Relevant bibliographies by topics / Big Wednesday (Motion picture)

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Academic literature on the topic 'Big Wednesday (Motion picture)'

Author: Grafiati
Published: 2 March 2023

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Journal articles on the topic "Big Wednesday (Motion picture)"

1

Knežević, Zoran, and Andrea Milani. "Asteroid Proper Elements: The Big Picture." Symposium - International Astronomical Union 160 (1994): 143–58. http://dx.doi.org/10.1017/s0074180900046519.

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Four perturbation theories presently used to compute asteroid proper elements are reviewed, and their results are briefly discussed (Milani and Knežević, 1990, 1992, 1994, for low to moderate eccentricity/inclination main belt objects; Lemaitre and Morbidelli, 1994, for high e, I objects; Milani, 1993, for Trojans; Schubart, 1982, 1991 for Hildas). The most important recent improvements are described, in particular those pertaining to the upgrades of the previous analytic and semianalytic solutions. The dynamical structure of the asteroid main belt, as defined by the low order mean motion resonances and by linear and nonlinear secular resonances, is considered from the point of view of the effects of these resonances on the accuracy and/or reliability of the computation of proper elements and on the reliability of the identification of asteroid families.
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Powers, Robert A. "Activities for Students: Big Box—Office Bucks." Mathematics Teacher 94, no. 2 (2001): 112–18. http://dx.doi.org/10.5951/mt.94.2.0112.

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One of the challenges that teachers face when they teach data analysis to their students is getting them to see the “big picture.” Using multiple representations is one way to help students make sense out of a large amount of data. For example, the data can be recorded in a table, graphed in a rectangular-coordinate system, and analyzed for an equation of best fit. These techniques are standard practice in data analysis. However, furnishing an interesting context for teaching these methods is sometimes difficult. One way to motivate students to see the big picture of data analysis is to explore an example from the motion-picture business. Since the release of James Cameron's movie Titanic in December 1997, the film has become a part of the popular culture. It earned more than $1 billion worldwide at the box office, which makes it the highest-grossing film of all time. Inevitable articles and programs documented and commented on the success of this epic film. One article, in particular, in Newsweek was titled “Our Titanic Love Affair” (Ansen 1998). A simple statement of earnings trends appeared in a caption next to a graph showing the longevity of the weekend revenues generated by the movie. It read as follows: “Most hit movies enjoy big opening weekend sales, then revenues decline quickly.” Both the graph and the caption raise two interesting questions: What do the graphs and trends of “most hit movies” look like? And how are the weekend earnings of Titanic different?
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Matthews, Michael R. "Learning about Scientific Methodology and the “Big Picture” of Science: The Contribution of Pendulum Motion Studies." Philosophy of Education 57 (2001): 204–13. http://dx.doi.org/10.47925/2001.204.

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Smith, Jeffery A. "Hollywood Theology: The Commodification of Religion in Twentieth-Century Films." Religion and American Culture: A Journal of Interpretation 11, no. 2 (2001): 191–231. http://dx.doi.org/10.1525/rac.2001.11.2.191.

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A motion picture is a product formed by the intricate inter-play of film industry forces and cultural expectations. Hollywood must attract audiences and audiences crave gratification or, perhaps, edification. Movies with religious themes can deal with momentous issues, but take the risk of affronting deeply held beliefs. Problems naturally arise when matters as sensitive and speculative as the activity of the Creator and the role of the created become entertainment marketed to mass audiences. Technicolor scenery, special effects, celebrity actors, spiced-up scripts, and other big-screen production values may seem disrespectful or may divert attention away from serious reflection. Critics of consumer society have pointed to the manipulation, superficiality, and commercialization found in mass media environments and film scholars have evaluated movies with religious topics, but questions remain about cinematic treatments of ultimate meaning. The motion picture industry's customers have a multitude of spiritual perspectives.
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Fitria Hari Wibawati, Fitria. "THE INFLUENCE OF COLORING PICTURE THROUGH FINE MOTOR DEVELOPMENT ON CHILDREN AGE 4-5 YEARS GROUP." Jurnal Ilmiah Wijaya 10, no. 2 (2018): 50–57. http://dx.doi.org/10.46508/jiw.v10i2.25.

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According to the World Health Organization (WHO) reported that 2-25% of children preschool age suffering minor brain dysfunction, included smooth motion development problems, in Indonesia around 16% of children experience problems the development of smooth motion. Smooth motion development involves certain body parts done by small muscles. How to stimulate fine motor in children has a very big function that is to improve the mevement of subtle activities such as writing, drawing and typing. The impact will occur when a child in smooth motion development that can lead to cerebral palcy. To determine the influence of coloring picture toward smooth motion development in children age 4-5 years group A Puspa Bangsa Kindergarten Bogor. The type of research is pre-experimental was conducted in Puspa Bangsa Kindergarten Bogor on 30th November until 1st December 2016 and the respondents are 30 children with age 4-5 years by using Total Sampling technique. To collect the data of this research, the researcher use using observational sheet. The Knowledgeable of univariat analysis before being given coloring treatment are 50% of children in the category of underdeveloped and after being given coloring treatment are 50% of children in the category of developing according to expectations. The bivariate analysis using Shapiro Wilk normality test using the results of 0,000 < 0,05 means thatthe data are not normality distributed,then to test hypothesis using Willcoxon test with p value 0,000<0,05 it means Ho rejected and Ha accepted. Knowledgeble of smooth motion development of 30 respondents (50%) fall into the category of underdeveloped with a mean value of 1,87 and a standard deviation of 0,937. The Knowleadable of smooth motion development of 30 respondents (50%) fall into the category growing as expected with a mean value of 2,90 and a standard deviation of 0,712.There is Influence of Coloring Pictures Toward Smooth Motion Development In Children Age 4-5 Years Group A in Puspa Bangsa Kindergarten Bogor.
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Fastiuk, Yevhen, Ruslan Bachynskyy, and Nataliia Huzynets. "Methods of Vehicle Recognition and Detecting Traffic Rules Violations on Motion Picture Based on OpenCV Framework." Advances in Cyber-Physical Systems 6, no. 2 (2021): 105–11. http://dx.doi.org/10.23939/acps2021.02.105.

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In this era, people using vehicles is getting increased day by day. As pedestrians leading a dog for a walk, or hurrying to their workplace in the morning, we’ve all experienced unsafe, fast-moving vehicles operated by inattentive drivers that nearly mow us down. Many of us live in apartment complexes or housing neighborhoods where ignorant drivers disregard safety and zoom by, going way too fast. To plan, monitor and also control these vehicles is becoming a big challenge. In the article, we have come up with a solution to the above problem using the video surveillance considering the video data from the traffic cameras. Using computer vision and deep learning technology we will be able to recognize violations of rules. This article will describe modern CV and DL methods to recognize vehicle on the road and traffic violations of rules by them. Implementation of methods can be done using OpenCV Python as a tool. Our proposed solution can recognize vehicles, track their speed and help in counting the objects precisely.
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Ardiansyah Odi, Akhmad Nidhomuz Zaman, Siti Rohana Nasution, and Sambas Sundana. "ANALISIS PENGURANGAN WASTE PADA PROSES PERAWATAN KERETA." Jurnal ASIIMETRIK: Jurnal Ilmiah Rekayasa & Inovasi 1, no. 1 (2019): 34–42. http://dx.doi.org/10.35814/asiimetrik.v1i1.220.

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Tulisan ini menjelaskan tentang identifikasi waste pada perawatan kereta bagian bogie dan memberikan rekomendasi perbaikan yang bertujuan untuk mengurangi waste yang terjadi. Dengan menggunakan pendekatan lean concept yang lebih dominan ke arah lean service, penelitian ini dimulai dengan menggambarkan big picture mapping dan pembobotan nilai waste berdasarkan kuesioner menggunakan VALSAT. Waste juga diidentifikasi menggunakan fault tree analysis yang selanjutnya dilakukan perhitungan nilai kritis waste menggunakan FMEA kemudian dilakukan rekomendasi perbaikan menggunakan pendekatan 5W+1H. Hasil perhitungan berdasarkan data yang dikumpulkan, didapatkan bahwa total lead time pengerjaan perawatan kereta yang sebelumnya sebesar 995 menit menjadi 873 menit. Dengan presentase dari value added activity sebesar 93% dan non – necessary value adding sebesar 7%. Dan berdasarkan analisa FMEA didapatkan bahwa waste kritis yang diperlukan perbaikan adalah waste unnecessary motion dengan skor RPN sebesar 140.
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Feng, Guangchao C. "A comparative study of the online film ratings of US and Chinese audiences: An analytical approach based on big data." International Communication Gazette 81, no. 3 (2018): 283–302. http://dx.doi.org/10.1177/1748048518767799.

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Many movies have influenced many societies in various ways, but the factors that affect films’ ratings remain understudied. This article goes beyond examining a variety of factors that determine such ratings by focusing on the interaction effect of the country difference with other predictors of film ratings between the world’s top two movie markets, the US and China, using big data gathered from the Internet. The country difference significantly moderates the effect of predictors such as the film’s year of release, its Motion Picture Association of America ratings, country of origin, and its awards. Predictors such as whether it was adapted from a novel, whether it was based on a true story, its production budget, and its ‘star power’ exert the consistent main effects on film ratings across the countries. However, box office success and sequels were found to be insignificant predictors of film ratings. The article then discusses the implications of these findings and suggests directions for future research.
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Aziz al-Quraishi, Zuhair Abbas, and Shaker Nima Harz Alaak. "The role of television in activating the behavior of recreational tourists in the city of Baghdad." Iraqi Administrative Sciences Journal 1, no. 1 (2017): 246–84. http://dx.doi.org/10.33013/iqasj.v1n1y2017.pp246-284.

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TV is considered the strongest media in comparison with other means, therefore, its effects were and are still the strongest in human and his social, economic, purchasing and tourist behaviors. Studies emphasized the importance of TV and its distinct from other traditional media, in that it can mix between the picture, voice and motion in a more perfected way through color, shape and motion as well as it made the audience watch what is going on in the world directly. It also employed the rest of traditional communication means for its interest, in that it became a new means for information, recreation and education, it was able to effectively impress the audience because it reaches millions of audiences at the same moment. Thus, it represents the greatest revolution in the field of human communication, The tourist's behavior represents a study on the individuals' choices, their purchasing and using goods and services to satisfy their needs and desires. Hence, the employees of the tourist activity should have a full understanding of all facts and internal and external factors affecting the tourist's behavior which is influenced by a big collection of factors, including psychological, social, personal factors which should be taken into consideration when trying to motivate or push consumers or tourists to buy .
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Cahyono, Mohammad Ardi, and Rahmat Suwandi. "PEMODELAN MATEMATIK SISTEM HIDROLIK PADA MAIN LANDING GEAR EXTENSION DAN RETRACTION PESAWAT BOEING 737-900ER DENGAN PROGRAM MATLAB-SIMULINK." Angkasa: Jurnal Ilmiah Bidang Teknologi 9, no. 1 (2017): 43. http://dx.doi.org/10.28989/angkasa.v9i1.110.

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The problem that often arises in the hydraulic system when the main landing gear is done extension and retraction is the control o f the hydraulic motion and the fluid motion is very big influence on the hydraulic work process where the fluid flow must be ensured or arranged in such a way as to work properly. To overcome this problem, a mathematical modeling system is used to create a representation or an imitation o f the actual system, which links the output o f the system with its input in a mathematical relationship and its parameter values. The research was conducted by observation method and literature study to obtain the data and its calculation. The results o f this study obtained a description o f the response and dynamic characteristics o f the PID controller in the transfer function o f the hydraulic system when the main landing gear extension and retraction o f the nearest Boeing 737-900ER aircraft is the 5th time experiment by inputting PID controller value P = 13 I = 4 D = 3 with an error value o f 0.01887 and an overshoot o f1,0002. With a small error value or a 2% value limit and the response picture is not experiencing a large overshoot, then the picture o f the response in accordance with the expected in the 5th experiment where the error value o f 0.01887 and overshoot o f 1,0002. With an overview o f the response with this small overshoot then the accuracy o f the system will stop at the point corresponding to the actual system. By using this modeling, the response o f the main landing gear extension and retraction movements can be well studied thus providing a good understanding o f the performance of the hydraulic system.
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Books on the topic "Big Wednesday (Motion picture)"

1

Ross, Gary. Big: Screenplay. Hollywood Scripts, 1987.

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Ross, Gary. Big: Screenplay. Hollywood Scripts, 1987.

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Joel, Coen, ed. The big Lebowski. Faber Paperbacks, 1998.

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Institute, British Film, ed. The big sleep. British Film Institute, 1997.

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August, John. Big fish: The shooting script. Newmarket Press, 2004.

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Taylor, Thom. The big deal: Hollywood's million-dollar spec script market. William Morrow, 1999.

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Screenwriting 101: Small steps while thinking big. Kendall Hunt Pub. Co., 2009.

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The big picture: Who killed Hollywood? and other essays. Applause, 2000.

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Tedd, Thomey, ed. The big love. Spurl Editions, 2018.

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Big screen Boston: From Mystery Street to The departed and beyond. Black Bars Pub., 2008.

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Book chapters on the topic "Big Wednesday (Motion picture)"

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"Monopsony and the Big Picture." In Monopsony in Motion. Princeton University Press, 2013. http://dx.doi.org/10.2307/j.ctt5hhpvk.16.

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"13. Monopsony and the Big Picture." In Monopsony in Motion. Princeton University Press, 2013. http://dx.doi.org/10.1515/9781400850679.360.

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"13. Monopsony and the Big Picture." In Monopsony in Motion. Princeton University Press, 2013. http://dx.doi.org/10.1515/9781400850679-360.

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"13 Monopsony and the Big Picture." In Monopsony in Motion. Princeton University Press, 2013. http://dx.doi.org/10.1515/9781400850679-014.

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Miklitsch, Robert. "The Big Caper." In I Died a Million Times. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043611.003.0009.

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The Brooklyn armored car robbery, which occurred on August 21, 1934, not only represented the “nation’s biggest cash heist at the time” but also provided the source material for Richard Fleischer’s Armored Car Robbery (1950), a B picture that was released the very same day as the acknowledged prototypical heist film, The Asphalt Jungle. Although the heist picture could not, and did not, crystallize as a genre until 1950 because the Production Code expressly forbid filmmakers from showing the preparation and commission of heists, the competition represented by television and the 1948 “divorcement” decree forced the motion picture industry to find new ways to attract audiences. One strategy was to continue to produce B movies. If Armored Car Robbery demonstrates the vitality of B movies before the majors decided to cease production of them in 1951 and The Killing (1956) represents the appeal of “low” crime genres such as the “caper” movie for aspiring auteurs like Stanley Kubrick, Plunder Road (1957) testifies to the rise of independent production and the sort of niche markets favored by young adults hungry for more daring cinematic fare than previously had been available.
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Jurca, Catherine. "The Congressional Battle over Motion Picture Distribution, 1936–40." In Hollywood and the Great Depression. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748699926.003.0005.

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Using largely un-researched congressional records, this chapter examines the four hearings held between 1936 and 1940 on trade practices in distribution, notably block-booking and blind selling, which underwrote an effective big-studio monopoly. It examines how the material problem of getting commercial entertainment from the scene of production to thousands of theatres nationwide impacted on the way various elements in the film industry, notably the big studios and independent exhibitors, represented its practices, as well as its products, both to Congress and to themselves. Although the studios were able to frustrate legislative efforts to challenge their interests, this only ensured that the Justice Department would seek legal redress through the courts. The coming of World War II briefly suspended New Deal efforts to strengthen federal regulation of the film business but the seeds were sewn by the end of the 1930s for the US v Paramount et al Supreme Court decision that did much to undermine studio power by requiring separation of the ownership of production and exhibition of films.
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Lake, Jessica. "Privacy, the Celluloid City, and the Cinematic Eye." In The Face That Launched a Thousand Lawsuits. Yale University Press, 2016. http://dx.doi.org/10.12987/yale/9780300214222.003.0005.

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This chapter focuses on the cinematic camera’s recordings of women in urban public space. It examines claims to a right to privacy in relation to early nonfiction film in the form of cinema advertising, newsreels and documentaries. The cases discussed are significant for their contribution to the development of privacy law, and to the study of early film history. They offer insights into the discomfort experienced by those caught unknowingly in a motion picture during this period. The plaintiffs (all women) tell vividly of their shock and distress at becoming the object of a mass gaze, with their movements and mannerisms looming larger than life on the big screen. These women fought for restrictions on the practices of early filmmaking, but the cases also reveal the limits of the doctrine of privacy when used in this context. Courts tended to frame the issue in terms of the gendered public/private dichotomy (so entrenched within the law), usually privileging the masculine “public interest” in nonfiction filmmaking (for news, documentary or ethnographic purposes) over a woman’s individual right to privacy.
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