Relevant bibliographies by topics / Biblioteca Nacional (Spain) – Exhibitions

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Academic literature on the topic 'Biblioteca Nacional (Spain) – Exhibitions'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Biblioteca Nacional (Spain) – Exhibitions"

1

Girón, Alicia. "The Biblioteca Nacional of Spain." Alexandria: The Journal of National and International Library and Information Issues 6, no. 2 (August 1994): 91–105. http://dx.doi.org/10.1177/095574909400600202.

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The Biblioteca Nacional (BN), founded in 1712 as the Royal Library, became the national library in 1836 and has since then served as the nation's bibliographic repository and a public library for Madrid. It became an autonomous body in 1991. In a major reconstruction of the existing BN building, space occupied by other bodies is being recovered. Legal deposit, established in 1716, now includes audio and visual recordings; the BN has not however had the resources needed to ensure enforcement. The Autonomous Regions have legal deposit of all material published in them. A Reproduction and Conservation Unit has been created to conserve the valuable collections of manuscripts, incunabula and rare books. A new computer system has enabled the BN to undertake several important bibliographic tasks, but not yet to fulfil its role as apex of the Spanish library system. After many years of international isolation the library is playing a substantial role in IFLA and in cooperative activities with Latin American libraries. The challenge facing the BN today is to identify and articulate its role as it relates to public libraries in the Autonomous Regions and to university and special libraries.
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2

Melero, José E. Garcia, Virtudes Azorín López, and Angela Sorli Rojo. "Los repertorios bibliograficos Españoles sobre las artes plasticas." Art Libraries Journal 15, no. 3 (1990): 12–24. http://dx.doi.org/10.1017/s0307472200006842.

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A bibliography of bibliographies relevant to the study of the fine arts in Spain. For the majority of entries, the presence of a copy of the work in question in either the Biblioteca Nacional or the Instituto de Información y Documentación en Ciencias Sociales y Humanidades (ISOC), both in Madrid, is indicated; for items in the Biblioteca Nacional a shelf number is also provided.
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3

Albelda, Beatriz, and Sonia Abella. "The ILL Service in the Biblioteca Nacional de España." Interlending & Document Supply 38, no. 1 (February 23, 2010): 49–53. http://dx.doi.org/10.1108/02641611011025370.

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PurposeThe purpose of this paper is to describe the recent developments implemented in the ILL Service in the Biblioteca Nacional de España, aimed at a customer‐focused approach.Design/methodology/approachThe paper is based on those facts and activity figures reported between 2006 and the first semester of 2009 within the ILL Service.FindingsAs a result of the implementation of a series of quality standards (promotion of off‐site options, automation of workflows, review of procedures), a customer‐focused approach has been built in the ILL Service. Performance evaluation is a crucial issue in order to provide a better service and to benchmark with similar units in national libraries. The implementation of new electronic services and the great digitisation projects provide a larger visibility of national collections as well as an increase in ILL demand. The ILL Service continues to play a key role in cooperation and support for research, mainly in Hispanic studies.Originality/valueThe paper highlights the major quality measures introduced in the last few years in order to meet new customer needs in the ILL Service offered by the National Library of Spain. It also incorporates the impact of the main digitisation projects on the ILL Service.
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Fernández Fernández, Javier. "Santiago Luzuriaga y sus "nobelas-komedias" en los fondos documentales y bibliográficos de Patrimonio Nacional." Historia y Memoria de la Educación, no. 13 (December 14, 2020): 755. http://dx.doi.org/10.5944/hme.13.2021.27315.

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This paper presents the biography of Santiago Luzuriaga y Odria (1828-1904), a teacher from Navarre (Spain), who enjoyed a long professional career and was the father of the Spanish pedagogue Lorenzo Luzuriaga. Santiago Luzuriaga was the author of singular works, which he called nobelas-komedias, written after the Spanish Government agreed to start paying teachers’ salaries beginning in 1901. The Archivo General de Palacio (General Archive of the Royal Palace of Madrid) and the Real Biblioteca (Spanish Royal Library) preserve some of these nobelas-komedias, which feature the peculiarity of being written with a phonetic spelling. The author argued for the necessary transformation of writing for the purpose of achieving a greater economy of language. Finally, the paper includes a copy of El ermano del alkalde dedicated to King Alfonso XIII of Spain, which is currently in the Real Biblioteca.
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Curnis, Michele. "Demetrio Ducas y la edición de los Erotemata Chrysolorae (1514), entre Venecia y Alcalá de Henares = Demetrius Ducas and the Erotemata Chrysolorae edition (1514), between Venice and Alcalá de Henares." ΠΗΓΗ/FONS 3, no. 1 (June 7, 2019): 71. http://dx.doi.org/10.20318/fons.2019.4581.

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Resumen: En el primer libro enteramente en griego publicado por Demetrio Ducas cuando era profesor en la Universidad de Alcalá de Henares (Erotemata Chrysolorae, 1514), hay una sección gnomológica que coincide con la versión planudeana de las Menandri Sententiae. En este artículo se procede a la colación del texto de la sección gnomológica con el del modelo Aldino (1512), planteando en ambos casos la responsabilidad editorial del propio Ducas. En la segunda parte del artículo se examina la fortuna del primer manual de gramática griega impreso en España a través de las notas de propiedad y apuntes de algunos ejemplares conservados en la Biblioteca Nacional de España.Palabras clave: Demetrio Ducas, Erotemata Chrysolorae, Diego Hurtado de Mendoza, Cardenal Cisneros, Aldo Manuzio, Menandri sententiae, literatura gnomológica.Abstract: In the first Greek book published by Demetrios Ducas when he was professor at the University of Alcalá de Henares (Erotemata Chrysolorae, 1514), there is a gnomological section that coincides with the Planudean version of the Menandri Sententiae. In this article we proceed to the collation of the gnomological section with the text of the editio Aldina (1512), proposing in both cases the editorial responsibility of Ducas. In the second part of the article the fortune of the first Greek grammar manual printed in Spain is examined, thanks to the ownership notes of some copies from the Biblioteca Nacional in Madrid.Keywords: Demetrios Ducas, Erotemata Chrysolorae, Diego Hurtado de Mendoza, Cardinal Ximenes, Aldus Manutius, Menandri sententiae, gnomological literatura.
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6

Acuña, Maria Virginia. "‘May she who was once beautiful be transformed into a monster’: magic and witchcraft in Veneno es de amor la envidia (Madrid, 1711)." Early Music 48, no. 3 (August 1, 2020): 377–90. http://dx.doi.org/10.1093/em/caaa047.

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Abstract Through the lenses of magic, witchcraft and superstition, this article explores Veneno es de amor la envidia (Biblioteca Nacional de España, Ms. 19254), a little-known zarzuela by Sebastián Durón and Antonio de Zamora. I consider this zarzuela within its wider cultural context, looking at changing attitudes towards magic and witchcraft in early modern Spain, as well as within the context of Zamora’s literary output. I propose that Veneno es de amor la envidia was intended to attract large crowds of theatregoers fascinated with depictions of the supernatural while also helping to debunk beliefs in witchcraft through the use of humour and parody. An examination of this rather intriguing zarzuela contributes to our understanding of an often-overlooked corpus of theatrical music of the Baroque.
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7

Brasil, Eric. "Cordões e Canboulay Bands." Estudos Ibero-Americanos 46, no. 3 (December 16, 2020): e33507. http://dx.doi.org/10.15448/1980-864x.2020.3.33507.

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Este artigo pretende analisar de forma transnacional performances negras carnavalescas dos cordões e das canboulay bands nas cidades de Rio de Janeiro, Brasil, e Port-of-Spain, Trindad e Tobago, no período Pós Abolição. Pretende-se compreender as estratégias coletivas de sujeitos negros para construir espaços de autonomia e reivindicar e ocupar espaços públicos em contextos de hegemonia de visões racializadas e racistas. Essa perspectiva comparativa nos permite refletir sobre o Pós-Abolição como problema histórico Atlântico, aproximando o Caribe e o Atlântico Sul. Para tanto, utilizaremos fontes primárias de arquivos no Rio de Janeiro e em Londres, especialmente documentação policial e governamental, no National Archives, e no Arquivo Nacional do Brasil, e periódicos, arquivados na British Library e na Biblioteca Nacional. Concluímos que os sujeitos criadores dos cordões e canboulay bands produziram performances negras dissidentes e comunicaram a públicos amplos e variados identidades que conjugavam práticas afro americanas e expressões de resistência aos ataques de forças públicas, ao passo que reforçavam sua humanidade frente a estereótipos sobre o ser negro no Pós-Abolição nas Américas, seja em contexto colonial seja em uma república independente.
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8

Ayala Herrera, Isabel María, and María Luisa Zagalaz Sánchez. "“Gimnasia, Música y Patria”: exhibiciones gimnásticas en el franquismo. El caso de los Festivales salesianos y el XIV Campeonato Nacional de Gimnasia Educativa (“Gymnastics, Music and Homeland”: gymnastic exhibitions during Franco´s regime. The case of sa." Retos, no. 30 (May 12, 2016): 114–24. http://dx.doi.org/10.47197/retos.v0i30.49026.

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El hallazgo en la Biblioteca Nacional y el Archivo General de la Administración de dos fuentes documentales de gran valor (los Festivales Gimnásticos de la Galería Salesiana [192?] y las tablas con música del XIV Campeonato Nacional de Gimnasia Educativa [1961-1963]), prácticamente ignoradas hasta el momento, ha impulsado este trabajo cuyo principal objetivo es la reconstrucción historicista de prácticas de gimnasia educativa en el franquismo a través de la transcripción, ensamblaje de partes, análisis y correlación de parámetros músico-corporales, edición y estudio crítico de los ejercicios corporales, sonidos y letras contenidas en ellas, alumbradoras de su contexto. El estudio concluye que Gimnasia, Música y, sobre todo, su correcto acoplamiento, fueron piedra de toque en el ideario del Movimiento por el enorme beneficio que reportaban a la educación moral e intelectual de los jóvenes, empleándose además como eficaz medio de propaganda en grandes fastos y exhibiciones gimnásticas, auténticos escaparates patrióticos en los que, de forma masiva y entusiasta, se moldeaba y elevaba el espíritu nacional de participantes y espectadores.Abstract. The finding in the National Library and Administration’s General Archive of two valuable documentary sources (the Gymnastics Festivals of the Salesian Gallery [192?] and the obligatory set of exercises with music of the 14th National Championship of Educational Gymnastics [1961-1963]), virtually ignored until now, has driven this work. The main aim of this article is the historicist reconstruction of educational gymnastics practices during Franco´s regime through transcription, parts assembly, analysis and correlation between music and movement, edition and critical study of body exercises, sounds and letters contained therein, which shed light into their context. The study concludes that Gymnastics, Music and, especially, its right coupling were the touchstone of the esthetic and educational ideology of the Movement, as they were thought to bring an enormous benefit to the moral and intellectual education of young people. At the same time, the above mentioned disciplines were used as effective propaganda, fundamentally by means of the organization of great pomp, performances and gymnastics exhibitions, which proved an authentic patriotic window to the world, in which, in a massive and enthusiast way, the national spirit of participants and spectators was moulded and lifted.
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9

Gómez, Pablo F. "‘Malaria’, Ministerio de Cultura Español (MCE) and Biblioteca Nacional de España (BNE) Madrid, Spain, available online at http://www.bne.es/es/Actividades/Exposiciones/Exposiciones/Exposiciones2009/Docs_Malaria/Visitavirtual/multimedia_2009_mix.html." Medical History 57, no. 2 (March 21, 2013): 311–12. http://dx.doi.org/10.1017/mdh.2013.1.

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10

Busic, Jason. "From Medieval to Early Modern, from Christian to Muslim: Difficult Boundaries in the Arabic Gospels and Paul's Epistles of Biblioteca Nacional de España MS 4971 (Sixteenth-Century Spain)." Journal for Early Modern Cultural Studies 18, no. 4 (2019): 26–50. http://dx.doi.org/10.1353/jem.2019.0008.

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Books on the topic "Biblioteca Nacional (Spain) – Exhibitions"

1

(Spain), Biblioteca Nacional. El ocio en la Biblioteca Nacional: Biblioteca Nacional, Madrid, marzo-abril, 1985. [Madrid]: Ministerio de Cultura, Dirección General del Libro y Bibliotecas, Instituto Nacional del Libro Español, 1985.

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2

(Spain), Biblioteca Nacional, and Acción Cultural Española (Organization), eds. Otras miradas: Biblioteca Nacional de España. Madrid: Biblioteca Nacional, 2013.

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3

Goya, Francisco. Ydioma universal, Goya en la Biblioteca Nacional. Madrid: Ministerio de Educación y Cultura, Biblioteca Nacional, 1996.

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4

1936-, Gómez Bedate Pilar, Gómez de Liaño Ignacio, Fundació Caixa de Catalunya, and Biblioteca Nacional (Spain), eds. Del amor y la muerte: Dibujos y grabados de la Biblioteca Nacional. Barcelona: Fundació Caixa de Catalunya, 2001.

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Páez, Elena Santiago. Del amor y la muerte: Dibujos y grabados de la Biblioteca Nacional. [Barcelona]: Fundació Caixa de Catalunya, 2001.

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6

(Spain), Biblioteca Nacional. Trésors de la Biblioteca Nacional: Bibliothèque nationale, mars-avril 1988. Madrid: La Biblioteca, 1988.

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7

Mena, Manuela. Italian drawings of the 17th and 18th centuries from the Biblioteca Nacional of Madrid. New York, NY: The Spanish Institute, 1989.

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Mena, Manuela. Italian drawings of the 17th and 18th centuries from the Biblioteca Nacional of Madrid: November 9, 1989-January 6, 1990. New York, N.Y: Spanish Institute, 1990.

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9

Congreso Internacional de Historia de la Cartografía (19th : 2001 : Madrid, Spain), ed. Tesoros de la cartografía Española. Madrid: Biblioteca Nacional, 2001.

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1936-, Gómez Bedate Pilar, Gómez de Liaño Ignacio, Fundació Caixa de Catalunya, and Biblioteca Nacional (Spain), eds. On love and death: Drawings and engravings in the Biblioteca Nacional. Barcelona: Fundació Caixa de Catalunya, 2001.

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