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Relevant bibliographies by topics / Billingsgate

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Academic literature on the topic 'Billingsgate'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Billingsgate"

1

Webb, John. "The Billingsgate Trumpet." Galpin Society Journal 41 (October 1988): 59. http://dx.doi.org/10.2307/842708.

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2

Spain-Savage, Christi. "The Gendered Place Narratives of Billingsgate Fishwives." SEL Studies in English Literature 1500-1900 56, no. 2 (2016): 417–34. http://dx.doi.org/10.1353/sel.2016.0018.

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3

Schofield, John, Jacqueline Pearce, Ian Betts, Tony Dyson, and Geoff Egan. "Thomas Soane's buildings near Billingsgate, London, 1640–66." Post-Medieval Archaeology 43, no. 2 (2009): 282–341. http://dx.doi.org/10.1179/174581309x12560423035038.

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4

Lambert, David. "The ‘Glasgow King of Billingsgate’: James MacQueen and an Atlantic Proslavery Network1." Slavery & Abolition 29, no. 3 (2008): 389–413. http://dx.doi.org/10.1080/01440390802267816.

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5

Lyon, Dawn. "Doing Audio-Visual Montage to Explore Time and Space: The Everyday Rhythms of Billingsgate Fish Market." Sociological Research Online 21, no. 3 (2016): 57–68. http://dx.doi.org/10.5153/sro.3994.

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This article documents, shows and analyses the everyday rhythms of Billingsgate, London's wholesale fish market. It takes the form of a short film based an audio-visual montage of time-lapse photography and sound recordings, and a textual account of the dimensions of market life revealed by this montage. Inspired by Henri Lefebvre's Rhythmanalysis, and the embodied experience of moving through and sensing the market, the film renders the elusive quality of the market and the work that takes place within it to make it happen. The composite of audio-visual recordings immerses viewers in the spac

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6

Hall, D. W., G. T. Cook, and W. D. Hamilton. "New Dating Evidence for North Sea Trade Between England, Scotland, and Norway in the 11th Century AD." Radiocarbon 52, no. 2 (2010): 331–36. http://dx.doi.org/10.1017/s0033822200045379.

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This study follows on from previous research at Perth, Scotland, in which we dated carbonized food residues removed from the external surface of rim sherds of cooking pots of London Sandy Shellyware pottery (Museum of London Pottery Fabric Code SSW). The 15 residues that were dated produced 14C ages between 910 ± 35 and 1085 ± 40 BP. We have now carried out radiocarbon measurements on similar residues from the same fabric obtained from the Billingsgate excavations in London and the Bryggen excavations in Bergen, Norway. The London and Bergen measurements gave age ranges of 905 ± 35 to 1115 ± 3

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7

Wong, Pat WingShan. "Barter Archive: Reimagining archival alternatives through participatory illustration – A case study of Billingsgate Fish Market (2019–22)." Journal of Illustration 10, no. 1 (2023): 57–65. http://dx.doi.org/10.1386/jill_00061_1.

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There is an increasingly significant trove of observational sketches being used by illustrators as a visual research method to document and depict community and city interactions. Illustration, for me, serves as a potent, participatory tool of visual research that catalyses such transformative conversations and bolsters relationships within the community fabric. The act of drawing goes beyond rendering an image; it fosters a way to capture, record and create multifaceted interactions between people and their environments. The focus of this article is my community research project, Barter Archi

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8

Schofield, John. "LONDON’S WATERFRONT 1100–1666: SUMMARY OF THE FINDINGS FROM FOUR EXCAVATIONS THAT TOOK PLACE FROM 1974 TO 1984." Antiquaries Journal 99 (September 2019): 63–94. http://dx.doi.org/10.1017/s0003581519000131.

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The area around the north end of the medieval London Bridge in the City of London has attracted much archaeological attention. This article summarises the main findings for the period 1100–1666 from four excavations, recently published. In doing so, it explores a number of key issues: the main characteristics of this waterfront area in the medieval and Tudor periods; the sources of the pottery and artefacts incorporated into reclamation units, and any significance in their locations behind waterfront revetments or on the foreshore; what the medieval and post-medieval artefacts say about cultur

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9

Hall, R. A. "Aspects of Saxo-Norman London: I. Building and Street Development. By V. Horsman, C. Milne and G. Milne. 250mm. Pp. 123, iii ills. London: London and Middlesex Archaeological Society, Special Paper 11, 1988. ISBN 0-903290-36-7. £12.95 - Aspects of Saxo-Norman London: II. Finds and Environmental Evidence. Edited by A. Vince. 250mm. Pp. 451, 470 ills., 2 microfiches. London: London and Middlesex Archaeological Society, Special Paper 12, 1991. ISBN 0-903290-37-5. £39.95. - Aspects of Saxo-Norman London: III. The Bridgehead and Billingsgate to 1200. By K. Steadman, T. Dyson and J. Schofield. 250mm. Pp. 216, 74 ills., 1 microfiche. London: London and Middlesex Archaeological Society, Special Paper 14, 1992. ISBN 0-903290-40-5. £27.00. - Timber Building Techniques in London c. 900-1400. By G. Milne. 250mm. Pp. 152, 120 ills. London: London and Middlesex Archaeological Society, Special Paper 15, 1992. ISBN 0-903290-41-3. No price stated, pb. - Post Medieval Pottery in London, 1500–1700, I. Border Wares. By J. Pearce. 250mm. Pp. xii + 137, 66 figs. 11 col. pls. London: HMSO, 1992. ISBN 0-11-290494-7. £30.00." Antiquaries Journal 73 (September 1993): 211–14. http://dx.doi.org/10.1017/s0003581500072000.

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10

Shiells, Jack. "Old Prints of Billingsgate." Petits Propos Culinaires, August 6, 2024, 66. http://dx.doi.org/10.1558/ppc.30864.

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Books on the topic "Billingsgate"

1

Corporation, City of London. Billingsgate market. The Corporation, 1989.

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2

Steels, British Steel General, ed. Billingsgate redevelopment. British Steel, General Steels, 1986.

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3

Boyer, Rick. Billingsgate Shoal. Warner Books, 1985.

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4

Echeverria, Durand. A history of Billingsgate. Wellfleet Historical Society, 1991.

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5

Corporation, City of London. London markets: Billingsgate market. The Corporation, 1988.

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6

Bédoyère, Guy De la. The Roman site at Billingsgate Lorry Park, London: A catalogue of the Samian and other finds. B.A.R., 1986.

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7

Bédoyère, Guy De la. The Roman site at Billingsgate Lorry Park, London: A catalogue of the Samiam and other finds. B.A.R, 1986.

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8

Mann-Edwards, Beverly-Jo. Billingsgate language (for those who are somewhat apt to leave decency and good manners a little on the left hand). Laurentian University, Department of Psychology, 1999.

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9

Billingsgate shoal. Gollancz, 1985.

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10

Boyer, Rick. Billingsgate Shoal. Warner Books, 1985.

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Book chapters on the topic "Billingsgate"

1

"Billingsgate, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/9160216518.

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2

Day, John, Richard Hathway, and British Drama 1533–1642: A Catalogue. "1396: The Boss of Billingsgate." In British Drama 1533–1642: A Catalogue, Vol. 5: 1603–1608, edited by Martin Wiggins and Catherine Richardson. Oxford University Press, 2015. http://dx.doi.org/10.1093/oseo/instance.wiggins1396.

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3

Solera, Sergio, and Barry Lehane. "Grout curtain at the old Billingsgate Market." In Grouting in the ground. Thomas Telford Publishing, 1994. http://dx.doi.org/10.1680/gitg.19287.0002.

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4

McDowell, Paula. "6. “Fair Rhet’ric” and the Fishwives of Billingsgate." In The Invention of the Oral. University of Chicago Press, 2017. http://dx.doi.org/10.7208/chicago/9780226457017.003.0007.

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5

Bruyn, Frans De. "Burke ‘s Dunciad: The Letters on a Regicide Peace and Scriblerian Satire." In The Literary Genres of Edmund Burke. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198121824.003.0006.

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Abstract This morning [was] publish ‘d Burke ‘s primitive Thoughts On a Regicide Peace, and its palpable faults; These Thoughts to be sure are grown musty and stale, And may justly be clas ‘d with a Gulliver ‘s tale; With a Tale of a Tub, with a Fable of Greece, But yet I will give you, the Regicide Peace. The rage of Juvenil, and the playful levity of Horace, are not sufficient; and Billingsgate and the shambles are forced into alliance with the muses, the classics, and the sciences, to supply him with terms and metaphors sufficiently forcible to express the mighty hatred with which he labour

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6

Cornell, Stephen. "Lieutenant Anthony’s Legacy." In The Return of the Native. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780195065756.003.0011.

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Abstract When the committee from Plymouth had purchased the territory of Eastham of the Indians, “it was demanded, who laid claim to Billingsgate?” which was understood to be all that part of the Cape north of what they had purchased. “The answer was, there was not any who owned it. ‘Then,’ said the committee, ‘that land is ours.’ The Indians answered, that it was.” This was a remarkable assertion and admission. The Pilgrims appear to have regarded themselves as Not Any’s representatives. Perhaps this was the first instance of that quiet way of “speaking for” a place not yet occupied, or at le

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7

Butterworth, Philip, and Eric Willamson. "12. The Mechanycalle1 ‘Ymage off Seynt Iorge’ at St Botolph’s, Billingsgate, 1474." In Medieval Theatre Performance. Boydell and Brewer, 2017. http://dx.doi.org/10.1515/9781787440784-017.

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8

Ash, Susan. "The ‘Queen’s Shades’ and a ‘Gothicized’ London." In Funding Philanthropy. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781381397.003.0004.

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This chapter explores how Barnardo uses the Gothic narrative mode as a central mechanism to raise affect and thus engage potential supporters. The discussion draws on Jamieson Ridenhour’s work on the Gothicised cityscape to explore how Barnardo’s London reflects societal anxieties related to the past and the potential degeneration of British citizenry. It focuses on Barnardo’s treatment of one site in London, ‘The Queen’s Shades’ a site formed by mounds of detritus at the old Billingsgate Fish Market, first in a novel Barnardo wrote and serialized in his juvenile periodicals, and secondly in a

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9

Reid, Lindsay Ann. "Ship of Fools and Slow Boat to Hell: The Literary Voyages of the Gravesend Barge." In Reading the River in Shakespeare's Britain. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399534482.003.0006.

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At the opening of The Cobler of Caunterburie (1590), the narrator arrives at Billingsgate and decides to join the ‘crue of madde companions’ he spies waiting aboard the two-penny Gravesend barge. Their subsequent journey eastward on the Thames sparks a tale-telling competition à la The Canterbury Tales: Chaucer’s medieval pilgrims are reimagined as contemporary passengers travelling on a common form of public transport along one of early modern London’s most trafficked waterways. Though the journey to Gravesend might be made aboard other vessels, a common barge shuttled back and forth in conti

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10

Craske, Matthew. "From Burlington Gate to Billingsgate: James Ralph’s attempt to impose Burlingtonian classicism as a canon of public taste." In Articulating British Classicism. Routledge, 2017. http://dx.doi.org/10.4324/9781315096841-4.

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