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1

Cyrino, Monica Silveira. Big screen Rome. Blackwell Pub., 2006.

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2

Ben, Fogle, and Mackenzie Compton 1883-1972, eds. Big screen Britain. BBC, 2004.

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3

Cleave, Maureen. Painting the big screen. The Observer Limited, 1987.

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4

Stine, R. L. Invaders from the big screen. Scholastic, 1998.

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5

Dunne, John Gregory. Monster: Living off the big screen. Random House, 1997.

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6

ill, Litten Kristyna, ed. Gracie LaRoo on the big screen. Picture Window Books, 2018.

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7

Searles, Baird. EPIC!: History on the big screen. Abrams, 1990.

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8

Dunne, John Gregory. Monster: Living off the big screen. Pan, 2000.

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9

Douglas, Geivett R., and Spiegel James S. 1963-, eds. Faith, film, and philosophy: Big ideas on the big screen. IVP Academic, 2007.

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10

Fund, Canada Canadian Television. The big picture behind the small screen. Canadian Television Fund, 1999.

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11

Stratemann, Klaus. Louis Armstrong on the screen. JazzMedia, 1996.

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12

1951-, Winston Diane H., ed. Small screen, big picture: Television and lived religion. Baylor University Press, 2009.

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13

1962-, Creeber Glen, ed. Serial television: Big drama on the small screen. BFI Publishing, 2004.

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14

Marsden, Bill. Big screen country: Making movies in Alberta : a memoir. Fifth House, 2005.

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15

Caps, John. Big Screen, Little Screen. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036736.003.0005.

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This chapter details the start of Mancini's successful television career. Although Mancini was no longer a staff composer at Universal, he still retained his studio pass, with which he could enter the movie lot, use the cafeteria, and mingle informally with producers There in mid-1958 he would meet, Blake Edwards, who had just come from a meeting at which plans were solidified for a new TV series slated for September at NBC. When Edwards asked Mancini if he would be interested in composing the music for the new show, to be called Peter Gunn, he had in mind Mancini's arranging and producing the
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16

Drouyn, Coral. Big Screen, Small Screen. Routledge, 2020. http://dx.doi.org/10.4324/9781003115069.

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17

Drouyn, Coral. Big Screen Small Screen. Taylor & Francis Group, 2021.

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18

Cyrino, Monica Silveira. Big Screen Rome. Wiley & Sons, Incorporated, John, 2009.

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19

Cyrino, Monica Silveira. Big Screen Rome. Wiley & Sons, Incorporated, John, 2008.

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20

Big Screen Book. Homliy Press, 1993.

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21

Big Screen Book. 3rd ed. Homily Pr, 1995.

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22

Ames, Melissa. Small Screen, Big Feels. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813180069.001.0001.

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While television has always played a role in recording and curating history, shaping cultural memory, and influencing public sentiment, the changing nature of the medium in the post-network era finds viewers experiencing and participating in this process in new ways. They skim through commercials, live tweet press conferences and award shows, and tune into reality shows to escape reality. This new era, defined by the heightened anxiety and fear ushered in by 9/11, has been documented by our media consumption, production, and reaction. In Small Screen, Big Feels, Melissa Ames asserts that TV ha
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23

Big Screen Bible Lore. Lulu Press, Inc., 2013.

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24

Tom Hanks, Elizabeth Perkins, Robert Loggia, John Heard, Jared Rushton, David Moscow, Jon Lovitz, Josh Clark, Mercedes Ruehl, Kimberlee M. Davis. Big (Full Screen Edition). 20th Century Fox, 2002.

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25

Stories for the Big Screen. n/a, 2010.

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26

Davis, Donald. Big-Screen Drive In Theater. August House, 1996.

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27

Smith, Alex T. Claude on the Big Screen. Peachtree Publishing Company Inc., 2017.

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28

Inc, Dewey. Pals on the Big Screen. Dewey Inc., 2024.

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29

Love on the Big Screen. Cherokee McGhee, 2011.

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30

The big screen (Custom curriculum). David C. Cook Pub. Co, 1994.

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31

Qualey, Marsha, and Kristyna Litten. Gracie Laroo on the Big Screen. Raintree Publishers, 2020.

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32

Meeusen, Meghann. Children's Books on the Big Screen. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828644.001.0001.

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Adaptation studies scholars suggest that no matter how interesting it may be to pick apart a film’s consistency with and departure from its source, these approaches can be limiting because books and movies operate as two very different mediums. Children’s Books on the Big Screen moves away from this approach by tracing a pattern across films for young viewers to highlight a consistent trend: when films are adapted from children’s and YA books, concepts like self/other, male/female, and adult/child become more strongly contrasted and more diametrically opposed in the film version. Children’s Bo
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33

Murray, Julie. Outer Space on the Big Screen. ABDO Publishing Company, 2021.

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34

Meeusen, Meghann. Children's Books on the Big Screen. University Press of Mississippi, 2020.

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35

Meeusen, Meghann. Children's Books on the Big Screen. University Press of Mississippi, 2020.

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36

Qualey, Marsha, and Kristyna Litten. Gracie Laroo on the Big Screen. Raintree Publishers, 2017.

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37

Meeusen, Meghann. Children's Books on the Big Screen. University Press of Mississippi, 2020.

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38

Dunne, John Gregory. Monster: Living Off the Big Screen. Vintage, 1998.

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39

Downs, Bert. Bible Survey: A Big Screen Approach. Independently Published, 2020.

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40

Outer Space on the Big Screen. ABDO Publishing Company, 2021.

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41

Qualey, Marsha, and Kristyna Litten. Gracie Laroo on the Big Screen. Capstone, 2017.

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42

Mediabistro.com Presents Small Screen, Big Picture. Crown Publishing Group, 2008.

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43

Meeusen, Meghann. Children's Books on the Big Screen. University Press of Mississippi, 2020.

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44

Stine, R. L. Invaders from the Big Screen #29. Bt Bound, 1999.

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45

Searles, Baird. Epic!: History on the Big Screen. HNA Books, 1990.

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46

Qualey, Marsha, and Kristyna Litten. Gracie Laroo on the Big Screen. Capstone, 2017.

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47

Murray, Julie. Outer Space on the Big Screen. ABDO Publishing Company, 2021.

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48

Stephen King On The Big Screen. Intellect (UK), 2009.

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49

Stephen King on the Big Screen. Intellect Books, 2009.

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50

Monster: Living Off the Big Screen. Random House, 1997.

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