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Journal articles on the topic 'Biographical Documentary'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 January 2023

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1

Braus, Ira, and Michael Musgrave. "Brahms 2: Biographical, Documentary and Analytical Studies." Journal of Music Theory 34, no. 1 (1990): 108. http://dx.doi.org/10.2307/843865.

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2

Helseth, Tore. "Elements in the biographical discourse of the documentary Ole Bull." Journal of Scandinavian Cinema 11, no. 3 (2021): 327–36. http://dx.doi.org/10.1386/jsca_00058_1.

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The article discusses how the biographical is represented in the documentary Ole Bull (Aarhus 2006), a film about the world-famous Norwegian composer and violin virtuoso (1810‐80). It focuses on the biographical discourse ‐ that is, by what kind of stylistic devices his life story is told and the audio-visual strategies the film employs to make the past present.
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3

Kerr, Paul. "Authorship, Autobiography and the Archive." VIEW Journal of European Television History and Culture 4, no. 8 (2015): 67. http://dx.doi.org/10.18146/2213-0969.2015.jethc094.

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In 2004, documentary theorist Michael Renov described ‘the recent turn to filmic autobiography’ as ‘the defining trend of “post-verite” documentary practice...’ In 2008 Renov went further still, suggesting that ‘the very idea of autobiography challenges/reinvents the VERY IDEA of documentary.’ Archive based autobiographical filmmaking, meanwhile, is even more problematic for documentary theory. Indeed, a number of recent documentaries, because of their status somewhere in the spectrum between biography and autobiography, have prompted the construction of an entirely new conceptual category, de
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4

Murray, Tom. "Emotions, Activism and Documentary Storytelling: A Biographical Production-Based Case Study." Emotions: History, Culture, Society 5, no. 1 (2021): 103–23. http://dx.doi.org/10.1163/2208522x-02010116.

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Abstract The biography of Douglas Grant (c.1885–1951) has been publicly and popularly told in media since 1916. Interestingly, Grant’s unusual life-story has consistently been deployed to serve various political agendas. This essay examines the role of popular-media biographies of Douglas Grant and the emotions embedded in them, and utilises a documentary-film production as a case study to examine relations between these emotions, activist agendas and documentary-film storytelling. Additionally, given the consistent use of tragedy as a formal narrative structure employed in tellings of Douglas
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5

Pronin, Alexander A. "Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering." Journal of Flm Arts and Film Studies 8, no. 2 (2016): 133–43. http://dx.doi.org/10.17816/vgik82133-143.

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The article explores the mechanisms of using historical documentary footage in creating biographical TV shows. The author analyses the methods of incorporating alien texts into a new cinematic text and proves the relevance of TV biographies as a unique discourse practice of memory reproduction.
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Joan Kelly, Elizabeth. "Andy Warhol: documentaries and biographical films." Collection Building 33, no. 3 (2014): 81–85. http://dx.doi.org/10.1108/cb-04-2014-0021.

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Purpose – This paper aims to compile an annotated list of films about or pertaining to the artist Andy Warhol. Design/methodology/approach – Films were located using library catalogs, databases and online searches. Selections were evaluated through inspection and both academic and popular film reviews. Inclusion was predicated not only on subject matter and merit but also on availability either on home media or online. Findings – Warhol’s many artistic creations can be introduced and evaluated using a combination of visual and auditory representation. Movies and television (TV) depicting Warho
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7

Ebrahim, Haseenah. "The cinematic life of the Sistren Theater Collective: forays into biographical documentary." Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes 41, no. 2 (2016): 129–46. http://dx.doi.org/10.1080/08263663.2016.1182285.

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8

Zaytseva, T. I., and O. M. Maksimova. "The genre of biographical essay in the works of Udmurt writers." Bulletin of Ugric studies 11, no. 3 (2021): 435–43. http://dx.doi.org/10.30624/2220-4156-2021-11-3-435-443.

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Introduction: genre transformation in the Udmurt journalism of the end of the XX century is most clearly manifested in the biographical essays, based on real-life facts from the lives of famous representatives of the intelligentsia, natives of Udmurtia. The biographical essay in the Udmurt literature of this period demonstrates the presence of the elements of memoir, biography, elements of portrayal, problematic, biographical, social, historical essays as well as document / fact and fiction within the same work; the mental, intellectual principle is strengthened in it. The relevance of the art
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9

Volkov, Evgeny V. "DOCUMENTARY RESEARCH ON THE “BROTHER-GENERAL”: NEW BIOGRAPHICAL STUDIES ON THE WHITE MOVEMENT." History and Archives, no. 1 (2020): 126–39. http://dx.doi.org/10.28995/2658-6541-2020-1-126-139.

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10

Mhiripiri, Nhamo Anthony. "(Auto)Biographical and cinematographic exposition of Dambudzo Marechera on documentary film and video." Journal of African Cinemas 5, no. 1 (2013): 99–121. http://dx.doi.org/10.1386/jac.5.1.99_1.

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11

Panyukova, Tatiana. "Dostoevsky’s Godchildren." Dostoevsky and world culture. Philological journal, no. 3 (2020): 240–69. http://dx.doi.org/10.22455/2619-0311-2020-3-240-269.

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The article, based on archival sources, provides new information about two godchildren of F.M. Dostoevsky: Platon Milyukov (with clarification of the name, date and place of his baptism) and Grigoriy Snitkin (the fact of the writer's participation in the baptism has not yet been noted in the biographical literature). Two authentic metric records found in the Central State Archive of Saint Petersburg are put into scientific circulation, allowing to supplement or correct the information contained in the “Chronicle of the life and work” of the writer. The attraction of documentary sources (stored
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12

Boon, Tim. "British Science Documentaries: Transitions from Film to Television." Journal of British Cinema and Television 10, no. 3 (2013): 475–97. http://dx.doi.org/10.3366/jbctv.2013.0151.

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The relationship between documentary films made for projection and television documentaries has not been studied in any sustained way. This is partially a product of the weakness of the literature on both postwar documentary and of the development of the form within the new medium. This article uses a combination of biography and formal analysis to begin to address this lacuna in the literature as it relates in particular to films and programmes with scientific themes. It examines four individuals who worked in documentary film before spending varying amounts of time in television: Duncan Ross
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Selejan, Ileana L. "Actions. Situations. Possible Scenarios." Protest, Vol. 4, no. 2 (2019): 50–55. http://dx.doi.org/10.47659/m7.050.art.

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Zigzagging through personal memory and historical episodes of great consequence – the fall of the Berlin wall, the Romanian revolution and the April 2018 protests in Nicaragua – the essay seeks points of connection between the personal and the political, exploring how the two are intimately and inextricably intertwined. The textual approach can be situated in-between historical analysis and auto-biographical fiction; the aim is to enable multi-layered narratives, and contrasting, conflicting temporalities to co-exist. Illustrative of this intent, Romanian artist Călin Man intervenes upon the m
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Oates, Thomas Patrick. "Failure Is Not an Option: Sport Documentary and the Politics of Redemption." Journal of Sport History 41, no. 2 (2014): 215–23. http://dx.doi.org/10.5406/jsporthistory.41.2.215.

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Abstract With the growth of sport documentary, the biographical profile has become an increasingly prevalent form of meaning making around sport. This essay develops a critical approach to the genre by engaging two examples produced by ESPN Films that profile a failed National Football League (NFL) player: The Best There Never Was and The Marinovich Project. It engages Judith Halberstam’s concept of the “queer art of failure” and adapts it to racialized, hyper-masculine sport as a possible strategy for resistance. In doing so, it considers how the production of popular history through sporting
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Alibekova, Patimat Magomedovna. "ABDULKADIR DAGESTANI – A PROMINENT SPIRITUAL FIGURE OF IRAN OF THE TWENTIETH CENTURY." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 26 (June 4, 2021): 25–35. http://dx.doi.org/10.31029/vestiyali26/5.

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The article provides a biographical sketch of Sheikh Abdulkadyr Dagestani (1900–1962), who, by the will of fate, ended up in Iran in the 1930s. The name of the scientist and educator Abdulkadyr Dagestani remained unopened until today. The research was carried out with the use of biographical information given in the book of the Iranian writer Khadi Khormali «Dagestani muhajirs», written on the basis of real facts from the life of Abdulkadyr and his brothers from the village Nizhnee Mulebki of the Republic of Dagestan in Iran, as well as Iranian documentary materials from Internet resources. Ab
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Linke, Gabriele M. "Documenting Diaspora: Multiperspectivity in Sandhya Suri's Auto/Biographical Film "I for India"." European Journal of Life Writing 3 (November 3, 2014): VC55—VC74. http://dx.doi.org/10.5463/ejlw.3.109.

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Yash Pal Suri, a young Indian doctor, went to the UK in 1965 to complete his medical training. He equipped himself and his family back in India with a camera, tape recorder etc. so that they could film episodes of their lives and exchange 'cine-letters,' which they did for about 40 years. In 2005, Suri's daughter, Sandhya Suri, created a 70-minute documentary from her family's filmed stories and other sources, selecting and arranging the various scenes and voices recorded and combining them with clips from historical TV programmes as well as interviews and short scenes filmed between 2003 and
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17

Safronova, Elena. "F. M. Dostoevsky’s Siberian Text: Problems and Perspectives." Неизвестный Достоевский 7, no. 3 (2020): 54–96. http://dx.doi.org/10.15393/j10.art.2020.4922.

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The review article is devoted to the analysis of studies of the Siberian period of F. M. Dostoevsky’s life and work. The main trends in the study of the author’s Siberian text are described. The entire variety of sources may be subdivided into four groups: memoirs and epistolary testimonies; journalism, biographical novels, essays, novellas, etc.; biographical studies; interpretations of Siberian works. One of the main issues is the problem of their reliability. Close to the memoir fraud remain biographical novels, biographical chronicles, documentary novels are close to being memoir falsifica
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18

Nikoriak, Nataliia, and Aliona Matiychak. "Literary Specifics of Biographical Film Story: On the Issue of Genre Heredity." Pitannâ lìteraturoznavstva, no. 104 (December 27, 2021): 28–47. http://dx.doi.org/10.31861/pytlit2021.104.028.

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The genre heredity concept is articulated on the analysis example of I. Drach’s screen version of the biographical film story “I’m coming to you” (1970), dedicated to the 100th anniversary of Lesya Ukrainka. The film is marked by innovative approach of I. Drach as a scriptwriter to the image of the poetess. Contrary to the tradition of documentary film to interpret her biography in a certain matrix key (as a fighter and revolutionary), Drach tried to identify Lesya Ukrainka primarily as a private individual, as the woman who knew how to sacrifice herself for the sake of love. Without aiming to
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19

Zakryzhevskaia, Elena. "Biographical features of Vladislav Khodasevich in Gulliver’s chronicle." Literary Fact, no. 15 (2020): 342–51. http://dx.doi.org/10.22455/2541-8297-2020-15-342-351.

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The main source of information about Vladislav Khodasevich’s life is his memoirs, which he published as separate essays on the pages of émigré outlets. The article discusses several cases when biographical information appears in the chronicle of Soviet literature, which the critic published together with Nina Berberova in the newspaper “Vozrozhdenie” (1927 – 1939) under the common pseudonym Gulliver. In addition to documentary evidence of work on the chronicle, as well as the existence of an ideological community of pseudonymous notes and authorized publications, Khodasevich’s authorship can b
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20

Andrews, Hannah. "BBC4 Biopics: Lessons in Trashy Respectability." Journal of British Cinema and Television 13, no. 3 (2016): 409–29. http://dx.doi.org/10.3366/jbctv.2016.0327.

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Between its launch in March 2002 and 2013, BBC4, the BBC's niche arts and culture digital channel, broadcast a cycle of biographical dramas, largely about the unhappy personal lives of British cultural and political icons of the twentieth century. Alongside stylish continental European drama imports, world cinema and documentary programmes, biopics became a key marker of the BBC4 brand and its dominant home-grown dramatic output. In scholarly work on television biopics to date, the genre has been seen as akin to tabloid newspapers, conceived as a trashy cultural form that reduces the importanc
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21

Kusek, Robert. "Scholar – Fictionist – Memoirist: David Lodge’s Documentary (Self-)Biography in Quite a Good Time to be Born: 1935–1975." Studia Anglica Posnaniensia 51, no. 1 (2016): 115–31. http://dx.doi.org/10.1515/stap-2016-0005.

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Abstract Over the last decade or so, David Lodge has become not only a reader but also an avid practitioner of “fact-based writing” - be it the biographical novel (The Master of 2004 and A Man of Parts 2011), the autobiographical novel (Deaf Sentence of 2008), the biographical essay (Lives in Writing of 2014) and - finally - a proper autobiography (Quite a Good Time to Be Born of 2015). The aim of this paper is to analyse Lodge’s recent turn to life narratives and, in particular, his autobiographical story of 2015; and, consequently, to address the following questions: Does Lodge’s memoir offe
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22

Flis, Leonora. "The blending of fact and fiction in three American documentary (crime) narratives." Acta Neophilologica 43, no. 1-2 (2010): 69–82. http://dx.doi.org/10.4312/an.43.1-2.69-82.

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The article focuses on narratives that can best be classified as documentary novels. Such narratives can frequently depict deviant crimes. The selected texts are taken from three different decades, as the study intends to determine if/how the perception of crime and, consequently, its depiction in verbal narratives change through time, and moreover, to examine the attitudes of different writers towards facts (empirical reality) that they depict. Truman Capotećs In Cold Blood (1965), Norman Mailer's The Executioner's Song (1979), and John Berendt's Midnight in the Garden of Good and Evil: A Sav
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23

Gasparyan, Naira. "T.E. Lawrence’s Idea on How to Solve the Armenian Question." Armenian Folia Anglistika 10, no. 1-2 (12) (2014): 171–77. http://dx.doi.org/10.46991/afa/2014.10.1-2.171.

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T.E. Lawrence’s specific perception of the Turks and of the Armenians is analyzed within the frames of this particular research article. T.E. Lawrence’s biographical-documentary novel The Seven Pillars of Wisdom and his famous interview given to the American journalist and editor Lincoln Steffens have been the material of our cultural and linguostylistic study. An attempt is made to establish the true image of the Young Turks and the Armenians who were killed by the Turks because of their national identity. Lawrence depicts Turkish atrocities with some highlighted negative emotion.
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Reis, Rosemeire. "Diálogos entre Questões de Pesquisa que Orientam a Teoria da Relação com o Saber de Bernard Charlot e a Pesquisa Biográfica em Educação de Christine Delory-Momberger." Revista Internacional Educon 2, no. 3 (2021): e21023003. http://dx.doi.org/10.47764/e21023003.

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This article aims to present research questions and theoretical assumptions that underlie Bernard Charlot's theory of the relationship with knowledge and Christine Delory- Momberger's biographical research in education. To do so, it resorts to documentary analysis of books and articles by the authors. The configuration of theoretical and methodological fields of research with their specificities is identified, but also the points of dialogue concerning their research questions and, in particular by the reciprocal theoretical and epistemological interest in studying the construction of individu
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Bonesso, Amandine. "Marie de l’Incarnation d’après Jean-Daniel Lafond : l’amour d’une sainte contre la barbarie actuelle." Dialogues francophones 21, no. 1 (2015): 185–97. http://dx.doi.org/10.1515/difra-2015-0009.

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Abstract The contribution examines the documentary Folle de Dieu (2008) and the play Marie de l'Incarnation ou La déraison d'amour (2009), Jean-Daniel Lafond’s adaptations of Marie de l’Incarnation’s (1599-1672) autobiographical texts. The study demonstrates that the two works, the last in a long biographical tradition, construe the nun’s life as a humanitarian model through the theme of love. In this manner, the film-maker encourages the current society not to give way to the bellicose violence of the last century and to rethink the future as a possible happiness.
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Antsyferova, Olga. "Rethinking the biographical canon: Silences and gaps in Colm Tóibín’s "The Master"." Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching, no. 16/2 (June 20, 2019): 7–23. http://dx.doi.org/10.26881/bp.2019.2.01.

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Over the last number of decades, the biographical canon has become the focus of scholarly attention for several reasons: revision of the essential concepts of (self)-identity, keen interest in liminal literary forms, searches for new forms of assessment of the artist’s creative output and new interpretive methodologies. Biofiction as a genre encompassing both documentary and fictional elements represents not only the biographical subject proper but also the author’s subjective orientation. The case study of a recent biofiction about Henry James (“The Master” by the Irish gay writer Colm Tóibín
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Francis, Marc. "Smoke and Mirrors: The Bio-Con Documentary in the Age of Trump." Film Quarterly 74, no. 1 (2020): 69–74. http://dx.doi.org/10.1525/fq.2020.74.1.69.

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Noting that popular film and television have answered the Trump era's mass erosion of truth and justice with narratives about powerful deceivers and sophists, Film Quarterly Assistant Editor Marc Francis argues that no fiction has yet to offer as cohesive and relevant a response to these times as the what he terms the “bio-con” (biographical con) documentary. The bio-con documentary zeroes in on one notorious figure—a fraud—the unveiling of whose scheme occupies multiple national news cycles and is therefore ready-made for an extended investigation. Citing well-known examples such as Fyre Frau
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Dvinyatina, Tatiana M., and Sergey N. Morozov. "Ivan Bunin on the Way to Palestine (1889–1903)." Literary Fact, no. 24 (2022): 54–63. http://dx.doi.org/10.22455/2541-8297-2022-24-54-63.

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Journeys to the Middle East occupied a special place in the life and works of Ivan Bunin. His journey to Palestine in the spring of 1907 was of central importance to him. However, this journey had a long pre-history in Bunin's life. This article tracks the development of Bunin’s idea of distant voyages, the significance of the Crimea and Odessa in his life and perception of the world. From there began routes to distant lands, and the first for Bunin was his journey to Constantinople in the spring of 1903. The materials of the research includes biographical and documentary evidences.
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Gryakalova, N. Ju. "Who was the Addressee of A. A. Blok’s Poem «To a Spanish Lady»?" Russkaya literatura 4 (2020): 82–91. http://dx.doi.org/10.31860/0131-6095-2020-4-82-91.

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The article discusses the addressee of A. A. Blok’ poem, arguing against the suggestion that it is addressed to Kazarose (B. G. Shensheva), a «small genre» actress. The analysis of the documentary and biographical data, and of the historical and cultural context (in particular, of the «Spanish theme» in the repertoire of the Terioki Entreprise), suggests an alternative version: the implicit addressee of the poem is L. D. Blok. The text itself is considered as a «heraldic construction» («mise en abyme» technique), with a reference to Vs. Meyerhold’s pantomime "The Lovers" as the decoder of the
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Hooper, Carole. "The unsaintly behaviour of Mary Mackillop: her early teaching career at Portland." History of Education Review 47, no. 2 (2018): 186–96. http://dx.doi.org/10.1108/her-10-2017-0019.

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Purpose Mary Mackillop, the only Australian to have been declared a “saint” by the Roman Catholic Church, co-founded the Institute of the Sisters of St Joseph, a religious congregation established primarily to educate the poor. Prior to this, she taught at a Common School in Portland. While she was there, the headmaster was dismissed. The purpose of this paper is to examine the extent to which the narrative accounts of the dismissal, as provided in the biographies of Mary, are supported by the documentary evidence. Contemporary records of the Board of Education indicate that Mary played a more
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Panyukova, T. V. "Publishing Activity of F.M. Dostoevsky: Business Books of A.G. Dostoevskaya as a Source." Язык и текст 8, no. 3 (2021): 19–30. http://dx.doi.org/10.17759/langt.2021080303.

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The complex of materials related to the publishing activities of F.M. Dostoevsky includes several business notebooks of A.G. Dostoevskaya, preserved in her archive and dedicated to sales accounting, as well as containing records of subscribers' addresses. 7 similar documents were systematized and described, as well as 6 additional sources adjacent to them for the dissemination of "A Writer`s Diary". The work on the preparation for publication of two similar books by subscribers allowed us to identify the possibilities of their use in textual or biographical research: to disclose the names (ini
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Quílez Esteve, Laia, and José Carlos Rueda Laffond. "Narratives of memory in commemorative Spanish documentaries about the democratic transition: Adolfo Suárez. Mi historia and Bucarest, la memoria perdida." Memory Studies 12, no. 2 (2017): 198–212. http://dx.doi.org/10.1177/1750698017703806.

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This article analyses different narratives of memory used in commemorative Spanish documentaries. It first considers the state of the question of the relationship between documentary, history and memory and then examines television productions made in democratic Spain that have advocated either a hegemonic memory of the transition or a counter-memory of the recent past. The second part of the text focuses on two biographical documentaries: Bucarest, la memoria perdida, about the Communist leader Jordi Solé Tura, and Adolfo Suárez. Mi historia, which centres on the figure of the former prime mi
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van den Brandt, Nella. "Religion-in-the-Making: Media, Culture and Art/Activism as Producing Religion from the Critical Perspectives of Gender and Sexuality." Journal of Religion, Media and Digital Culture 8, no. 3 (2019): 408–26. http://dx.doi.org/10.1163/21659214-00803005.

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This article contributes to the study of media, religion and culture from the perspective of gender and sexuality. It argues that media and culture need to be considered as locations in which ‘other stories’ about religion, gender and sexuality are potentially being produced. It shows that various types of media and visual artefacts have different modes of ‘making’ religion. It coins ‘religion-in-the-making’ and uses this concept to focus on two cultural productions that construct/convey ‘other’ religious narratives starting from female and queer bodies: the Belgian fictional movie Le Tout Nou
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Gajewska, Agnieszka. "Perwersje archiwum." Poznańskie Studia Polonistyczne. Seria Literacka, no. 35 (November 5, 2019): 39–53. http://dx.doi.org/10.14746/pspsl.2019.35.3.

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Perversions of the archive In the article, the author discusses the problematic status of an archival document,taking into account the concepts of perverse historiography and the methodological indicators of the apartheid archive. Documents stored in IPN (Institute of National Remembrance) have been used to show the challenges faced by the people investigating the documents stored there and attempting to unify the material found in the archive. The analysis of Autor Solaris, a 2016 biographical documentary film about Stanisław Lem, is preceded by reflections on the involvement of the archive r
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Matiychak, Aliona, and Nataliia Nikoriak. "“Iris” (2001) by Richard Eyre: Film Reception Specificity of the Writer’s Biography." Pitannâ lìteraturoznavstva, no. 105 (October 28, 2022): 94–110. http://dx.doi.org/10.31861/pytlit2022.105.094.

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The article analyses the film reception issues of I. Murdoch’s biography in epistemological and historiographical perspectives. Due to the productive interaction of different types of biographical works, the mechanism of presentation / perception / cognition is mainly realized through references and reflection as an individual ability to supplement the “truth” of factual biographical material with other relations such as “interpretability”, “realizability” that form the so-called cognitive complex related to the perception peculiarities of biopic both as a separate genre and in the context of
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Sarıtaş, Davut. "What Messages a Documentary and Biographical Film Give About the Nature of Science to Prospective Science Teachers?" International Journal of Progressive Education 16, no. 2 (2020): 262–78. http://dx.doi.org/10.29329/ijpe.2020.241.18.

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37

Nikoriak, Nataliia. "“CineSkovoroda”: Cinematic Update of the Biography." Pitannâ lìteraturoznavstva, no. 106 (December 30, 2022): 7–24. http://dx.doi.org/10.31861/pytlit2022.106.007.

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The article concerns the relevance of the issue of genre heredity between literature and cinema. The cinematography actively turned to the genre of biography even in the first decades of its development, in the era of the silents. It did not disappear from the view of cinematographers throughout the 20th century. Recently, this genre has been activated both in cinema and on television, which increased the interest of researchers. Hence, the receptive problematics of the Ukrainian philosopher, theologian, poet and teacher Hryhorii Skovoroda’s biography (1722–1794) is analysed in the cinematogra
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Nekrasova, Irina V. "“Personal geography” as an auto-document (Based on the material of the modern Russian prose)." Izvestiya of Saratov University. Philology. Journalism 22, no. 4 (2022): 463–66. http://dx.doi.org/10.18500/1817-7115-2022-22-4-463-466.

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The article deals with the concepts of auto-document (ego-document), the combination of the artistic and documentary, “personal geography”, which are relevant for the current stage of the literary process. The main purpose of this study is to show, using the example of the latest works of Russian prose, the importance of geographical addresses (understood as spatial landmarks) for the movement of the plot, as well as being a meaning-generating component not only of documentary, but also of artistic texts themselves. As an object of analysis, collections are used that have united different auth
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Nicolardi, Federica. "Vocabulary and practices of manumission in a fragment of the Life of Philonides (P. Herc. 1044)." Journal of Juristic Papyrology, no. 51 (January 8, 2022): 67–81. http://dx.doi.org/10.36389/uw.jjurp.51.2021.pp.67-81.

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The biographical work on Philonides of Laodikeia on the Sea in Syria (P. Herc. 1044+1715+1746) is not merely a source of information about the life of the philosopher, it also bears witness to both well-known and lesser-known aspects of Hellenistic history and civilization, not to mention the fact that it is an extremely rare and precious example of Hellenistic biography. This paper presents a new edition of a passage of the text in which references to vocabulary and procedures of Greek manumission can be detected, which suggest a parallel with papyrological and epigraphic documentary sources.
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Tavares, Pedro Vilas-Boas. "D. António de S. José de Castro. Reconstrução liberal de uma biografia." Via Spiritus: Revista de História da Espiritualidade e do Sentimento Religioso, no. 28 (2021): 291–95. http://dx.doi.org/10.21747/0873-1233/spi28v3.

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Based on the documentary elements used by him in the biographical sketch of this personality, so decisive in the success of the Portuguese anti-Napoleonic resistance, the author proposes to emphasize, with some concrete examples, how much the historical profile of this antisitis remained, for reasons of mere sectarian politics , surgically at the mercy of its systematic disfigurement by the followers of the radical liberal sector, committed and naturally opposed to any attempt at reformist evolution and illustrated by the institutional legality in force. A replica and reflection – after all –
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Iakovleva, Svetlana A. "West-European Engraving in Siberian Collection: the Problems of Attribution (on the Basis of Yudin’s Collection)." Journal of Siberian Federal University. Humanities & Social Sciences 15, no. 1 (2022): 23–37. http://dx.doi.org/10.17516/1997-1370-0885.

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The paper is devoted to the study of Siberian bibliophile G. V. Yudin’s West-European graphic arts collection, which is owned by the Krasnoyarsk Regional Local Lore Museum. There is an objective need to give additional information on the attribution of auteur, reproductive and book engravings in art and documentary research. The authors address the authorship attribution through art analysis using stylistic and biographical factors. The article also responds to the problem of relevant translation of proper nouns (artists, engravers, printers, publishers) and texts on graphics. The study presen
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Bilbrough, Paola. "Opening Gates and Windows." Departures in Critical Qualitative Research 3, no. 3 (2014): 298–313. http://dx.doi.org/10.1525/dcqr.2014.3.3.298.

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In this essay I discuss the ethical and aesthetic issues involved in making a short auto/biographical documentary, Separation, about an improvised parenting relationship I had with a young Sudanese-Australian man. I contextualize my discussion through reference to representations of Sudanese-Australians in the media, and the tendency towards reductive allegorical representations. I propose that a poetic approach offers a possible way forward in representing aspects of life stories involving shared privacies and/or sensitive cultural material. This suggests important scholarly consideration of
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Bağcı, Şükrü Erhan. "Migration and Participation in Adult Education: The Matthew Effect on Immigrants." Adult Education Quarterly 69, no. 4 (2019): 271–94. http://dx.doi.org/10.1177/0741713619848108.

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The Matthew Effect has been one of the best known principles in adult education, implying that the ones who have more formal education at earlier phases of life participate more in education in adulthood. This qualitative research explores how the Matthew Effect works under migration, focusing on the experiences of the Turkish immigrants in Germany. The documentary analyses of the narrative interviews in the study reveal that the Matthew Effect among immigrants works depending on the formation of the immigrant habitus. The factors to mediate the making of the immigrant habitus are social and c
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Hill, John. "‘Blurring the lines between fact and fiction’: Ken Russell, the BBC and ‘Television Biography’." Journal of British Cinema and Television 12, no. 4 (2015): 452–78. http://dx.doi.org/10.3366/jbctv.2015.0280.

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Working for the BBC arts programmes Monitor and Omnibus during the 1960s, Ken Russell was responsible for a series of biographical films based on the lives of painters and composers. Tracing the development of Russell's work from Prokofiev (1961) and Elgar (1962) through to Bela Bartok (1964) and The Debussy Film (1965), the article examines how Russell's incorporation of elements of drama into the arts documentary generated arguments, both within the BBC and beyond, about the legitimacy of mixing ‘fact’ and ‘fiction’ in such works. These debates focused, in particular, on the use of ‘dramatic
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Dvinyatina, Tatiana M., and Sergey N. Morozov. "Ivan Bunin's 1907 Palestine Journey: Chronicle and Context." Literary Fact, no. 24 (2022): 64–94. http://dx.doi.org/10.22455/2541-8297-2022-24-64-94.

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This article develops the theme expounded in the authors’ research published above. It contains a detailed reconstruction of the chronicle of Ivan Bunin’s main pilgrimage through Palestine in April –May 1907. Using all available documentary evidences, the authors of the article make an attempt to reveal the concrete texture of the days when Bunin and Vera Muromtseva spent on their “first distant voyage and honeymoon, which was at the same time a pilgrimage to the Holy Land of Our Lord Jesus Christ” (“The Rose of Jericho”). The article also shows how the immediate impressions of that journey ar
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Ouyang, Yuxin. "Warm and Realistic, Romantic Yet Cruel ——On the Master of Cinema Giuseppe Tornatore." Learning & Education 10, no. 2 (2021): 114. http://dx.doi.org/10.18282/l-e.v10i2.2296.

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The famous director Giuseppe Tornatore was born in beautiful Sicily, Italy, and has a high reputation among international film directors as the inheritor of Italian neorealism. His Time Trilogy is the foundation of his position in the film industry, Cinema Paradiso, The Beautiful Legend of Sicily, and The Legend of 1900, all of which have a strong romantic style. With his warm and realistic approach, Tonatore’s romantic yet cruel stories have touched countless audiences. In a sense, every work of a writer or a director has autobiographical overtones in it. Many of his works are strongly biogra
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Strasdin, Kate. "Fashioning Alexandra: A Royal Approach to Style 1863–1910." Costume 47, no. 2 (2013): 180–97. http://dx.doi.org/10.1179/0590887613z.00000000023.

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For some sixty years Alexandra, Princess of Wales (1844–1925), later Queen Consort, lived at the heart of the British monarchy. Feted by her public and peers, she negotiated a careful and successful sartorial path through the many civic and social commitments of her long career. Her style was admired and copied by women, sometimes entering mainstream fashion, although her clothing choices were often informed by other considerations. This article explores Alexandra’s fashionability and how factors, such as her attitude to money and a need to mask physical imperfections also influenced the way s
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Martseniuk, R. "PAVLOVSKYY P. F.: STROKES FOR THE PORTRAIT OF A REPRESSED LIBRARIAN (BASED ON MATERIALS FROM THE ARCHIVE-INVESTIGATION CASE)." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 146 (2020): 40–46. http://dx.doi.org/10.17721/1728-2640.2020.146.7.

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The purpose of the study is the presentation and introduction into scientific usage of archive-investigating case of the senior librarian, the head of the newspaper fund of the National Library of Ukraine, later the library of the Academy of Sciences of the Ukrainian SSR Pavlovskyy Petro Fedorovich (1889–1937). The case is now in the Branch State Archive of the Security Service of Ukraine. The article provides an analysis of the materials found and the systematization of information in an attempt to recreate the biography of one of the library staff repressed by the Soviet government. The rese
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De Sario, Beppe. "Narrazioni transnazionali: rappresentazione e racconto nei movimenti alterglobalisti, tra traduzione culturale e attivazione della protesta." PARTECIPAZIONE E CONFLITTO, no. 2 (March 2009): 135–62. http://dx.doi.org/10.3280/paco2009-002006.

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- The article focuses on the role of representations (particularly visual and medial representations), of storytelling (biographical, memory of activism, training to global activism), of personal experience (travels, experience included in counter-summits and protests) and more generally examines cultural practices in the building of basis of mutual recognition and identity for people involved in the networks of alterglobal movements. Representations, narratives and experience have a decisive role in the developing of a globalization from below, giving a sort of cultural ground to communicatio
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Golovko, Vyacheslav M. "Book series “Life of remarkable people” in the creative biography of the Russian enlightener Ya. V. Abramov." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 62–76. http://dx.doi.org/10.37816/2073-9567-2021-59-62-76.

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The paper discusses the role of the ideologist of cultural movement in the reformist populism of the 1880s – 1890s, enlightener and writer Ya. V. Abramov in the context of creation of the book series “Life of remarkable people. Biographical library of F. Pavlenkovˮ. Its educational concept and democratic character are largely determined by Abramov’s social and worldview intentions — ideological inspirer of so-called “going to the people”, “going to great cultural work”, who saw the goals of such work in releasing “constrained forces and abilities of the Russian folk spirit”, supporting the “me
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