Academic literature on the topic 'Biographical Documentary'

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Journal articles on the topic "Biographical Documentary"

1

Braus, Ira, and Michael Musgrave. "Brahms 2: Biographical, Documentary and Analytical Studies." Journal of Music Theory 34, no. 1 (1990): 108. http://dx.doi.org/10.2307/843865.

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2

Helseth, Tore. "Elements in the biographical discourse of the documentary Ole Bull." Journal of Scandinavian Cinema 11, no. 3 (2021): 327–36. http://dx.doi.org/10.1386/jsca_00058_1.

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The article discusses how the biographical is represented in the documentary Ole Bull (Aarhus 2006), a film about the world-famous Norwegian composer and violin virtuoso (1810‐80). It focuses on the biographical discourse ‐ that is, by what kind of stylistic devices his life story is told and the audio-visual strategies the film employs to make the past present.
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3

Kerr, Paul. "Authorship, Autobiography and the Archive." VIEW Journal of European Television History and Culture 4, no. 8 (2015): 67. http://dx.doi.org/10.18146/2213-0969.2015.jethc094.

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In 2004, documentary theorist Michael Renov described ‘the recent turn to filmic autobiography’ as ‘the defining trend of “post-verite” documentary practice...’ In 2008 Renov went further still, suggesting that ‘the very idea of autobiography challenges/reinvents the VERY IDEA of documentary.’ Archive based autobiographical filmmaking, meanwhile, is even more problematic for documentary theory. Indeed, a number of recent documentaries, because of their status somewhere in the spectrum between biography and autobiography, have prompted the construction of an entirely new conceptual category, de
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4

Murray, Tom. "Emotions, Activism and Documentary Storytelling: A Biographical Production-Based Case Study." Emotions: History, Culture, Society 5, no. 1 (2021): 103–23. http://dx.doi.org/10.1163/2208522x-02010116.

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Abstract The biography of Douglas Grant (c.1885–1951) has been publicly and popularly told in media since 1916. Interestingly, Grant’s unusual life-story has consistently been deployed to serve various political agendas. This essay examines the role of popular-media biographies of Douglas Grant and the emotions embedded in them, and utilises a documentary-film production as a case study to examine relations between these emotions, activist agendas and documentary-film storytelling. Additionally, given the consistent use of tragedy as a formal narrative structure employed in tellings of Douglas
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5

Pronin, Alexander A. "Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering." Journal of Flm Arts and Film Studies 8, no. 2 (2016): 133–43. http://dx.doi.org/10.17816/vgik82133-143.

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The article explores the mechanisms of using historical documentary footage in creating biographical TV shows. The author analyses the methods of incorporating alien texts into a new cinematic text and proves the relevance of TV biographies as a unique discourse practice of memory reproduction.
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6

Joan Kelly, Elizabeth. "Andy Warhol: documentaries and biographical films." Collection Building 33, no. 3 (2014): 81–85. http://dx.doi.org/10.1108/cb-04-2014-0021.

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Purpose – This paper aims to compile an annotated list of films about or pertaining to the artist Andy Warhol. Design/methodology/approach – Films were located using library catalogs, databases and online searches. Selections were evaluated through inspection and both academic and popular film reviews. Inclusion was predicated not only on subject matter and merit but also on availability either on home media or online. Findings – Warhol’s many artistic creations can be introduced and evaluated using a combination of visual and auditory representation. Movies and television (TV) depicting Warho
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7

Ebrahim, Haseenah. "The cinematic life of the Sistren Theater Collective: forays into biographical documentary." Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes 41, no. 2 (2016): 129–46. http://dx.doi.org/10.1080/08263663.2016.1182285.

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8

Zaytseva, T. I., and O. M. Maksimova. "The genre of biographical essay in the works of Udmurt writers." Bulletin of Ugric studies 11, no. 3 (2021): 435–43. http://dx.doi.org/10.30624/2220-4156-2021-11-3-435-443.

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Introduction: genre transformation in the Udmurt journalism of the end of the XX century is most clearly manifested in the biographical essays, based on real-life facts from the lives of famous representatives of the intelligentsia, natives of Udmurtia. The biographical essay in the Udmurt literature of this period demonstrates the presence of the elements of memoir, biography, elements of portrayal, problematic, biographical, social, historical essays as well as document / fact and fiction within the same work; the mental, intellectual principle is strengthened in it. The relevance of the art
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9

Volkov, Evgeny V. "DOCUMENTARY RESEARCH ON THE “BROTHER-GENERAL”: NEW BIOGRAPHICAL STUDIES ON THE WHITE MOVEMENT." History and Archives, no. 1 (2020): 126–39. http://dx.doi.org/10.28995/2658-6541-2020-1-126-139.

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10

Mhiripiri, Nhamo Anthony. "(Auto)Biographical and cinematographic exposition of Dambudzo Marechera on documentary film and video." Journal of African Cinemas 5, no. 1 (2013): 99–121. http://dx.doi.org/10.1386/jac.5.1.99_1.

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