Academic literature on the topic 'Biographer'

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Journal articles on the topic "Biographer"

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Grace, Sherrill. "Timothy Findley, His Biographers, and The Piano Man’s Daughter." Text Matters, no. 8 (October 24, 2018): 413–30. http://dx.doi.org/10.1515/texmat-2018-0024.

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In this paper, Sherrill Grace, Findley’s biographer, will examine her biographical practices in the context of Findley’s own memoir, Inside Memory, and his interest in creating fictional auto/biographers and auto/biography in several of his major novels (notably The Wars, Famous Last Words, The Telling of Lies, and The Piano Man’s Daughter). His fictional auto/biographers often use the same categories of document that Findley himself used—journals, diaries, archives—and this reality produces some fascinating challenges for a Findley biographer, not least the difficulty of separating fact from fiction, or, as Mauberley says in Famous Last Words, truth from lies. Like many writers, Findley kept journals all his life, and they are a key source of information for his biographer; however, his way of recording information and his creation of fictional journals means that a biographer (like the readers of his fictional auto/biographers) must tread carefully. While not a theoretical study of auto/biography, in this paper Grace will offer insights into the traps that lie in waiting for a biographer, especially when dealing with a biographee who is as self-conscious an auto/biographer as Findley.
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Barman, Roderick J. "Biography as History." Journal of the Canadian Historical Association 21, no. 2 (2011): 61–75. http://dx.doi.org/10.7202/1003088ar.

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Biography has been for the last fifty years the stepchild of history. Drawing on the author’s personal experience as a biographer and a reader of biographies, the article considers the reasons why most historians avoid biography, examines the three unproductive forms of the genre or “no gos” to be avoided by would-be biographers, discusses the five caveats that should guide those writing biographies, and indicates the ways in which biography can be employed to advance our understanding of the past. Despite being a genre abounding in problems, biography is both viable and valuable, a useful but not a major weapon in the historian’s arsenal.
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Chalupský, Petr. "Dodging the Literary Undertaker – Biographic Metafiction in Hanif Kureishi’s The Last Word." Prague Journal of English Studies 6, no. 1 (2017): 105–22. http://dx.doi.org/10.1515/pjes-2017-0007.

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Abstract Hanif Kureishi’s 2014 novel, The Last Word, involves most of the author’s idiosyncratic themes, such as ethnicity, racism, sexual identity, examination of interpersonal relationships and the crucial role of the creative imagination in human life. Its focal concern, however, is to explore the process of writing a literary biography of a living person and the character and dynamics of the relationship between the biographer and his subject - a writer. As such, the novel can be taken as being representative of biographic metafiction, a subcategory of historiographic metafiction, which, following the postmodernist questioning of our ability to know and textually represent historical truth, presents biographic writing critically or even mockingly, rendering its enthusiastic practitioners’ efforts with ironic scepticism. The aim of this article is to present The Last Word as a particular example of biographic metafiction that has all the crucial features of this genre, yet which differs from its predecessors through the complexity and thoroughness of its portrayal of the biographer-biographee relationship.
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Wallhead, Celia. "Metaphors for the Self in A.S. Byatt’s the Biographer’s Tale." Language and Literature: International Journal of Stylistics 12, no. 4 (2003): 291–308. http://dx.doi.org/10.1177/09639470030124001.

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When novelists create their characters and biographers re-create their subjects, both types of writer are either explicitly or implicitly applying a theory of personality through which they investigate the selfhood of the person. However, while many examples of novels and biographies in recent decades have emphasized the similarities between the two genres, especially in the area of character or person as subject, there appears to be no consensus on such a theory. A.S. Byatt is a novelist and biographer who is particularly concerned with the issue of creation or re-creation of the self. In this article, I have turned to a recent metaphorical model of analysis of the self from cognitive linguistics to see if this sheds more light on how personalities can be examined and discussed both by the subjects themselves and by their biographer or creator. Lakoff and Johnson’s elaboration of a body-based linguistic model of metaphor for the self is discussed here and applied to one of Byatt’s most recent novels, one which consciously discusses biography, language and creativity: The Biographer’s Tale(2000). The results show that Byatt is well aware of the underlying patterns for self analysis in everyday language, and tries to match these inherent metaphors with arresting, self-conscious, artistic metaphors that are, nonetheless, connected logically in different ways with the former. Byatt is thus able to articulate in interesting new ways ideas on abstractions concerning selfhood, language, biography and creativity.
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Ware, Susan. "Writing Women's Lives: One Historian's Perspective." Journal of Interdisciplinary History 40, no. 3 (2010): 413–35. http://dx.doi.org/10.1162/jinh.2010.40.3.413.

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From the start, biography played a vibrant and significant part in the growth of women's history, especially American women's history, as a well-respected and popular field within the historical profession. The insistence of feminist biographers that the personal is political, and that attention must be paid to the daily lives of their subjects as well as to their more public achievements, continues to ripple through the field of biography as a whole. To talk about biography is also to talk about the biographer, for the precise reason that behind every biography lies autobiography—that special spark that draws the biographer to the subject in the first place and the interaction that unfolds as the project moves forward (or stalls, as often happens). As feminist theory reminds us, the personal element is relevant to the broader intellectual agenda.
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Lucyna Marzec, Lucyna Marzec. "Archiwum w biografii. Biograf/ka w archiwum." Poznańskie Studia Polonistyczne. Seria Literacka, no. 35 (November 5, 2019): 371–91. http://dx.doi.org/10.14746/pspsl.2019.35.17.

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The article discusses the role of the archive in biographical narrations and the relationship between the biographer and the archive in research practice. It discusses author’s metacomment in contemporary biographies, articles on archive research, memoirs and novels (by A. Y. Kaplan, Ryszard Matuszewski, J. P. Sartre, Monika Rudaś-Grodzka, Joanna Krakowska, Joanna Kuciel-Frydryszak, Olof Lagercrantz and others). A key role in understanding their texts is played by a philological imagination and memory as elements of creating a biography, daily work in the archive and placing the biographer and the archive both in the process of creating knowledge and in the narrative figures.
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Gelderman, Carol. "Ghostly Doubles: Biographer and Biographee." Antioch Review 54, no. 3 (1996): 328. http://dx.doi.org/10.2307/4613348.

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Gera, Judit. "Biography as mirror of the biographer." Neohelicon 23, no. 1 (1996): 251–63. http://dx.doi.org/10.1007/bf02437011.

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MacInnes, Mairi. "A Biographer on a Biographer." Sewanee Review 122, no. 4 (2014): lv—lvii. http://dx.doi.org/10.1353/sew.2014.0095.

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Khan, Muhammad Sajid. "The Sketches of 20th Century biographers in Urdu literature." Pakistan Journal of Applied Social Sciences 10, no. 1 (2019): 47–63. http://dx.doi.org/10.46568/pjass.v10i1.110.

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Biographies and Pen-Sketches are two separate branches and lots of these two are available in Urdu Literature as well as writings about these two categories but this article is an effort to find sketches of personalities related to the authors of biographies without whom the author's personality cant be revealed fully. These people may be the author's relatives, friends, peers, observers and other persons who has been with him/her at various stages of author's life. Amongst them may be their parents, children, spouse and other relatives as well as other in the same profession. A good biographer takes are of all the aspects, requirements and dimensions from start to end of an autobiography. A person is central to an autobiography can't be highlighted completely unless different aspects of his/her life are described with reference to other related people. This article focuses on the personalities around the central-to-a-biograpgy person and describes them in the light of various biographies in which he/she is talked about. To support this argument, examples are also taken from the biographies written after the selected biography so that it can be proved that biographers can also tell the importance of presented sketches of other personalities. Although these sketches are not written with any such plan, as compared to formal pen sketches, even then these can be considered important and complete to some extent and are comparable to pen sketches.
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Dissertations / Theses on the topic "Biographer"

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Langford, H. "John Forster as biographer : a case study in nineteenth-century biography." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1206733/.

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John Forster (1812-1876) has traditionally been glimpsed almost exclusively via his relationships with key nineteenth-century figures such as Thomas Carlyle and Charles Dickens. His biographical works can be seen as a nexus between the often conflicting positions which he occupied as a journalist, editor, literary agent and advisor, barrister, philanthropist, husband and government secretary. Forster’s biographical career is roughly divided into three periods; the early biographies (1830-1864) constituted several historiographies of key figures in the history of the long parliament, concluding in the two-volume Sir John Eliot (1864). The years 1848 to 1875 were occupied with biographies of eighteenth-century poets, novelists and dramatists, in particular Oliver Goldsmith (1848) and Jonathan Swift (1875). In the last decade of his life, Forster was diverted from these two passions by the memoirs of his friends, Walter Savage Landor (1869) and Charles Dickens (1872-4). Arising out of collaborative work with UCL and the Victoria and Albert Museum, this study centres on the National Art Library's Forster bequest. Examining and documenting in detail the materials which Forster collected and exploited to write his biographies, it explores the nature, both physical and intellectual, of Forster's library, and its importance in analysing his research and writing interests. The works are situated within the development of biography as a genre, and alongside the emerging ethos of unrestricted education and the new printing and binding technologies and techniques which were becoming available. The archive’s material elements - images, bindings, annotations, Grangerizations, the ways in which it has been curated and catalogued – form a unique documentation of standard Victorian biographical practices, and of Forster’s individualistic working habits.
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Tekcan, Rana. "The biographer and the subject a study on biographical distance." Stuttgart Ibidem-Verl, 2010. http://d-nb.info/1000247848/04.

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O'Neil, Maryvelma Smith. "Giovanni Baglione : seventeenth-century artist, draughtsman and biographer of artists." Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:b1494a9e-8c16-4d48-9553-0f63da44cb6c.

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This thesis explores Baglione's contributions to art and to the history of art by examining the nature of his artistic and critical originality and the significant influences thereon. In the work for which he is best known, Le Vite ... (1642), Baglione was an interesting and generous critic who was unusually receptive to pictorial effects, even when in architecture and sculpture. He assesses Caravaggio's accomplishments with well chosen observations thereby breaking his restriction to discuss only accessible works of art. A broad view of his paintings and drawings shows Baglione's complex, original and thoughtful voyage of discovery assisted by the intelligence with which he absorbed artistic influences, particularly from Raphael and the Cavalier d'Arpino. His refined style of drawing distances him from Caravaggio. In paintings from the first decade, light and shadow give form to graceful figures enveloped in voluminous garments. After 1610 the compositions become more inventive and increasingly Baroque. Baglione's attempt to make a synthesis out of ideal generalization and naturalistic description and to explore new subject matter constituted a search for a "maniera propria" that combined stylistic originality with a penchant for unusual iconography. The most important trends in Baglione's draughtsmanship are the tendency towards a broader, freer handling and the versatility with which he handles the technical means at his disposal. Though he often crosses over the line into the Baroque, the idealism of his Tusco-Roman formation and fondness for angular lines constrain him from fully yielding to a dynamic disposition. His very personal style can be seen in a number of drawings from the 1620s and 1630s that attain a remarkable pictorial aspect and a Baroque quality of sensual presence. His sophisticated use of the three chalk technique prefigures the form dissolving effects to be popularized by Watteau. At the same time, the defining contour line that emphasizes integrity is not abandoned.
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Forsyth, Michael. "Julia Kavanagh in her times : novelist and biographer, 1824-1877." Thesis, n.p, 1999. http://oro.open.ac.ukk/18817/.

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Tsai, Shu-Fen. "Ruth Adam (1907-1977), novelist, journalist, broadcaster, biographer, social historian : a representative English feminist writer?" Thesis, University of Sussex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262721.

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Davis, James C. "In Pursuit of "Our Heroine's Biographer:" A Study of Narrative Method in Henry James' The Portrait of a Lady & The Ambassadors." Oberlin College Honors Theses / OhioLINK, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1397229520.

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Block, Alvina. "George Flett, Native Presbyterian missionary, old philosopher/rev'd gentleman." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0006/MQ32058.pdf.

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Taylor, Georgina M. "Ground for common action, Violet McNaughton's agrarian feminism and the origins of the farm women's movement in Canada." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ26870.pdf.

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Ross, Moira. "Dr. Arthur Samuel Kendall, his life and times as a medical doctor, politician and citizen of Cape Breton Island, 1861-1944." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0023/MQ33852.pdf.

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Maupeou, Emanuele de. "Louis-Léger Vauthier : un ingenieur fouriéiste entre France et Brésil : histoire et memoire." Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20043.

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L’objectif de cette thèse est de réaliser une biographie de l’ingénieur français Louis-Léger Vauthier, de sa jeunesse à sa postériorité mémorielle. Cet ingénieur fouriériste, qui, dans les années 1840, a dirigé d’importants travaux d’urbanisme au Pernambouc, est aujourd’hui un personnage reconnu par l’historiographie brésilienne, tant pour son rôle technique que culturel. Au-delà des années passées au Brésil, Vauthier a également participé activement à la vie sociale et politique de la France tout au long du XIXe siècle, sans pour autant avoir la même visibilité. Ainsi, à partir des deux entrées principales qui ressortent de la trajectoire de vie de Vauthier, c’est-à-dire sa carrière d’ingénieur et sa trajectoire politique et intellectuelle, l’objectif est de mettre en évidence son itinéraire à partir du rôle des acteurs et donc en soulignant le réseau personnel établi par l’ingénieur durant les différentes phases de sa vie. La démarche proposée ici n’a été possible que grâce au retour du genre biographique en histoire, qui a permis aux chercheurs de remplacer le récit traditionnel, linéaire et factuel, par une biographie devenue instrument de connaissance historique. Entre histoire et mémoire, l’itinéraire de cet individu met en lumière la complexité et les contradictions internes de chacun des deux pays concernés par cette recherche, mais également des échanges entre une France bourgeoise, exportant son modèle culturel de par le monde, et un Brésil, dont l’élite aspire à la modernité tout en restant traditionnelle et esclavagiste<br>The purpose of this thesis is to construct a biography of the French engineer Louis Léger Vauthier from his youth until his memorial posteriority. This Fourierist engineer, who has led some major urban works in the state of Pernambuco during the 1840s, is a personage recognized by Brazilian historiography both by the technical and the cultural role he took. Beyond the years in Brazil, Vauthier was also actively involved in the social and political life of France throughout the nineteenth century, however not with the same visibility. Thus, based on those two main tracks that emerge from Vauthier’s life, i.e. his engineering career and his political and intellectual trajectory, the objective is to understand his itinerary based on the role of the actors within his personal network, established during the different phases of his life. The approach which is proposed here was only possible thanks to the return of the biographical genre in history which allows researchers to replace the traditional, linear, and factual narrative, by a biography as a historical knowledge instrument. Between history and memory, the itinerary of the individual brings some light to the complexity and to the internal contradictions of the two countries involved in this research, but also of the exchanges between a bourgeois France, exporting its cultural model to the world, and Brazil, whose elite where aspiring to modernity while remaining traditional and slaveholding
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Books on the topic "Biographer"

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The biographer. Random House Australia, 2009.

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Bullock, Jackson F. The People's Biographer workbook. People's Biographer, 1993.

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Roth, Philip A. Notes for my biographer. Houghton Mifflin Harcourt, 2012.

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Freedland, Michael. Confessions of a serial biographer. Valentine Mitchell, 2015.

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Confessions of a serial biographer. Valentine Mitchell, 2005.

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Sidney Lee: Biographer, Skakespearean, comparatist, educator. Olms, 2009.

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Boswell, James. Boswell, the great biographer, 1789-1795. McGraw-Hill, 1989.

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Richard, Holmes. Footsteps: Adventures of a romantic biographer. Vintage Books, 1996.

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Footsteps: Adventures of a romantic biographer. Flamingo, 1995.

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Footsteps: Adventures of a Romantic biographer. Viking, 1985.

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Book chapters on the topic "Biographer"

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Stern, Kimberly J. "The Biographer." In Oscar Wilde. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-24604-4_1.

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Jacobs, Eric. "The Authorized Biographer." In The Literary Biography. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24960-2_16.

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Koustinoudi, Anna. "The Biographer as Biographee: Elizabeth Gaskell (1810–1865)." In Biographical Misrepresentations of British Women Writers. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56750-1_11.

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Longford, Elizabeth. "Reflections of a Biographer." In The Literary Biography. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24960-2_18.

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Erhard, Werner. "Bill Bartley: Biographer Extraordinary." In Hayek: A Collaborative Biography. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137328564_12.

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Worthen, John. "The Biographer and Perspective." In Writing the Lives of Writers. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26548-0_13.

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Cecil, Hugh. "Lady Gwendolen Cecil: Salisbury’s Biographer." In Salisbury. Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18633-4_4.

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Henderson, John P., and John B. Davis. "The Multiple Role of the Biographer." In The Life and Economics of David Ricardo. Springer US, 1997. http://dx.doi.org/10.1007/978-1-4615-6129-3_1.

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Cohen, Morton N. "An Interview with Lewis Carroll’s Nephew—Biographer." In Lewis Carroll. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-08724-2_7.

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Lewis, Margaret. "Sharing the Role: The Biographer as Sleuth." In The Literary Biography. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24960-2_17.

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Conference papers on the topic "Biographer"

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VISWANATHAN, RAMA, SIJIA LIANG, YANG YANG, and JOHN R. JUNGCK. "BIOGRAPHER: VISUALIZATION OF GRAPH THEORETICAL PATTERNS, MEASUREMENTS, AND ANALYSIS IN MATHEMATICAL BIOLOGY." In 15th International Symposium on Mathematical and Computational Biology. WORLD SCIENTIFIC, 2016. http://dx.doi.org/10.1142/9789813141919_0008.

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"Special session speaker's biography [3 biographies]." In 2013 COOL Chips XVI. IEEE, 2013. http://dx.doi.org/10.1109/coolchips.2013.6547911.

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Gyselinckx, Bert, Hiroshi Kanayama, Michael McCool, et al. "Keynote & invited speaker's biography [7 biographies]." In 2013 COOL Chips XVI. IEEE, 2013. http://dx.doi.org/10.1109/coolchips.2013.6547912.

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"[Speaker biographies - 5 biographies]." In 2013 IEEE International Conference on Microelectronic Systems Education (MSE). IEEE, 2013. http://dx.doi.org/10.1109/mse.2013.6566684.

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"Biographies." In 2016 IEEE International Reliability Physics Symposium (IRPS). IEEE, 2016. http://dx.doi.org/10.1109/irps.2016.7574502.

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"Biographies." In 2010 IEEE International Reliability Physics Symposium. IEEE, 2010. http://dx.doi.org/10.1109/irps.2010.5488860.

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"Biographies." In 2011 IEEE International Reliability Physics Symposium (IRPS). IEEE, 2011. http://dx.doi.org/10.1109/irps.2011.5784441.

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"Biographies." In 2012 IEEE International Reliability Physics Symposium (IRPS). IEEE, 2012. http://dx.doi.org/10.1109/irps.2012.6241769.

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"Biographies." In 2013 IEEE International Reliability Physics Symposium (IRPS). IEEE, 2013. http://dx.doi.org/10.1109/irps.2013.6531939.

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"Biographies." In 2014 IEEE International Reliability Physics Symposium (IRPS). IEEE, 2014. http://dx.doi.org/10.1109/irps.2014.6860578.

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Reports on the topic "Biographer"

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Hoffman, Michael. Anna Held, a biography. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.3177.

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Hulten, Charles. Total Factor Productivity: A Short Biography. National Bureau of Economic Research, 2000. http://dx.doi.org/10.3386/w7471.

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Armontrout, David. John F. Kennedy : a political biography on education. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.6143.

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DuBay, Susan. John Humphrey Noyes, 1811-1840 : a social biography. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.5452.

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Cox, Nathalie. Les passions d'Annie Ernaux : de la biographie a l'âecriture. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.6954.

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Schwartz, Anna. From Obscurity to Notoriety: A Biography of the Exchange Stabilization Fund. National Bureau of Economic Research, 1996. http://dx.doi.org/10.3386/w5699.

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Malkin, G. Who's Who in the Internet: Biographies of IAB, IESG and IRSG Members. RFC Editor, 1991. http://dx.doi.org/10.17487/rfc1251.

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Malkin, G. Who's Who in the Internet: Biographies of IAB, IESG and IRSG Members. RFC Editor, 1992. http://dx.doi.org/10.17487/rfc1336.

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Brockmann, Hilke, and Thomas Klein. Love and death in Germany: the marital biography and its impact on mortality. Max Planck Institute for Demographic Research, 2002. http://dx.doi.org/10.4054/mpidr-wp-2002-015.

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Zaid, Abdullah. Important counsels to kings and imams by Shaykh ʻAlwan (ʻAli Ibn ʻAttiyyah al-Hamawi) ; translation, with a historic introduction, the biography of the author and commentaries on the text. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2123.

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