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Relevant bibliographies by topics / Biographia literaria (Coleridge, Samuel Taylor)

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Academic literature on the topic 'Biographia literaria (Coleridge, Samuel Taylor)'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "Biographia literaria (Coleridge, Samuel Taylor)"

1

Perry, Seamus. "Biographia Literaria. Samuel Taylor Coleridge and Adam Roberts." Wordsworth Circle 46, no. 4 (September 2015): 207–9. http://dx.doi.org/10.1086/twc24888068.

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Mahoney, Charles. "‘The malignity of Reviewers’: Coleridge, Wilson, and Blackwood's." Romanticism 23, no. 3 (October 2017): 234–42. http://dx.doi.org/10.3366/rom.2017.0338.

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The first number of the refashioned Blackwood's Edinburgh Magazine opens with a review of Samuel Taylor Coleridge's Biographia Literaria which is still regarded as one of the most virulent ‘attacks’ in the history of periodical reviewing. What could have motivated John Wilson to disparage Coleridge so personally and at such length? One factor may have been the treatment of Francis Jeffrey in the Biographia. Jeffrey's presence in both the Biographia and Wilson's review reveals a complicated debate regarding reviewing practices in the 1810s at the same time as it illuminates the boisterous, unpredictable tone of the new magazine.

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Hamilton, Paul, Samuel Taylor Coleridge, James Engell, and W. Jackson Bate. "The Collected Works of Samuel Taylor Coleridge. Volume VII: Biographia Literaria or Biographical Sketches of My Literary Life and Opinions." Modern Language Review 83, no. 1 (January 1988): 153. http://dx.doi.org/10.2307/3728569.

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Bruni Roccia, Gioiella. "The Romantic Quest for Identity: Re-reading the First Part of The Rime of the Ancient Mariner." Journal of English Language and Literature 6, no. 3 (December 31, 2016): 489–94. http://dx.doi.org/10.17722/jell.v6i3.305.

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This paper proposes a re-reading of Samuel Taylor Coleridge’s poetic masterpiece, The Rime of the Ancient Mariner, in an attempt to deepen the critical discussion about one of the major themes explored in the poem, that is the search for identity. In particular, this attempt will consist of a close reading of the first section of the ballad, inasmuch as it contains the fundamental pattern of the whole text. The conceptual framework underlying this analysis is based on Coleridge’s key principle of “the coincidence of opposites”, which the Author develops in his critical work Biographia Literaria. Indeed, the whole of Coleridge’s oeuvre is permeated by the idea of a dialectical tension between contrary forces, which struggle against each other so as to be joined, at last, in the dynamic unity of a superior harmony. In the light of this conception, the Romantic quest for identity takes the form of a struggle between two opposing forces: the impact of otherness with its confounding effects on the one side, and the irrepressible aspiration towards a unified self on the other. Such a conflicting dynamics appears to structure the entire ballad, starting from the incipit of the poem and involving all the characters – especially the two opposite figures of the ancient Mariner and the Wedding Guest.

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López López, Andrés Felipe. "Semblanza literaria y filosófica sobre Guillermo de Ockham." Revista Guillermo de Ockham 16, no. 1 (June 13, 2018): 63–69. http://dx.doi.org/10.21500/22563202.3848.

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En El ruiseñor de Keats y en De las alegorías a las novelas el escritor argentino Jorge Luis Borges[1] comenta, de entre tantas de esas expresiones inmortales, una idea del poeta Samuel Taylor Coleridge según la cual, todos los hombres nacemos platónicos o aristotélicos. El linaje de Platón cree que las ideas, los conceptos universales, las clasificaciones en clase, orden y géneroson realidades; los hijos de Aristóteles ven ahí solamente generalizaciones y al lenguaje como juego simbólico. Estos intuyen individuos, no representaciones. Para el hijo de Platón el lenguaje es la proyección misma del universo.

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Gregory, Alan. "Rosemary Ashton, The Life of Samuel Taylor Coleridge: A Critical Biography (Oxford: Blackwell Publishers, 1996), p. vii + 480. £25.00 hardback. 0 631 18746 4." Romanticism 4, no. 1 (April 1998): 125–27. http://dx.doi.org/10.3366/rom.1998.4.1.125.

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7

McFarland, Thomas. "So Immethodical a Miscellany: Coleridge's Literary LifeBiographia Literaria, or, Sketches of My Literary Life and Opinions. Samuel Taylor Coleridge , James Engell , W. Jackson Bate , Kathleen Coburn." Modern Philology 83, no. 4 (May 1986): 405–13. http://dx.doi.org/10.1086/391497.

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Dissertations / Theses on the topic "Biographia literaria (Coleridge, Samuel Taylor)"

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Resende, Helena Maria Pereira. "Percursos irónicos da escrita poética de Samuel Taylor Coleridge : Para uma leitura da Biographia Literaria e de "The Rime of the Ancient Mariner"." Dissertação, Porto : [Edição do Autor], 2000. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000105220.

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A dissertação procura apresentar uma leitura do poema "The Rime of the Ancient Mariner" à luz da ironia romântica. Dado que o autor do poema - Samuel Taylor Coleridge - desenvolveu uma teoria poética na sua obra Biographia Literaria, que se considera fundamental para esta leitura da procura, o primeiro capítulo aborda a auto-reflexão consciente do autor em relação aos filósofos idealistas alemães que o influenciaram. Este capítulo analisa ainda um autor simultaneamente crítico da sua obra, da sua vida e das tradições que o rodeiam a partir de uma enunciação em primeira pessoas. O segundo capítulo centra-se no poema "The Rime" numa perspectiva interna ao poema e o terceiro capítulo aborda a sua recepção numa perspectiva externa e sua relação com a recepção interna do poema.

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Resende, Helena Maria Pereira. "Percursos irónicos da escrita poética de Samuel Taylor Coleridge : Para uma leitura da Biographia Literaria e de "The Rime of the Ancient Mariner"." Master's thesis, Porto : [Edição do Autor], 2000. http://hdl.handle.net/10216/13028.

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A dissertação procura apresentar uma leitura do poema "The Rime of the Ancient Mariner" à luz da ironia romântica. Dado que o autor do poema - Samuel Taylor Coleridge - desenvolveu uma teoria poética na sua obra Biographia Literaria, que se considera fundamental para esta leitura da procura, o primeiro capítulo aborda a auto-reflexão consciente do autor em relação aos filósofos idealistas alemães que o influenciaram. Este capítulo analisa ainda um autor simultaneamente crítico da sua obra, da sua vida e das tradições que o rodeiam a partir de uma enunciação em primeira pessoas. O segundo capítulo centra-se no poema "The Rime" numa perspectiva interna ao poema e o terceiro capítulo aborda a sua recepção numa perspectiva externa e sua relação com a recepção interna do poema.

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Wright, Alexander Robert. "William Cave (1637-1713) and the fortunes of Historia Literaria in England." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/278574.

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This thesis is the first full-length study of the English clergyman and historian William Cave (1637-1713). As one of a number of Restoration divines invested in exploring the lives and writings of the early Christians, Cave has nonetheless won only meagre interest from early-modernists in the past decade. Among his contemporaries and well into the nineteenth century Cave’s vernacular biographies of the Apostles and Church Fathers were widely read, but it was with the two volumes of his Scriptorum Ecclesiasticorum Historia Literaria (1688 and 1698), his life’s work, that he made his most important and lasting contribution to scholarship. The first aim of the thesis is therefore to build on a recent quickening of research into the innovative early-modern genre of historia literaria by exploring how, why, and with what help, in the context of late seventeenth-century European intellectual culture, Cave decided to write a work of literary history. To do so it makes extensive use of the handwritten drafts, annotations, notebooks, and letters that he left behind, giving a comprehensive account of his reading and scholarly practices from his student-days in 1650s Cambridge and then as a young clergyman in the 1660s to his final, unsuccessful attempts to publish a revised edition of his book at the end of his life. Cave’s motives, it finds, were multiple, complex, and sometimes conflicting: they developed in response to the immediate practical concerns of the post-Restoration Church of England even as they reflected some of the deeper-lying tensions of late humanist scholarship. The second reason for writing a thesis about Cave is that it makes it possible to reconsider an influential historiographical narrative about the origins of the ‘modern’ disciplinary category of literature. Since the 1970s the consensus among scholars has been that the nineteenth-century definition of literature as imaginative fictions in verse and prose – in other words literature as it is now taught in schools and universities – more or less completely replaced the early-modern notion of literature, literae, as learned books of all kinds. This view is challenged in the final section of this thesis, which traces the influence of Cave’s work on some of the canonical authors of the English literary tradition, including Johnson and Coleridge. Coleridge’s example, in particular, helps us to see why Cave and scholars like him were excluded lastingly from genealogies of English studies in the twentieth century, despite having given the discipline many of its characteristic concerns and aversions.

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Meritt, Mark Dean. "Body-snatchers of literature : embodied genius and the problem of authority in romantic biographical sketches /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3061958.

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Thesis (Ph. D.)--University of Oregon, 2002.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 251-257). Also available for download via the World Wide Web; free to University of Oregon users.

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Books on the topic "Biographia literaria (Coleridge, Samuel Taylor)"

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Kearns, Sheila M. Coleridge, Wordsworth, and romantic autobiography: Reading strategies of self-representation. Madison, N.J: Fairleigh Dickinson University Press, 1995.

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2

Biographia Literaria by Samuel Taylor Coleridge. Edinburgh University Press, 2014.

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3

Wallace, Catherine M. Design of Biographia Literaria. Taylor & Francis Group, 2017.

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Design of Biographia Literaria. Taylor & Francis Group, 2016.

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5

Claussen, Elizabeth Kathleen de Csipkay. Biographia literaria: Samuel Taylor Coleridge's work of dynamic philosophy. 1987.

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Wheeler, Kathleen M. Sources, Processes and Methods in Coleridge's 'Biographia Literaria'. University of Cambridge ESOL Examinations, 2010.

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Burwick, Frederick. Coleridge's Biographia Literaria: Text and Meaning. Ohio State Univ Pr (Txt), 1989.

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Coleridge's Biographia literaria: Text and meaning. Columbus: Ohio State University Press, 1989.

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9

Modiano, Raimonda. Coleridge as Literary Critic: Biographia Literaria and Essays on the Principles of Genial Criticism. Edited by Frederick Burwick. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199644179.013.0012.

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This article examines Samuel Taylor Coleridge's career as a literary critic, focusing on his Biographia Literaria and Essays on the Principles of Genial Criticism. It explains that Biographia Literaria is Coleridge's most controversial, most widely read and most provocative work, which he wrote after his battle with opium addiction. The article suggests that Essays on the Principles of Genial Criticism was based on Immanuel Kant's Critique of Judgment and on the aesthetic theory of Richard Payne Knight, whom Coleridge considered as a serious rival in aesthetics.

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Thomas, Quiller-Couch Arthur. Coleridge Biographia Literaria Chapters I-IV, XIV-XXII, Wordsworth Prefaces and Essays on Poetry 1800-1815. University of Cambridge ESOL Examinations, 2015.

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Book chapters on the topic "Biographia literaria (Coleridge, Samuel Taylor)"

1

Schoeller, Wilfried F., and Christoph Reinfandt. "Coleridge, Samuel Taylor: Biographia Literaria." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8256-1.

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Marshall, Tom. "Anti-Psychologism and Ideal Laws in Biographia I." In Aesthetics, Poetics and Phenomenology in Samuel Taylor Coleridge, 27–53. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52730-3_2.

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"Samuel Taylor Coleridge, from ‘Biographia Literaria’, 1817; ‘The Friend’, 1818, etc." In George Herbert, 186–93. Routledge, 2013. http://dx.doi.org/10.4324/9781315004464-47.

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Robertson, Lisa Ann. "Enacting the Absolute: Subject-Object Relations in Samuel Taylor Coleridge’s Theory of Knowledge." In Distributed Cognition in Enlightenment and Romantic Culture, 118–38. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474442282.003.0007.

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This chapter examines Samuel Taylor Coleridge’s ‘Theory of Life’ (1816/1848) and his theory of knowledge, discussed in Biographia Literaria (1817), through the lens of autopoietic enaction. It focuses on parallels between historical and contemporary theories, particularly their philosophical underpinnings, and argues that Coleridge’s theories are an important alternative to Cartesian accounts of the mind. Interrogating these theories in terms of enactive concepts, such as structural coupling, dynamic co-emergence, and mutual co-dependence, exposes the inherent embodied, embedded, and enacted premises on which Coleridge’s theory of cognition relies. The relationship between the subject and the object implicit in dualist and materialist theories reveals the effects assumptions about this relationship have on the way human beings understand themselves in relationship to nature and their own bodies – effects that are frequently inimical. The chapter concludes that Coleridge and the enactive approach offer valuable options for overcoming the schism between consciousness and nature, mind and world.

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"Multilingualism and Quotations from a Corpus-Linguistic Perspective: A Case Study of Samuel Taylor Coleridge’s Biographia Literaria." In Challenging the Myth of Monolingual Corpora, 220–38. Brill | Rodopi, 2017. http://dx.doi.org/10.1163/9789004276697_012.

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