Academic literature on the topic 'Biography as literary form'

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Journal articles on the topic "Biography as literary form"

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Holden, Philip. "Literary Biography as a Critical Form." Biography 37, no. 4 (2014): 917–34. http://dx.doi.org/10.1353/bio.2014.0052.

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Khan, Muhammad sajid. "Biography: Anees by Nayyar Masood (An Overview of his Sketch writing)." Pakistan Journal of Applied Social Sciences 5, no. 1 (2017): 35–42. http://dx.doi.org/10.46568/pjass.v5i1.473.

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The article aims at exploring and analyzing the sketch-writing in Anees, a biography written by Nayyar Masood. The sketches usually appeared in a biography is little different from a sketch developed as a genre in Urdu literature. The reason to see such sketches is to know how importance given by the biographer to those influencing the life and time of the hero of the biography. A successful biography is what in which the time and life of the hero appeared vividly as it leads readers to understand the era, literary culture of the time, political atmosphere and various linguistic trends. It happens when a biographer focuses the hero and his or her contemporaries. The way contemporaries are focused in a biography it forms a genre in literature. The article gives instances from Anees to suppert his view and paving the way for a new genre in literature. This article also discusses some of the factors relevant to form a genre.
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Willumsen, Liv Helene. "Om Regine Normanns biografi med påfølgende debatt - slik biografen ser det." Nordlit 2, no. 1 (1998): 337. http://dx.doi.org/10.7557/13.2210.

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This essay is written as part of a debate related to the biography as genre, following the publishing of my biography Havmannens datter. Regine Normann - et livsløp [The merman's daughter. Regine Normann - a life story] (1997). On one hand the essay contains arguments related to this specific biography. On the other hand, it contains general points of view related to biography as genre. The author defines biography as a written life-story about a person different from the biographer himself or herself. A biography is a work according to historical methods, as it is based on historical sources and has an explicit claim to documentation inherent. In the specific biography on Regine Normann, which is styled as a story, strict demands to historical references are practiced. Still the biography in its final form is dependant upon interpretation of the sources. As more general points on biography as genre the essay argues that competence within documentation is of uttermost importance for the work, as reliable historical sources are the fundament of any valid biography. The work of reference is emphasized, as the reader should have the possibility to control the factual information given. There is a demand that correct and accurate when referring to sources, and not inventing or adding information which can not be documented.It is further argued for a division line between biography writing and literary analysis, in cases wherein the biography is written on an author. For that reason, literary analysis of fictional works does not have any place in a biography, but should be published as literary research. The interpretative function of the biographer is underlined, even in a text based on historical information. In a text formed along narrative lines, as is the case with Regine Normann's life story, the narrator has the authority and power to interpret documents and formulate the text in his own manner and according to his interpretation. N.B: This article was originaly printed among the reviews of Nordlit nr. 3 and can also be found there, in its chronological place. It has been elevated by request of the author.
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Smith, Beverley J. "The Biography of Gruffudd AP Cynan: Literary Form and Historical Interpretation." Welsh History Review / Cylchgrawn Hanes Cymru 29, no. 3 (2019): 337–76. http://dx.doi.org/10.16922/whr.29.3.1.

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Karpinski, Eva C. "Hélène Cixous’s „The Exile of James Joyce”: A Biographical Limit Case." Anglica Wratislaviensia 55 (October 18, 2017): 35–45. http://dx.doi.org/10.19195/0301-7966.55.3.

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This article examines Hélène Cixous’s biographical monograph The Exile of James Joyce as a limit case of biographical praxis. Joyce’s biography is read in the context of Cixous’s own evolving personal motif of exile, revealing her autobiographical investment in becoming a writer through reading Joyce. She pushes the boundaries of the biographical genre at the intersections of autobiography, literary criticism, and biography, defying simple generic classifications and exposing the limits of conventional demarcations between the artist, the work, the biographer, and the critic. As a result, the text becomes a creative-interpretive hybrid project, where the biographical code has been displaced by focus on epistemological, psychological, and textual problems implicit in the rela­tionship between the biographer and the biographical subject. Her approach invites us to consider the following questions: How does she rewrite Joyce through her own multiple experiences of exile that she also shares with Jacques Derrida? What difference does gender make in the construction of the biographical subject as the great modernist “genius”? How does gender marginalization impact her authority as a biographer? The discussion is also framed through some larger questions concerning the aesthetic, epistemological, ethical, and political role of biography in approaching modernist literature and culture: Is biography an art or a craft? What kind of knowledge does biography generate? How far is biography a form of discursive violence and voyeurism? How can attention to affect and intimacy offer new insights into the aesthetics of the biographical genre?
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Taylor-Terlecka, Nina. "Biografia – ale jaka?" Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 48, no. 3 (2020): 23–38. http://dx.doi.org/10.36770/bp.516.

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The author discusses the problem of biography as a literary genre, as well as biographics as a form of (popular-)scientific writing. Among the analysed examples there are texts of: J. Le Goff, J. M. Rymkiewicz,J. Barker, A. Buisine, G.D. Painter and others. In conclusions the author suggests that the biography will remain selection-editorial-reduction, a form of simplification or pigeonholing. Hence, it is impossible to avoid the dilemma of whether it is to be a scientific, literary or popular work, whether to prefer the spirit or the letter of fact.
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Thompson, Mary Shine. "Literary life‐chronology: an alternative form of biography. The case of Austin Clarke." Irish Studies Review 6, no. 3 (1998): 253–62. http://dx.doi.org/10.1080/09670889808455610.

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Foulcher, Keith. "Biography, history and the Indonesian novel : Reading Salah Asuhan." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 161, no. 2 (2009): 247–68. http://dx.doi.org/10.1163/22134379-90003709.

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The novel Salah Asuhan (Wrong Upbringing), written by the Indonesian nationalist politician and journalist Abdoel Moeis, has long held an honoured place in the modern Indonesian literary canon. It was originally published in 1928 by Balai Poestaka, the Netherlands Indies government printing house, and by 1995 it had been reprinted twenty-three times. In summary form, it has been studied by generations of Indonesian schoolchildren, and in 1972 it was adapted by Asrul Sani as a successful feature film. Critics and historians of modern Indonesian literature have always regarded Salah Asuhan as a literary milestone. It is admired for the maturity of its author’s literary imagination, as well as the modernity of its language and style. In linguistic terms, it is seen as one of the pioneering literary expressions of the language which was designated as Bahasa Indonesia in the very year of the novel’s publication. It exercises an additional fascination for literary critics and historians because of the circumstances of its publication. The form in which it was originally written is now unknown, for the novel was only published after a lengthy delay and a series of revisions which the author made to the text after seeing his manuscript languish for more than a year under the scrutiny of Balai Poestaka’s editors. As a result, the original conception of Salah Asuhan remains a mystery. Indeed, it is one of the greatest puzzles in a literary history that is so full of documentary lacunae that its serious study remains a source of ongoing challenge and frustration.
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Groń, Ryszard. "Biograf Aelreda z Rievaulx i jego źródła." Vox Patrum 64 (December 15, 2015): 151–70. http://dx.doi.org/10.31743/vp.3710.

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The article was written to illustrate the difficulties we encounter when at­tempting to convey the biography of Aelred, a famous 12th century English abbot of Rievaulx. The difficulties are linked with the fact that Aelred lived in medieval times and his biography was written in the form of a hagiography. This style of writing was very popular in the middle ages and usually served to emphasize the holiness of a person’s life, i.e. to demonstrate an exemplary life of Christian vir­tues rather than as an attempt to concentrate on biographical details. The latter ra­ther served as points of reference to the person in question and were expressed in hagiographic style, i.e. with focus on models of behavior, achievements and mira­cles that fit the style, based on examples taken from the Bible and the lives of other popular saints. Written in monastic circles, such works took on the form of biogra­phies of saints and were often written to satisfy a specific cause (T.J. Heffernan). This is the type of biography we are dealing with here. When attempting to con­vey Aelred’s biography in the contemporary meaning of the term, we must first sift through its hagiographic form and supplement information contained therein with other historical and literary sources. In our case, the attempt was carried out in six points, with focus on: the primary source of Aelred of Rievaulx’s biography, Vita Aelredi (1); its author, Walter Daniel (2); the reasons why this work was writ­ten (3); its hagiographic form (4); the work’s internal sources, i.e. sources linked with the author’s own circles (5); as well as outside historical and literary sources of information concerning Aelred (6).
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Parry, R. Gwynedd. "Is legal biography really legal scholarship?" Legal Studies 30, no. 2 (2010): 208–29. http://dx.doi.org/10.1111/j.1748-121x.2009.00149.x.

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This paper examines the recent resurgence of interest in the legal biography among legal scholars. It argues that the legal biography has traditionally been treated with suspicion within the English law school due to ideological and methodological concerns about the intellectual validity and robustness of the form, and because of reservations about its true disciplinary province. Through a literary survey of legal biography, it claims a tension between intellectual and empirical approaches that parody the tension between the internal and external traditions in legal history. More recent biographies, however, have succeeded in bridging these divides and in demonstrating the potential value of legal biography in deepening our understanding of the human context of legal phenomena.
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Dissertations / Theses on the topic "Biography as literary form"

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Adams, Sean A. "Genre of Acts and collected biography." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/8759.

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This thesis argues that the best genre parallel for the Acts of the Apostles is collected biography. This conclusion is reached through an application of ancient and modern genre theory and a detailed comparison of Acts and collected biographies. Chapter 1 offers prolegomena to this study and further delineates the contours of the thesis. Chapter 2 provides an extensive history of research, not only to provide the context and rationale for the present work, but also to indicate some of the shortcomings of previous investigations and the need for this present study. Chapter 3 presents the methodological perspective for this exploration. Making use of ancient and modern genre theory, I propose that scholars need to understand genre as a dynamic and flexible system that is culturally influenced and highly adaptable. In Chapter 4 I trace the diachronic development of ancient biographies, describe different sub-divisions, and note the strong, enduring relationship between biography and history. In evaluating the development of biography as a whole, there appears to be a distinct preference by ancient biographers for collected biographies. Chapters 5 to 7 interpret Acts in light of its possible relationship with collected biographies. Chapter 5 provides a detailed comparison of the structural and content features of history, novels, collected biographies, and Acts. Overall, this chapter argues that the structural and content features of Acts are most strongly related to the genre of biography and, secondarily, to history. Chapters six and seven evaluate Acts as a modified collected biography, identifying notable similarities in content features, structure, and endings. Chapter 8 summarizes and concludes the thesis, along with a brief mention of avenues for future research. Related literary investigations, such as a list of literary topoi references in biographies, biographies referenced by Diogenes Laertius, and a full discussion of biography’s adaptability in the first century (modelled by Plutarch and Philo), are treated in appendices.
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Li, Xiangnian. "Han Wei Liu Chao zhuan ji wen xue shi gao." Shanghai : Fu dan da xue chu ban she, 1995.

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Twohill, Timothy P. Shields John C. "Multum in parvo autobiographical metis and the democratic impulse /." Normal, Ill. Illinois State University, 1998. http://wwwlib.umi.com/cr/ilstu/fullcit?p9835919.

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Thesis (Ph. D.)--Illinois State University, 1998.<br>Title from title page screen, viewed July 6, 2006. Dissertation Committee: John C. Shields (chair), Cynthia Huff, Russell K. Rutter, Ray Lewis White. Includes bibliographical references (leaves 213-226) and abstract. Also available in print.
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Lidström, Brock Malin. "Telling feminist lives : a study of biography as ideological background." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669944.

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Pelser, Abraham Christoffel. "Die literere biografie : 'n terreinverkenning /." Pretoria : [s.n.], 2001. http://upetd.up.ac.za/thesis/available/etd-08272002-142815.

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Thesis (M.A.(Afrikaans))--Universiteit van Pretoria.<br>Afrikaans text with summaries in English and Afrikaans. Includes bibliographical references (leaves 183-189). Also available on the Internet via World Wide Web.
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Hartsock, Pamela A. ""Tracing the pattern among the tangled threads" : the composition and publication history of the Autobiography of Benjamin Franklin /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9999293.

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Laporte, Yolaine. "Odélie Brisebois : biographie d'une inconnue." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59417.

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In this thesis, I have studied the elements that distinguish the biography as a literary genre. After analysing the different facets involved in the making of a biography, I have applied some theories to practical use. I chose a subject, became acquainted with the facts of this person's life, found the ideal form and produced on paper the life of a real human being. I chose to write a biography on Odelie Brisebois, a very loving and humble woman. Her seventy-seven years encompasses a period of Quebec history and life style that we will never see again.
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MacGregor, Catherine. "Writing lives of addiction: A context for literary biography and criticism." Thesis, University of Ottawa (Canada), 2000. http://hdl.handle.net/10393/9180.

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This thesis presents a series of case studies demonstrating that literary biography and literary criticism concerning writers who abused alcohol or who lived in relationships with those who abused alcohol can be enriched by an interdisciplinary appreciation of contemporary addiction theory. It begins with an overview of the various constructions of addiction to alcohol and to other substances and activities, ways of thinking about harmful dependencies which have dominated Western attitudes since the eighteenth century. It then identifies the directions current addiction research and therapy have taken and focuses particularly on the paradigm in most frequent clinical use today; that is, the understanding of alcohol addiction as a disorder not merely of the individual subject but of a constellation of codependent relationships. Literary biography has all too often either trivialized or sensationalized the addictions of writers and their families, and in doing so, has made it difficult for critics to address textual questions which could be resolved more appropriately with a sensitivity to addiction theory in general and to the circumstances of the writer's life in particular. To demonstrate that current thinking about alcoholism and codependency provides a valid way to read works by writers who were either alcoholic themselves or who lived in domestic relationships with alcoholics, it presents "case studies" from eras prior to our own and argues that authorial anxiety about alcohol abuse and addiction was not only a significant factor in the production of the texts but in the preoccupations within the works themselves in ways which repay close reading. It provides readings of well-known nineteenth and twentieth-century novels: Anne Bronte's The Tenant of Wildfell Hall, Dostoevsky's Crime and Punishment, Malcolm Lowry's Under the Volcano, and Evelyn Waugh's The Sword of Honour trilogy. In doing so, it seeks to demonstrate that anxiety about alcohol abuse in the context of marriage and parent-child relationships is a recurring and meaningful element, attention to which deepens a reader's appreciation of the writers' theme and technique and, moreover, challenges-or complements, in unexpected ways-insights from more conventional criticism.
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Wilson, Sandip LeeAnne. "Coherence and Historical understanding in children's Biography and Historical Nonfiction Literature: A Content Analysis of Selected Orbis Pictus Books." Fogler Library, University of Maine, 2001. http://www.library.umaine.edu/theses/pdf/WilsonSLA2001.pdf.

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Anderson, Karen M. "Billing below title the contested autobiographies of Frances Farmer and Louise Brooks /." Huntington, WV : [Marshall University Libraries], 2003. http://www.marshall.edu/etd/descript.asp?ref=259.

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Books on the topic "Biography as literary form"

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Biography: Fiction, fact and form. Macmillan, 1986.

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Literary biography: An introduction. Wiley-Blackwell, 2009.

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Reflections on biography. Oxford University Press, 1999.

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Lee, Hermione. Biography: A very short introduction. Oxford University Press, 2009.

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Biography: A very short introduction. Oxford University Press, 2009.

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Lee, Hermione. Biography: A very short introduction. Oxford University Press, 2009.

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Lee, Hermione. Biography: A very short introduction. Oxford University Press, 2009.

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Murray, Kendall Paul. The art of biography. Garland Pub., 1985.

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The art of biography. Norton, 1985.

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Marshall, Julian Malim. Eccles Shorrock (1827-89): his biography: An experiment in literary form. [s.n.], 1994.

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Book chapters on the topic "Biography as literary form"

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McVeigh, Jane. "Concerns about Facts and Form in Literary Biography." In A Companion to Literary Biography. John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118896433.ch8.

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Saunders, Max. "Ford, Eliot, Joyce, and the Problems of Literary Biography." In Writing the Lives of Writers. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26548-0_11.

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McHugh, Susan. "Taxidermy’s Literary Biographies." In Animal Biography. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98288-5_8.

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Kaplan, Justin. "A Culture of Biography." In The Literary Biography. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24960-2_1.

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Spender, Natasha. "Private and Public Lives." In The Literary Biography. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24960-2_12.

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Silverman, Kenneth. "Mather, Poe, Houdini." In The Literary Biography. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24960-2_13.

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Motion, Andrew. "Breaking In." In The Literary Biography. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24960-2_14.

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Curtis, Anthony. "Shilling Lives: An Interview." In The Literary Biography. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24960-2_15.

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Jacobs, Eric. "The Authorized Biographer." In The Literary Biography. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24960-2_16.

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Lewis, Margaret. "Sharing the Role: The Biographer as Sleuth." In The Literary Biography. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24960-2_17.

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Conference papers on the topic "Biography as literary form"

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Imikhelova, Svetlana. "Literary Biography Of A Writer From The Province: Challenges And Challenges." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.61.

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Zhaxi, Lajie. "Discussion on the Literary Thought of the Great Adept "Biography of Milarepa"." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.20.

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Pac'orka, E. I. "SPIRITUAL BIOGRAPHY OF F. M. DOSTOYEVSKY IN THE CONTEXT OF AXIOLOGICAL APPROACH (ON THE MATERIAL OF EGO-DOCUMENTS AND «A WRITER’S DIARY»)." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-74.

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"Literary Form and Value Responsibility in the Multimedia Era." In 2020 International Conference on Educational Science. Scholar Publishing Group, 2020. http://dx.doi.org/10.38007/proceedings.0000405.

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Isgandarova, N. R. "System of Form and Relations of Space in Literary Text." In Proceedings of the First International Volga Region Conference on Economics, Humanities and Sports (FICEHS 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/aebmr.k.200114.078.

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Anastasova, Anastasia S., and Natalya Y. Letyarina. "LITERARY EXCURSIONS AS A FORM OF EXTRACURRICULAR WORKS ON GEOGRAPHY." In Treshnikov readings – 2021 Modern geographical global picture and technology of geographic education. Ulyanovsk State Pedagogical University named after I. N. Ulyanov, 2021. http://dx.doi.org/10.33065/978-5-907216-08-2-2021-92-93.

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Demidova, Y. V. "NOTHING EXTRA: PAINTING BY JOSE ESTEBAN BASSO AS A FORM OF VISUAL COMMUNICATION." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-136.

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Pechenegova, A. L. "FLAMING AS A FORM OF VERBAL AGGRESSION ON THE INTERNET COMMUNICATION OF SCHOOLCHILDREN." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-4.

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Zhguleva, Yu A. "SEMASIOLOGICAL DICTIONARY AS A FORM OF REPRESENTATION OF THE CONCEPTOSPHERE OF THE WHITE GUARD’S CULTURE." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-21.

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Djamudi, Nadir La, Asrul Nazar, and Kosilah. "Wolio’s Oral Literary Form the Character of Millennial in Buton Islands." In 1st Borobudur International Symposium on Humanities, Economics and Social Sciences (BIS-HESS 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200529.027.

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Reports on the topic "Biography as literary form"

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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary critic is multifaceted; taking into account the specifics of the memoir genre and with the involvement of the historical context, the turning points in the destiny of the author of memoirs are interpreted, revealing cooperation with Western Ukrainian magazines and newspapers. The publications ‘Zoria’, ‘Narod’, ‘Pravda’, ‘Bukovyna’, ‘Dzvinok’, are secretly got into sub-Russian Ukraine, became for S. Efremov a spiritual basis in understanding the specifics of the national (Ukrainian) mass media, ideas of education in culture of Ukraine at the end of XIX century, its territorial integrity, and state independence. Memoirs of S. Efremov on cooperation with the iconic Galician journals ‘Notes of the Scientific Society after the name Shevchenko’ and ‘Literary-Scientific Bulletin’, testify to an important stage in the formation of the author’s worldview, the expansion of the genre boundaries of his journalism, active development as a literary critic. S. Yefremov collaborated most fruitfully and for a long time with the Literary-Scientific Bulletin, and he was impressed by the democratic position of this publication. The author’s comments reveal a long-running controversy over the publication of a review of the new edition of Kobzar and thematically related discussions around his other literary criticism, in which the talent of the demanding critic was forged. S. Efremov steadfastly defended the main principles of literary criticism: objectivity and freedom of author’s thought. The names of the allies of the Ukrainian idea L. Skochkovskyi, O. Lototskyi, O. Konyskyi, P. Zhytskyi, M. Hrushevskyi in S. Efremov’s memoirs unfold in multifaceted portrait descriptions and function as historical and cultural facts that document the pages of the author’s biography, record his activities in space and time. The results of the study give grounds to characterize S. Efremov as the first professional Ukrainian-speaking journalist.
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