Relevant bibliographies by topics / Biennale of Sydney (19th : 2013)

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Academic literature on the topic 'Biennale of Sydney (19th : 2013)'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Biennale of Sydney (19th : 2013)"

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Stephens, Murdoch, and Shannon Te Ao. "Unwelcome guests: Hospitality, asylum seekers and art at the 19th Biennale of Sydney." Hospitality & Society 4, no. 2 (2014): 193–202. http://dx.doi.org/10.1386/hosp.4.2.193_7.

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Oniscu, Gabriel C., Geraldine Diaz, and Josh Levitsky. "Meeting report of the 19th Annual International Congress of the International Liver Transplantation Society (Sydney Convention and Exhibition Centre, Sydney, Australia, June 12‐15, 2013)." Liver Transplantation 20, no. 1 (2013): 7–14. http://dx.doi.org/10.1002/lt.23767.

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Crosby, Alexandra Lara, Ilaria Vanni, Sarah Jane Jones, and Holly O’Neil. "Visually Communicating Artificial Urban Wetlands." M/C Journal 27, no. 6 (2024). http://dx.doi.org/10.5204/mcj.3113.

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Introduction Urban wetlands in Australia are under threat, yet they provide benefits for climate change mitigation, pollution reduction, habitat provision, and socioecological connection. In what is now known as Sydney’s inner south and inner west, wetlands were significant places maintained by Aboriginal peoples for millennia (Foster). The violent colonial history that shaped Sydney unfolded along its extensive and dynamic wetlands and connecting waterways. Water was enclosed, drained, dammed, and channelled underground to service the city’s growth. “Unproductive swamps” were filled in for fa
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D., Hilton. "The Global Children's Challenge Program: Pedometer Step Count in an Australian School." January 5, 2016. https://doi.org/10.5281/zenodo.1111961.

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The importance and significance of this research is based upon the fundamental knowledge reported in the scientific literature that physical activity is inversely associated with obesity. In addition, it is recognized there is a global epidemic of sedentariness while at the same time it is known that morbidity and mortality are associated with physical inactivity and as a result of overweight or obesity. Hence this small study in school students is an important area of research in our community. An application submitted in 2005 for the inaugural Public Health Education Research Trust [PHERT] P
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Mead, Amy. "Bold Walks in the Inner North: Melbourne Women’s Memoir after Jill Meagher." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1321.

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Each year, The Economist magazine’s “Economist Intelligence Unit” ranks cities based on “healthcare, education, stability, culture, environment and infrastructure”, giving the highest-ranking locale the title of most ‘liveable’ (Wright). For the past six years, The Economist has named Melbourne “the world’s most liveable city” (Carmody et al.). A curious portmanteau, the concept of liveability is problematic: what may feel stable and safe to some members of the community may marginalise others due to several factors such as gender, disability, ethnicity or class.The subjective nature of this t
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Cutler, Ella Rebecca Barrowclough, Jacqueline Gothe, and Alexandra Crosby. "Design Microprotests." M/C Journal 21, no. 3 (2018). http://dx.doi.org/10.5204/mcj.1421.

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IntroductionThis essay considers three design projects as microprotests. Reflecting on the ways design practice can generate spaces, sites and methods of protest, we use the concept of microprotest to consider how we, as designers ourselves, can protest by scaling down, focussing, slowing down and paying attention to the edges of our practice. Design microprotest is a form of design activism that is always collaborative, takes place within a community, and involves careful translation of a political conversation. While microprotest can manifest in any design discipline, in this essay we focus
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Kadivar, Jamileh. "Government Surveillance and Counter-Surveillance on Social and Mobile Media: The Case of Iran (2009)." M/C Journal 18, no. 2 (2015). http://dx.doi.org/10.5204/mcj.956.

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Human history has witnessed varied surveillance and counter-surveillance activities from time immemorial. Human beings could not surveille others effectively and accurately without the technology of their era. Technology is a tool that can empower both people and governments. The outcomes are different based on the users’ intentions and aims. 2,500 years ago, Sun Tzu noted that ‘If you know both yourself and your enemy, you can win numerous (literally, "a hundred") battles without jeopardy’. His words still ring true. To be a good surveiller and counter-surveiller it is essential to know both
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Dutton, Jacqueline. "Counterculture and Alternative Media in Utopian Contexts: A Slice of Life from the Rainbow Region." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.927.

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Introduction Utopia has always been countercultural, and ever since technological progress has allowed, utopia has been using alternative media to promote and strengthen its underpinning ideals. In this article, I am seeking to clarify the connections between counterculture and alternative media in utopian contexts to demonstrate their reciprocity, then draw together these threads through reference to a well-known figure of the Rainbow Region–Rusty Miller. His trajectory from iconic surfer and Aquarian reporter to mediator for utopian politics and ideals in the Rainbow Region encompasses in a
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Brien, Donna Lee. "Bringing a Taste of Abroad to Australian Readers: Australian Wines & Food Quarterly 1956–1960." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1145.

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IntroductionFood Studies is a relatively recent area of research enquiry in Australia and Magazine Studies is even newer (Le Masurier and Johinke), with the consequence that Australian culinary magazines are only just beginning to be investigated. Moreover, although many major libraries have not thought such popular magazines worthy of sustained collection (Fox and Sornil), considering these publications is important. As de Certeau argues, it can be of considerable consequence to identify and analyse everyday practices (such as producing and reading popular magazines) that seem so minor and in
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Davies, Alex, and Alexandra Lara Crosby. "Art Is Magic." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3003.

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Magic and art are products of human connection with the universe, offering answers to questions of meaning and working in interstices between fiction and reality. Magic can and does permeate all forms of media and is depicted as both entertaining and dangerous, as shaping world views, and as practised by a vast array of individuals and groups across cultures. Creative practices in cinema, radio, and installation art suggest that deceptive illusions created through magic techniques can be an effective means of creating compelling and engaging media experiences. It is not surprising, then, that
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Books on the topic "Biennale of Sydney (19th : 2013)"

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Biennale of Sydney (19th 2014). You imagine what you desire: 19th Biennale of Sydney : 2014. Edited by Engberg Juliana author editor, Linz Talia author editor, Kristensen Annika author, and Woods Chantelle author. Biennale of Sydney Ltd, 2014.

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Básthy, Ágnes. I can't work like this: A reader on recent boycotts and contemporary art. Edited by Internationale Sommerakademie für Bildende Kunst Salzburg. Sternberg Press, 2017.

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Book chapters on the topic "Biennale of Sydney (19th : 2013)"

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Bryant, Jan. "Still Deep in the Bones of the Bourgeoisie: Introduction." In Artmaking in the Age of Global Capitalism. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474456944.003.0014.

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The ‘gift of being disgusted’ is a challenge first raised by Walter Benjamin in the 1920s, insisting that each era has a responsibility to critically contest the inequalities of its time. This chapter looks at two 21<sup>st</sup> century art events, the 56<sup>th</sup> La Biennale di Venezia (2015), which had global politics as its core theme, and the 19th Biennale of Sydney (2014) that attracted artist boycotts as protest to successive Australian Governments’ treatment of asylum seekers. Venice and Sydney are examples of large publicly-funded art events that instrumentalise politics as specta
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Bryant, Jan. "Benjamin’s Challenge for the Twenty-first Century." In Artmaking in the Age of Global Capitalism. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474456944.003.0002.

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The 19th Biennale of Sydney, discussed in the last chapter, is a case study that reveals the way contemporary western governments are increasingly closing down public criticism. The tendency is to raise opaque screens over controversial actions, and to use financial retaliation as a method for keeping artists’ protests inside exhibiting contexts. This chapter looks at political theorists who write about the re-emergence of forms of authoritarianism, beginning with Nicos Poulantzas who argued as early as 1970 that a new form of fascism was materialising, and Michel Foucault’s warning that we ea
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