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Journal articles on the topic 'Binary of artistic images'

Author: Grafiati

Published: 28 May 2022

Last updated: 30 July 2025

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1

Liu, Hong. "Generative 3D images in a visual evolutionary computing system." Computer Science and Information Systems 7, no. 1 (2010): 111–26. http://dx.doi.org/10.2298/csis1001111l.

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This paper presents a novel computer-aided design system which uses a computational approach to producing 3D images for stimulating creativity of designers. It introduces the genetic algorithm first. Then a binary tree based genetic algorithm is presented. This approach is illustrated by a 3D image generative example, which uses complex function expressions as chromosomes to form a binary tree, and all genetic operations are performed on the binary tree. Corresponding complex functions are processed by MATLAB software to form 3D images of artistic flowers. This generative design is integrated

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Bose, Aratrika, Tanupriya, and Anuja Singh. "Artistic Representation of Gender Nonconforming Female Bodies in Social Media: A Study of Select Indian Graphic Artists on Instagram." QED: A Journal in GLBTQ Worldmaking 10, no. 2 (2023): 70–92. http://dx.doi.org/10.14321/qed.10.2.0070.

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Abstract The study critically examines gender nonconforming female identities via their sexualized representations through artistic imagination on Instagram. Instagram representation becomes a ‘political act’ where this visual subversion allows the queer to reclaim their non-binary identity and thus articulate their choices through their body. The digital graphic art taken under study is select images from the Instagram pages of Indian artists “artwhoring,” “aorists,” and “sayartic.” The research study examines the question of an ideal hegemonic femininity perpetuated by the rhetoric of Indian

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de Jesús, Maria Inés, and Laura Bravo. "493 The use of visual arts to teach complex ideas on non-binary sex/gender traits and identities." Journal of Clinical and Translational Science 6, s1 (2022): 98–99. http://dx.doi.org/10.1017/cts.2022.289.

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OBJECTIVES/GOALS: Recent scientific discoveries show that human sex determination and differentiation is a spectrum of developmental processes and that sex/gender traits and identities not always fit binarity. This study aims to determine whether the visual arts can effectively transmit these complex scientific ideas on sex and gender variance. METHODS/STUDY POPULATION: A one-hour lecture for undergraduate students enrolled in a behavioral neuroendocrinology course included 17th century Spanish paintings and representative work from contemporary LGBTQIA+ artists in photography. Pre and post se

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Tombulatova, Iraida. "INFERNAL CODE OF IZDRYK'S POETRY." Odessa National University Herald. Series: Philology 29, no. 1(29) (2025): 61–67. https://doi.org/10.18524/2307-8332.2024.1(29).318671.

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The article attempts to analyze the peculiarities of the embodiment of the infernal code in modern Ukrainian poetry. The depiction and expression of the infernal in art in general and in literature in particular in different chronological periods (taking into account the permissive culture of today) and approaches to the study of the infernal code today are briefly mentioned. It is noted that scientists investigate infernal images and plots, taking into account various humanitarian issues and problems, applying various methodologies, which are given in the article. Since one of the traditional

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Radu Lilea, Mabe Bethônico and. "STONES, WORDS, IMAGES." Design/Arts/Culture 3, no. 2 (2023): 80–88. http://dx.doi.org/10.12681/dac.32025.

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Cultural memory, as viewed by historian Alexander Etkind, influenced by the world of computers, from where he takes this blatant yet effective reference, is binary: there is a “soft memory” preserved mostly in texts, and a “hard memory” stored primarily in monuments (Etkind, 2013, p. 177). His perspective on how cultural memory crystallizes, functions and then moulds people’s lives and communities was laid out in a study devoted to Soviet cultural heritage, particularly to those memorial practices engendered by an unburied past which always seems to be resurfacing. It is precisely this way of

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McCarthy, Steven. "The Art Portrait, the Pixel and the Gene: Micro Construction of Macro Representation." Convergence: The International Journal of Research into New Media Technologies 11, no. 4 (2005): 60–71. http://dx.doi.org/10.1177//1354856505061054.

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Digital images rely on the fineness of pixels to create an illusion of pictorial reality, with individual ‘picture elements’ sacrificing themselves in service of the overall image. The elemental binary code underlying digital pictures has its parallel in human genetic code: bits of information are stored in the DNA, itself consisting of binary chemical relationships. The nature of human identity - as translated by artistic representations of the face - is emerging from this intersection. The mapping of the human genome has had implications for socio-cultural constructions of identity, especial

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Zang, Xiu Fang, and Kwang Sook Sung. "An Analysis of Retro Futurism Fashion Images Using Social Media Big Data Analysis." Korea Institute of Design Research Society 7, no. 3 (2022): 213–23. http://dx.doi.org/10.46248/kidrs.2022.3.213.

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In this study, 9,661 words were extracted by collecting 13,266 social media posts related to 'retro futurism fashion' over the past 3 years. Among the extracted vocabulary, 66 vocabulary representing the highest exposure frequency were selected as core major vocabulary, and image vocabulary with high connection centrality was found through binary mode analysis by design element, and finally 26 image vocabulary representing retro futurism fashion image was selected. Finally, by clustering the derived retro futurism fashion image vocabulary, virtuality(sensuous, modern, unique, luxurious, attrac

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Plotnikova, O. M. "SEMANTICS OF THE GAME CODE OF CULTURE AND ITS ACTUALIZATION IN THE OPERA "DON JUAN" BY W. A. MOZART." Arts education and science 1, no. 30 (2022): 70–78. http://dx.doi.org/10.36871/hon.202201008.

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The article investigates the semantics of the game cultural code and its verification in the polycode system of W. A. Mozart's opera "Don Juan". The concept of "game", which reflects the linguistic picture of the world, is considered as the basis of the meaning-generating structure of the code. The semiotic methodological approach becomes the key to the cognition of various, contiguous and interacting with each other information levels of its functioning. Reconstruction of the game cultural code represents historical and contextual space of the opera as an essential element of the author's art

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Seyranyan, Lilit B. "Ideological and Artistic Parallels in the Drama Old Gods by Levon Shant and the Novel Resurrection of Gods. Leonardo da Vinci by Dmitry Merezhkovsky." Vestnik of Saint Petersburg University. Asian and African Studies 16, no. 3 (2024): 580–91. https://doi.org/10.21638/spbu13.2024.306.

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The article, considering the connections and relationships of Russian and Armenian literature at a new level, for the first time explores the numerous similarities of an ideological and artistic nature in the drama “Old Gods” by the famous Armenian writer, playwright, teacher, statesman and public figure Levon Shant (Nakhashpetyan-Sekhbosyan) (1869–1951) and in the novel “Resurrection of Gods. Leonardo da Vinci” by the Russian writer, literary critic, poet, religious philosopher, translator and public figure Dmitry Merezhkovsky (1865–1941). The subject of the study are the above-mentioned work

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Zlotnikova, Tatiana Semenovna. "Cultural meanings of Peter’s and Pushkin’s Russia: pre-Soviet and Soviet discourses." Vestnik of Saint Petersburg State University of Culture, no. 3 (52) (2022): 39–44. http://dx.doi.org/10.30725/2619-0303-2022-3-39-44.

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In the article, based on the use of comparative, cultural-anthropological, artistic-aesthetic methods, attention is drawn to the extent to which Peter’s Russia was a source of influence and a point of spiritual, artistic and creative attraction. Some algorithms are proposed that are significant for understanding the binary (and eventually dichotomy) not so much of the figures of the emperor Peter and the poet A. S. Pushkin, but of the worlds created and embodied by them. The first algorithm is a cultural-anthropological version, expressive in artistic terms and significant in cultural-historic

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Viladevall, Queralt, Salvador Linares-Mustarós, Maria Antonia Huertas, and Joan-Carles Ferrer-Comalat. "Understanding the Axioms and Assumptions of Logical Mathematical Systems through Raster Images: Application to the Construction of a Likert Scale." Axioms 12, no. 12 (2023): 1064. http://dx.doi.org/10.3390/axioms12121064.

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This article presents different artistic raster images as a resource for correcting misconceptions about different laws and assumptions that underlie the propositional systems of binary logic, Łukasiewicz’s trivalent logic, Peirce’s trivalent logic, Post’s n-valent logic, and Black and Zadeh’s infinite-valent logic. Recognizing similarities and differences in how images are constructed allows us to deepen, through comparison, the laws of bivalence, non-contradiction, and excluded middle, as well as understanding other multivalent logic assumptions from another perspective, such as their number

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Timralieva, Ju G., and N. S. Tatarincev. "Presentation of Space in E.A. Poe's Horror Stories." Discourse 9, no. 2 (2023): 125–36. http://dx.doi.org/10.32603/2412-8562-2023-9-2-125-136.

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Introduction. The article is devoted to the consideration of the category of space in E.A. Poe's prose. On the example of horror stories, the role of artistic space in the author's linguistic picture of the world is determined and its key structural and semantic characteristics are revealed. The relevance of the research is connected with the growing interest in the ways and means of conceptualizing reality in a literary text, to the problems of the artistic genre and to the specifics of the author's idiostyle.Methodology and sources. The main research methods are semantic analysis, which cons

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Zhumataeva, Aidana Nyshangaliyevna. "THE POETIC IMAGE OF A WOMAN IN ABAI’S WORKS: A COMPARATIVE ANALYSIS WITH PRE-ABAEV ARTISTIC TRENDS." Chronos 7, no. 3(65) (2022): 25–30. http://dx.doi.org/10.52013/2658-7556-65-3-6.

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Analyzing the evolution of artistic views on the image of Kazakh women in national art, we draw attention to the fact that the image of the steppe beauty is recreated in the binary opposition good / bad. Precisely in this way, the female character was stereotypically recreated by the poets of the pre-Abaev era. The character of the heroines is revealed in the female images, born by the pen of Abai, the psychological, emotional state, spirituality are conveyed. The portrait characteristic is remembered. This determines the importance of scientific understanding of how complex and multifaceted t

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Monkiewicz, Błażej. "Images of Exclusion in Shinsei Kamattechan’s Work: Bullying, Hikikomori, Unemployment, Mental Illness, Gender Non-conformity in Contemporary Japan." Silva Iaponicarum 70 (June 5, 2024): 32–49. http://dx.doi.org/10.14746/sijp.2023.70.2.

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In this article, the author focuses on the contemporary Japanese music band, Shinsei Kamattechan 神聖かまってちゃん. The band’s songwriter, who goes by the artistic pseudonym of “Noko” (の子), seems to base their (they are non-binary) oeuvre on their own experiences of being bullied and excluded, as well as that of suffering from mental illness, suicidal thoughts, and unemployment. These experiences found in Kamattechan’s work can be called “images of exclusion”. The aim of this paper is to present the aforementioned images of exclusion in a broader sociological context. To do that, the article analyses

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Oki, Sayaka. "THE PSYCHOLOGIST’S GAZE AND ACTION IN TARSEM SINGH’S THE CELL (2000)." International Multidisciplinary Research Journal 11 (December 15, 2024): 33–42. https://doi.org/10.47722/imrj.2001.28.

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This study focuses on narrative construction in the cinema produced by visual images. The theoretical consideration is based on the “act of looking” which is presented in Laura Mulvey’s thesis, Visual Pleasure and Narrative Cinema (1975), particularly in the context of Freudian scopophilia. A character’s act of looking can be analyzed through gendered power in the fundamental structure between the male subject and the female object. This binary structure is specified in the field of oil paintings, especially nakedness since the early Renaissance as “men act, and women appear” in John Berger’s

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Sokolova, Lidia. "THE MOTIF OF BINARY CHARACTERS IN “THE TALE OF THE BATTLE WITH MAMAI”." Проблемы исторической поэтики 22, no. 1 (2024): 26–50. http://dx.doi.org/10.15393/j9.art.2024.13382.

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There are several paired characters in “The Tale of the Battle of Mamai.” These are Dmitry Donskoy and Vladimir Serpukhovsky, brothers Andrey and Dmitry Olgerdovich, Peresvet and Oslyabya, as well as the heavenly helpers of the warriors — the first Russian saints Boris and Gleb. The poetic technique of depicting paired heroes is used in The Tale with a certain artistic aim. The comprehension of this aim allows to put a point in the dispute of researchers concerning the image of Dmitry Donskoy in this work. Some of them believed that the author of The Tale created a panegyric to the Grand Duke,

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Voto, Christina. "From archive to dataset. Visualizing the latency of big data." Punctum. International Journal of Semiotics 08, no. 01 (2022): 47–62. http://dx.doi.org/10.18680/hss.2022.0004.

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The objective of the proposal is to analyze what latent space is within a Deep-Learning system and how its visualization is capable of triggering a meaning-effect concerning the epistemology of big data. The latent space is the mathematical space that maps what a Neural Network has learned from the training dataset. It is the result of the compression of the input data and the step before the Neural Network’s output, a step that usually remains invisible to the human eye, rendering effective the promise of a transparent effect of reality generally promoted by Artificial Intelligence technologi

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Feghabo, Charles, and Blessing Omoregie. "Binary, Bipartite Motifs and Counter-Hegemonic Strategies in Tanure Ojaide’s The Activist." International Journal of English and Comparative Literary Studies 2, no. 5 (2021): 39–52. http://dx.doi.org/10.47631/ijecls.v2i5.318.

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Language use is central to Tanure Ojaide’s The Activist, negotiating a better living environment for the people of the Niger Delta region of Nigeria. Most literary essays on this text, however, overlook Ojaide’s deployment of language to achieve his subversive vision. The text has been interpreted as environmentalism colored by an ideology or artistic documentation of the despoiled ecosystem, its effects on humans, the flora and fauna of the Niger Delta, and the consequential eco-activism. Another read of the text, however, reveals a binary relationship of dominance and subversion in which lan

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Wang, G., and T. Breeva. "Typology of images in Vladislav Krapivin’s cycle “Fairy tales and true stories of deserted spaces”." Philology and Culture, no. 3 (October 19, 2024): 170–74. http://dx.doi.org/10.26907/2782-4756-2024-77-3-170-174.

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The article considers the specificity of the image typology in Vladislav Krapivin’s cycle “Fairy Tales and True Stories of Deserted Spaces’. We highlight the change of cyclisation principles in the late works of the writer; the interrelation of the last two cycles – “In the Depth of the Great Crystal” - is achieved by isolating the unified principles of cyclisation, the leading place among which is occupied by the spatialtopological principle. The chronotopic models - the Great Crystal, the Deserted Spaces - become symbolic embodiments of a certain philosophy of life, oriented towards overcomi

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Sidorova, Galina Petrovna. "Soviet everyday life: migrations from rural areas to the city, and their reflection in cinematography (1930-1980)." Культура и искусство, no. 1 (January 2021): 50–62. http://dx.doi.org/10.7256/2454-0625.2021.1.32384.

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The subject of this research is the historical-typological peculiarities of reflection in the Soviet cinematography of 1930s &ndash; mid 1980s of internal migrations, primarily from the rural areas, as well as determination in the historical dynamics of their value motivations, factors, means, and gender peculiarities. The object this research is the Soviet everyday life as a holistic lifeworld since the early 1930s to the early 1980s, which includes the three eras of spiritual life of the Soviet society: totalitarianism, &ldquo;thaw&rdquo;, and the &ldquo;70s&rdquo;. The s

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Fialkovskaya, Olga. "CULTURAL UNIQUENESS OF THE COMIC MODE: ARTISTIC STRATEGIES AND SIGN CODE (BASED ON THE PLAYS OF N. KOLYADA AND O. BOGAEV)." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 29 (2021): 39–43. http://dx.doi.org/10.17721/1728-2659.2021.29.10.

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In the modern socio-cultural space, which is based on globalization processes, the principles of transculturalism and technocentrism, the idea of comprehension of the cultural code and value absolute manifestly comes itself to the forefront. The comic beginning as an aesthetic and cultural phenomenon is a way of expressing the value worldview system, it is verbalized as an ethno-marked substrate in the axiological picture of the world of the people. The article is devoted to the comprehension of the mode of the comic on the basis of the plays "The old hare" of N. Kolyada and "33 happiness" of

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Zaslavskii, O. B. "“FATALIST”: PREDETERMINATION AND FREEDOM OF WILL AS FACTORS OF THE TEXT STRUCTURE." Culture and Text, no. 52 (2023): 146–69. http://dx.doi.org/10.37386/2305-4077-2023-1-146-169.

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The author of the article proposes a structural analysis of Lermontov’s short story “The Fatalist”. The main structural principles on which the artistic world of the Fatalist is built are discussed. It artistically explores the question of the presence or absence of determinism. Related to this is the idea of life as a repetition, with slight variations of the previous already known pattern, which in turn goes back to the archetype. On the other hand, other structural principles opposite to determinism operate in the work. This is uncertainty, ambiguity of images, interpretations of events and

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Raibediuk, Halyna. "The pagan world of Ukrainians in the scientific concept of Ivan Ohiienko and in the poetry of Irina Kalinets: typological aspects." IVAN OHIIENKO AND CONTEMPORARY SCIENCE AND EDUCATION SCHOLARLY PAPERS PHILOLOGY, no. 18 (December 29, 2021): 84–96. http://dx.doi.org/10.32626/2309-7086.2021-18-2.84-96.

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The proposed article explores the ways of timeless communication of the au-thor’s consciousness of Ukrainian theologian Ivan Ohiienko and dissident writer Iryna Kalynets, clarifi es the intersections of their refl ections on the pre-Christian life of the Ukrainian people, characterizes the typology of transposition of pagan world and folklore-mythological narrative versions of the poetess. The similarity of views of both representatives of the analyzed discourse on the animistic world-view and mentality of Ukrainians is revealed, the integral meaning of their de-clared concepts of its pre-Chri

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Plińska, Weronika. "Sztuczne raje dla wygnanych. Fotografia artystyczna Krzysztofa Marchlaka jako medium performowania odmieńczych tożsamości." Principia 69 (December 30, 2022): 107–36. http://dx.doi.org/10.4467/20843887pi.22.006.17317.

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W artykule staram się dowieść, że fotografia artystyczna, za sprawą technologii wytwarzania „mieniących się, syntetycznych wizerunków” (K. Linker, On Artificiality), może stać się medium sztuki ze społecznością, tworzonej wraz z osobami systemowo pozbawianymi widoczności w sferze publicznej. Posługując się metodą analizy ikonograficznej, opisuję wybrane fotografie portretowe Krzysztofa Marchlaka prezentujące wizerunki osób należących do społeczności LGBTQ w Polsce. W konkluzji nawiązuję do wykonanej przez artystę wielkoformatowej fotograficznej panoramy Paradiso, którą interpretuję jako zaanga

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Abdurazakova, D. "The anti–dogmatic metaphors in M. Bulgakov's novel "The Master and Margarita"." Bulletin of Science and Practice, no. 2 (February 15, 2017): 360–64. https://doi.org/10.5281/zenodo.291950.

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The article describes Christian reminiscences in Mikhail Bulgakov’s novel “The Master and Margarita”. From the perspective of evangelical traditions the themes, issues and pro–genre originality of the work is explored in the novel. The novel is analysed in terms of nipped genre. In addition, the specifics of using the “shift” techniques lexical bias are discussed in the article; violation of the logic of cause and effect linkages, accurately traced episodes, as well as the expansion of the thematic fields, images with symbolic meaning, artistic ambiguity by using words, are also described in t

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Kniaziuk, Olesya V., and Veronika V. Sennikova. "Identity construction in children's cinema: the experience of cinema in the USSR and the practice of modern Russia." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 46 (2022): 53–72. http://dx.doi.org/10.17223/22220836/46/5.

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The article is devoted to the formation spectator-child's identity problem by cinematography means. The authors rely on the social constructionism position. The position allows us to talk about the socio-cultural reality construction by cinematography means: about the creation of an artistic and symbolic world model. The values or ideology system guidelines developed within the framework of the USSR ideology and meeting the tasks socio-political, socio-economic structure is the model based. Cinematography, namely children's cinema, aimed at an educational role, broadcasts these attitudes, incl

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MOSHNORIZ, MARIIA, IRYNA ZOZULIA, NATALIYA RYMAR, SVITLANA KARPENKO, and ALLA STADNII. "THE DUALISTIC MYTHOMODEL OF S. CHERKASENKO’S DRAMA “THE PRICE OF BLOOD”, PARTICULARLY IN ITS PHILOSOPHICAL, SPATIO-TEMPORAL CHARACTERISTICS." AD ALTA: 14/01-XXXIX. 14, no. 1 (2024): 126–30. http://dx.doi.org/10.33543/140139126130.

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The article deconstructs the poetic mytho-model of world of the drama “The Price of Blood” by S. Cherkasenko, in particular in its philosophical characteristics: reveals the artistic features of the author's dualistic model of the world, examines the reinterpretation of biblical Christological themes, motifs and images. This thematic exploration adds depth to the understanding of the drama and underscores the profound philosophical questions S. Cherkasenko raises. The analysis shows that dualistic myths are represented through the forms of binary oppositions, such as cosmological (e.g. the spa

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Lin, Wenjie, Xueke Zhu, Wujian Ye, Chin-Chen Chang, Yijun Liu, and Chengmin Liu. "An Improved Image Steganography Framework Based on Y Channel Information for Neural Style Transfer." Security and Communication Networks 2022 (January 29, 2022): 1–12. http://dx.doi.org/10.1155/2022/2641615.

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Neural style transfer has effectively assisted artistic design in recent years, but it has also accelerated the tampering, synthesis, and dissemination of a large number of digital image resources without permission, resulting in a large number of copyright disputes. Image steganography can hide secret information in cover images to realize copyright protection, but the existing methods have poor robustness, which is hard to extract the original secret information from stylized steganographic (stego) images. To solve the above problem, we propose an improved image steganography framework for n

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Krasnova, Kristina Yurievna. "Spatial archetypes in Z. Prilepin’s collection “Dogs and Other People”." Philology. Theory & Practice 18, no. 5 (2025): 2116–21. https://doi.org/10.30853/phil20250298.

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The aim of the study is to identify the features of the representation of spatial archetypes in the collection “Dogs and Other People” by Z. Prilepin. The article analyzes the archetypes of the house, forest, lake, and river, as well as symbolic images marking the archetypal topos: the circle, pine, and birch. The scientific novelty of the work lies in the fact that, for the first time, the artistic space of the collection is considered from the perspective of mythopoetic interpretation. The research reveals that the spatial organization of the work is based on the binary opposition “house – f

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Bauaev, Kazim K. "The concept of time in the lyrics of K. Kuliev." Kavkazologiya 2022, no. 1 (2022): 93–102. http://dx.doi.org/10.31143/2542-212x-2022-1-93-102.

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The article analyzes the lyrics of the classic of Balkar literature KaisynShuvaevichKuliev. The presence of the concept of time in the poet’s works is a peculiarity of the author’s individual style. This concept shapes the surrounding reality, focuses on poetic aestheticism, deeply personal expe-rience. The study examines a whole list of issues associated with the theory of sped up develop-ment, the specificity of poetic thinking, personification of time, the search for promising ways of development of aesthetic consciousness of the people at the stage of transition from traditional reflective

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Guzmán Villalba, Diego Armando. "Transvestism in the SS: Political Discourses Against Sexual Diversity During Nazi Germany." Southern perspective / Perspectiva austral 3 (February 4, 2025): 45. https://doi.org/10.56294/pa202545.

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Introduction: In 2018, Martin Dammann, in collaboration with sociologist Harald Welzer, published Soldier Studies: Cross-dressing in der Wehrmacht, a photographic compilation of Nazi soldiers dressed in women’s clothing. This publication sparked immediate interest because, during the Nazi regime, homosexuality was persecuted under Article 175 of the Penal Code. The study of this phenomenon was relevant to gender and masculinity studies, as it demonstrated the complexities of self-expression, identity, and body politics. The Nazi regime imposed strict binary gender norms, rejecting any deviatio

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Noeva (Karmanova), S. E. "The poetry of cold in Yakut prose of the early twentieth century: cold as the border of the Yakut world." Vestnik of the North-Eastern Federal University 21, no. 1 (2024): 147–58. http://dx.doi.org/10.25587/2222-5404-2024-21-1-147-158.

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In recent years, an active appeal to the discourse of cold as a scientific problem has been observed in science, which is partly due to some extent to the transformation of the worldview of modern man, partly to the awareness of the fragility of the world balance in a globalising space. At the same time, the lack of development of the methodology, which consists in the absence of a conceptual, informational base, separate tools, creates difficulties in implementation this problem. In this regard, the topic presented in this article undoubtedly has great scientific potential and novelty in the

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Roelofs, Monique, and Norman S. Holland. "The Role of the Aesthetic in Decolonial Critique." Latin American and Latinx Visual Culture 7, no. 1 (2025): 26–47. https://doi.org/10.1525/lavc.2025.7.1.26.

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Claudia Llosa’s film The Milk of Sorrow/La teta asustada (2009) figures in a polemic over magical realism and the colonial overdeterminations of spectatorship ranging from Jean Franco to Dolores Tierney and beyond. Denounced for its complicity in the Western gaze, magical realism plays into the reality that Latin American acclaim often follows favorable reception in the Global North. The debate has yet to reckon with the ensuing tensions. Indeed, Llosa’s film highlights the contradictions of its Berlinale poster, which sells the narrative of an Indigenous woman who overcomes trauma and becomes

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Dizdar, Ivana. "Play from (Behind) the Mirror: From Mimesis to the Author’s Re-Creation in Selected Works by Sylvia Plath, Vlado Gotovac, and Nam June Paik." Zbornik radova Filozofskog fakulteta u Splitu, no. 17 (December 18, 2024): 67–87. https://doi.org/10.38003/zrffs.17.3.

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Questioning the mimetic character of art, on the one hand, and the power and limits of creative imagination, i.e., the author’s creation using words and images, on the other, this paper aims to show how, in selected literary and video artworks, the authors use the motif and ‘the mechanism’ of the mirror to – regardless of the author’s oeuvre, origin, and the medium in which they create – send the same message: the viewer and the viewed (the sender and the recipient) do not stand in binary opposition, but mirror each other in a constant play between surveillance and introspection, spirituality

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Kuang, Xiuli, and Chen'bei Yang. "Archetypal Literary Criticism and Structuralism." Философия и культура, no. 5 (May 2023): 87–97. http://dx.doi.org/10.7256/2454-0757.2023.5.40083.

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The study of literature from the point of view of the search for archetypal images and the study of artistic creativity from the standpoint of structuralism are two important trends. Both of these trends have emerged in the contexts of different scientific paradigms. The origin of archetypal criticism is associated with the figure of Herman Northrop Fry, and the basis of archetypal criticism is psychology, namely the concept of psychoanalysis, founded by Sigmund Freud and Carl Gustav Jung. While the origin of structuralism is associated with linguistics and the name of Ferdinand de Saussure, w

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Han, Gao, and Natalia M. Solntseva. "The place of landscape in the narrative structure of Kryukov’s works." Izvestiya of Saratov University. Philology. Journalism 22, no. 1 (2022): 95–98. http://dx.doi.org/10.18500/1817-7115-2022-22-1-95-98.

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The purpose of the article is to analyze the main functions of the landscape in the works of F. Kryukov. Nature in his narrative system acts as an independent object of portrayal and a toolkit for description, as the place of the character’s residence and the contemplated landscape, as an integral picture and a set of contrasting elements. The emphasis is placed on the narrative role of the landscape in the development of the author’s point of view, the structuring of the artistic space, and plot formation. Through the landscape in the novels and short stories of Kryukov, preceding the prose o

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Drikker, Alexander S., and Eugene A. Makovetsky. "The genesis of art and the digital age." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 36, no. 3 (2020): 539–52. http://dx.doi.org/10.21638/spbu17.2020.310.

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The complete translation of cultural heritage into a digital format acutely poses the question of art’s place in the digital era. The search for an answer is built upon the foundation of proposed evolutionary models of the genesis of art. Transitional periods from one historical cultural era to the next are characterized by a change in the most popular types of art. The establishment of one or another type of art is rigidly connected with the introduction of new data storage media and coding techniques. The constant increase in the variety of genres and media has culminated in the digital disp

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Rosa, María Rodríguez Hernández. "Entre velos: Maya para contrabajo." Música Oral del Sur, no. 11 (December 16, 2014): 374–87. https://doi.org/10.5281/zenodo.4636578.

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Resumen: Maya para contrabajo se materializa a partir de una imagen de Pepe Romero, cuyo texto interpreta a La decadencia de la mentira de Oscar Wilde. La estructura de Maya es binaria, especular y asimétrica; su poética obedece al juego verdad/mentira que subyace en la obra artística y en la vivencia del artista. Maya trae a la memoria las voces de los Upanishad, Schopenhauer, Shakespeare y Beethoven,  influencias éstas en la obra de Wagner y, todas ellas, en la de Eliot. Los aspectos gestuales y visuales de Maya entrelazan con la danza de Pina Bausch y con la

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Feng, Qianyun. "From Prince Nezhas Triumph Against Dragon King to Nezha 2: deconstructionism by new-generation director." Advances in Social Behavior Research 16, no. 5 (2025): 53–58. https://doi.org/10.54254/2753-7102/2025.24778.

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In 2025, Nezha 2 swept across various film charts and became a dark horse in the Spring Festival film season. As of now, it has topped the Chinese box office chart with 15.414 billion yuan and ranked fifth in global box office history with 15.867 billion yuan. The success of this phenomenon-level film is inseparable from the profound cultural heritage of China. The character of Nezha originated from religious folk tales. From literary classic mythological novels to Nezhas Triumph Against Dragon King produced by Shanghai Animation Film Studio in 1979 and then to Nezha 2 in 2025, the forms of wo

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Lian, Yuanmei. "“Dans Venise la Rouge…” by A. de Musset – Ch. Gounod: the “Venetian text” in French chamber vocal music." Aspects of Historical Musicology 21, no. 21 (2020): 44–63. http://dx.doi.org/10.34064/khnum2-21.03.

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Introduction. The attitude to Venice as one of the most poetic and picturesque cities in the world is firmly established in artistic practice. The city appears multifaceted and contradictory in numerous literary works. It appears as a space of eternal carnival and an education center (C. Gozzi, C. Goldoni), a place of secret conspiracies, gloomy massacres (“Angelo, Tyrant of Padua” by V. Hugo), a dream, an earthly paradise (I. Kozlov, “Eugene Onegin” by A. Pushkin). But always Venice is a special place where antiquity is closely intertwined with youth (G. Byron, J. W. von Goethe, A. Ch&#23

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Kashkareva, Alena Petrovna. ""Persistent habit of opposition...": the problem of women's emancipation in V.I. Belov's story "Morning Dates"." Litera, no. 5 (May 2025): 373–81. https://doi.org/10.25136/2409-8698.2025.5.74442.

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Vasily Ivanovich Belov is a Russian writer, a representative of "village prose," known for his well-recognized literary works: "The Village of Berdyayka" (1961), "Searing Summer" (1963), "A Routine Affair" (1966), "Carpenter Stories" (1968), "Kanuns" (1972), and many others. The article is dedicated to identifying Vasily Ivanovich Belov's position regarding the phenomenon of women's emancipation and the idea of gender equality in the story "Morning Dates" (1977). The female images in the story are examined in the context of the writer's moral inquiries, rooted in the traditions of Russian cult

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Klebanova, S. V. "The vocal cycle “Facelia”: the experience of “sound existence” in Sofia Gubaidulina’s early creativity." Aspects of Historical Musicology 17, no. 17 (2019): 280–303. http://dx.doi.org/10.34064/khnum2-17.18.

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The basis for the topic. S. Gubaidulina’s appeal to the poem “Phacelia” by M. Prishvin in 1956 was not accidental. Literary scholars interpret this work as an example of lyrical and philosophical prose of the middle of the 20th century. The composer’s perception of the “break” of the two worlds – “macrocosm” (the nature) and “microcosm” (subjective illusions and human hopes) developed organically and immediately that was reflected in the early vocal cycle called “Phacelia”. For her, the musical and sound symbolism turned out to be consonant with the philosophy of a human’s “inclusion” into the

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Izrina, S. O. "Феномен андрогинии в кино- и телеискусстве XX–XXI вв." Вестник Вятского государственного университета, № 4(142) (30 березня 2022): 62–68. http://dx.doi.org/10.25730/vsu.7606.21.049.

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The ways of revealing androgynous issues in cinema and television art of the late XX – early XXI centuries are investigated. In the modern cultural and philosophical discourse, the idea of androgyny is closely related to the poststructuralist concept of gender non-binary. It is represented in the culture of the present times, among other things, in the form of phenomena of non-binary gender (transgender, intersex, etc.). Androgynous images, acute social gender issues, the search for human identity in the gender system – all these are current trends of our time, actively exploited by modern vis

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Mustafa, Aso Omer, and Ashti Hussein Arif. "The Aesthetic of Artistic image in the poetries of Faqe Qadri Hamawandi." JOURNAL OF LANGUAGE STUDIES 8, no. 4 (2024): 91–110. http://dx.doi.org/10.25130/lang.8.4.5.

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ur paper entitled (The aesthetic of Artistic image in the poetries of Faqe Qadri Hamawandi), it analyses and explain the poet’s poetries in term of aesthetic the artistic images. So, it illustrates the genius of artistic images that the poet had focused on it and the poet thought that image of poetry is way of expressing the his interior, so his poetries have a good level of aesthetic, in this aspect he got benefit from rhetorical arts especially featuring and metaphor. . Our paper consists of two chapters: first chapter ( the concepts of the paper theoretically demonstrated ) which are three

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Glasbey, C. A. "Inference on binary images from binary data." Advances in Applied Probability 28, no. 3 (1996): 627–40. http://dx.doi.org/10.2307/1428173.

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The problem addressed is to reverse the degradation which occurs when images are digitised: they are blurred, subjected to noise and rounding error, and sampled only at a lattice of points. Inference is considered for the fundamental case of binary scenes, binary data and isotropic blur. The inferential process is separable into two stages: first from the lattice points to a binary image in continuous space and then the reversal of thresholding and blur. Methods are motivated by, and illustrated using, an electron micrograph of an immunogold-labelled section of tulip virus.

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Glasbey, C. A. "Inference on binary images from binary data." Advances in Applied Probability 28, no. 03 (1996): 627–40. http://dx.doi.org/10.1017/s0001867800046413.

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The problem addressed is to reverse the degradation which occurs when images are digitised: they are blurred, subjected to noise and rounding error, and sampled only at a lattice of points. Inference is considered for the fundamental case of binary scenes, binary data and isotropic blur. The inferential process is separable into two stages: first from the lattice points to a binary image in continuous space and then the reversal of thresholding and blur. Methods are motivated by, and illustrated using, an electron micrograph of an immunogold-labelled section of tulip virus.

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Swanson, M. D., and A. H. Tewfik. "A binary wavelet decomposition of binary images." IEEE Transactions on Image Processing 5, no. 12 (1996): 1637–50. http://dx.doi.org/10.1109/83.544571.

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Guo, Wei, Yuqi Zhang, De Ma, and Qian Zheng. "Learning to Manipulate Artistic Images." Proceedings of the AAAI Conference on Artificial Intelligence 38, no. 3 (2024): 1994–2002. http://dx.doi.org/10.1609/aaai.v38i3.27970.

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Recent advancement in computer vision has significantly lowered the barriers to artistic creation. Exemplar-based image translation methods have attracted much attention due to flexibility and controllability. However, these methods hold assumptions regarding semantics or require semantic information as the input, while accurate semantics is not easy to obtain in artistic images. Besides, these methods suffer from cross-domain artifacts due to training data prior and generate imprecise structure due to feature compression in the spatial domain. In this paper, we propose an arbitrary Style Imag

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Scheermesser, Thomas, and Olof Bryngdahl. "Texture in Binary Images." Optics and Photonics News 7, no. 12 (1996): 21. http://dx.doi.org/10.1364/opn.7.12.000021.

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Kalina, Natalia Dmitrievna. "Constructive realism in the construction of artistic images of fine art in the context of the creation of symbolic meanings." Человек и культура, no. 5 (May 2022): 77–105. http://dx.doi.org/10.25136/2409-8744.2022.5.38275.

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The object of the study is the symbolic and allegorical meanings of artistic images of fine art, built in the unity of the diverse, based on the principle of the relationship between the real and the conditional. The subject of the study is a comparison of the methods of metaphysical and constructive realism in creating aesthetically expressive forms of artistic images expressing symbolic meanings. The article systematizes the methods of creating artistic images in constructive realism: typification, stylization, artistic and theoretical generalizations, analysis, synthesis, application of con

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