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Books on the topic 'Biofiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Boldrini, Lucia, Laura Cernat, Alexandre Gefen, and Michael Lackey. The Routledge Companion to Biofiction. Routledge, 2025. https://doi.org/10.4324/9781003407515.

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2

Fitzmaurice, James, Naomi Miller, and Sara Steen, eds. Authorizing Early Modern European Women. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463727143.

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The essays in this volume analyze strategies adopted by contemporary novelists, playwrights, screenwriters, and biographers interested in bringing the stories of early modern women to modern audiences. It also pays attention to the historical women creators themselves, who, be they saints or midwives, visual artists or poets and playwrights, stand out for their roles as active practitioners of their own arts and for their accomplishments as creators. Whether they delivered infants or governed as monarchs, or produced embroideries, letters, paintings or poems, their visions, the authors argue,

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3

De Zordo, Ornella, and Fiorenzo Fantaccini, eds. altri canoni / canoni altri. Firenze University Press, 2011. http://dx.doi.org/10.36253/978-88-6453-012-3.

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The concept of the literary canon is one of the most debated and controversial in the western intellectual tradition. This book offers ten contributions by Italian scholars of Anglo-American culture addressing the way in which the concept of the literary canon holds out against areas traditionally considered as external or extraneous to it. The essays range over different topics: the etymological analysis of the term "canon"; the relations between canon and performativity; paraliterature – a universe populated by non-hierarchic genres; the relations between post-colonial literature and the can

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4

1963-, Middeke Martin, and Huber Werner 1952-, eds. Biofictions: The rewriting of romantic lives in contemporary fiction and drama. Camden House, 1999.

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5

Lackey, Michael. Biofiction. Taylor & Francis Group, 2021.

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6

Lackey, Michael. Biofiction. Taylor & Francis Group, 2021.

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7

Delgado, Joseph F. Unsettling Accounts: Biofiction. Primedia eLaunch LLC, 2022.

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8

Biofiction: An Introduction. Taylor & Francis Group, 2021.

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9

Lackey, Michael. Biofiction: An Introduction. Taylor & Francis Group, 2021.

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10

Delgado, Joseph F. Unsettling Accounts: Biofiction. Primedia eLaunch LLC, 2022.

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11

Lackey, Michael. Biofiction: An Introduction. Taylor & Francis Group, 2021.

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12

Biofiction and Writers' Afterlives. Cambridge Scholars Publisher, 2020.

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13

Horne, Jo. Monica's War: A WWII Biofiction Novel. Bucket Line Books LLC, 2021.

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14

Gutleben, Christian, and Marie-Luise Kohlke. Neo-Victorian Biofiction: Reimagining Nineteenth-Century Historical Subjects. BRILL, 2020.

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15

Lackey, Michael, Lucia Boldrini, and Monica Latham. Ireland, the Irish, and the Rise of Biofiction. Bloomsbury Publishing Plc, 2021.

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16

Hatfull, Ronan. Shakespearean Biofiction on the Contemporary Stage and Screen. Bloomsbury Publishing Plc, 2023.

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17

Semple, Edel, and Ronan Hatfull, eds. Shakespearean Biofiction on the Contemporary Stage and Screen. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350359239.

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This book is the first edited collection to explore Shakespeare’s life as depicted on the modern stage and screen. Focusing on the years 1998-2023, it uniquely identifies a 25-year trend for depicting Shakespeare, his family and his social circle in theatre, film and television. Interrogating Shakespeare’s afterlife across stage and screen media, the volume explores continuities and changes in the form since the release of Shakespeare in Love, which it positions as the progenitor of recent Shakespearean biofictions in Anglo-American culture. It traces these developments through the 21st centur

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18

Ireland, the Irish, and the Rise of Biofiction. Bloomsbury Publishing Plc, 2021.

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19

Hatfull, Ronan. Shakespearean Biofiction on the Contemporary Stage and Screen. Bloomsbury Publishing Plc, 2023.

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20

Miller, Naomi, James Fitzmaurice, and Sara Steen. Authorizing Early Modern European Women: From Biography to Biofiction. Amsterdam University Press, 2021.

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21

Rademacher, Virginia Newhall, Michael Lackey, Lucia Boldrini, and Monica Latham. Derivative Lives: Biofiction, Uncertainty, and Speculative Risk in Contemporary Spanish Narrative. Bloomsbury Publishing Plc, 2022.

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22

Rademacher, Virginia Newhall. Derivative Lives: Biofiction, Uncertainty, and Speculative Risk in Contemporary Spanish Narrative. Bloomsbury Publishing Plc, 2022.

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23

Goldschmidt, Nora. Afterlives of the Roman Poets: Biofiction and the Reception of Latin Poetry. Cambridge University Press, 2019.

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24

Afterlives of the Roman Poets: Biofiction and the Reception of Latin Poetry. Cambridge University Press, 2019.

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25

Afterlives of the Roman Poets: Biofiction and the Reception of Latin Poetry. Cambridge University Press, 2024.

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26

Dubino, Jeanne, Paulina Pajak, Catherine W. Hollis, Celiese Lypka, and Vara Neverow, eds. The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448475.001.0001.

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This book considers the global responses Woolf’s work has inspired and her worldwide impact. The 23 chapters address the ways Woolf is received by writers, publishers, academics, reading audiences, and students in countries around the world; how she is translated into multiple languages; and how her life is transformed into global contemporary biofiction. The 24 authors hail from regions around the world: West and East Europe, the Middle East/North Africa, North and South America, East Asia and the Pacific Islands. They write about Woolf’s reception in Ireland, France, Italy, Germany, Poland,

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27

Fitzmaurice, James, Naomi J. Miller, and Sara Jayne Steen, eds. Authorizing Early Modern European Women. Amsterdam University Press, 2021. http://dx.doi.org/10.1017/9789048552900.

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The essays in this volume analyze strategies adopted by contemporary novelists, playwrights, screenwriters, and biographers interested in bringing the stories of early modern women to modern audiences. It also pays attention to the historical women creators themselves, who, be they saints or midwives, visual artists or poets and playwrights, stand out for their roles as active practitioners of their own arts and for their accomplishments as creators. Whether they delivered infants or governed as monarchs, or produced embroideries, letters, paintings or poems, their visions, the authors argue,

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28

L' immense fatigue des pierres: Biofictions. XYZ éditeur, 1999.

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29

Brown, Catherine, and Susan Reid, eds. The Edinburgh Companion to D. H. Lawrence and the Arts. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474456623.001.0001.

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This book includes twenty-eight chapters by specialists from across the arts, reassessing Lawrence’s relationship to aesthetic categories and specific art forms in their historical and critical contexts. A new picture of Lawrence as a multi-disciplinary artist emerges, expanding from traditional areas of enquiry in prose and poetry into the fields of drama, painting, music, dance, sculpture, architecture, historiography, life writing and queer and Biblical aesthetics. The Companion explores topics such as Lawrence’s politics in his art, his representations of technology, his practice of revisi

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30

Holmes, John, Anton Kirchhofer, Janine Rogers, and Josie Gill. Biofictions: Race, Genetics and the Contemporary Novel. Bloomsbury Publishing Plc, 2020.

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31

Gill, Josie. Biofictions: Race, Genetics and the Contemporary Novel. Bloomsbury Publishing Plc, 2021.

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32

Lackey, Michael, ed. Biofictional Histories, Mutations and Forms. Routledge, 2018. http://dx.doi.org/10.4324/9781315412894.

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33

Lackey, Michael. Biofictional Histories, Mutations and Forms. Taylor & Francis Group, 2018.

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34

Lackey, Michael. Biofictional Histories, Mutations and Forms. Taylor & Francis Group, 2018.

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35

Lackey, Michael. Biofictional Histories, Mutations and Forms. Taylor & Francis Group, 2019.

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36

Lackey, Michael. Biofictional Histories, Mutations and Forms. Taylor & Francis Group, 2018.

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37

Lackey, Michael. Biofictional Histories, Mutations and Forms. Taylor & Francis Group, 2018.

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38

Lackey, Michael. Biofictional Histories, Mutations and Forms. Routledge, 2016.

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39

Jenkins, Lee M. Great War Modernists. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350285361.

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Taking 44 Mecklenburgh Square as the focal point and springboard for a critical group study of D.H. Lawrence, H.D. and Richard Aldington, this book offers a fresh perspective on the relationship of modernist biofiction and poetry to the literature of the First World War. A group that Perdita Schaffner described as ‘another Bloomsbury set’, the Mecklenburgh Square writers, like the Bloomsbury Group proper, ‘lived in squares’ and ‘loved in triangles’, in Dorothy Parker’s famous formulation. Geographically adjacent, these sets intersected socially and, at points, in their aesthetics: both practic

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40

Kucukalic, Lejla. Biofictions: Literary and Visual Imagination in the Age of Biotechnology. Taylor & Francis Group, 2021.

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41

Kucukalic, Lejla. Biofictions: Literary and Visual Imagination in the Age of Biotechnology. Taylor & Francis Group, 2021.

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42

Kucukalic, Lejla. Biofictions: Literary and Visual Imagination in the Age of Biotechnology. Taylor & Francis Group, 2021.

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43

Biofictions: Literary and Visual Imagination in the Age of Biotechnology. Routledge, 2021.

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44

Biofictions: Literary and Visual Imagination in the Age of Biotechnology. Routledge, 2021.

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45

(Editor), Martin Middeke, and Werner Huber (Editor), eds. Biofictions: The Rewriting of Romantic Lives in Contemporary Fiction and Drama (European Studies in American Literature and Culture). Camden House, 1999.

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