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Journal articles on the topic 'Birthday poem'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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1

Henry, Daniel. "Birthday Poem." English Journal 77, no. 3 (1988): 88. http://dx.doi.org/10.2307/818425.

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Rekdal, Paisley. "Birthday Poem." New England Review 33, no. 2 (2012): 160–61. http://dx.doi.org/10.1353/ner.2012.0057.

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Rekdal, Paisley. "Birthday Poem." New England Review 35, no. 3 (2014): 39–40. http://dx.doi.org/10.1353/ner.2014.0122.

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Sylvan, Tola. "Birthday Poem." Ploughshares 50, no. 4 (2024): 112. https://doi.org/10.1353/plo.2024.a949449.

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Abstract: The Winter 2024–25 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares “the Triton among minnows.” The Winter 2024–25 Issue, edited by John Skoyles, features poetry and prose by Joan Silber, Timothy Liu, Pádraig Ó Tuama, Emily Fragos, Charles Baxter, Rasaq Malik Gbolahan, Malena Mörling, and more.

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Trelles, Emma. "Sparrow, and: Birthday Poem." Colorado Review 46, no. 2 (2019): 158–60. http://dx.doi.org/10.1353/col.2019.0075.

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Barnes, Jim. "Poem on His Birthday." Callaloo 17, no. 1 (1994): 247. http://dx.doi.org/10.2307/2932110.

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7

Lindberg‐Seyersted, Brita. "Sylvia Plath's “poem for a birthday”." Studia Neophilologica 62, no. 2 (1990): 151–62. http://dx.doi.org/10.1080/00393279008588048.

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8

Chu, Jonathan W. "Agápē, and: Birthday." Colorado Review 50, no. 3 (2023): 5–6. http://dx.doi.org/10.1353/col.2023.a912424.

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Abstract: “agápē” is designed as an exploration in the tension of inadequate delight. The idea that the insatiable curiosity for love remains insatiable—a selfish terror that the body cannot give what is needed, that we, in gesturing desire, lose control over ourselves completely and irremediably so. “Birthday” is a poem which unravels itself within its own grief. It refers, most cardinally, to the unshakeable pining that accompanies loss; where the body moves towards bereavement with the subconscious delusion that death is a returnable state, believing that what is ceased can be started.

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Lawler, Daniel. "Alban Berg’s contribution to the Adolf Loos Festschrift : A New Translation." Journal of Austrian Studies 57, no. 2 (2024): 107–12. http://dx.doi.org/10.1353/oas.2024.a929390.

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Abstract: Aban Berg’s poem on the occasion of Adolf Loos’s sixtieth birthday has been translated numerous times. None of these translations, however, captures the form of the poem, rather than the content, which in this case is the key to understanding the work’s meaning. An introduction elaborates these ideas, followed by a new translation incorporating them.

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Stokes, Christopher. "Amelia Opie's Lemaistre Sequence and the Romantic Occasional Poem." Romanticism 27, no. 2 (2021): 201–13. http://dx.doi.org/10.3366/rom.2021.0509.

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The occasional poem was one of the most commonly and diversely used Romantic genres, especially in informal and sociable modalities, yet is almost entirely marginalised in scholarship. This essay uses the reflexivity of Amelia Opie's sequence of birthday poems to Elizabeth Lemaistre (1815–44) to examine the dynamics of occasionality. Precisely because Opie must repeat the occasion across the sequence, the poetics of occasionality are clarified: each poem exists as a single dated action but also part of an ongoing work. This reflexive tension between the poem's character as act and text is expl

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Van Remoortel, Marianne. "CHRISTINA ROSSETTI AND THE ECONOMICS OF PUBLICATION: MACMILLAN'S MAGAZINE, “A BIRTHDAY,” AND BEYOND." Victorian Literature and Culture 41, no. 4 (2013): 711–26. http://dx.doi.org/10.1017/s1060150313000181.

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Impelled to seek relief from a “peccant chest” (L233) at the seaside, Christina Rossetti travelled to Hastings in December 1864, taking a carefully wrapped bundle of unfinished manuscript poetry with her. Throughout the winter until the following March, a series of letters to Cheyne Walk kept her brother Dante Gabriel abreast not only of her gradual recovery, but also of her efforts to complete her second book of poetry, two years after she had made a successful debut with Goblin Market. Shortly after her arrival, Rossetti reported that she was struggling to finish “The Prince's Progress,” the

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Malamud, Martha A. "Happy Birthday, Dead Lucan: (P)Raising the Dead in Silvae 2.7." Ramus 24, no. 1 (1995): 1–30. http://dx.doi.org/10.1017/s0048671x00002290.

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In the conclusion to his ground-breaking study of the relationship between Latin literature and politics in the age of Nero, J.P. Sullivan looked forward to the literature of the Flavian period, offering a broad survey of the leading writers and their political and literary affiliations. His portrait of Statius, written with his typical wit, is distinctly unappealing:But it is to Statius'Silvaeand to ten books of Martial's epigrams that the fastidiously curious turn to discover the sort of praise that the latest and last heir of the Flavian house, though not the modern reader, would find conge

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Scheitler, Irmgard. "Neujahrsgeschenk mit Gesang." Artes 2, no. 1 (2023): 60–92. http://dx.doi.org/10.30965/27727629-20230003.

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Abstract At the turn of the year 1623/24, Martin Opitz published the Song of praise about the joyous birthday of our Lord and Saviour Jesus Christ in German Alexandrine verse. Being a gift for the New Year the work combines high erudition with a very personal stance. The poem concludes with a Latin Sapphic ode which derives its full meaning from the intended well-known melody. Amazingly many poets copied Opitz in writing epic-dramatic poems including song(s) as New Year’s dedication; they imitated his motifs and even his title by way of aemulatio. When Opitz’ tendency towards dramatic represen

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Gacia, Tadeusz. "De vita et studiis viri septuagenarii Adalberti Stawiszyński commentatio cum versibus elegiacis in honorem eius adnexis." Vox Patrum 79 (September 15, 2021): 15–22. http://dx.doi.org/10.31743/vp.12183.

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The article, written in Latin, contains a biography of Wojciech Stawiszyński, a prominent underground activist during the Solidarity period, and a presentation of the publishing and scientific achievements of the creator of patristic bibliographies, indexes and reviews. The evaluation content is present in the acquis briefs. The study takes the form of a laudation on the occasion of the 70th birthday of the jubilarian. The study ends with a 22-line Latin poem in elegiac meter, written by the author in honor of the jubilarian, dedicated to him.

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ZENGİN, Mevlude. "Bir Hekime Minnettarlığın İfadesi Olarak Şiir: Robert Bloomfield'ın İmmünolojinin Babası Doktor Edward Jenner İçin Yazdığı “Türkü”." Gaziantep University Journal of Social Sciences 21, no. 3 (2022): 1378–88. http://dx.doi.org/10.21547/jss.1071766.

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In human medical and social history, one can encounter the deaths of hundreds, thousands or even millions of people caused by either deadly viruses or other worst diseases prevalent in a whole country or the world. Pandemic diseases are also the cause of many deaths as we experience in today’s world. Today we experience an unprecedented pandemic due to a corona virus called Covid-19, which has caused the deaths of an estimated five million people till now. In the world’s history, we have also observed that people have produced songs, poems, and other literary or artworks to alleviate the chall

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White, Norman. "Hopkins's Poem ‘Morning, Midday, and Evening Sacrifice’ and R. W. Dixon's The Bible Birthday Book." Notes and Queries 39, no. 2 (1992): 184–85. http://dx.doi.org/10.1093/nq/39.2.184.

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Probstein, Ian. "European and Russian Literature and the Poets of the Second American Avant-Guard / The New York School." Literature of the Americas, no. 12 (2022): 51–65. http://dx.doi.org/10.22455/2541-7894-2022-12-51-65.

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The article explores the influence of European and Russian Literature on the poets of the Second American Avant-Gard and The New York School, as was coined by John Myers, the artistic director of the Tibor de Nagy Gallery, as David Lehman stated in The Last Avant- Garde. The Making of New York School of Poets [Lehman 1999: 24–25]. The paper mainly focuses on the work of the first generation of the New York School: John Ashbery (1927–2017), Frank O’Hara (1926–1966), Kenneth Koch (1925–2002), and James Schuyler (1923–1991), who edited the first and the last issues of the literary magazine Locus

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Muhammad Rizqi Fatahilah, Suci Ika Pujowati, and Heru Widhi Handayani. "Analisis Struktur Batin Pada Puisi Selamat Ulang Tahun Buku Karya Joko Pinurbo." Jurnal Sadewa : Publikasi Ilmu Pendidikan, pembelajaran dan Ilmu Sosial 2, no. 2 (2024): 115–19. http://dx.doi.org/10.61132/sadewa.v2i2.748.

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Poetry is one of the most interesting forms of literary work but is full of meaning. Poetry is a medium for conveying feelings and ideas with beautiful words. Poetry as a meaningful aesthetic work is also a recording and interpretation of human experience composed in the most memorable form. Poetry can make us laugh, cry, smile, think, reflect, be moved and even get emotional and angry. Until now, poetry can be an illustration of the cultural progress of society. How the writer of the poem views his world is a real picture of the culture that surrounds him. Because the progress of society from

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Rai, Jiwan Kumar. "Constructing the Discourse of Marginalised Ethnic Community in Rai's Fire Cares not its Birthday Anniversary." JODEM: Journal of Language and Literature 10, no. 1 (2019): 63–76. http://dx.doi.org/10.3126/jodem.v10i1.30399.

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The decade of 2010s is very crucial in literary creation, particularly poetry writing in Nepali literature because the trend of writing shifted to the representation of marginalised people and their “culture as whole way of life” (qtd in During 2). Mainly the indigenous poets are concerned to the issues of marginalised indigenous people. Bhupal Rai's collection of poem Fire Cares not Its Birthday Anniversary falls in the same trend that deconstructs the cultural discourses of the state power and reconstructs the discourse of the indigenous people. In this context, this study aims to find out t

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Quak, Arend. "Korrespondenz zwischen A. G. van Hamel und drei isländische Gelehrten." Amsterdamer Beiträge zur älteren Germanistik 78, no. 2-3 (2018): 336–72. http://dx.doi.org/10.1163/18756719-12340122.

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AbstractThe University Library in Utrecht holds photocopies of 19 letters by the Dutch celtologist A. G. van Hamel (1886–1945) to Icelandic friends. The originals lay in the Landsbókasafn in Reykjavík. The first letter is written in English and concerns the preparations of van Hamel’s second trip to Iceland in 1929. All other letters are in Icelandic. A few letters concern the poem van Hamel composed in commemoration of Iceland’s 1000th birthday in 1930. The other letters (from 1929 to 1937) concern van Hamel’s membership of the Íslenzkt Bókmenntafélag and the exchange of scholars and books be

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Shtolko, Maryna. "A retrospection in the poem “Doroshenko” by I. Kalynets." LITERARY PROCESS: methodology, names, trends, no. 23 (2024): 74–79. http://dx.doi.org/10.28925/2412-2475.2024.23.8.

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In the poem “Doroshenko”, Iryna Kalynets actualises both the issue of the struggle for territorial unity and the disclosure of the problems of social inequality as one of the sources of disagreement between people. The article considers the historical events of Ruina and the image of Petro Doroshenko as interpreted by the Ukrainian poetess Iryna Kalynets. The analysis of the author’s interpretation of the historical personality from the historical and family points of view was carried out. Ity could be argued that the historical events of the 17th century resonate with events of our time. The

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22

Hammond, Matthew. "Huddersfield Contemporary Music Festival: 21–23 November 2014." Tempo 69, no. 272 (2015): 63–65. http://dx.doi.org/10.1017/s0040298214001077.

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hcmf// 2014 kicked off with a typically tough and knotty concert from Petr Kotik's chamber orchestra Ostravská banda, who performed a collection of UK premieres for small ensemble by Christian Wolff, three Czech composers and another American. The concert was billed as a tribute to Wolff, who was in attendance and who celebrates his eightieth birthday this year, and this acknowledgement of his status as one of the few remaining high modernists allowed the festival to begin with a celebration of the music with which it has been most closely associated. First up was Wolff's 37 Haiku, a setting o

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23

Kozak, Barbara. "KIM JEST AMFINOGEN KRYŻANOWSKI – TAJEMNICZY MNICH Z SATYRY SYMEONA Z POŁOCKA." Acta Neophilologica 1, no. XXI (2019): 69–79. http://dx.doi.org/10.31648/an.4363.

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Morality pieces belong to the mainstream of baroque poetry. This genre was frequently and aptly exploited by Symeon of Polotsk. In one of his works he turned his verse into a shrewd satire dressed up as birthday wishes to a mysterious clergyman. The monk, Amfinogen Kryżanowski was a real figure and, according to scarce historical sources, he made himself known mostly owing to the wicked ways in which he conducted himself. Symeon of Polotsk directed the sword of his satire at him, incensed by the fact that Kryżanowski smeared Peter Mogila, Symeon’s beloved tutor and mentor at the Kiev Academy.

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YANKOVSKA, Zhanna, and Liudmyla SOROCHUK. ""KNOW YOURSELF": NATIONAL-PHILOSOPHICAL MEANING OF PAVLO TYCHINA'S POEM-SYMPHONY «SKOVORODA»." Almanac of Ukrainian Studies, no. 31 (2022): 58–65. http://dx.doi.org/10.17721/2520-2626/2022.31.8.

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Honoring the memory of Hryhoriy Savych Skovoroda in the anniversary year of his birthday, we can talk about the eternal, inexhaustible potential of his creativity and ideas, which are endowed with the category of timeless, gaining new meanings in every era for almost three centuries. The life and philosophical and literary heritage of H. Skovoroda (which are complementary in terms of content, because he included reflections on the meaning of life in his works) have been repeatedly studied by scientists from different points of view. They became the subject of understanding in the literary and

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Yudkoff, Sunny S. "Growing Old in Yiddish Modernism: The Case of the Young Yankev Glatshteyn." Comparative Literature 74, no. 1 (2022): 52–72. http://dx.doi.org/10.1215/00104124-9434511.

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Abstract This article examines the intersection of the Yiddish modernist Yankev Glatshteyn’s poetics of old age with the cultural politics of language. Specifically, the article draws on Robert Pogue Harrison’s concept of “heterochronicity”—the ability to embody many ages at once—to investigate how a young Yiddish poet textualized old age and age ambiguity in his early work. To do so, the article first investigates the cultural assumptions concerning age in European Yiddish writing circulating toward the end of the nineteenth century and the beginning of the twentieth. It then turns to Glatsht

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Siedina, Giovanna. "Panegyric praise of for Yoasaf Krokovskyi." Слово і Час, no. 3 (May 26, 2020): 65–90. http://dx.doi.org/10.33608/0236-1477.2020.03.65-90.

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The author analyzes a long and complex panegyric poem dedicated to Yoasaf Krokovskyi, a key figure in Ukrainian cultural life and Orthodox Church of the late 17th — early 18th centuries (he was elevated to the three prominent Orthodox ecclesiastical posts in the Hetmanate: rector of the Kyiv Mohyla Collegium, archimandrite of the Kyivan Cave Monastery, and metropolitan). The poem was written in 1699 when Krokovskyi held the post of the Kyivan Cave Monastery archimandrite. Since the main goal of poetry at the time was contributing to the education of pious men and loyal subjects, panegyric poet

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Kuzub, A. V., and V. A. Sukhanov. "Epistolary poetry in Joseph Brodsky’s English verses: “For Sara Jangfeldt on her 13th Birthday” in the context of poetical bilingualism." Sibirskiy filologicheskiy zhurnal, no. 3 (2020): 128–41. http://dx.doi.org/10.17223/18137083/72/10.

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The paper focuses on Joseph Brodsky’s original English verse “For Sara Jangfeldt, on her 13th Birthday” (1989). The analysis reveals different aspects of Brodsky’s poetical thinking. Although Brodsky’s English poetry is a huge part of his literary legacy, it has not yet been studied enough and needs to be analyzed in order to clarify his aesthetic principles. The paper addresses the semantics of epistolary poetry, considering the verse “For Sara…” as one of the most revealing texts of the genre. A detailed analysis of the poem (object of portrayal, nature of poetical introspection, lyric chara

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Mojzísová, Olga. "Smetana and Shakespeare." Musicalia 9, no. 1-2 (2017): 57–80. http://dx.doi.org/10.1515/muscz-2017-0009.

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Abstract This study deals with Bedrich Smetanas encounters with the legacy of William Shakespeare. The introduction is devoted to Smetana’s participation at the celebration of Shakespeare’s 300th birthday in 1864, at which he took part in the organization and dramaturgy as a conductor and a composer. The next part deals with the possible sources of Smetana’s knowledge of Shakespeare’s plays, followed by compositions inspired by specific dramas. It describes the circumstances of the genesis of the symphonic poem Richard III and of the piano composition Macbeth and Smetana’s conception of those

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Langslow, D. R. "A punning reminiscence of Vergil, Ecl. 10.75–7 in Horace, Epist. 1.5.28–9." Classical Quarterly 45, no. 1 (1995): 256–60. http://dx.doi.org/10.1017/s0009838800041926.

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The fifth poem in Horace's first book of Epistles takes the form of an invitation to Torquatus to attend a dinner which the poet is preparing for that evening, the eveof the Emperor's birthday (line 9 eras nato Caesare). The fare will be simple but Horace will see to it that the furnishings, napkins, vessels and plates will be clean and bright and that the company and the seating-plan will be to Torquatus’ taste (21–6). Horace will get Butra and Septicius to be there, and Sabinus, too, as long as he is not kept away by a prior dinner engagement or by a girl he'd rather spend the evening with.

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Левицька, Оксана. "Пророкувати зі сцени: огляд сценічних адаптацій драматичної поеми Лесі Українки «Кассандра»". Волинь філологічна: текст і контекст, № 37 (3 грудня 2024): 135–58. https://doi.org/10.29038/2304-9383.2024-37/lev.

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A myth about lack of stageability has long been surrounding Lesya Ukrainka’s dramatic texts, including Cassandra. This sentiment has been echoed frequently and in different contexts – from the first literary critics to contemporary stage directors and theatre critics. Nonetheless, at the turn of the first and second decades of the 21st century, almost 100 years after it was written, Cassandra appears to be one of the most productive texts for understanding Ukrainian history and modernity. The article aims to provide an overview of the theatrical adaptations of Lesya Ukrainka’s dramatic poem Ca

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Vardi, Amiel D. "An anthology of early Latin epigrams? A ghost reconsidered." Classical Quarterly 50, no. 1 (2000): 147–58. http://dx.doi.org/10.1093/cq/50.1.147.

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In Book 19, chapter 9 of the Nodes Atticae Gellius describes the birthday party of a young Greek of equestrian rank at which a group of professional singers entertained the guests by performing poems by Anacreon, Sappho, ‘et poetarum quoque recentium ⋯λεγεῖα quaedam erotica’ (4). After the singing, Gellius goes on, some of the Greek συμπόται present challenged Roman achievements in erotic poetry, excepting only Catullus and Calvus, and criticized in particular Laevius, Hortensius, Cinna, and Memmius. Rising to meet this charge, Gellius’ teacher of rhetoric, Antonius Julianus, admits the superi

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Safitri, Rahmahani Nur, and Nurul Maisyal. "Living Hadith in the Tekuinan Tradition: Study at the Al Munawar Mosque, Kejambon Village, Tegal City." AQWAL Journal of Qur'an and Hadis Studies 3, no. 1 (2022): 30–41. http://dx.doi.org/10.28918/aqwal.v3i1.5773.

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Maulid Nabi is one of the most developed traditions in Indonesian society. Almost all regions have their own characteristics in the tradition of celebrating the Prophet's Maulid. The celebration of the Prophet's Maulid in various regions is held every 12 Rabiul Awwal as gratitude for the birth of the Prophet. However, there is something unique about one of the traditions in Tegal, namely the Tekuinan Tradition. This tradition aims to welcome the birthday of the Prophet, but its implementation is not on the 12th but on the 8th of Rabiul Awwal. In fact, this tradition also has its own meaning fo

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Richmond, J. A., Susanna Morton Braund, and Roland Mayer. "Amor: Roma. Love and Latin Literature: Eleven Essays (And One Poem) by Former Research Students Presented to E. J. Kenney on His Seventy-Fifth Birthday." Classics Ireland 8 (2001): 165. http://dx.doi.org/10.2307/25528394.

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Jarina, Jarina, Normuslim Normuslim, and Asmawati Asmawati. "NILAI-NILAI PENDIDIKAN ISLAM DALAM BUDAYA BATUYANG MAULID MASYARAKAT SUKU BAKUMPAI DI KELURAHAN JAMBU KABUPATEN BARITO UTARA." Jurnal Bilqolam Pendidikan Islam 6, no. 1 (2025): 74–97. https://doi.org/10.51672/jbpi.v6i1.563.

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One of the cultures of the Bakumpai tribe is Batuyang Maulid, which is a procession of maayun anak which is carried out together in the Mosque in the month of Rabiul Awal during the celebration of the Prophet's Birthday. In the implementation of Batuyang Maulid there are various rituals and Islamic educational values in it. However, along with the development of the era and the entry of various external influences, there are concerns that the Batuyang Maulid culture will fade. This can have an impact on reducing the understanding of the younger generation towards Islamic teachings contained

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Im, Ji-Yeon. "A Study on the Active Role of Poetic Subject in Healing Sewol ferry Trauma : Focused on Sewol Ferry ‘Birthday Poem’ : Focusing on the Myth of Dangun and the Myth of Jumong." Society of Korean Literary Therapy 61 (October 31, 2021): 211–39. http://dx.doi.org/10.20907/kslt.2021.61.211.

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CHILD, PAUL. "Birthday Poems for Julia." Gastronomica 5, no. 3 (2005): 3–7. http://dx.doi.org/10.1525/gfc.2005.5.3.3.

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37

Lamonova, Oksana. "Works by Andrii Levytskyi for the “Homage à trois” Project (Barcelona, Spain)." Folk art and ethnology, no. 1 (March 30, 2024): 50–56. http://dx.doi.org/10.15407/nte2024.01.050.

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Andrii Levytskyi is a well-known Kyivan graphic artist, a recognized master of gravure printing (intaglio). The artist has been participating regularly in the “Homage à trois” (Tribute to Three) project, which takes place in Barcelona (Spain) on the initiative of the Duana de les Arts – AIDA International Association – since 2021. Only masters of graphic art can participate in the project. It should commemorate three literary figures on the occasion of their birthday anniversaries, and the artists should choose at least two of the three proposed personalities. Intaglio 2021, satisfying the con

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Hugo, Daniel. "A Poet for All Seasons." Werkwinkel 9, no. 2 (2014): 11–16. http://dx.doi.org/10.2478/werk-2014-0009.

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Abstract This is a translation of a general introduction to an anthology of poetry by Olga Kirsch. Major themes and motifs of her work are outlined, as well as a short biography of the authoress is presented. The selection from the poems of Olga Kirsch was published to celebrate her 70th birthday on 23rd of September 1994 as Nou spreek ek weer bekendes aan: ’n Keur 1944-1983 [Now I’m Again Addressing Familiar Ones: A Selection 1944-1983]. For the purposes of the translation the ending of the original introduction has been altered.

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Головчинер, Валентина Егоровна. "FUNCTIONS OF THE COMICAL IN THE NON-COMICAL WORK “FOR THE JUBILEE” BY VLADIMIR MAYAKOVSKY, OR “AFTER DEATH SHALL WE STAND ALMOST NEARBY: YOU UNDER PI, AND I UNDER EM…”." Tomsk state pedagogical university bulletin, no. 5(211) (September 7, 2020): 164–73. http://dx.doi.org/10.23951/1609-624x-2020-5-164-173.

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Введение. Впервые предпринятое исследование лирического сюжета «Юбилейного» ведет к пониманию произведения как поэмы, обнаруживает в ее основании динамику преодоления тяжелейшего душевного состояния героя в процессе виртуального ночного общения с Пушкиным перед памятником ему на Тверском бульваре. Цель работы определяется необходимостью выявления внутренних координат самоидентификации героя – главных линий лирического сюжета, мотивов, их определяющих, смены импульсов-тем в монологе, а также компонентов и приемов комического. Методология исследования определяется комплексом историко-генетическо

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Asonova, E. "Set of Birthday Cards: Modern Books that Give Poems." Children's Readings: Studies in Children's Literature 13, no. 1 (2018): 325–33. http://dx.doi.org/10.31860/2304-5817-2018-1-13-325-333.

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Forler, Christian, Eik List, Stefan Lucks, and Jakob Wenzel. "POEx: A beyond-birthday-bound-secure on-line cipher." Cryptography and Communications 10, no. 1 (2017): 177–93. http://dx.doi.org/10.1007/s12095-017-0250-9.

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Muhari Rahman, Tuty Maryati, and I Wayan Pardi. "Nilai-Nilai Toleransi Pada Perayaan Maulid Nabi Di Desa Tegallinggah, Sukasada, Buleleng Bali Dan Potensinya Sebagai Sumber Belajar Sejarah." Widya Winayata : Jurnal Pendidikan Sejarah 11, no. 3 (2023): 244–55. http://dx.doi.org/10.23887/jjps.v11i3.64236.

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This study aims to find out that: (1) the Celebration of the Prophet Muhammad's Birthday inTegallinggah Village (2) the uniqueness of the Prophet Muhammad's Birthday Celebration inTegallinggah Village (3) The values contained in the Prophet Muhammad's Birthday whichcan be used as a source of learning History. The method used in this research is to use adescriptive qualitative research method. This descriptive qualitative research methodemphasizes a quality of research. There are 3 steps used in this descriptive qualitative research,namely observation, interview and document study. The results

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Michelsen, William. "Om Guds datter i folkehøjskolen." Grundtvig-Studier 43, no. 1 (1992): 124–29. http://dx.doi.org/10.7146/grs.v43i1.16085.

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About God’s Daughter in the Folk High SchoolMidt i Højskolen (In the Middle of the Folk High School). An anthology published on the occasion of the 100th anniversary of the Association of Folk High Schools. Edited by Else Marie Boyhus. Gyldendal\ 1991. 269 pp.By William MichelsenThis beautiful book, introduced by the chairman of the Association, Ove Korsgaard, with a description of the development undergone by the folk high school movement since 1961, when the book »The Folk High School under Debate« was published, ends with an article by Ejvind Larsen, »The mysticism of popular democracy«, wh

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Palumbo, David M. "Death Becomes Her: Figuration and Decay in Swift’s “Birthday Poems” to Stella." Eighteenth Century 51, no. 4 (2010): 431–50. http://dx.doi.org/10.1353/ecy.2010.a407351.

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Winterbottom, Michael. "S. Morton Braund, R. Mayer (edd.): amor: roma Love and Latin Literature. Eleven Essays (and One Poem) by Former Research Students Presented to E. J. Kenney on his Seventy-Fifth Birthday. (Cambridge Philological Society Supplementary Volume 22.) Pp. 208, 2 ills. Cambridge: Cambridge Philological Society, 1999. Paper. ISBN: 0-906014-19-0." Classical Review 50, no. 1 (2000): 311–12. http://dx.doi.org/10.1017/s0009840x00760021.

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Venn, Edward. "SERENADES AND ELEGIES: THE RECENT MUSIC OF HUGH WOOD — PART II." Tempo 59, no. 233 (2005): 26–37. http://dx.doi.org/10.1017/s0040298205000215.

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Geoffrey Hill's latest book of poems, Scenes from Comus, borrows its title from Wood's op. 6, and is dedicated to the composer for his seventieth birthday. The two men have been friends for many years and are exact contemporaries: for the poet's seventieth birthday, Wood wrote a vocal-instrumental setting of Hill's Tenebrae. This interchange between poet and musician highlights Wood's abiding concern with poets and poetry, and particularly English verse of the 20th century. He has described this repertoire as ‘a treasure-house, and our poets continue to produce good lyric poetry to this day: i

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Schiff, David. "Keeping up with Carter." Tempo, no. 214 (October 2000): 2–6. http://dx.doi.org/10.1017/s0040298200008019.

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What next indeed! Since his 90th birthday in December 1998, Elliott Carter has turned out a stream of works that are as personal and inventive as ever – if not more so. In addition to significant miniatures for solo piano, solo violin and string quartet, Carter has written his first settings of Italian poems (Tempo e tempi), his first concerto grosso (Askö Concerto) and, most surprising of all, his first opera, What Next? with a libretto by Paul Griffiths. (And a Cello Concerto – for Yo-yo Ma – is well underway.)

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Koroleva, Inna A. "Smolensk Proper Names in A.T. Tvardovsky’s Poems." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 6 (December 15, 2020): 54–62. http://dx.doi.org/10.37482/2687-1505-v063.

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This article is dedicated to the 110th birthday anniversary of a great Russian poet, native of Smolensk, one of the founders of the Smolensk Poetic School Aleksandr Tvardovsky (1910–1971). It examines how Smolensk motifs and Tvardovsky’s love for his home town are reflected in his works at the onomastic level. Smolensk-onyms reflected in long poems are analysed here, the focus being on anthroponyms and toponyms naming the characters and indicating the locations associated with Smolensk region. A close connection between the choice of proper names and Tvardovsky’s biography is established. An a

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Lowenthal, Jeremy. "The Sound of the Reel in Ted Hughes's Birthday Letters." Poetics Today 44, no. 3 (2023): 379–407. http://dx.doi.org/10.1215/03335372-10578485.

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Abstract This article presents a mediacentric reading of the autobiographical-lyric (auto-lyric) sound structures of Ted Hughes's 1998 poetry collection Birthday Letters, which broke his decades-long silence on the controversies surrounding his life with and after Sylvia Plath. It explores how Hughes's poems of bereavement adapt the media logics of film, tape, record, and radio not only to understand trauma's complex psychology but also to textually remediate his lost connection with his beloved dead. Rendering Hughes's traumas audible by way of phonotextual analysis, this essay ultimately for

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Murtazina, Lyalya R. "Scientist, poet, teacher of the Crimea and Tatarstan (on the 115th birthday of Kerim Jamanakli)." Crimean Historical Review, no. 1 (2020): 94–99. http://dx.doi.org/10.22378/kio.2020.1.94-99.

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The article discusses certain moments of Tatarstan period of life and work of the famous Crimean Tatar scientist, poet and teacher Kerim Jamanakli. He made a great contribution to the development of literature and pedagogy of the Crimean Tatars and Kazan Tatars. The article describes the activities of Kerim Jamanakli in training teachers for national schools of Tatarstan. The last 20 years of his life he taught at the Elabuga Pedagogical Institute.

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