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Poldjaeva, Jelena. "Arthur Lourié und Pierre Suvčinskij im Kontext der russischen Musiker-Emigration." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-224623.
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Arthur Lourié war auch in den letzten zehn Jahren noch eine legendäre Person - dank erschienener Publikationen aber weniger geheimnisvoll. Bis zum heutigen Tage erweckt er Interesse eher durch
die Farbigkeit seiner Biographie als durch die künstlerische Bedeutung seines Vermächtnisses. ... Man hat den Eindruck, daß Lourié kein Interesse am russischen musikalischen und kulturellen Leben in Berlin hatte, das 1922 bereits relativ weit entwickelt war. Sein Name taucht in der russischsprachigen Presse nicht auf, und er knüpfte keine Kontakte zu in Berlin lebenden Landsleuten. Die wahrscheinlich einzige Ausnahme war Pierre Suvčinskij.
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Poldjaeva, Jelena. "Arthur Lourié und Pierre Suvčinskij im Kontext der russischen Musiker-Emigration." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 1999. https://ul.qucosa.de/id/qucosa%3A15629.
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Arthur Lourié war auch in den letzten zehn Jahren noch eine legendäre Person - dank erschienener Publikationen aber weniger geheimnisvoll. Bis zum heutigen Tage erweckt er Interesse eher durch
die Farbigkeit seiner Biographie als durch die künstlerische Bedeutung seines Vermächtnisses. ... Man hat den Eindruck, daß Lourié kein Interesse am russischen musikalischen und kulturellen Leben in Berlin hatte, das 1922 bereits relativ weit entwickelt war. Sein Name taucht in der russischsprachigen Presse nicht auf, und er knüpfte keine Kontakte zu in Berlin lebenden Landsleuten. Die wahrscheinlich einzige Ausnahme war Pierre Suvčinskij.
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Langford, H. "John Forster as biographer : a case study in nineteenth-century biography." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1206733/.
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John Forster (1812-1876) has traditionally been glimpsed almost exclusively via his relationships with key nineteenth-century figures such as Thomas Carlyle and Charles Dickens. His biographical works can be seen as a nexus between the often conflicting positions which he occupied as a journalist, editor, literary agent and advisor, barrister, philanthropist, husband and government secretary. Forster’s biographical career is roughly divided into three periods; the early biographies (1830-1864) constituted several historiographies of key figures in the history of the long parliament, concluding in the two-volume Sir John Eliot (1864). The years 1848 to 1875 were occupied with biographies of eighteenth-century poets, novelists and dramatists, in particular Oliver Goldsmith (1848) and Jonathan Swift (1875). In the last decade of his life, Forster was diverted from these two passions by the memoirs of his friends, Walter Savage Landor (1869) and Charles Dickens (1872-4). Arising out of collaborative work with UCL and the Victoria and Albert Museum, this study centres on the National Art Library's Forster bequest. Examining and documenting in detail the materials which Forster collected and exploited to write his biographies, it explores the nature, both physical and intellectual, of Forster's library, and its importance in analysing his research and writing interests. The works are situated within the development of biography as a genre, and alongside the emerging ethos of unrestricted education and the new printing and binding technologies and techniques which were becoming available. The archive’s material elements - images, bindings, annotations, Grangerizations, the ways in which it has been curated and catalogued – form a unique documentation of standard Victorian biographical practices, and of Forster’s individualistic working habits.
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Block, Alvina. "George Flett, Native Presbyterian missionary, old philosopher/rev'd gentleman." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0006/MQ32058.pdf.
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Taylor, Georgina M. "Ground for common action, Violet McNaughton's agrarian feminism and the origins of the farm women's movement in Canada." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ26870.pdf.
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Ross, Moira. "Dr. Arthur Samuel Kendall, his life and times as a medical doctor, politician and citizen of Cape Breton Island, 1861-1944." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0023/MQ33852.pdf.
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Maupeou, Emanuele de. "Louis-Léger Vauthier : un ingenieur fouriéiste entre France et Brésil : histoire et memoire." Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20043.
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L’objectif de cette thèse est de réaliser une biographie de l’ingénieur français Louis-Léger Vauthier, de sa jeunesse à sa postériorité mémorielle. Cet ingénieur fouriériste, qui, dans les années 1840, a dirigé d’importants travaux d’urbanisme au Pernambouc, est aujourd’hui un personnage reconnu par l’historiographie brésilienne, tant pour son rôle technique que culturel. Au-delà des années passées au Brésil, Vauthier a également participé activement à la vie sociale et politique de la France tout au long du XIXe siècle, sans pour autant avoir la même visibilité. Ainsi, à partir des deux entrées principales qui ressortent de la trajectoire de vie de Vauthier, c’est-à-dire sa carrière d’ingénieur et sa trajectoire politique et intellectuelle, l’objectif est de mettre en évidence son itinéraire à partir du rôle des acteurs et donc en soulignant le réseau personnel établi par l’ingénieur durant les différentes phases de sa vie. La démarche proposée ici n’a été possible que grâce au retour du genre biographique en histoire, qui a permis aux chercheurs de remplacer le récit traditionnel, linéaire et factuel, par une biographie devenue instrument de connaissance historique. Entre histoire et mémoire, l’itinéraire de cet individu met en lumière la complexité et les contradictions internes de chacun des deux pays concernés par cette recherche, mais également des échanges entre une France bourgeoise, exportant son modèle culturel de par le monde, et un Brésil, dont l’élite aspire à la modernité tout en restant traditionnelle et esclavagisteThe purpose of this thesis is to construct a biography of the French engineer Louis Léger Vauthier from his youth until his memorial posteriority. This Fourierist engineer, who has led some major urban works in the state of Pernambuco during the 1840s, is a personage recognized by Brazilian historiography both by the technical and the cultural role he took. Beyond the years in Brazil, Vauthier was also actively involved in the social and political life of France throughout the nineteenth century, however not with the same visibility. Thus, based on those two main tracks that emerge from Vauthier’s life, i.e. his engineering career and his political and intellectual trajectory, the objective is to understand his itinerary based on the role of the actors within his personal network, established during the different phases of his life. The approach which is proposed here was only possible thanks to the return of the biographical genre in history which allows researchers to replace the traditional, linear, and factual narrative, by a biography as a historical knowledge instrument. Between history and memory, the itinerary of the individual brings some light to the complexity and to the internal contradictions of the two countries involved in this research, but also of the exchanges between a bourgeois France, exporting its cultural model to the world, and Brazil, whose elite where aspiring to modernity while remaining traditional and slaveholding
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Moser, Marie. "A book for my father." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ60064.pdf.
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Fenwick, C. Marie. "Building the future in a steady but measured pace, a political biography of Marjorie Cooper Hunt, 1902-1984." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ39139.pdf.
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Bombini, Rosilene Frederico Rocha. "O universo metalinguístico na obra de Mário Quintana : uma poética da linguagem /." Araraquara, 2013. http://hdl.handle.net/11449/102371.
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Orientador: Guacira Marcondes Machado LeiteBanca: Maria Adélia Menegazzo
Banca: Paulo Cesar Andrade da Silva
Banca: Adalberto Luis Vicente
Banca: Fabiane Renata Borsato
Resumo: Esta tese tem o objetivo de apresentar como a poesia de Mario Quintana se desenvolveu ao longo de sua carreira possibilitando o fortalecimento da consciência poética do autor. Os textos selecionados enfocam a metalinguagem presente na obra desse poeta e proporcionam o atendimento dos objetivos específicos do trabalho, como levantar aspectos da poética quintaneana, apoiando-se nas teorias da poesia moderna e de crítica literária. Além disso, reconstituir o itinerário do poeta por meio dos textos que tratam de seu ofício, analisando poemas metalinguísticos selecionados de seus livros publicados de 1940 a 1990, num total de treze obras, foi um grande desafio que se realizou ao longo do capítulo 2 desta tese. Outro importante elemento de análise foi considerar o processo de reescritura e revisão/correção dos textos como uma forma de autocrítica do próprio trabalho, o qual Quintana realizou desde o início de sua carreira como uma prática constante em busca da expressão mais adequada para seus poemas. As análises estão fundamentadas em estudos de teóricos da poesia moderna como Friedrich, Paz, Compagnon, entre outros autores que tratam especialmente da metalinguagem e da intertextualidade como Campos, Samoyault, Perrone-Moisés. São ainda referenciais importantes para o desenvolvimento deste trabalho as obras de Cândido, Barbosa e Lyra. No decorrer deste estudo foi possível reconhecer o processo de criação e as variações em torno do fazer poético por meio de análises comparativas dos textos localizados no acervo pessoal do poeta e selecionados para esse propósito. Ao final, pôde-se identificar uma teoria da poesia construída ao longo de conceitos que se modulam e buscam, cada vez mais, a precisão
Abstract: This thesis aims at presenting how the poetry of Mario Quintana developed throughout his career, allowing the strengthening of a poetic consciousness of the author. Having modern poetry and literary criticism theories as a base, the selected texts focus on the metalanguage in this poet's work and meet these thesis specific purposes, such as raising Quintana's poetic aspects. Furthermore, in chapter 2, it was a great challenge to reconstruct the poet's itinerary through texts which address his work by analyzing metalinguistic poems selected from his books published from 1940 to 1990, a total of 13 works. Another important element of the analysis was to consider the texts rewriting and revision/correction process as a self criticism of his own work, which was a constant practice Quintana had since the beginning of his career, seeking the most appropriate expression to his poems. The analyzes are based on theoretical studies of modern poetry theorists, such as Friedrich, Paz, Compagnon, among other authors who deal specially with metalanguage and intertextuality, such as Campos, Samoyault, Perrone-Moisés. Cândido, Barbosa and Lyra's works are also important references for this study development. Throughout this study, it was possible to identify the creation process and the variations in the poetry through comparative analyzes of texts found in the poet's personal collection and selected for this purpose. By the end, it was possible to identify a poetry theory constructed over concepts which modulate and seek an increasingly accuracy
Résumé: Cette thèse a pour objectif de présenter la manière dont la poésie de Mario Quintana s'est développée au long de sa carrière rendant possible le renforcement de la conscience poétique de l'auteur. Les textes sélectionnés se concentrent sur le métalangage présent dans l'oeuvre de ce poète et procurent l'accueil des objectifs spécifiques du travail, comme relever les aspects de la poétique quintanaénne, s'appuyant sur les théories de la poésie moderne et de critique littéraire. En plus, reconstituer l'itinéraire du poète au moyen des textes qui traitent de sa travail, en analysant des poèmes métalinguistiques sélectionnés dans ses livres publiés de 1940 à 1990 dans un total de treize oeuvres, a été un grand défi qui s'est réalisé au long du chapitre 2 de cette thèse. Un autre élément important d'analyse a été de considérer le processus de réécriture et de révision\correction des textes comme une forme d'autocritique du travail même, ce que Quintana a réalisé depuis le début de sa carrière comme une pratique constante de recherche de l'expression la plus adéquate pour ses poèmes. Les analyses sont fondées sur des études de théoriciens de la poésie moderne comme Friedrich, Paz, Compagnon, parmi d' autres auteurs qui traitent spécialement du métalangage et de l'intertextualité comme Campos, Samoyault, Perrone-Moisés. Les oeuvres de Cândido, Barbosa et Lyra sont des référentiels importants pour le développement de ce travail. Au long de cette étude il a été possible de reconnaître le processus de création et les variations autour du faire poétique au moyen d'analyses comparatives des textes localisés dans les archives personnelles du poète et sélectionnés dans ce but. Finalement, on peut identifier une théorie de la poésie construite au long de concepts qui s'articulent, et cherchent, toujours plus la précision
Doutor
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Bregantin, Helen Lemos. "Anita Garibaldi : a construção de uma heroína em biografias populares (1849-1999) /." Franca, 2018. http://hdl.handle.net/11449/183443.
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Orientador: Ricardo Alexandre FerreiraResumo: O presente trabalho descreve os caminhos em que a personagem histórica Anita Garibaldi percorreu se transformando em heroína, desde sua morte no ano de 1849 até o ano de 1999. O recorte percorre dois séculos, mas a visão de Anita como heroína demorou a se manifestar, percebendo-se mudanças significativas a partir de meados do século XX. O período transita pela República, a imigração dos italianos até as comemorações dos 500 anos de descobrimento do Brasil, qual é lançada a biografia de Paulo Markun, "Anita Garibaldi:uma heroína brasileira" (1999).Duas outras biografias também serão analisadas afim de compor o entendimento de Anita como heroína: "Anita Garibaldi-o perfil de uma heroína brasileira" (1975), de Wolfgang Ludwig Rau, e uma autobiografia de Giuseppe Garibaldi editada por Aelxandre Dumas "Memórias de Garibaldi" (1860). Além das biografias que contemplam momentos distintos do caminho a ser percorrido em busca de Anita - heroína, também foram analisados documentos que colaboraram para analisar o contexto, a origem da fonte e enfim, o processo de transformação da brasileira em heroína. Foram encontradas declarações de militares que lutaram do lado oposto ao casal Garibaldi, onde vangloriavam Anita e sua coragem já no século XIX. Jornais como o "Correio Mercantil" do Rio de Janeiro, "A Federação", de Porto Alegre e "Diário da tarde" de Curitiba puderam contribuir não apenas com declarações de personas, mas com obras de teatro sobre Anita, lembranças de décadas e centenár... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: The presente work describes the ways in which the historical personage Anita Garibaldi went through transforming into heroine, from her death in the year 1849 to the year 1999. The cut goes through two centuries, but the vision of Anita as a heroine was slow to manifest, perceiving sifnificant changes from the mid-twentieth century. The period passes through the Republic, the immigration of the italians until the commemorations of 500 years of discovery of Brazil, which launches the biography of Paulo Markun, "Anita Garibaldi - a brazilian heroine" (1999). Two others biographies will also be analyzed in order to compose Anita´s understanding as heroine: Anita Garibaldi (1975) by Wolfgang Ludwig Rau and an autobiography by Giuseppe Garibaldi edited by Alexandre Dumas "Memories of Garibaldi" (1860). In addition to the biographies that contemplate different moments of the journey to the traversedin search of Anita - heroine, documents that collaborate to analyze the context, the origin of the source and, finally, the transformation process of the Brazilian heroine. Military statements were found that fougth on the opposite side of the Garibaldi couple, where they boasted of Anita and her courage as early as the 19th century. Newspapers such as the "Correio Mercantil" in Rio de Janeiro, "The Federation" in Porto Alegre an "Diário da Tarde" in Curitiba were able to contribute not only to staments by people, but also to plays about Anita, memories of decades and centenarians of dea... (Complete abstract click electronic access below)
Mestre
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Dumitru, Mihaela. "Margareta Miller-Verghy ou un destin de femme-écrivain à la fin du XIXe siècle et dans la première moitié du XXe siècle." Thesis, Université Grenoble Alpes (ComUE), 2018. http://www.theses.fr/2018GREAL025/document.
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Dans la deuxième partie du XIXe siècle, les femmes qui osent écrire et publier sont encore très peu nombreuses. Face à une société qui les rejette ou qui les traite de bas bleus, elles sont à la recherche de solutions et celles qu’elles trouvent sont soit se cacher sous des apparences d‘hommes et publier sous pseudonyme, soit par contre, approfondir le féminin et écrire une littérature du moi : journal, autobiographie, roman épistolaire.Margareta Miller-Verghy (1865-1953), une écrivaine ignorée par les histoires littéraires, qui est pourtant parmi les premières écrivaines francophones roumaines, commence sa carrière littéraire en publiant sous pseudonyme. Ses romans, dont le dernier Blandina, qui paraît à titre posthume et en traduction roumaine, témoignent de cette littérature à forte dimension autobiographique. Son destin traverse deux siècles et peut être considéré comme représentatif du chemin que la femme-écrivain parcourt à partir de l’époque du mépris et de la méfiance du XIXe siècle, jusqu’à la pleine acceptation, au XXe siècle.Margareta Miller-Verghy naît à Jassy, Roumanie, mais passe son enfance et plus tard sa jeunesse à Genève, dans un milieu non seulement francophone, mais aussi multilingue. Ainsi s’explique son penchant pour les langues et son talent de traductrice qu‘elle exerce dans un premier temps en traduisant en français l’œuvre de Mihail Eminescu, le plus grand poète roumain. Après une licence en Sciences Sociales, obtenue toujours à Genève, elle devient directrice de l’Asile Elena Doamna, à Bucarest, et en cette qualité elle publie des ouvrages à contenu didactique, dont une méthode d’apprentissage du français, qui est parmi les premières de ce genre. Sa carrière d’écrivaine commence en 1883 avec une nouvelle parue sous le pseudonyme Marmil et continue par trois romans, le premier, Theano, paru en Roumanie et en France en 1919 et respectivement en 1921, le deuxième Cealaltă lumină (L’Autre Lumière), en 1944, un témoignage de l’accident à la suite duquel elle a perdu sa vue et le dernier Blandina (1980), qui est en fait le premier de ce cycle autobiographique. En dehors de cette activité dans le champ de la littérature, elle milite pour la littérature féminine, en publiant une anthologie intitulée Evoluţia scrisului feminin în România(Évolution de l’écrit féminin en Roumanie), s’intéressée aux arts, dirige pour une vingtaine d’année une institution qui organisait des projets culturels, La Maison d’Art, et exerce une importante activité charitable, surtout pendant la première guerre mondiale.La biographie de cette femme-écrivain, accompagnée par l’édition critique de son roman le plus connu constituent l’objet de la thèse que nous avons créée, mais pour que son œuvre et son activité si diverse et si complexe soient connues et appréciées par les générations futures, la recherche très laborieuse que nous avons réalisée dans les archives doit être élargie par un travail d’édition et de réédition. Continuer cette étude par une monographie, par une nouvelle édition du roman Blandine, par une édition d’œuvres nous semble un devoir pour les années à venirIn the second half of the nineteenth century, women who dare to write and publish are still very few. Faced with a society that rejects them or treats them as blue bottoms, they are looking for solutions and those they find are either to hide under the appearance of men and publish under pseudonym, to be against, deepen the feminine and write a literature of the self: journal, autobiography, novel letter writer. Margareta Miller-Verghy (1865-1953), a writer ignored by literary histories, who is among the first French-speaking Romanian writers, begins her literary career publishing under pseudonym. Her novels, including the last one, "Blandina", appear posthumous and in Romanian translation testify to this literature with a strong autobiographical dimension. Her destiny goes back two centuries and can be considered representative for the path that the female writers travel from the time of contempt and mistrust of the nineteenth century to the full acceptance in the twentieth century.Margareta Miller-Verghy was born in Jassy, Romania, but spent her childhood and later her youth in Geneva, not only in a French environment, but also in a multilingual one. This explains her penchant for foreign languages and her talent as a translator, which she makes use of when translating into French the work of Mihail Eminescu, the greatest Romanian poet. After a bachelor's degree in Social Sciences, while still in Geneva, she became director of the Elena Doamna Asylum in Bucharest and in this quality she published books with didactic content, including a method of learning French, which is among the premieres of this kind. Her writing career began in 1883 with a short story published under the pseudonym Marmil and continued with three novels, the first, Theano, published in Romania and France in 1919 and respectively in 1921, the second "Cealaltă lumină" ("The Other Light"), in 1944, a testimony of the accident in which she lost her eyesight, and the last "Blandina" (1980), which is actually the first of this autobiographical cycle. Apart from this activity in the field of literature, she advocates for women's literature, publishing an anthology entitled "Evoluția scrisului feminin în România" ("Evolution of the female writing in Romania"). She is interested in arts, directs for twenty years an institution that organizes cultural projects, The House of Art, and has a significant charitable activity, especially during the First World War.In order for her work, which is so diverse and so complex, to be known and appreciated by future generations, the very laborious research we have carried out in the archives must be expanded by editing and re-editing. To continue this study with a monography, with a new edition of the novel "Blandine", with an edition of gathered works seems to us a duty for the years to come
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Aucagne, Julie. "L'Auteur, sa vie, son oeuvre : vers une poétique de la biographie d'écrivain (France-Angleterre / 1918-1989)." Dijon, 2006. http://www.theses.fr/2006DIJOL013.
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Barnhart, Gordon Leslie. "Peace, progress and prosperity, a biography of the Hon. Walter Scott." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0012/NQ32779.pdf.
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Kyyanovska, Ljuba, and Lydia Melnik. "Anatol Wachnjanyn." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-224503.
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In meinem Beitrag wird versucht, die wichtigsten Aspekte desmannigfaltigen Erbes von Anatol Wachnjanyn zu beleuchten, ebenso wie auch die Grundlagen seiner Ästhetik und politischen Auffassungen. Vor allem soll die kurze Skizze seiner Biographie seine wichtigsten künstlerischen und politischen Leistungen herausstellen.
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Gojowy, Detlef. "Weiteres zu Arthur Lourié." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-224614.
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Werk und Person von Arthur Lourié (189..-1966) hatten im Bild der Nachwelt ihr eigentümliches Schicksal. Der Komponist, dessen Schaffensweg die scheinbar widersprüchlichsten Stationen durchlief - von einem radikalen Avantgardismus der frühen Jahre über einen skeptischen Neoklassizismus, einem frühminimalistischen Neo- Melodismus zur einer retrovertierten Rußland-Mystik - war schon für seine Mitwelt schwer ins Bild der Neuen Musik einzuordnen und zu akzeptieren.
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Bürger, Thomas. "Der Bildungsstratege." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2011. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-69763.
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Im Jahr 2011 feiern das Landesamt für Archäologie und die sächsischen Bibliotheken Preuskers 225. Geburtstag und 140. Todestag. Aus kleinsten Verhältnissen hatte er sich hochgearbeitet und schnell erkannt, wie Bildungschancen über persönliches und berufliches Glück entscheiden. So engagierte er sich für gemeinnützige Sonntagsschulen, Lesezirkel und die erste öffentliche Volksbücherei. Seiner Geburtsstadt Löbau, seinem Wirkungsort Großenhain, der Oberlausitzischen Bibliothek der Wissenschaften in Görlitz sowie der Königlichen Bibliothek in Dresden übergab er noch zu Lebzeiten seinen schriftlichen Vorlass, dem Königlichen Antikenkabinett seine umfangreiche archäologische Sammlung. Der Tag der Bibliotheken erinnert seit 1995 an Preuskers Gründung der ersten Volksbücherei am 24. Oktober 1828 und daran, dass auch im 21. Jahrhundert gemeinnütziges Handeln und kluge Bildungs- und Bibliotheksplanung notwendig sind.
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Sadeghian, Saeed. "La « fiction biographique » : une étude comparée en contexte français et iranien." Thesis, Paris 10, 2020. http://www.theses.fr/2020PA100083.
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L’écriture biographique se présente comme l’une des pratiques majeures de la littérature française contemporaine. La pratique interprétée comme une résurgence ayant pour corrélat le regain de l’individualisme et la contamination du régime présent d’historicité par une hantise du passé. L’une des multiples formes que revêt l’écriture contemporaine de vie, est la « fiction biographique » qui relie les auteurs dans leur désir de restituer la vie de l’Autre antérieur au sein des textes signalés par leur réticence à l’égard des codes de la biographie standard. Loin de ce paysage riche en expressions, la biographie a du mal à s’exprimer en littérature persane contemporaine. De cette différence découle la question de savoir les raisons qui distinguent le destin du genre biographique dans les contextes français et iranien. Pour esquisser certains éléments de réponses, cette thèse se propose à la fois une étude historique contextuelle et une comparaison sociologique intercontextuelle : la première dresse un tableau de formes des expressions biographiques en littérature persane pour tracer une ligne d’évolution ; la deuxième fournit l’occasion de rapprocher deux contextes sociaux et deux systèmes littéraires, pour parler des éléments qui soutiennent ou entravent la production biographique au-delà de la volonté auctoriale. Une analyse textuelle se charge pourtant de mettre en lumière cette dernière à travers les moyens que se donne chaque auteur pour répondre aux enjeux génériques de l’écriture biographique en régime romanesqueBiographical writing is presented as one of the major practices of contemporary French literature. A practice interpreted as a reappearance aiming to correlate the revival of individualism and the contamination of the present regime of historicity with an obsession of the past. One of the multiple forms of contemporary life writing is « biographical fiction » which links the authors in their desire to restore the life of the Other past within texts indicated by their reluctance in respect with the codes of the standard biography. Far from this rich landscape in expressions, biography could not easily be expressed in contemporary Persian literature. This difference arises the question of knowing the reasons which distinguish the fate of the biographical genre in the French and Iranian contexts. To outline some elements of the answers, this thesis proposes both a contextual historical study and an intercontextual sociological comparison: the first draws up a table of biographical expressions forms in Persian literature to draw a line of evolution; the second provides the opportunity to bring together two social contexts and two literary systems, to talk about the elements that support or hinder the biographical production beyond the auctorial ambition. However, a textual analysis is in charge of highlighting this auctorial ambition through the vehicle that each author takes to respond to the generic challenges of biographical writing in the romantic regime
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Roome, Patricia Anne. "Henrietta Muir Edwards, the journey of a Canadian feminist." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq24346.pdf.
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Bonnot, Daniel. "Charles Emmanuel Sedillot (1804-1883) : sa vie et ses oeuvres à travers ses écrits." Strasbourg 1, 1986. http://www.theses.fr/1986STR1M128.
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Thiery, Hubert. "Jean Piaubert." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040214.
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Cette thèse regroupe la biographie du peintre Jean Piaubert (1900-2002), la présentation de l’œuvre, le catalogue raisonné des ses œuvres abstraites (peintures et dessins), ainsi qu’un ensemble de documents annexesThis thesis gathers the biography of the painter Jean Piaubert (1900-2002) and the catalogue raisonné of his abstract painting and drawings
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Ryd, Gunilla. "Ténicas och estrategicas literarias en "Leonora" de Elena Poniatowska." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-18691.
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The subject of this thesis is Leonora written by Elena Poniatowska. The aim of the study is to analyze the literary technique and strategy used in constructing this book which depicts the life of a famous painter, Leonora Carrington. The analysis concentrates on two aspects: the extent of its feminist character and whether it can be classified as a fictional biography or a biographic fiction. In order to arrive at a conclusion on these issues a brief summary of literary and feminist theory is presented as well as a short description of relevant aspects of the surrealist movement. According to the author Leonora does not pretend to be a biography but rather a tribute to a great woman and artist. This esay however sustains that the book is a feminist fictional biography. In fact it builds upon books written by Carrington herself with a highly autobiographical content as well as on biographical texts. Both the author and her protoganist are well-known for their feminist stand and the analysis shows how feminist theory or thinking is reflected both on behalf on the writer as well as in the construction of the hero and certain aspects of her life that build up this biographical fiction.
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Tekcan, Rana. "The biographer and the subject a study on biographical distance." Stuttgart Ibidem-Verl, 2010. http://d-nb.info/1000247848/04.
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Lahme, Tilmann. "Golo Mann Biographie." Frankfurt, M. S. Fischer, 2006. http://d-nb.info/991717341/04.
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Roussel, Monique. "Biographie légendaire d'Achille /." Amsterdam : A. M. Hakkert, 1991. http://catalogue.bnf.fr/ark:/12148/cb355366897.
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Sander, Katherine Joan. "Johann Walter and Martin Luther, theology and music in the early lutheran church." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0001/MQ28907.pdf.
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Cameron, Ross Douglas. "Our ideal of an artist, Tom Thomson, the ideal of manhood and the creation of a national icon, 1917-1947." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq31184.pdf.
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Thomas, Susanne L. "Kenneth I. Bray, his contribution to music education." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0003/MQ32518.pdf.
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Pereira, Neto Juscelino [UNESP]. "A memória biográfica de Januário da Cunha Barbosa: uma trajetória política na corte Imperial pelas páginas da Revista do IHGB (1821-1846)." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/126315.
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000843242.pdf: 1126630 bytes, checksum: 090f72fd8fa3c82fae631c4dc41ed797 (MD5)Esta dissertação investiga a construção da memória do padre secular fluminense Januário da Cunha Barbosa (1780-1846), a partir do exame de variadas narrativas biográficas primordialmente publicadas na Revista do Instituto Histórico e Geográfico Brasileiro (IHGB). Trata-se de memoriais escritos para edificar uma memória. Mais do que isso, são memórias corporativas de um grupo de letrados, nomeadamente membros do IHGB, que dissertaram sobre a vida do fundador desta instituição projetando nele a figura ideal de um homem de letras, cuja luta se deu em vários fronts, no púlpito, na imprensa nascente, no parlamento e por fim em sua maior criação, a idealização e fundação do Instituto Histórico
This dissertation has investigated the construction of the memory of the fluminense secular priest Januário da Cunha Barbosa (1780-1946), as from the diversity of analysis of the autobiographical narrative primarily published in the journal of Instituto Histórico e Geográfico Brasileiro (IHGB). These are memorials written to educate a memory. Moreover, these are corporate memories of a group of scholars who are appointed members of IHGB, who lectured about the founder of this institution, projecting himself the ideal character of a literate's man, whose struggle occurred in several fronts, at the pulpit, at the emerging press, at the parliament, and eventually in his biggest achievement the idealization and foundation of the Instituto Histórico
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Pereira, Neto Juscelino. "A memória biográfica de Januário da Cunha Barbosa : uma trajetória política na corte Imperial pelas páginas da Revista do IHGB (1821-1846) /." Assis, 2014. http://hdl.handle.net/11449/126315.
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Orientador: Wilton Carlos Lima da SilvaBanca: Áureo Busetto
Banca: Iara Lis Franco Schiavinatto
Resumo: Esta dissertação investiga a construção da memória do padre secular fluminense Januário da Cunha Barbosa (1780-1846), a partir do exame de variadas narrativas biográficas primordialmente publicadas na Revista do Instituto Histórico e Geográfico Brasileiro (IHGB). Trata-se de memoriais escritos para edificar uma memória. Mais do que isso, são memórias corporativas de um grupo de letrados, nomeadamente membros do IHGB, que dissertaram sobre a vida do fundador desta instituição projetando nele a figura ideal de um homem de letras, cuja luta se deu em vários fronts, no púlpito, na imprensa nascente, no parlamento e por fim em sua "maior criação", a idealização e fundação do Instituto Histórico
Abstract: This dissertation has investigated the construction of the memory of the fluminense secular priest Januário da Cunha Barbosa (1780-1946), as from the diversity of analysis of the autobiographical narrative primarily published in the journal of Instituto Histórico e Geográfico Brasileiro (IHGB). These are memorials written to educate a memory. Moreover, these are corporate memories of a group of scholars who are appointed members of IHGB, who lectured about the founder of this institution, projecting himself the ideal character of a literate's man, whose struggle occurred in several fronts, at the pulpit, at the emerging press, at the parliament, and eventually in his "biggest achievement" the idealization and foundation of the Instituto Histórico
Mestre
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Giraud, Laurent. "Louis XVI au miroir des biographies romantiques /." Villeneuve-d'Ascq : Presses universitaires du septentrion, 2000. http://catalogue.bnf.fr/ark:/12148/cb372243644.
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Feth, Andrea. "Hilde Benjamin - eine Biographie /." Berlin : Berlin-Verl. Spitz, 1997. http://www.gbv.de/dms/spk/sbb/recht/toc/222374853.pdf.
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Carnell, Monique Marie. "The life and works of Maritime architect J. C. Dumaresq (1840-1906)." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1993. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq23851.pdf.
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Ostryzniuk, Natalie. "Savella Stechishin, a case study of Ukrainian-Canadian women activism in Saskatchewan, 1920-1945." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0003/MQ30531.pdf.
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Metay, Laura. "Édition critique de la correspondance de Vénérande Robichaud, 1781-1831." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ33883.pdf.
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Girard, Philip V. "Patriot jurist, Beamish Murdoch of Halifax, 1800-1876." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0010/NQ36582.pdf.
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OLIVEIRA, JÚNIOR Rômulo José Francisco de. "Antonio Silvino : de governador dos sertões a governador da detenção (1875-1944)." Universidade Federal Rural de Pernambuco, 2010. http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/4797.
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Antonio Silvino, "From Governor of backwoods to Governor of Detention" (1875-1944) is a work that came from the desire to understand who the “cangaceiro” Antonio Silvino was, from the vision of newspapers that were read by an educated class and the “cordéis” that had reached a population of little education. This study aimed to construct a biography, in which I tried to be aware of the nomination given in the documents related to the bandit, the historical context and the representations assigned to the newspapers from Recife, the public documents and the “cordéis” by Francisco das Chagas Batista and Leandro Gomes de Barros, in each stage that I described Antonio Silvino‟s life. The exercise now presented does not cover the whole subject of his biography, it would be an impossible thing to do, as well as the writing of history is an interim response about the past, and so is the biographical writing. I wanted to perform a theoretical and methodological discussion based on studies of cultural history and the construction of biographies, which are already being debated since the 1970s. This work is divided into four chapters. The first presents the historical context in which Manuel Baptista de Moraes was born, Antonio Silvino‟s real name. In the second, I analyze the actions of the bandit from 1900 on, when he takes on as the head of a gang, until his arrest in 1914. The third one is about the spectacle that was made about his arrest and on the individuals who acted on it. The fourth chapter focuses Silvino‟s routine in the Casa de Detenção in Recife, analyzing his behavior changes and his desires in jail, concluding with his freedom and the ending of his days in 1944, in the city of Campina Grande - PB. The research has shown the possibility of understanding the “cangaceiro” beyond the image of hero and villain, „cause reconstruct the fragmented life of this cangaceiro” allowed a visualization of this man from a human‟s point of view and realize that he was a man with a political nature.
Antonio Silvino : “De Governador dos Sertões a Governador da Detenção” (1875-1944) é um trabalho que surgiu do desejo de compreender quem foi o cangaceiro Antonio Silvino segundo a visão dos jornais, que eram lidos por uma classe letrada e pelos Cordéis que atingiam uma população de pouca instrução. Este trabalho teve como objetivo construir uma biografia, em que procurei estar atento à nominação dada pelos documentos que versaram sobre o cangaceiro, ao contexto histórico e às representações que lhe foram atribuídas pelos jornais recifenses, pelos documentos públicos e pelos cordéis de Francisco das Chagas Batista e Leandro Gomes de Barros, em cada fase que classifiquei da vida de Antonio Silvino. O exercício que ora apresento não abarca a totalidade do sujeito biografado, isso seria impossível de fazer, pois, assim como a escrita da história é uma resposta provisória sobre o passado, a escrita biográfica também é. Busquei realizar uma discussão teórico-metodológica pautado nos estudos da História Cultural e da construção de biografias, que já estão sendo debatidos desde a década de 1970. O trabalho está divido em quatro capítulos. No primeiro apresento o contexto histórico em que nasceu Manuel Baptista de Moraes, verdadeiro nome de Antonio Silvino. No segundo, analiso as ações do cangaceiro desde o ano 1900, quando ele assume como chefe de bando, até sua prisão em 1914. No terceiro discorro sobre a espetacularização que se fez a respeito de sua prisão e sobre os sujeitos que atuaram nela. No quarto capítulo verso sobre o cotidiano de Silvino na Casa de Detenção do Recife, analisando as suas mudanças de comportamento e seus desejos na cadeia, concluindo com a sua liberdade e o findar de seus dias no ano de 1944, na cidade de Campina Grande – PB. A pesquisa mostrou a possibilidade de compreender o cangaceiro para além da imagem de herói e bandido, pois reconstituir a fragmentada vida deste cangaceiro permitiu visualizar um sujeito do ponto de vista humano e perceber que ele foi um homem de natureza política. Palavras-Chave: Antonio Silvino, Biografia, Representações.
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Reininghaus, Karl. ""So sind die Zeichen in der Welt" : Beobachtungen zur Rezeption von eher Wenigem Friedrich Hölderlins." Phd thesis, Universität Potsdam, 2009. http://opus.kobv.de/ubp/volltexte/2009/3572/.
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Wenn in einem verbrannten Gebäude, in dem sich unliebsame Untermieter breit gemacht haben, diese damit beginnen, Stein für Stein das restliche Gemäuer abzutragen, um die verbliebenen Fenster zuzumauern, wird es Zeit, mit mehr oder weniger freundlichen Worten die Bewohner des Hauses zu verweisen, die nur verhindern, dass sich neue Besucher dem Gelände nähern. Dafür muss freilich alter und neuer Behang von den Wänden genommen werden; und eben durch die Verbannung all dessen, was nicht an diesen Ort gehört, kann ein freundliches Bild des Dichters Friedrich Hölderlin erhalten bleiben, der nicht nur poetisch, sondern auch zwischenmenschlich einigen bedeutenden Persönlichkeiten seiner Zeit im Wege stand, was ihm wohl in beiden Aspekten zum Verhängnis geworden ist, weil er sich weder verwandtschaftlich noch im Rahmen des poetischen Geschäfts gegen seine intrigante Umgebung zur Wehr zu setzen wusste.
Der etwas länger geratene Aufsatz „So sind die Zeichen in der Welt“ soll weder ein neues Heiligenbild schaffen noch einen frisch aus der Tasche gezogenen Popstar zum Liebhaben, sondern will behutsam einige Fresken des Gedankengebäudes Hölderlin für diejenigen freilegen, deren Bild des Dichters noch nicht völlig von der Vorstellung des wahnsinnig gewordenen Dichters übertüncht worden ist. Obwohl sich die Arbeit damit ganz bewusst den Hölderlin - Studien von Pierre Bertaux anschließt, setzt sie sich auch mit dieser Wahrnehmungslinie kritisch auseinander, indem sie neben biographischen Anmerkungen auch stil- und ideologiekritische Methoden einsetzt, um die manchmal unübersichtliche Quellenlage ein wenig durchsichtiger zu machen, als dies bisher der Fall ist.
Über eine solche, in Einzelheiten vielleicht unorthodox wirkende Darstellung hinaus will die Arbeit die Behandlungsmöglichkeit von Friedrich Hölderlin im Deutschunterricht des Gymnasiums nahe legen, weil selbst Jüngeres über ihn behandelt wird, das darauf hinweist, inwiefern die Marginalisierung dieses Poeten damit zu tun hat, dass er während eines langen Abschnitts der Literaturgeschichte auch dafür verantwortlich gemacht wurde, was er weder geschrieben hat noch meinte. Die Intention der Arbeit besteht insgesamt in der Vorstellung, das Gedankengut Hölderlins müsse aus dem breiten Strom einer konservativen Wahrnehmungstradition entfernt werden (zu der beispielsweise auch die dramatische Hölderlin - Bearbeitung E. Jelineks Wolken.Heim. gezählt werden kann, selbst wenn sie widerborstig gemeint sein sollte) und dieser Dichter sei als realistischer Denker zu restaurieren, der sich deshalb dem Literaturbetrieb seiner Zeit entgezogen hat, weil er, selbst der Lebensführung nach, sehr früh die Bewegungen gegen französische Aufklärung und Revolution begriffen hat – und von deren massiver Ablehnung Hölderlin bis heute getroffen wird.
Da Friedrich Hölderlin aber nicht nur ideologischer Betrachtung, Kritik und Verfälschung ausgesetzt ist, sondern auch regelmäßig Gegenstand umfangreicher biographisch - psychologischer Spekulationen darstellt, wurde dieser Aspekt nicht nur bezogen auf die Rezeptionsgeschichte untersucht, sondern am Gegenstand selbst. In diesem Zusammenhang konnte nicht nur eine bislang vernachlässigte Beziehung Hölderlins zu Sophie Mereau rekonstruiert und der Verdacht zurückgewiesen werden, es habe zur selben Zeit eine homoerotische Beziehung zu Isaak Sinclair bestanden, vielmehr gelang auch der Nachweis, dass das Verhältnis des Dichters zu Susette Gontard weder singulär noch konkurrenzlos gewesen ist, weshalb sich eine eindeutige Zuordnung dieser Frau zur poetischen Figur der Diotima verbietet. Dazu wurde einerseits der Umstand entmythologisiert, nach dem die Liebe zur Frankfurter Zeit platonisch betrieben wurde, andererseits aber diese Affaire den Verhältnissen Hölderlins zu anderen Frauen zugeordnet, mit denen sich Frau Gontard – letztlich erfolglos – dadurch auseinander zu setzen versuchte, dass sie die Rolle Diotimas okkupierte. Dabei ließ sich schließlich der Verdacht erhärten, die stabilste Bindung des Dichters an eine Frau sei die zur eigenen Schwester Heinrike gewesen, mit der bis zum Bruch von Bordeaux aus zwar unregelmäßig, aber emotional immer wieder ausufernde Briefe getauscht wurden. Es ist nicht ohne Ironie, wenn ausgerechnet im vielleicht bekanntesten Gedicht Hölderlins, der „Hälfte des Lebens“, in dem regelmäßig ein bedeutender philosophischer Entwurf gesehen wird, Rudimente eines Textes enthalten sind, der – eindeutig erotisch konnotiert – an die eigene Schwester gerichtet ist.Whenever uninvited guests occupying a house destroyed by fire start to dismantle its leftovers in order to brick the remaining windows, the time has come to expel them with more or less friendly words, since their sole purpose is to prevent new guests from approaching the premises. In order to do so, it is, of course, necessary to remove whatever hangings there might be left on the wall, both old and new, and by means of this very banishment of all which doesn’t inherently belong to the place, it is possible to retain a pleasant image of poet Friedrich Hölderlin – who may have gotten into the way for some of the more influential ones of his contemporaries not only poetically, but also in terms of interpersonal dynamics, both of which caused his eventual disaster. Neither in terms of family relationships, nor in the context of his poetic affairs was he capable of defend himself against the intrigues directed against him. „So sind die Zeichen in der Welt“ is a somewhat longer essay, which neither intends to put the poet on a pedestal, nor to create an adorable pop star. Its intention is to excavate some of the frescoes of the construct of ideas Hölderlin consists today, and to do so for those whose idea of the poet has not yet been buried entirely under the image of the poet gone insane. Although this study consciously chooses to pursuit an approach similar to the one of Pierre Bertaux, it also maintains a critical stance towards this line of interpretation by using not only biographic connotations, but also methods borrowed from the critique of ideology and style in order to make the sometimes confusing current state of source material somewhat more transparent as it has hitherto been the case. It also wants to transcend this approach, which can appear unorthodox in some respects, by suggesting ways of dealing with Friedrich Hölderlin in the curriculum of German secondary schools, which includes even newer material referring to the fact to which extent this poet’s marginalization is caused by his being held responsible for things he neither wrote nor meant during a long period of literary history. The overall intention of this study is the idea that Hölderlin’s body of thought has to be removed from the mainstream of conservative readings (including Elfriede Jelineks dramatic adaptation „Wolken. Heim.”, even if its intentions should be more recalcitrant) and that this poet has to be rehabilitated as a realist thinker who eschewed the literary “scene” of his time because he understood – and counteracted – quite early its rejection of the French Enlightenment and revolution – a rejection which has always been difficult for him to bear. Since Friedrich Hölderlin is, however, not only exposed to ideologically biased reflection, criticism and corruption, but also consists a subject of extensive biographic and psychologic speculation on a regular basis, this aspect has been researched not only with respect to the reception history of his works, but also inherently to the subject. In this context, it was not only possible to reconstruct the hitherto neglected relationship between Hölderlin and Sophie Mereau and to reject the suspicion of a simultaneous homoerotic relationship with Isaak Sinclair. It was also established that the poet’s affair with Susette Gontard was neither singular nor unrivaled, which rules out a doubtless correlation between this woman and the poetic figure of Diotima. In order to make this possible, it was necessary to both demythologize the idea of platonic love during the Frankfurt years, as well as to put this affair in context with Hölderlin’s romantic relationships with other women, which Gontard unsuccessfully tried to come to terms with by taking possession of the Diotima persona. Doing so substantiated the suspicion that the poet’s most stable bond with a woman was the one with his own sister Heinrike, with whom he had an emotionally overflowing, if unfrequent exchange of letters at least until the Bordeaux caesura. It is not without irony that “Hälfte des Lebens” of all poems – the one Hölderlin is maybe known best for and that is regularly considered a significant philosophic outline – contains fragments of a text that clearly features erotic connotations, the recipient of which is Hölderlin’s own sister.
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Silva, Ricardo Luiz Mosna da. "Trajetórias em papel e tinta: biografia e escritas autobiográficas de Carlos Lacerda (1965-1977)." reponame:Repositório Institucional da UFF, 2013. https://appdesenv.uff.br/riuff/handle/1/239.
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Em março-abril de 1964, o Brasil passou por um período de grande instabilidade e incertezas. A grande radicalização política acabou por gerar o Regime Militar que, com seus generais, governou o país pelos 21 anos seguintes. Essa dissertação analisa a rajetória de Carlos Lacerda, um dos protagonistas políticos do período, depois do golpe civil-militar de 1964, centrando-se, particularmente, em seus escritos autobiográficos e na biografia elaborada por John F. Dulles. Busca-se perceber como Lacerda construiu sua imagem perante a população e os políticos; e como a sua vida foi reelaborada por suas palavras e também as de seus biógrafos.
En Mars-Avril 1964, lê Brésil a connu période de grande instabilité et d’ incertitude. Le radicalisation politique finit para créer le regime militaire qui avec sés généraux, a gouverné lê pays par lês 21 annés suivantes. Cette thèse examine la trajectoire de Carlos Lacerda, l1un dês protagonistes politique de la période, après le coup d’ Etat civilo-militaire de 1964, em se concentrant, em particulier, sur sés écrits autobiographiques et sur elaborée par John F. Dulles. Nous chercons à comprendre comment Lacerda a construit son image auprès du public et dês politiciens, et comment as vie a été retravaillée par ses paroles et aussi lês paroles de leurs biographes.
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Lessing, Kolja. "Lisa Mahn, Felix Petyrek. Lebensbild eines "vergessenen" Komponisten, Tutzing (Hans Schneider) 1998 [Rezension]." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-222409.
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Petrauskaitė, Danutė. "Danutė Petrauskaitė, Jeronimas Kačinskas, Vilnius (Baltos Lankos) 1997 [Zusammenfassung]." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-222492.
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Mannschatz, Christian. "”... immer rin in die Kartoffeln, raus aus den Kartoffeln ...“." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-ds-1243950643167-21621.
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Vor 20 Jahren, am 29. Januar 1989, verstarb Edith Rothe. Vom Herbst 1945 bis in den Frühsommer 1951 leitete sie die Leipziger Stadtbibliothek. Als sie 1945 nach Leipzig kam, lag die Stadtbibliothek in Trümmern, die Bücher waren verbrannt oder ausgelagert. Innerhalb von fünf Jahren schaffte sie es, gemeinsam mit ihren Mitarbeitern, eine neue Stadtbibliothek aufzubauen. Doch aus politischen Gründen musste sie 1951 ihre Wirkungsstätte verlassen.
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Hamad, Asha Khamis. "Mapitio ya kitabu." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-90804.
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Guillon, Claude. "La différenciation individuelle : processus et mécanismes." Thesis, Besançon, 2012. http://www.theses.fr/2012BESA1027/document.
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L’individu développe une existence dans un contexte collectif. Il y progresse dans la durée et se différencie selon le milieu familial, son caractère, les rencontres et les influences. Un collectif est constitué d’individus différenciés. Il existe de nombreux facteurs observables qui interviennent dans la construction d’une existence : le sexe, la religion, la famille, la fratrie, la pression sociale et politique, l’économie, les revenus, la scolarisation, le physique, la psychologie, etc. Une analyse exploite 300 biographies de personnes célèbres des deux siècles passés. Des conclusions importantes sont tirées de ce travail. On mesure ensuite ce que le collectif apporte ou retire à l’individu pour construire son existence. Les variables qui caractérisent un individu sont précisées et conduisent à une formulation théorique et générale. Ce travail s’achève sur une synthèse de quatre approches récentes : géométrie fractale, sensibilité aux conditions initiales, réduction/structuration et théorie des catastrophesAn individual develops his life in a collective context, where he advances throughout his life and becomes different according to his family, his character, his meetings and influences. An individual existence which differentiates people also constitutes a collective living. There are many observable factors in a collectivity which can influence the building of this existence: sex, religion, family, brothers and sisters, physical appearance, schooling, incomes, politics or psychological state. An analysis can be done throughout three hundred biographies of the two last centuries personalities. Then, the opposite procedure will be developed to measure what collectiveness can add or substract to an individual in his own existence building. Variants that characterize a person are defined with precision, there are the basis of a theorical and general formulation. This study ends in the synthesis of four recent approaches: “fractal geometry”, sensitiveness to the initial conditions, reduction structural building and finally theory of catastrophes
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Barros, Francisca Argentina Gois. "The Art as Educative Principle: a new Biography Reading of Pedro AmÃrico de Figueiredo e Melo." Universidade Federal do CearÃ, 2006. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=514.
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Conselho Nacional de Desenvolvimento CientÃfico e TecnolÃgicoNos Ãltimos vinte anos, a produÃÃo historiogrÃfica voltada propriamente para a HistÃ-ria da EducaÃÃo Brasileira tem aumentado de forma significativa. As pesquisas mais recentes nesse campo de estudo demonstram que os educadores vÃm procedendo a revisÃes necessÃrias no trato das questÃes teÃricas e de mÃtodo. O que tambÃm se verifica com a ampliaÃÃo dos procedimentos cognitivos, da busca de novos objetos e de novos problemas, à que os historia-dores da educaÃÃo estÃo ampliando suas fontes documentais, abandonando as afirmaÃÃes exa-tas sobre o passado e o futuro e adotando cada vez mais a reflexÃo retrospectiva, a autocrÃtica, a reavaliaÃÃo das fontes, problematizando o processo de reconstruÃÃo das memÃrias para compreender o passado na sua complexidade, densidade e ambigÃidade. A elaboraÃÃo de uma nova biografia de Pedro AmÃrico de Figueiredo e Melo (1843-1905) segue este raciocÃnio e faz emergir, atravÃs da exegese dos textos literÃrios, filosÃficos e cientÃficos produzidos por ele entre 1864 e 1905, sua participaÃÃo no debate sobre a cons-truÃÃo de abordagens pedagÃgicas para o ensino da arte, da sua defesa pela disseminaÃÃo do conhecimento e do acesso da populaÃÃo brasileira à produÃÃo artÃstica nacional e internacio-nal por meio da escola pÃblica e gratuita. Por ser, ao mesmo tempo, tributÃria e credora do espÃrito da Ãpoca, a produÃÃo literÃria de Pedro AmÃrico expressa uma unidade conceitual, teÃrica, estÃtica e Ãtica que assume im-portÃncia singular no nosso cenÃrio intelectual e educacional. Desse modo, essa nova biogra-fia visa contribuir para a preservaÃÃo da memÃria da histÃria educacional brasileira na segun-da metade do sÃculo XIX.
In the last twenty years, the historiografic production directed properly toward the History of the Brazilian Education has increased of significant form. The research most recent in this field of study demonstrates that the educators come proceeding the necessary revisions in the treatment from the theoretical questions and method. What also it verifies with the magnifying of the cognitivos procedures, of the search of new objects and new problems, is that the historians of the education are extending its documentary sources, abandoning the accurate affirmations on the past and the future and adopting each time more the retrospect reflections, the autocritic, the reevaluation of the sources, problemize the process of reconstruction of the memories to understand the past in its complexity, density and ambiguity. The elaboration of a new biography of Pedro AmÃrico de Figueiredo e Melo (1843-1905) follows this reasoning and makes to emerge, through exegesis of the literary, philosophical texts and scientific produced by him between1864 and 1905, its participation in the debate enter on the construction of pedagogical boardings for the education of the art, of its defense for the dissemination of the knowledge and the access of the Brazilian population to the national and international artistic production by means of the public and gratuitous school. For being, at the same time, tributary and creditor of the spirit of the time, the literary production of Pedro AmÃrico express conceptual unit, theoretical, aesthetic and ethical that assumes singular importance in our intellectual and educational scene. In this manner, this new biography aims at to contribute for the preservation of the memory of the Brazilian educational history in the second half of XIX century.
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Morais, Deyvid Santos. "Vidas contadas: as biografias nos obituários de um jornal local." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7299.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This dissertation discusses about how the differences arise and are negotiated in the obituaries of a newspaper in Curitiba, PR. In order to do so, I am interested on the process of biographies’ production and circulation, especially how they reflect on their own moral values and group norms. The narratives that constitute these biographies depart from a game of information between the family, the journalistic production and the announcement to the public, which refer to notions of mourning, honor and tribute after death. The plots created from these narratives reveal commons axis to these trajectories. However, they are not free of tensioning as a result of disagreement possibilities, as well as the difference affirmation. Therefore, the social markers of difference are not silenced in these obituaries. They may even create discontinuities and new meanings for written biographies.
Pretendo neste estudo compreender como as diferenças surgem e são negociadas nas narrativas dos obituários de um jornal da cidade de Curitiba-PR. Para tanto, interesso-me pelos processos da produção e circulação das biografias e como estas refletem em si valores morais e normas de um grupo. Considero que as narrativas que constituem essas biografias partem de um jogo de informações entre a família, a produção jornalística e o anúncio ao público, que remetem a noções de luto, honra e homenagem diante da morte. Os enredos criados a partir dessas narrativas revelam eixos comuns para estas trajetórias, porém, não estão livres de tensionamentos como resultado das possibilidades de discordância e da afirmação da diferença. Portanto, os marcadores sociais da diferença não estão silenciados nestes obituários, podendo, inclusive, criar descontinuidades e novos sentidos para as biografias escritas.
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Bombini, Rosilene Frederico Rocha [UNESP]. "O universo metalinguístico na obra de Mário Quintana: uma poética da linguagem." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/102371.
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bombini_rfr_dr_arafcl.pdf: 1019774 bytes, checksum: 3ee83bb4bbb0e5f0b73dc471fe2a4b6d (MD5)Cette thèse a pour objectif de présenter la manière dont la poésie de Mario Quintana s‘est développée au long de sa carrière rendant possible le renforcement de la conscience poétique de l‘auteur. Les textes sélectionnés se concentrent sur le métalangage présent dans l‘oeuvre de ce poète et procurent l‘accueil des objectifs spécifiques du travail, comme relever les aspects de la poétique quintanaénne, s‘appuyant sur les théories de la poésie moderne et de critique littéraire. En plus, reconstituer l‘itinéraire du poète au moyen des textes qui traitent de sa travail, en analysant des poèmes métalinguistiques sélectionnés dans ses livres publiés de 1940 à 1990 dans un total de treize oeuvres, a été un grand défi qui s‘est réalisé au long du chapitre 2 de cette thèse. Un autre élément important d‘analyse a été de considérer le processus de réécriture et de révision\correction des textes comme une forme d‘autocritique du travail même, ce que Quintana a réalisé depuis le début de sa carrière comme une pratique constante de recherche de l‘expression la plus adéquate pour ses poèmes. Les analyses sont fondées sur des études de théoriciens de la poésie moderne comme Friedrich, Paz, Compagnon, parmi d‘ autres auteurs qui traitent spécialement du métalangage et de l‘intertextualité comme Campos, Samoyault, Perrone-Moisés. Les oeuvres de Cândido, Barbosa et Lyra sont des référentiels importants pour le développement de ce travail. Au long de cette étude il a été possible de reconnaître le processus de création et les variations autour du faire poétique au moyen d‘analyses comparatives des textes localisés dans les archives personnelles du poète et sélectionnés dans ce but. Finalement, on peut identifier une théorie de la poésie construite au long de concepts qui s‘articulent, et cherchent, toujours plus la précision
Esta tese tem o objetivo de apresentar como a poesia de Mario Quintana se desenvolveu ao longo de sua carreira possibilitando o fortalecimento da consciência poética do autor. Os textos selecionados enfocam a metalinguagem presente na obra desse poeta e proporcionam o atendimento dos objetivos específicos do trabalho, como levantar aspectos da poética quintaneana, apoiando-se nas teorias da poesia moderna e de crítica literária. Além disso, reconstituir o itinerário do poeta por meio dos textos que tratam de seu ofício, analisando poemas metalinguísticos selecionados de seus livros publicados de 1940 a 1990, num total de treze obras, foi um grande desafio que se realizou ao longo do capítulo 2 desta tese. Outro importante elemento de análise foi considerar o processo de reescritura e revisão/correção dos textos como uma forma de autocrítica do próprio trabalho, o qual Quintana realizou desde o início de sua carreira como uma prática constante em busca da expressão mais adequada para seus poemas. As análises estão fundamentadas em estudos de teóricos da poesia moderna como Friedrich, Paz, Compagnon, entre outros autores que tratam especialmente da metalinguagem e da intertextualidade como Campos, Samoyault, Perrone-Moisés. São ainda referenciais importantes para o desenvolvimento deste trabalho as obras de Cândido, Barbosa e Lyra. No decorrer deste estudo foi possível reconhecer o processo de criação e as variações em torno do fazer poético por meio de análises comparativas dos textos localizados no acervo pessoal do poeta e selecionados para esse propósito. Ao final, pôde-se identificar uma teoria da poesia construída ao longo de conceitos que se modulam e buscam, cada vez mais, a precisão
This thesis aims at presenting how the poetry of Mario Quintana developed throughout his career, allowing the strengthening of a poetic consciousness of the author. Having modern poetry and literary criticism theories as a base, the selected texts focus on the metalanguage in this poet´s work and meet these thesis specific purposes, such as raising Quintana´s poetic aspects. Furthermore, in chapter 2, it was a great challenge to reconstruct the poet´s itinerary through texts which address his work by analyzing metalinguistic poems selected from his books published from 1940 to 1990, a total of 13 works. Another important element of the analysis was to consider the texts rewriting and revision/correction process as a self criticism of his own work, which was a constant practice Quintana had since the beginning of his career, seeking the most appropriate expression to his poems. The analyzes are based on theoretical studies of modern poetry theorists, such as Friedrich, Paz, Compagnon, among other authors who deal specially with metalanguage and intertextuality, such as Campos, Samoyault, Perrone-Moisés. Cândido, Barbosa and Lyra´s works are also important references for this study development. Throughout this study, it was possible to identify the creation process and the variations in the poetry through comparative analyzes of texts found in the poet´s personal collection and selected for this purpose. By the end, it was possible to identify a poetry theory constructed over concepts which modulate and seek an increasingly accuracy
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ARAÚJO, João Paulo de Souza. "O constante desdobrar-se de "Orlando: a biography": uma leitura metaliterária." UNIVERSIDADE FEDERAL DE PERNAMBUCO, 2016. https://repositorio.ufpe.br/handle/123456789/17866.
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CAPES
Estima-se que um texto subintitulado como "uma biografia"consista na exposição da vida de um indivíduo, centrada numa determinada época e lugar, registrando sua história desde o nascimento até a morte. A escritora inglesa Virginia Woolf, no percurso de sua carreira, refletiu acerca da questão biográfica, não tomando apenas a ficção como tela para isto: dilatara o tema em ensaios como The New Biography, de 1927, e The Art of Biography, de 1932. Orlando: a Biography, na verdade obra romanesca, é publicado no ano de 1928, entre as publicações desses dois ensaioschaves para este trabalho. Orlando, personagem central da narrativa, desliza sobre mais de três séculos de história e literatura: poeta, intenta alcançar sua obra-prima, The Oak Tree; num mesmo corpo e nome, passa de homem para mulher, chocandose com a letargia dos tempos vitorianos; vai de encontro aos pudores da época em relação a gênero e sexualidade; e sua história põe em evidência, para além da realidade biográfica de Woolf, a conotação dos próprios jogos em que a escrita literária se envolve. A metaliteratura é tida em sua natureza autorreflexiva, ou seja, é a literatura dobrando-se sobre si mesma, num vasto sistema de espelhamentos. A proposta deste trabalho, então, compreende a análise de Orlando: A Biography sob o ponto de vista metaliterário, cuja ordem toma a obra como recorte primeiro da apreensão teórica e crítica do estudo. Para tanto, intenta-se uma via de acesso às teorias da literatura e da ficção nos aportes epistemológicos de Roland Barthes (1979), Michel Foucault (2001), Linda Hutcheon (1991), Gustavo Bernardo (2010); e, ao pensar nos argumentos acerca das referências críticas da obra, os textos de Hermione Lee (1999), Quentin Bell (1972) Monique Nathan (1989) e Maud Manonni (1999) foram de extrema importância.
It is believed that a text subtitled as "a biography" consistis of the the portrayal of one's life centered in a given time place,relating facts which are proven to recall his or her lifetime from origin to death. Throughout her career, British writer Virginia Woolf has reflected upon the issue of biography not only in its representation in its representation in fiction:she has broadened the theme in essays as "The New Biography"(1927), and "The Art of Biography"(1932)."Orlando:a biography",actually a novel,takes place in the year of 1928, situated between the publication of the aforementioned essays which are key to this work.Once Orlando is bom,the narrative's main character slides along more than three centuries of history and literature: being a poet, he intends to accomplish his master piece,"The Oak Tree";under one name and inside one body, he goes from men to woman; is faced with the lethargy of Victorian times; confronts the prudishness of the time regarding gender and sexuality; in addition, his story reveals,beyond Woolf's biographical reality,the connotation of the games in which literary writing is engaged. Metaliterature is taken in its self-reflective nature, that is, literature revolving around itself in a vast system of mirroring. The aim of this work, then, engenders the analysis of this novel under the scope of metaliterature. Thus, we have attempted to approach the literary and fiction theories through the epistemological contributions of Roland Barthes (1979), Michel Foucault (2001), Linda Hutcheon (1991), Gustavo Bernardo (2010); moreover, regarding the criticism of Orlando, the works of Hermione Lee (1999), Quentin Bell (1972), Monique Nathan (1989) e Maud Manonni (1999) were of utmost importance.
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Ghafoori, Ali. "Polemics in Medieval Sufi Biographies." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12127/.
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The eleventh and twelfth centuries represent a critical formative period for institutions and practices that characterized later Islam. Sufism also emerged during the same period as a distinct mode of piety that gained widespread acceptance in the aftermath of Mongol invasions in the thirteenth century. Using early Sufi biographies produced in Khorasan during that period, this study will argue that the early Sufis were not only preoccupied with locating their own tradition within the Islamic orthodoxy but also defining the contours of what constituted acceptable Islam. The sources used are predominantly Persian Sufi biographies composed in Khorasan which form the main body of historiography of Sufism.
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Schneider, Ulrich Johannes. "Das Leben im Lexikon." Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-171205.
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Was ist ein Leben? Kann man es knapp erzählen, etwa im Lexikonformat? Man hat es versucht, im 17. Jahrhundert etwa Louis Moréri in seinem 'Grand Dictionnaire Historique', der 1674 in der ersten Auflage und 1759 in der zehnten erschien. In dieser Zeitspanne publizierten auch in Deutschland mehrere Verleger, zumal in Leipzig, verstärkt biografische Lexika, von denen das größte paradoxerweise am wenigsten bekannt ist: Johann Heinrich Zedlers 'Großes vollständiges Universal-Lexicon' in 68 Folianten, ein völlig ungehobener Schatz biografischer Information.