lat. 1407, fols. 55r–62r (14th/15th century). This study also includes the Middle English translation of discontinuous sections of this tripartite Latin text as transmitted in MS London, Royal College of Physicians, 384, fols. 83v–85r. It is argued that the first part of this tripartite text incorporates a hitherto unknown Latin translation by Henry Bate of the lost third version of Abraham Ibn Ezra’s Sefer ha-ʿOlam. The other two parts include two Latin translations, also carried out by Henry Bate, of treatises ascribed to Ya‘qūb ibn Ishāq al-Kindī, the « philosopher of the Arabs ».

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Anderson, Michael Alan. "The One Who Comes After Me." Journal of the American Musicological Society 66, no. 3 (2013): 639–708. http://dx.doi.org/10.1525/jams.2013.66.3.639.

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Abstract Studies of the past two decades have shown that late medieval and Renaissance composers participated in a culture of symbolic representation by inscribing Christian figures and concepts into musical design. One figure who has been overlooked in this line of scholarship is John the Baptist, the precursor of Christ. This essay outlines the Baptist's historical impact on the conception of Christian temporality and proceeds to demonstrate some distinct experiments in fourteenth- and fifteenth-century music for John that express his predecessory character through emblematic manipulations of temporal parameters. By the sixteenth century, several inscriptions found in Vatican manuscripts reveal that the Baptist was associated with a particular musical craft that controls masterfully the unfolding of time: the art of canon. Drawing heavily on Scripture (especially John 1:15, 27, 30) to articulate the compositional conceits, the rubrics likened the leader (dux) and follower (comes) of a canon to the relationship between John (the forerunner saint) and Jesus. The analogy intensified around the papal chapel choirbook Vatican City, Biblioteca Apostolica Vaticana, MS Cappella Sistina 38.

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Regourd, Anne. "Eighteenth-Century Identified Copies of MāšāʾAllāh’s Kitāb Qiyām al-Ḫulafāʾ from Yemen: Text Edition and Contextualization." Quaderni di Studi Arabi 15, no. 1-2 (December 22, 2020): 270–91. http://dx.doi.org/10.1163/2667016x-15010215.

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Abstract A copy of the Kitāb Qiyām al-Ḫulafāʾ (Book on the reign of Rulers), identified in Ḏamār, Yemen, in 1993, is dated 8 Ǧumādā Awwal 1150 AH (= Sept. 1737 AD). Under the name of the famous Jewish astrologer MāšāʾAllāh, who practised at the early ʿAbbasid Court together with the Banū Nawbaḫt, this book displays the horoscopes of the Prophet Muhammad and of the caliphs up to Hārūn al-Rašīd. E.S. Kennedy & D. Pingree offered an English translation of the Kitāb Qiyām al-Ḫulafāʾ in The Astrological History of MāšāʾAllāh, Cambridge (MA), Harvard U. Press, 1971, Appendix 2, on the basis of “two late manuscripts”, one from Berlin, the other at the Biblioteca Apostolica Vaticana. Since then, K. Yamamoto & Ch. Burnett have edited the text on the basis of three manuscripts, adding one from Bursa, and offered a revised English translation. Meanwhile, I came upon a second copy of the book in Ṣanʿāʾ. The copy preserved at the Waqf Library of Ḏamār belonged to the personal collection of a Yemeni cadi, who was a divinatory practitioner (munaǧǧim). At the intersection of textual studies and field work, this paper, following an introduction to the text, will concentrate on the circulation of the 1150/1737 manuscript and its potential uses.

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Gwara, Joseph, and Diane Wright. "A New Manuscript of Juan de Flores' Grisel y Mirabella: Biblioteca Apostolica Vaticana, Vat. Lat. MS 6966, ff. 68r-76v." Bulletin of Hispanic Studies 77, no. 4 (October 2000): 503–26. http://dx.doi.org/10.3828/bhs.77.4.503.

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Monaco, Angelo Maria. "Ragionamenti intorno a l’Idea del theatro di Giulio Camillo Delminio. Lavori in corso." Storia della critica d'arte: annuario della S.I.S.C.A. 1 (2020): 39–55. http://dx.doi.org/10.48294/s2020.003.

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Preliminary proof of a work in progress, the essay is given as a reasoned recognition of the critical reception of Giulio Camillo Delminio’s L’idea del theatro (1550). Intended, on the one hand, as a compendium useful to orient Scholars in the magmatic bibliography on L’idea, on the other hand, as a starting point for new study hypotheses about Camillo as an iconographer. Divided into three sections, the essay focuses, first, on the relevant role played by images in the architecture of L’idea. The second part is a sort of annotated bibliography that starts from Frances Yates’ famous essay, published in 1966. In the third part, two new proposals are discussed. The first one deals with the origin and meaning of the name "Delminio", explained from a philological point of view as a latinization aiming at Camillo’s own self-fashioning. The second one highlights the helpfulness of the list of annotated images in a manuscript in the Biblioteca Apostolica Vaticana, recently rediscovered, to clarify the meaning of some cryptic images in L’idea.

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Schmidtke, Sabine. "The Zaydi Manuscript Tradition: Virtual Repatriation of Cultural Heritage." International Journal of Middle East Studies 50, no. 1 (January 31, 2018): 124–28. http://dx.doi.org/10.1017/s0020743817001003.

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The manuscript tradition of the Zaydi branch of Shiʿism, which since the 9th century has been preserved primarily in Yemen, is nowadays dispersed over countless libraries in Yemen and the Middle East, Turkey, Europe, and the United States, of which only a fraction has been digitized and is available for open access. Its treasures came to the attention of scholars outside Yemen at a relatively late stage. Whereas the bulk of Arabic manuscripts nowadays housed in the libraries of Europe were acquired between the 17th and 19th centuries in centrally located cities and regions such as the Ottoman capital Istanbul, Syria and Palestine, and Egypt—all strongholds of Sunnism—the collections of Zaydi/Yemeni manuscripts were established only at the end of the 19th and first decades of the 20th century. Among the European explorers and merchants who collected manuscripts in South Arabia and later sold them to libraries in Europe was Eduard Glaser, who visited Yemen on four occasions between 1882 and 1894. After Glaser sold the manuscripts purchased during his first and second journey to the Königliche Bibliothek zu Berlin in 1884 and 1887, Wilhelm Ahlwardt made them the last acquisition to be included in his Catalogue of Arabic Manuscripts, published between 1887 and 1899. The third Glaser collection was purchased in 1889 by the British Museum in London—with the exception of the Lane collection that was purchased in 1891 and 1893, it was the last acquisition to be included in Charles Rieu's Supplement to the Catalogue of Arabic Manuscripts published in 1894. The fourth Glaser collection was sold in 1894 to the Kaiserlich-Königliche Hofbibliothek in Vienna, constituting the most important acquisition of Arabic manuscripts by the library at the time—unlike the Berlin and London Glaser collections, the Vienna Glaser manuscripts were never described in a published catalogue. An even larger collection of Zaydi/Yemeni manuscripts was brought together by the Italian merchant Giuseppe Caprotti during his sojourn in South Arabia from 1885 to 1919. Portions of the Caprotti collection now belong to the Bavarian State Library in Munich and the Biblioteca Apostolica Vaticana, while the majority of the collection is owned by the Biblioteca Ambrosiana in Milan. European libraries and increasingly US libraries have continuously purchased manuscripts of Yemeni provenance during the 20th and 21st centuries.

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Neddermeyer, Uwe. "Biblioteca Apostolica Vaticana." Geschichte in Köln 33, no. 1 (December 1993): 154–55. http://dx.doi.org/10.7788/gik.1993.33.1.154.

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Classen, Albrecht. "Historia Apollonii regis Tyri: A Fourteenth-Century Version of a Late Antique Romance. Ed. from Vatican City, Biblioteca Apostolica Vaticana, MS Vaticanus Latinus 1961, by William Robins. Toronto Medieval Latin Texts. Toronto: Pontifical Institute of Mediaeval Studies, 2019, xi, 123 pp., 1 b/w ill." Mediaevistik 32, no. 1 (January 1, 2020): 497–98. http://dx.doi.org/10.3726/med.2019.01.136.

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One of the great medieval bestsellers, actually since the second or third century C.E., was the Historia Apollonii regis Tyri, extant not only in countless Latin manuscripts and then early modern prints, but also in numerous vernaculars. The present edition of Ms. Vaticanus Latinus 1961 makes available a highly trustworthy version from the middle of the fourteenth century copied in northern or central Italy, which contains part of a world chronicle, the Historie by Riccobaldo of Ferrara, into which the Historia Apollonii is embedded. Marginal notes indicate that this manuscript was in the possession of Giacomo di Giovanni Orsini in 1397, a good dating instrument, the terminus ad quem for our text. The language is mostly in classical or late antique Latin, but there are inferences from medieval Italian.

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Oretskaia, Irina. "A stylistic tendency in ninth-century art of the Byzantine world: An example of miniatures in three Greek illuminated manuscripts: The Book of Job (Biblioteca Apostolica Vaticana, gr. 749), The Homili." Zograf, no. 29 (2002): 5–19. http://dx.doi.org/10.2298/zog0329005o.

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In the first part of the article the style of miniatures in the three manuscripts is reconsidered, and this provides the basis to prove the Roman origin of the Milan Gregory and Vatican Job. The miniatures of the Sacra Parallela appear to be the work of a Palestinian artist who has most probably executed its vast cycle of illustrations in one of the Greek monasteries in Rome. The second part of the article contains a review of the so-called abstract and expressive stylistic tendency which dominated religious art of the Byzantine.

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Ilnitchi, Gabriela. "MUSICA MUNDANA, ARISTOTELIAN NATURAL PHILOSOPHY AND PTOLEMAIC ASTRONOMY." Early Music History 21 (September 4, 2002): 37–74. http://dx.doi.org/10.1017/s0261127902002024.

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Emanating from a cosmos ordered according to Pythagorean and Neoplatonic principles, the Boethian musica mundana is the type of music that ‘is discernible especially in those things which are observed in heaven itself or in the combination of elements or the diversity of seasons’. At the core of this recurring medieval topos stands ‘a fixed sequence of modulation [that] cannot be separated from this celestial revolution’, one most often rendered in medieval writings as the ‘music of the spheres’ (musica spherarum). In the Pythagorean and Neoplatonic cosmological traditions, long established by the time Boethius wrote his De institutione musica, the music of the spheres is just one possible manifestation of the concept of world harmony. It pertains to a universe in which musical and cosmic structures express the same mathematical ratios, each of the planets produces a distinctive sound in its revolution and the combination of these sounds themselves most often forms a well-defined musical scale. Although the Neoplatonic world harmony continued to function in medieval cosmology as the fundamental conceptual premise, the notion of the music of the spheres, despite its popularity among medieval writers, was generally treated neither at any significant length nor in an innovative fashion. Quite exceptional in this respect is the treatise that forms the subject of the present study, a text beginning Desiderio tuo fili carissime gratuito condescenderem and attributed to an anonymous bishop in the late thirteenth-century manuscript miscellany now in the Biblioteca Apostolica Vaticana (Barb. lat. 283, fols. 37r-42v) but probably coming from a Franciscan convent in Siena. This seldom considered work affords a remarkable and special insight into the ways in which old and new ideas converged, intermingled and coexisted in the dynamic and sometimes volatile cross-currents of medieval scholarship.

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Pasini, Cesare. "La riapertura della Biblioteca Apostolica Vaticana." Gazette du livre médiéval 55, no. 2 (2009): 46–52. http://dx.doi.org/10.3406/galim.2009.1820.

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Kozodoy, Maud. "Late Medieval Jewish Physicians and their Manuscripts." Social History of Medicine 32, no. 4 (August 23, 2019): 734–50. http://dx.doi.org/10.1093/shm/hkz078.

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Abstract Most medieval Hebrew manuscripts in late medieval Iberia, especially those containing non-religious texts, were copied by individuals for their personal use. Hebrew medical codices were thus very often both written and used by Jewish physicians. Considering these manuscripts as material objects opens a new window onto medical practice among the Jewish community. This article uses two case studies—one exploring a single manuscript (Vatican Biblioteca Apostolica ebr. 362) and the various medical texts it contains and the other following the transmission of a single medical text (Bernard de Gordon’s Lilium medicinae) through a number of different manuscripts—to inquire into what can be learned from the scribal practices of the Jewish doctors who wrote, owned and used these manuscripts.

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Manoni, Paola. "L’adozione del IIIF nell’ecosistema digitale della Biblioteca Apostolica Vaticana." DigItalia 15, no. 2 (December 2020): 96–105. http://dx.doi.org/10.36181/digitalia-00017.

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L’implementazione del IIIF nell’ecosistema digitale della Biblioteca Apostolica Vaticana si avvia nel 2015 con la sperimentazione di un progetto pilota, a cui segue l’allestimento della biblioteca digitale (DVL), basata sull’adozione di standard per la gestione dei metadati e dei protocolli che consentono alle collezioni digitali di essere interoperabili. L’ecosistema successivamente si incrementa con software open source per la gestione di gallerie virtuali (Thematic Pathways on the Web) in cui selezioni di manoscritti, annotati secondo tecnica IIIF, offrono agli studiosi percorsi di ricerca tematici.

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Napoletano, Roberta. "l Virgilio Vaticano. Uno stress-test per Fragmentarium." Fragmentology 2 (December 2019): 177–83. http://dx.doi.org/10.24446/f0bn.

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An account of building on Fragmentarium a reconstruction of a large, original, and fragmentary text, the Vergilius Vaticanus (Città del Vaticano, Biblioteca Apostolica Vaticana, Vat. lat. 3225), and presenting it in Fragmentarium (F-hksh)

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Sojer, Claudia. "Privatdozentin Dr.in Christine Maria Grafinger – Eine Österreicherin als erste Frau im Vatikan. Ein Interview anlässlich ihres Ruhestands." Mitteilungen der Vereinigung Österreichischer Bibliothekarinnen und Bibliothekare 72, no. 1 (May 17, 2019): 144–54. http://dx.doi.org/10.31263/voebm.v72i1.2213.

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Die Kommission für Buch- und Bibliotheksgeschichte der Vereinigung Österreichischer Bibliothekarinnen und Bibliothekare (VÖB) verbrachte Anfang November 2018 eine Woche in Rom. Dort wurde sie von Frau Privatdozentin Dr.in Christine Maria Grafinger in einige der bedeutendsten Bibliotheken der Ewigen Stadt geführt (u. a. Biblioteca Casanatense, Biblioteca Angelica, Biblioteca Corsiniana oder Biblioteca dei Lincei), darunter die Biblioteca Apostolica Vaticana (BAV) des Vatikanstaates, in der Frau Dr.in Grafinger über dreißig Jahre gearbeitet hat. Im Rahmen dieser Romwoche war es möglich, Frau Dr.in Grafinger für ein Interview über ihre Tätigkeit im Vatikan und ihren kurz zuvor angetretenen Ruhestand zu gewinnen.

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Kohn, Roger. "Hebrew Manuscripts in the Vatican Library: Catalogue. Compiled by the staff of the Institute of Microfilmed Hebrew Manuscripts, Jewish National and University Library, Jerusalem; edited by Benjamin Richler; paleographical and codicological descriptions Malachi Beit-Arie in collaboration with Nurit Pasternak. Citta del Vaticano: Biblioteca Apostolica Vaticana, 2008. xxvii, 678, 66 p., [8] leaves of plates. ISBN: 978-88- 210-0823-8. 120 Euros." Judaica Librarianship 15, no. 1 (April 15, 2014): 35–38. http://dx.doi.org/10.14263/2330-2976.1040.

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Dunsch, Boris. "Alba Tontini: Censimento critico dei manoscritti plautini. I: Biblioteca Apostolica Vaticana." Gnomon 78, no. 3 (2006): 214–19. http://dx.doi.org/10.17104/0017-1417_2006_3_214.

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Maayan, Fanar. "Salvific imagery in the Barberini psalter (Rome, Biblioteca Apostolica Vaticana, Barb. gr. 285)." Zograf, no. 38 (2014): 31–44. http://dx.doi.org/10.2298/zog1438031m.

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Zäh, Helmut. "Konrad Peutingers Exemplar des Gebetbuchs Kaiser Maximilians (Biblioteca Apostolica Vaticana, Ottob. lat. 577)." Beiträge zur Geschichte der deutschen Sprache und Literatur (PBB) 126, no. 2 (September 2004): 293–316. http://dx.doi.org/10.1515/bgsl.2004.293.

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Rushforth, Rebecca. "The Bury Psalter and the descendants of Edward the Exile." Anglo-Saxon England 34 (December 2005): 255–61. http://dx.doi.org/10.1017/s0263675105000128.

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The Bury Psalter (Rome, Biblioteca Apostolica Vaticana, Reg. lat. 12) is a famously beautiful copy of the Psalms with marginal line-drawings, made probably at Bury St Edmunds, and certainly for its use. Rebecca Rushforth discussses two hexametrical obits added to the calendar in the early twelfth century, and identifies them as referring to two descendants of the royal Anglo-Saxon House of Wessex: Christina, daughter of Edward the Exile; and her nephew Edgar king of Scotland (d. 1107), son of St Margaret and Malcolm Canmore.

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Grafinger, Christine. "Anfänge der österreichischen Forschung im Archivio Segreto Vaticano und in der Biblioteca Apostolica Vaticana." Römische Historische Mitteilungen 49 (2007): 429–56. http://dx.doi.org/10.1553/rhm49s429.

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Verweij, Michiel. "Latijnse brieven van Theodorus van der Ameijden: Biblioteca Apostolica Vaticana, ms. Ottob. lat. 2318." In Monte Artium 2 (January 2009): 221–42. http://dx.doi.org/10.1484/j.ima.3.10.

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Murano, Giovanna. "L'exemplar cum additionibus delle Distinctiones Hugolini (MS Biblioteca apostolica Vaticana, Chigi E VII 218)." Scriptorium 51, no. 1 (1997): 15–29. http://dx.doi.org/10.3406/scrip.1997.1790.

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Holzer, Robert R. "Review: Sebastiano Baldini (1615–1685): le poesie per musica nei codici della Biblioteca Apostolica Vaticana." Music and Letters 85, no. 2 (May 1, 2004): 270–77. http://dx.doi.org/10.1093/ml/85.2.270.

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Franklin, Carmela Vircillo. "The reception of the Latin Life of St Giles in Anglo-Saxon England." Anglo-Saxon England 42 (December 2013): 63–145. http://dx.doi.org/10.1017/s0263675113000082.

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AbstractThis article maps the textual transmission of the Vita S. Aegidii to identify the routes of its reception in Anglo-Saxon England. It shows how the Mass of Giles in Leofric's Missal offers new evidence of Leofric's links to the Liège area. The collation between the Old English Life of St Giles and the critical edition of the Latin source indicates first that the Life was translated from a Latin copy related to Vatican, Biblioteca Apostolica Vaticana, Reginensis 497, containing a palimpsest of the Old English Orosius; second, it highlights the continuing exchanges between the Trier region and England in the eleventh century; and third, it applies inter-lingual transmission in order to understand translation practice. A new edition and translation of the Latin vita are included.

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Sherr, R. "Book review. Der Fondo Cappella Sistina der Biblioteca Apostolica Vaticana: Studien zur Geschichte des Bestandes. B Janz." Music and Letters 82, no. 2 (May 1, 2001): 293–98. http://dx.doi.org/10.1093/ml/82.2.293.

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Bolduc, Michelle. "Jean-Loup Lemaitre and Françoise Vielliard, with, Louis Duval-Arnould, Portraits de troubadours: Initiales du chansonnier provençal A (Biblioteca Apostolica Vaticana, Vat. lat. 5232). (Studi e Testi, 444.) Vatican City: Biblioteca Apostolica Vaticana, 2008. Paper. Pp. lvi, 126; many color figures." Speculum 85, no. 1 (January 2010): 162–63. http://dx.doi.org/10.1017/s0038713409990352.

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Vaccari, Debora. "Un testimonio desconocido de la poesía satírica del Conde de Villamediana: los textos." Revista de Cancioneros Impresos y Manuscritos, no. 7 (December 15, 2018): 208. http://dx.doi.org/10.14198/rcim.2018.7.07.

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En estas páginas se ofrece la edición de 23 textos satíricos y de un soneto lírico de Juan de Tassis, Conde de Villamediana, tal y como aparecen en el inédito Ms. Barberini Latini 3602 de la Biblioteca Apostolica Vaticana (BV). Se trata de un cancionero facticio nunca antes consultado por los especialistas del autor, que desconocían su existencia, y en el que los textos del Conde aparecen en ocho puntos distintos, en folios independientes uno de otro. Del cotejo con las tres principales ediciones modernas tomadas como referencia se desprende que BV contiene a veces lecciones mejores respecto a la tradición y unas interpolaciones inéditas. En suma, este testimonio de la poesía del Conde de Villamediana confirma la gran complejidad de la tradición textual de sus sátiras políticas, debida a la gran cantidad de testimonios que la recogen, a los que se añade este cancionero romano.

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Redon, Odile. "Frugoni Chiara (dir.). Il Villani illustrato. Firenze e l’Italia medievale nelle 253 immagini del ms. Chigiano L VIII 296 della Biblioteca Vaticana. Florence/Rome, Le Lettere/Biblioteca Apostolica Vaticana, 2005, 263 p." Annales. Histoire, Sciences Sociales 62, no. 4 (August 2007): 923–25. http://dx.doi.org/10.1017/s0395264900029103.

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Luttrell, Anthony Documentary Sources of Malt. "Documentary Sources of Maltese History, Part IV: Documents at the Vatican, No. 2: Archivio Segreto Vaticano: Cancelleria Apostolica and Camera Apostolica and Related Sources at the Biblioteca Apostolica Vaticana 416-1479 (review)." Catholic Historical Review 92, no. 1 (2006): 110–11. http://dx.doi.org/10.1353/cat.2006.0104.

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35

Quak, Arend. "Die althochdeutschen Aratorglossen der Handschrift Rom Biblioteca Apostolica Vaticana Pal. Lat. 1716 und verwandter Glossierungen (Studien zum Althochdeutschen Bd. 20)." AMSTERDAMER BEITRÄGE ZUR ÄLTEREN GERMANISTIK 40, no. 1 (November 17, 1994): 232–33. http://dx.doi.org/10.1163/18756719-040-01-90000035.

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Roman, Nathalie. "Collaborations artistiques et leadership : le cas du Bréviaire de Blanche de France (Rome, Biblioteca Apostolica Vaticana, ms Urb. lat. 603)." Convivium 4, no. 2 (July 2017): 132–55. http://dx.doi.org/10.1484/j.convivium.4.2018008.

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Michelson, Emily. "Cristina Ubaldini. I salmi di Gabriele Fiamma ritrovati nelle Biblioteca Vaticana (R. I. IV. 447). Studi e Testi 471. Vatican City: Biblioteca Apostolica Vaticana, 2012. 392 pp. €90. ISBN: 978-88-210-0892-4." Renaissance Quarterly 67, no. 1 (2014): 292–93. http://dx.doi.org/10.1086/676225.

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L'E. TURNER, GERARD. "SILVIO A. BEDINI, Clockwork Cosmos: Bernard Facini and the Farnese Planisferologio,Città del Vaticano, Biblioteca Apostolica Vaticana 1985, 221 pp., L. 40.000." Nuncius 3, no. 1 (1988): 264–66. http://dx.doi.org/10.1163/182539188x00195.

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Offler, H. S. "Le Pontifical romain révisé au XVe siècle. By Marc Dykmans. (Studi e Testi, 311.) Pp. 205 + plates. Vatican City: Biblioteca Apostolica Vaticana, 1985." Journal of Ecclesiastical History 37, no. 1 (January 1986): 162–63. http://dx.doi.org/10.1017/s0022046900032346.

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Kristeller, Paul Oskar. "Ornella Moroni. Carlo Gualteruzzi (1500-1577) e i corrispondenti. (Studi e Testi, 307.) Città del Vaticano: Biblioteca Apostolica Vaticana, 1984. 305 pp. L. 51,000." Renaissance Quarterly 40, no. 4 (1987): 770–71. http://dx.doi.org/10.2307/2862456.

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Partner, Peter. "Une Famille-témoin. Les Salviati. By Pierre Hurtubise. (Studi e Testi, 309). Pp. 527. Vatican City: Biblioteca Apostolica Vaticana, 1985. 88 210 0532 1." Journal of Ecclesiastical History 39, no. 4 (October 1988): 606–8. http://dx.doi.org/10.1017/s0022046900040781.

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Lynch, John E. "Le Pontifical Romain: révisé au XVe siècle. By Marc Dykmans S. J. Studi e Testi 311. Vatican City: Biblioteca Apostolica Vaticana, 1985. 205 pp." Church History 55, no. 4 (December 1986): 518–19. http://dx.doi.org/10.2307/3166385.

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Rudolph, Joseph. "Incipis in multis, in multis desinis: The Abbot of Bourgueil and the Monastic Ovidianism of Vatican City, Biblioteca Apostolica Vaticana, MS Reg. Lat. 1351." Journal of Medieval Latin 31 (January 2021): 27–55. http://dx.doi.org/10.1484/j.jml.5.123658.

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Ghersetti, Antonella. "D’Ottone Arianna, La storia di Bayāḍ e Riyāḍ (Vat. Ar. 368). Una nuova edizione e traduzione, Città del Vaticano, Biblioteca Apostolica Vaticana, 2013, 130 + 56." Revue des mondes musulmans et de la Méditerranée, no. 139 (June 1, 2016): 245–48. http://dx.doi.org/10.4000/remmm.9495.

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Meliga, Walter. "«Chescune colur mulez». Ricettario anglo-normanno per la preparazione dei colori (Città del vaticano, Biblioteca Apostolica Vaticana, Barberiniano Latino 12), a cura di Stefano Rapisarda." Studi Francesi, no. 165 (LV | III) (December 1, 2011): 619–20. http://dx.doi.org/10.4000/studifrancesi.4915.

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Tierney, Brian. "Extrauagantes Iohannis XXII. Edited by J. Tarrant. (Monumenta Iuris Canonici, ser. B: Corpus Collectionum, vol. 6.) Pp. xii + 293. Vatican City: Biblioteca Apostolica Vaticana, 1983." Journal of Ecclesiastical History 37, no. 2 (April 1986): 353–54. http://dx.doi.org/10.1017/s0022046900033200.

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Starr, Pamela F., and Adalbert Roth. "Studien zum fruhen Repertoire der papstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484): Die Chorbucher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana." Notes 49, no. 2 (December 1992): 536. http://dx.doi.org/10.2307/897899.

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Kramer, Johannes. "Alessandro De Angelis / Felicia Logozzo, «Per gariri oni malatia». Ricette mediche anonime in caratteri greci (Vat. Gr. 1538), Città del Vaticano, Biblioteca Apostolica Vaticana, 2017, 134 p." Zeitschrift für romanische Philologie 135, no. 1 (March 4, 2019): 329–31. http://dx.doi.org/10.1515/zrp-2019-0020.

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Macé, Caroline. "C. Furrer-Pilliod: Horoi kai hypographai. Collections alphabétiques de définitions profanes et sacrées. Pp. 313, pls. Vatican City: Biblioteca Apostolica vaticana, 2000. Paper.ISBN: 88-210-0702-2." Classical Review 53, no. 2 (October 2003): 492–94. http://dx.doi.org/10.1093/cr/53.2.492-a.

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Fosi, Irene. "La cour pontificale au XVIe siècle d'Alexandre VI à Clement VIII (1492–1605). Pierre Hurtubise. Studi e testi 511. Vatican City: Biblioteca Apostolica Vaticana, 2017. 748 pp. €80." Renaissance Quarterly 72, no. 1 (2019): 350–51. http://dx.doi.org/10.1017/rqx.2018.82.

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