Relevant bibliographies by topics / Binary of artistic images

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Binary of artistic images'

Author: Grafiati
Published: 28 May 2022
Last updated: 30 July 2025

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Journal articles on the topic "Binary of artistic images"

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Liu, Hong. "Generative 3D images in a visual evolutionary computing system." Computer Science and Information Systems 7, no. 1 (2010): 111–26. http://dx.doi.org/10.2298/csis1001111l.

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This paper presents a novel computer-aided design system which uses a computational approach to producing 3D images for stimulating creativity of designers. It introduces the genetic algorithm first. Then a binary tree based genetic algorithm is presented. This approach is illustrated by a 3D image generative example, which uses complex function expressions as chromosomes to form a binary tree, and all genetic operations are performed on the binary tree. Corresponding complex functions are processed by MATLAB software to form 3D images of artistic flowers. This generative design is integrated
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Bose, Aratrika, Tanupriya, and Anuja Singh. "Artistic Representation of Gender Nonconforming Female Bodies in Social Media: A Study of Select Indian Graphic Artists on Instagram." QED: A Journal in GLBTQ Worldmaking 10, no. 2 (2023): 70–92. http://dx.doi.org/10.14321/qed.10.2.0070.

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Abstract The study critically examines gender nonconforming female identities via their sexualized representations through artistic imagination on Instagram. Instagram representation becomes a ‘political act’ where this visual subversion allows the queer to reclaim their non-binary identity and thus articulate their choices through their body. The digital graphic art taken under study is select images from the Instagram pages of Indian artists “artwhoring,” “aorists,” and “sayartic.” The research study examines the question of an ideal hegemonic femininity perpetuated by the rhetoric of Indian
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de Jesús, Maria Inés, and Laura Bravo. "493 The use of visual arts to teach complex ideas on non-binary sex/gender traits and identities." Journal of Clinical and Translational Science 6, s1 (2022): 98–99. http://dx.doi.org/10.1017/cts.2022.289.

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OBJECTIVES/GOALS: Recent scientific discoveries show that human sex determination and differentiation is a spectrum of developmental processes and that sex/gender traits and identities not always fit binarity. This study aims to determine whether the visual arts can effectively transmit these complex scientific ideas on sex and gender variance. METHODS/STUDY POPULATION: A one-hour lecture for undergraduate students enrolled in a behavioral neuroendocrinology course included 17th century Spanish paintings and representative work from contemporary LGBTQIA+ artists in photography. Pre and post se
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Tombulatova, Iraida. "INFERNAL CODE OF IZDRYK'S POETRY." Odessa National University Herald. Series: Philology 29, no. 1(29) (2025): 61–67. https://doi.org/10.18524/2307-8332.2024.1(29).318671.

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The article attempts to analyze the peculiarities of the embodiment of the infernal code in modern Ukrainian poetry. The depiction and expression of the infernal in art in general and in literature in particular in different chronological periods (taking into account the permissive culture of today) and approaches to the study of the infernal code today are briefly mentioned. It is noted that scientists investigate infernal images and plots, taking into account various humanitarian issues and problems, applying various methodologies, which are given in the article. Since one of the traditional
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Radu Lilea, Mabe Bethônico and. "STONES, WORDS, IMAGES." Design/Arts/Culture 3, no. 2 (2023): 80–88. http://dx.doi.org/10.12681/dac.32025.

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Cultural memory, as viewed by historian Alexander Etkind, influenced by the world of computers, from where he takes this blatant yet effective reference, is binary: there is a “soft memory” preserved mostly in texts, and a “hard memory” stored primarily in monuments (Etkind, 2013, p. 177). His perspective on how cultural memory crystallizes, functions and then moulds people’s lives and communities was laid out in a study devoted to Soviet cultural heritage, particularly to those memorial practices engendered by an unburied past which always seems to be resurfacing. It is precisely this way of
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McCarthy, Steven. "The Art Portrait, the Pixel and the Gene: Micro Construction of Macro Representation." Convergence: The International Journal of Research into New Media Technologies 11, no. 4 (2005): 60–71. http://dx.doi.org/10.1177//1354856505061054.

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Digital images rely on the fineness of pixels to create an illusion of pictorial reality, with individual ‘picture elements’ sacrificing themselves in service of the overall image. The elemental binary code underlying digital pictures has its parallel in human genetic code: bits of information are stored in the DNA, itself consisting of binary chemical relationships. The nature of human identity - as translated by artistic representations of the face - is emerging from this intersection. The mapping of the human genome has had implications for socio-cultural constructions of identity, especial
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Zang, Xiu Fang, and Kwang Sook Sung. "An Analysis of Retro Futurism Fashion Images Using Social Media Big Data Analysis." Korea Institute of Design Research Society 7, no. 3 (2022): 213–23. http://dx.doi.org/10.46248/kidrs.2022.3.213.

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In this study, 9,661 words were extracted by collecting 13,266 social media posts related to 'retro futurism fashion' over the past 3 years. Among the extracted vocabulary, 66 vocabulary representing the highest exposure frequency were selected as core major vocabulary, and image vocabulary with high connection centrality was found through binary mode analysis by design element, and finally 26 image vocabulary representing retro futurism fashion image was selected. Finally, by clustering the derived retro futurism fashion image vocabulary, virtuality(sensuous, modern, unique, luxurious, attrac
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Plotnikova, O. M. "SEMANTICS OF THE GAME CODE OF CULTURE AND ITS ACTUALIZATION IN THE OPERA "DON JUAN" BY W. A. MOZART." Arts education and science 1, no. 30 (2022): 70–78. http://dx.doi.org/10.36871/hon.202201008.

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The article investigates the semantics of the game cultural code and its verification in the polycode system of W. A. Mozart's opera "Don Juan". The concept of "game", which reflects the linguistic picture of the world, is considered as the basis of the meaning-generating structure of the code. The semiotic methodological approach becomes the key to the cognition of various, contiguous and interacting with each other information levels of its functioning. Reconstruction of the game cultural code represents historical and contextual space of the opera as an essential element of the author's art
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Seyranyan, Lilit B. "Ideological and Artistic Parallels in the Drama Old Gods by Levon Shant and the Novel Resurrection of Gods. Leonardo da Vinci by Dmitry Merezhkovsky." Vestnik of Saint Petersburg University. Asian and African Studies 16, no. 3 (2024): 580–91. https://doi.org/10.21638/spbu13.2024.306.

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The article, considering the connections and relationships of Russian and Armenian literature at a new level, for the first time explores the numerous similarities of an ideological and artistic nature in the drama “Old Gods” by the famous Armenian writer, playwright, teacher, statesman and public figure Levon Shant (Nakhashpetyan-Sekhbosyan) (1869–1951) and in the novel “Resurrection of Gods. Leonardo da Vinci” by the Russian writer, literary critic, poet, religious philosopher, translator and public figure Dmitry Merezhkovsky (1865–1941). The subject of the study are the above-mentioned work
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Zlotnikova, Tatiana Semenovna. "Cultural meanings of Peter’s and Pushkin’s Russia: pre-Soviet and Soviet discourses." Vestnik of Saint Petersburg State University of Culture, no. 3 (52) (2022): 39–44. http://dx.doi.org/10.30725/2619-0303-2022-3-39-44.

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In the article, based on the use of comparative, cultural-anthropological, artistic-aesthetic methods, attention is drawn to the extent to which Peter’s Russia was a source of influence and a point of spiritual, artistic and creative attraction. Some algorithms are proposed that are significant for understanding the binary (and eventually dichotomy) not so much of the figures of the emperor Peter and the poet A. S. Pushkin, but of the worlds created and embodied by them. The first algorithm is a cultural-anthropological version, expressive in artistic terms and significant in cultural-historic
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Dissertations / Theses on the topic "Binary of artistic images"

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Albakaa, Ammar. "Self-validating binary document images." Thesis, University of Nottingham, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523002.

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Grama, Keshava. "Binary matrix for pedestrian tracking in infrared images." Thesis, Edinburgh Napier University, 2013. http://researchrepository.napier.ac.uk/Output/6153.

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The primary goal of this thesis is to present a robust low compute cost pedestrian tracking system for use with thermal infra-red images. Pedestrian tracking employs two distinct image analysis tasks, pedestrian detection and path tracking. This thesis will focus on benchmarking existing pedestrian tracking systems and using this to evaluate the proposed pedestrian detection and path tracking algorithm. The first part of the thesis describes the imaging system and the image dataset collected for evaluating pedestrian detection and tracking algorithms. The texture content of the images from the
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Ozkaya, Derya. "A Survey On Quaternary Codes And Their Binary Images." Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12610870/index.pdf.

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Certain nonlinear binary codes having at least twice as many codewords as any known linear binary code can be regarded as the binary images of linear codes over Z4. This vision leads to a new concept in coding theory, called the Z4-linearity of binary codes. This thesis is a survey on the linear quaternary codes and their binary images under the Gray map. The conditions for the binary image of a linear quaternary code to be linear are thoroughly investigated and the Z4-linearity of the Reed-Muller and Hamming codes is discussed. The contribution of this study is a simplification on the testing
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Hassenklover, Anne-Lise Carleton University Dissertation Computer Science. "Visibility for binary images on a mesh-connected computer." Ottawa, 1988.

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Collomosse, John Philip. "Higher level techniques for the artistic rendering of images and video." Thesis, University of Bath, 2004. http://epubs.surrey.ac.uk/600592/.

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Billington, Ian Michael. "Images of accretion discs in cataclysmic variables." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308377.

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Cheng, Julian Zhishen. "Channel optimized quantization of images over binary channels with memory." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22287.pdf.

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Dallaire, Sylvie. "Fables d'O : images de l'invisible." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1994. http://theses.uqac.ca.

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Mémoire (M.A.)-- Université du Québec à Chicoutimi, 1994.<br>Ce travail de recherche a été réalisé à l'Université du Québec à Chicoutimi dans le cadre du programme de la maîtrise en arts plastiques extentionné de l'Universtié du Québec à Montréal à l'Université du Québec à Chicoutimi. CaQCU Document électronique également accessible en format PDF. CaQCU
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Gilson, Stuart J. "Deformable contour methods for shape extraction from binary edge-point images." Thesis, University of Southampton, 1999. https://eprints.soton.ac.uk/256268/.

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Turner, Allen Julie. "Touching a sensibility a photographic exploration of haptic experience." Click here to access this resource online, 2007. http://repositoryaut.lconz.ac.nz/theses/1407/.

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Books on the topic "Binary of artistic images"

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United States. National Aeronautics and Space Administration. Scientific and Technical Information Program., ed. Analysis of objects in binary images. National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1991.

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Zhang, Zheng. Binary Representation Learning on Visual Images. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-2112-2.

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Michael, Thompson. Images. Harry N. Abrams, 2005.

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Foteinopoulos, P. D. Advanced compression of binary form based document images. UMIST, 1993.

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Navarro, Wilfrid-Joël. Images vies: Photographies, 1975-1995. Éd. Alméria, 1997.

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Zorzal, Bruno, and François Soulages. Images d'images. L'Harmattan, 2017.

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Robert, Louis-Rémy. Louis Robert, l'alchimie des images. NBC éditions, 1999.

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Schindler, Richard. Images are the limit. IKS Garamond, 2001.

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Millet, Laurent. Petites machines à images. Filigranes, 2008.

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Visual Arts Gallery (New Delhi, India), ed. [Voices ; Images]. Penguin Enterprise, 2015.

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Book chapters on the topic "Binary of artistic images"

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Haschemi Yekani, Elahe. "The Ends of Visibility." In Revisualising Intersectionality. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93209-1_4.

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AbstractFollowing an introduction to the field of visual culture studies and the idea of revisualising intersectionality, Haschemi Yekani draws on different forms of media use, artistic practice, and everyday visual culture to problematise notions of difference that rely on a binary of invisibility and visibility. Haschemi Yekani argues that the question of in/visibility needs to go beyond superficially diverse representation and also concerns technological development and a reflection of how media operate within global postcolonial networks of capital. Via discussions of “colour blindness” an
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Delgado-Jermann, Teresa. "Artistic Sources." In Images of Change. Routledge, 2023. http://dx.doi.org/10.4324/9781003285342-4.

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Pinoli, Jean-Charles. "Binary Images." In Mathematical Foundations of Image Processing and Analysis 1. John Wiley & Sons, Inc., 2014. http://dx.doi.org/10.1002/9781118625705.ch3.

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Kanas, Nick. "Celestial images in artistic paintings." In Star Maps. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-13613-0_12.

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Geng, Weidong. "Artistic Painting by Reference Images." In Advanced Topics in Science and Technology in China. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-04891-3_4.

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Sipper, Moshe, Jason H. Moore, and Ryan J. Urbanowicz. "Coevolving Artistic Images Using OMNIREP." In Artificial Intelligence in Music, Sound, Art and Design. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43859-3_12.

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Coessens, Kathleen. "Artistic Paths in Five Images." In Knowing in Performing. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839452875-005.

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Burger, Wilhelm, and Mark J. Burge. "Regions in Binary Images." In Texts in Computer Science. Springer London, 2016. http://dx.doi.org/10.1007/978-1-4471-6684-9_10.

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Wei, Liu, and He Yuanjun. "Spherical Binary Images Matching." In Computational Science – ICCS 2007. Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-72586-2_19.

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Burger, Wilhelm, and Mark James Burge. "Regions in Binary Images." In Principles of Digital Image Processing. Springer London, 2009. http://dx.doi.org/10.1007/978-1-84800-195-4_2.

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Conference papers on the topic "Binary of artistic images"

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Natesan, P., M. Harini, Chitrasena Nehru Kasthuri, and G. Deepankumar. "Artistic Transformation Of Architectural Images Using Neural Style Transfer." In 2024 15th International Conference on Computing Communication and Networking Technologies (ICCCNT). IEEE, 2024. http://dx.doi.org/10.1109/icccnt61001.2024.10726017.

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Jamalpur, Bhavana, S. Kiruthiga, B. Ranjitha, Lefty Joyson J, Jayaram K, and K. Ruba Soundar. "Generative Adversarial Networks (GANs) for Artistic Style Transfer in Images." In 2024 International Conference on Distributed Systems, Computer Networks and Cybersecurity (ICDSCNC). IEEE, 2024. https://doi.org/10.1109/icdscnc62492.2024.10941273.

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Zheng, Chengcheng, and Boqin Ma. "Artistic reconstruction of images and videos using multiple elements based on optimization algorithms." In 2024 International Conference on Culture-Oriented Science & Technology (CoST). IEEE, 2024. http://dx.doi.org/10.1109/cost64302.2024.00087.

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Zuo, Zhiwen, Lei Zhao, Shuobin Lian, et al. "Style Fader Generative Adversarial Networks for Style Degree Controllable Artistic Style Transfer." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/693.

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Artistic style transfer is the task of synthesizing content images with learned artistic styles. Recent studies have shown the potential of Generative Adversarial Networks (GANs) for producing artistically rich stylizations. Despite the promising results, they usually fail to control the generated images' style degree, which is inflexible and limits their applicability for practical use. To address the issue, in this paper, we propose a novel method that for the first time allows adjusting the style degree for existing GAN-based artistic style transfer frameworks in real time after training. O
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Zlotnikova, Tatyana. "Power in Russia: Modus Vivendi and Artis Imago." In Russian Man and Power in the Context of Dramatic Changes in Today’s World, the 21st Russian scientific-practical conference (with international participation) (Yekaterinburg, April 12–13, 2019). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-rmp-2019-pc02.

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Contemporary Russian socio-cultural, cultural and philosophical, socio psychological, artistic and aesthetic practices actualize the Russian tradition of rejection, criticism, undisguised hatred and fear of power. Today, however, power has ceased to be a subject of one-dimensional denial or condemnation, becoming the subject of an interdisciplinary scientific discourse that integrates cultural studies, philosophy, social psychology, semiotics, art criticism and history (history of culture). The article provides theoretical substantiation and empirical support for the two facets of notions of p
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Tavares, Tatiana. "Paradoxical saints: Polyvocality in an interactive AR digital narrative." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.81.

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This artistic, practice-led PhD thesis is concerned with the potentials of polyvocality and interactive digital narrative. The practical project, Saints of Paradox, is constructed as a printed picture book that can be experienced through an Augmented Reality [AR] platform. The fictional story entails a woman who mourns the disappearance of her lover in the 1964 Brazilian coup d’état and lives for 40 years in a room of accumulated memories. IIn each illustration, the user can select three buttons on the tablet device that activates a different version of the story. Three narrators (saints) pres
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Deshpande, Ameya, and Shanmuganathan Raman. "Adaptive artistic stylization of images." In the Tenth Indian Conference. ACM Press, 2016. http://dx.doi.org/10.1145/3009977.3009985.

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Pînzariu, Florin. "Wars of images." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.25.

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In the current political context, shaped by revisionist political attitudes, we notice an exacerbation of the propagandistic phenomenon carried out through images. The current revival of visual messages communicated by the authorities, sometimes followed by messages in response from opponents or private entities, brings back to the fore the battle of images characteristic of the inter-war and post-war period. Alongside this, the ethical issue of communicating images returns to our attention. In this study I propose a brief analysis of visual propaganda.
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Reyes-Garcia, Everardo. "On visual features and artistic digital images." In VRIC 2013: Virtual Reality International Conference - Laval Virtual. ACM, 2013. http://dx.doi.org/10.1145/2466816.2466835.

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Gooch, Amy A., and Bruce Gooch. "Enhancing perceived depth in images via artistic matting." In the 1st Symposium. ACM Press, 2004. http://dx.doi.org/10.1145/1012551.1012590.

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Reports on the topic "Binary of artistic images"

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McGuire, Dennis W. The Morphological Processing of Binary Images. Defense Technical Information Center, 1993. http://dx.doi.org/10.21236/ada274310.

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Starkey, Mike, and Randy Bryant. Using Ordered Binary-Decision Diagrams for Compressing Images and Image Sequences. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada292244.

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Klengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, 2020. http://dx.doi.org/10.46877/klengel.2020.30.

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The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book
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Maloney, Megan, Sarah Becker, Andrew Griffin, Susan Lyon, and Kristofer Lasko. Automated built-up infrastructure land cover extraction using index ensembles with machine learning, automated training data, and red band texture layers. Engineer Research and Development Center (U.S.), 2024. http://dx.doi.org/10.21079/11681/49370.

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Automated built-up infrastructure classification is a global need for planning. However, individual indices have weaknesses, including spectral confusion with bare ground, and computational requirements for deep learning are intensive. We present a computationally lightweight method to classify built-up infrastructure. We use an ensemble of spectral indices and a novel red-band texture layer with global thresholds determined from 12 diverse sites (two seasonally varied images per site). Multiple spectral indexes were evaluated using Sentinel-2 imagery. Our texture metric uses the red band to s
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จักกะพาก, รัตนา. จินตทัศน์ทางสังคมและกลวิธีการเล่าเรื่องในภาพยนตร์ของ อาคิระ คุโรซาว่า : การวิเคราะห์. จุฬาลงกรณ์มหาวิทยาลัย, 2004. https://doi.org/10.58837/chula.res.2004.15.

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The aims of this research are to analyse the films directed by Akira Kurosawa in the narrative structure, the patterns of plot and the model of binary oppositions of structuralism; to analyse their contents based on the quest model and the semiotic square, to study the film language regarding point of view, the mise-en scene, the montage, the use of sound effect, and the narrative system in relation to the media, the types of the story and the auteurship. The results of the research finds that the plots reflect social problems. The contents are mostly represented by mise-en scene, motage, soun
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Miles, Gaines E., Yael Edan, F. Tom Turpin, et al. Expert Sensor for Site Specification Application of Agricultural Chemicals. United States Department of Agriculture, 1995. http://dx.doi.org/10.32747/1995.7570567.bard.

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In this work multispectral reflectance images are used in conjunction with a neural network classifier for the purpose of detecting and classifying weeds under real field conditions. Multispectral reflectance images which contained different combinations of weeds and crops were taken under actual field conditions. This multispectral reflectance information was used to develop algorithms that could segment the plants from the background as well as classify them into weeds or crops. In order to segment the plants from the background the multispectrial reflectance of plants and background were st
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Anderson, Gerald L., and Kalman Peleg. Precision Cropping by Remotely Sensed Prorotype Plots and Calibration in the Complex Domain. United States Department of Agriculture, 2002. http://dx.doi.org/10.32747/2002.7585193.bard.

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This research report describes a methodology whereby multi-spectral and hyperspectral imagery from remote sensing, is used for deriving predicted field maps of selected plant growth attributes which are required for precision cropping. A major task in precision cropping is to establish areas of the field that differ from the rest of the field and share a common characteristic. Yield distribution f maps can be prepared by yield monitors, which are available for some harvester types. Other field attributes of interest in precision cropping, e.g. soil properties, leaf Nitrate, biomass etc. are ob
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Our Voices, Our Images: A Celebration of Hispanic Heritage Month. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0008242.

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Presents an exhibition that celebrates and recognizes the abundance of extraordinary artistic talent in Washington, D.C. and its metropolitan area was open to the public on August 18, 2003 at the Art Gallery of the Inter-American Development Bank¿s Cultural Center. The exhibition was a initiative of the IDB Cultural Center and the D.C. Commission on the Arts and Humanities.
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