Relevant bibliographies by topics / Bizarro

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  2. Dissertations / Theses
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  4. Book chapters
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Academic literature on the topic 'Bizarro'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 March 2023

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Journal articles on the topic "Bizarro"

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Pimentel, Giuliano Gomes de Assis. "Lazer bizarro: abertura à manifestação do extraordiário na vida." MOTRICIDADES: Revista da Sociedade de Pesquisa Qualitativa em Motricidade Humana 6, no. 1 (April 28, 2022): 63–73. http://dx.doi.org/10.29181/2594-6463-2022-v6-n1-p63-73.

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Lazer bizarro: abertura à manifestação do extraordiário na vida ResumoSer no mundo é uma condição para a motricidade humana. E uma das dimensões que qualificam a ação intencional de transcendência é o lazer, seja ele canônico ou desviante. Como o lazer é uma prática social, é possível encontrar no cotidiano formas de fruição consideradas bizarras. No presente ensaio, interpreto significados afeitos ao lazer bizarro a partir de análise qualitativa de uma secção jornalística que reporta fatos considerados bizarros. As matérias situam as práticas bizarras em três significados concorrentes: positivada, ambígua e desviante. Entre as considerações, proponho que tais manifestações extraordinárias, socialmente marginalizadas ou não convencionais sejam lidas - em essência - como experiências que ilustram o poder de abertura da existência humana para a recriação do lazer.Palavras-chave: Esporte. Lazer. Motricidade Humana. Estética, Hermenêutica. Bizarro leisure: opening to the manifestation of the extraordiary in life AbstractBeing in the world is a condition for human motricity. And one of the dimensions that qualify the intentional action of transcendence is leisure, be it canonical or deviant. As leisure is a social practice, it is possible to find forms of enjoyment considered bizarre in everyday life. In the present essay, I interpret meanings related to bizarre leisure from a qualitative analysis of a journalistic section that reports facts considered bizarre. The articles place the bizarre practices in three competing meanings: positivized, ambiguous and deviant. In the considerations, As key considerations, I propose that these experiences be read as the power that human existence has -in essence- of openness to extraordinary, socially marginalized or unconventional manifestations for the recreation of leisure.Keywords: Sport. Leisure. Human Motricity. Aesthetics, Hermeneutics. Recreación bizarra: apertura a la manifestación de lo extraordiario en la vida ResumenEl estar en el mundo es una condición para la motricidad humana. y una de las dimensiones que califican la acción intencional de la trascendencia es la recreación, ya sea canónica o desviada. Siendo el tiempo libre una práctica social, es posible encontrar formas de disfrute consideradas extrañas en la vida cotidiana. En este ensayo interpreto significados relacionados con la recreación bizarra a partir de un análisis cualitativo de una sección periodística que relata hechos considerados bizarro. Los artículos colocan las prácticas bizarras en tres significados opuestos: positivista, ambigua y desviada. En las consideraciones, propongo que estas experiencias sean leídas como el poder del que la existencia humana tiene, en esencia, hacia la apertura a manifestaciones extraordinarias, socialmente marginadas o no convencionales, del disfrute del ocio.Palabras clave: Deporte. Ocio. Motricidad Humana. Estética, Hermenéutica.
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Meza, Julián. "El bizarro ajedrez." Estudios: filosofía, historia, letras 2, no. 70 (2004): 144. http://dx.doi.org/10.5347/01856383.0070.000173490.

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Donlon, William C. "The Bizarro world of osteodistraction." Journal of Oral and Maxillofacial Surgery 56, no. 1 (January 1998): 115. http://dx.doi.org/10.1016/s0278-2391(98)90944-2.

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Bors, Monica, and Anca Ignat. "Facebookland: the bizarro-linguistic world." Alea: Estudos Neolatinos 21, no. 3 (September 2019): 211–26. http://dx.doi.org/10.1590/1517-106x/2019213211226.

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Abstract This article investigates the dynamics of contemporary Romanian, focusing on various linguistic structures typically used on social network sites, through which the specific content and interaction strategies are being deployed in virtual communities. The article is part of a larger project devoted to the study of linguistic impoverishment (affecting both the vocabulary and the grammatical structure of the language), social networks being only one of the areas where these “uglified” linguistic structures come from: the mass-media (both print and broadcast), advertising (outdoor, indoor, television commercials), Internet forums, corporate jargon, etc. The structures under scrutiny are mostly loan translations (i.e. calques) from English, false friends, hybrid constructions and, generally, lexical and grammatical oddities (sometimes even in the source language), which, nevertheless, due to frequent use, have entered the active vocabulary of a large category of speakers and are therefore becoming pervasive in everyday conversation. The proliferation of these ‘mongrel’ structures in common parlance is also the result of their migration, on the principle of communicating vessels, to other areas of interpersonal and public communication, that of advertising in particular. Moreover, their oddity and inappropriateness are now beginning to pass unnoticed, as more and more speakers are treating them as legitimate linguistic forms, which often end up being recorded in dictionaries. Our approach combines theoretical insights with practical solutions and the pragma-linguistic perspective with the translator’s corrective input.
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Mazurkiewicz, Adam. "Dziwność istnienia. O nurcie „bizarro fiction” w polskiej literaturze." Literatura i Kultura Popularna 22 (September 6, 2017): 61–74. http://dx.doi.org/10.19195/0867-7441.22.4.

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Strangeness of Being. On a Current of Bizarro Fiction in Polish LiteratureIn modern culture bizarro fiction is an individual current of horror fantasy. It is distinguished by intentionally iconoclastic character of its artistic visions. To the axiological glittering of bizarro fiction undoubtedly contributes placing of this phenomenon somewhere between the pop culture it is inspired by typical for the kind usage of props and the fiction schema, independent culture overcoming the cultural and social taboo and avant-garde from whom it takes the idea of artistic experiment. Because creators of this phenomenon often use the technique of artistic excess the viewer cannot be sure if — searching for latent sense — they are not the victim of provocation; on the other hand, scandal and buffoonery may constitute amask which enables touching culturally important problems.
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Grondona, Ana. "Historia del presente: hacer bizarro lo evidente." Sociohistórica, no. 47 (March 1, 2021): e129. http://dx.doi.org/10.24215/18521606e129.

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El artículo propone algunas reflexiones sobre el uso de la historia desde una genealogía del presente. Para ello, se organiza en tres ejes. En primer lugar, se exponen algunas consideraciones sobre los modos en que desde esta perspectiva se trabaja sobre la temporalidad de ciertos problemas; en segundo lugar, retomando algunas preguntas vinculadas con la cuestión de la “traducción” y la “circulación”, se abordan las maneras en que lidia con su dimensión espacial; finalmente, se reflexiona sobre la historia del presente como forma de la crítica y sus criterios de rigurosidad. A lo largo del texto, y con el fin de ilustrar o clarificar algunos aspectos conceptuales, se retoman ejemplos de investigaciones previas que, inspiradas en la historia del presente, indagaron sobre el problema de la pobreza en el discurso experto, por una parte, y en el de la cuestión racial en el discurso sociológico argentino, por la otra.
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Cabrejo, José Carlos. "Las rutas lunáticas: Estéticas del cine bizarro." Ventana Indiscreta, no. 008 (January 1, 2012): 22. http://dx.doi.org/10.26439/vent.indiscreta2012.n008.986.

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Díaz-Benítez, María Elvira. "Sexo com animais como prática extrema no pornô bizarro*." Cadernos Pagu, no. 38 (June 2012): 241–79. http://dx.doi.org/10.1590/s0104-83332012000100009.

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Dentro do segmento do mercado pornô conhecido como bizarro, a prática considerada extrema por excelência é alocada ao sexo com animais. O Brasil possui uma indústria de produção desses filmes reconhecida mundialmente. Este artigo discute o estigma dessas produções no interior da indústria pornô, traz dados etnográficos sobre a produção desse mercado, introduz uma discussão sobre legalidade, consentimento e direitos, e finalmente, trata essa temática do ponto de vista do erotismo e dos prazeres pensando o lugar do gênero e da sexualidade nessas práticas. Acredita-se que a temática é um campo vasto para pensarmos as relações humano/animal, normal/anormal, prazer/perigo, natureza/cultura.
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Bizarro, Gabriel Lima, Aloyséia Cristina da Silva Noronha, Guilherme Liberato Da Silva, Noeli Juarez Ferla, and Liana Johann. "A new species of Eustigmaeus Berlese (Acari: Stigmaeidae) from Brazil." Acarologia 60, no. 4 (November 4, 2020): 825–30. http://dx.doi.org/10.24349/acarologia/20204403.

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A new species of Stigmaeidae (Acari: Trombidiformes), namely Eustigmaeus crassifolius Bizarro and Johann n. sp., is described and illustrated based on females collected on Byrsonima crassifolia (L.) Kunth (Malpighiaceae) in Belém city (1°26'09.2'' S 48°26'28.6'' W), Pará state, Brazil. A dichotomous key of Brazilian species of Eustigmaeus genus is provided.
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Mendes Araújo, Alexandre César, and Marcílio Machado Pereira. "A ficção brasileira contemporânea e o existencialismo bizarro nas obras: Biofobia, Mastigando humanos e Feriado de mim mesmo, de Santiago Nazarian." Boletín Galego de Literatura, no. 60 (December 26, 2022): 1–11. http://dx.doi.org/10.15304/bgl.60.8353.

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Este artigo científico, resultante de pesquisa vinculada ao PIBIC-UESPI, e situado na linha de pesquisa que estuda a ficção brasileira contemporânea, analisa as obras Biofobia, Mastigando humanos e Feriado de mim mesmo, romances adultos do escritor Santiago Nazarian. Estuda as anteriormente citadas obras através das pistas deixadas pelo próprio autor, que utilizou a expressão “existencialismo bizarro” para referir-se a sua obra. Desenvolve uma discussão sobre os temas do existencialismo, do bizarro e do uso da metaficção enquanto aspectos representativos na literatura contemporânea e que se fazem presentes em Nazarian. Realiza leituras aprofundadas dos romances Biofobia, Mastigando humanos e Feriado de mim mesmo com o intuito de perceber traços estilísticos distintivos, recorrências temáticas e preocupações formais. Discute temas como o fracasso, a solidão e a incapacidade de adaptação dos personagens de Santiago Nazarian. Apresenta ainda uma breve biobibliografia de Santiago Nazarian para uma melhor compreensão da trajetória do autor. Utiliza, por fim, a pesquisa bibliográfica e documental como estratégias de coleta de dados, apoiando-se esta análise em autores tais como Oliveira (2011), Santos (2005), Reichmann (2006) e Schollhammer (2009).
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Dissertations / Theses on the topic "Bizarro"

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McGarvey, Timothy D. "Desi, Bizarro, and Motown Metal the wind and percussion music of Michael Daugherty /." [S.l. : s.n.], 1997. http://catalog.hathitrust.org/api/volumes/oclc/57205361.html.

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Peat, Nicholas. ""Is this Bizarro World?" : the adaptation of characterisation and intertextuality in German audiovisual translation." Thesis, Lancaster University, 2018. http://eprints.lancs.ac.uk/126015/.

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This thesis contributes to the scholarly understanding of intertextuality, characterisation and translation theory; building upon earlier analyses of audiovisual translation of genre television (e.g. Bosseaux 2015, Knox and Adamou 2011), my thesis undertakes analyses of interactions between recurring characters in the sixth season of the US television programme, Buffy the Vampire Slayer. The first major contribution of this thesis is the construction of a model of textual cues for characterisation specifically for audiovisual media (e.g. film, television), including non- English language media, building on Bosseaux’s (2015), Culpeper’s (2001) and Walker's (2012) models for dubbed television, drama and novels, respectively. The scene-based analysis of these textual cues in the original English, German dubbing and German subtitles allows the viability of my model for characterisation to be assessed with regard to the audiovisual-specific aspects they incorporate; examples include the visual features of a character's milieu (e.g. the furnishings with which characters are seen to surround themselves) or the visual representation of mental processes (e.g. hallucinations to which the viewer is privy), neither of which could be discerned from non-visual scripts or prose narration. The second major contribution of this thesis concerns intertextual references (see e.g. Fairclough 2003, Allen 2011) which, as a form of textual adaptation, are used in the text to create characterisation. As intertextual references are adapted in audiovisual translation (see e.g. Pérez-González 2014), the characterisation provided by those intertextual references is also adapted; these adaptations are the focus of analysis. For the purposes of this analysis, intertextual references are categorised as allusions, quotations, adaptations and co-text (categories chosen to reflect how intertextuality can be removed or introduced via audiovisual translation): these categories serve to help discern how specific forms of intertextuality are adapted in translation. These qualitative, scene-based analyses (Bednarek 2012) explore different ways in which audiovisual translation can adapt characterisation; adaptations via translation are considered in accordance with the specific limitations of dubbing and subtitles, as well as Systemic Functional Grammar (e.g. Halliday 2014) and multimodal codes (e.g. Chaume 2012), to explain salient decisions taken by translators. Through so doing, it is demonstrated that characterisation can be analysed in dubbed and subtitled texts and intertextual references can be analysed in terms of the characterisation they convey, which can be adapted in translation as the intertextuality is adapted. These are the contributions of this thesis to the fields of intertextuality, characterisation and translation.
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Rolim, TÃcito Thadeu Leite. "Giram os Sputniks nas alturas, ferve a ImaginaÃÃo nas planuras: a ciÃncia e o bizarro no Cearà em fins da dÃcada de 1950." Universidade Federal do CearÃ, 2006. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=4487.

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nÃo hÃ
O objetivo desta DissertaÃÃo foi o de recuperar as diferentes percepÃÃes em torno dos fenÃmenos ocorridos na dÃcada de 1950, no estado do CearÃ, descritos como clarÃes, estrondos e objetos luminosos. Estes episÃdios repercutiram de forma controversa na imprensa local, na medida em que, de um lado, alguns consideravam como resultantes do progresso da CiÃncia e Tecnologia que permitiu a Corrida Espacial e Armamentista (que se tornou um dos ingredientes da disputa de poder entre EUA e URRS, durante a Guerra Fria) e, por outro lado, para outros, apareciam como fenÃmenos estranhos e inexplicÃveis para os quais se davam explicaÃÃes fantÃsticas. Consultando periÃdicos de diferentes tendÃncias â a revista americana Time, o jornal do PCB O Democrata, e jornais da imprensa local do Cearà como O Povo, UnitÃrio, O Jornal etc, alÃm de outros documentos (inclusive alguns sà recentemente liberados pelo Departamento de Defesa americano) -- procuro recuperar o debate que se estabeleceu e os sentimentos de euforia pelo progresso que representavam, assim como os de medo e de estranhamento, por parecerem fantÃsticos, bizarros e inusitados.
This Dissertation intends to recover the many different perceptions around some phenomena occurred in the 50âs, in the State of CearÃ, described as flashes of light, blasts and luminous objects. These events repercuted in a controversial way in the local press as, on one hand, some people considered them as a result of progress in Science and Technology that allowed Space and Arms Race (that become one of the ingredients of the power dispute between US and USSR in the Cold War) and, on the other hand, for some other people, they showed up as strange and inexplicable phenomena, to which were given fantastic explications. In a search through newspapers from many tendencies -- American Time magazine, the communist paper O Democrata, and other papers from Cearà local press, such as O Povo, UnitÃrio, O Jornal etc, besides some other documents (some of them just declassified by US Department of Defense) -- I intend to recover the debate that was established and the feelings of euphoria by the progress that they represented as well as those of fear and oddly, once they seemed fantastic, bizarre, and unusual.
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ROLIM, Tácito Thadeu Leite. "Giram os Sputniks nas alturas, ferve a Imaginação nas planuras: a ciência e o bizarro no Ceará em fins da década de 1950." http://www.teses.ufc.br, 2006. http://www.repositorio.ufc.br/handle/riufc/3017.

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ROLIM, Tácito Thadeu Leite. Giram os sputniks nas alturas, ferve a imaginação nas planuras: a ciência e o bizarro no Ceará em fins da década de 1950. 2006. 204 f. Dissertação (Mestrado em História) - Universidade Federal do Ceará, Departamento de História, Programa de Pós-Graduação em História Social, Fortaleza-CE, 2006.
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This Dissertation intends to recover the many different perceptions around some phenomena occurred in the 50’s, in the State of Ceará, described as flashes of light, blasts and luminous objects. These events repercuted in a controversial way in the local press as, on one hand, some people considered them as a result of progress in Science and Technology that allowed Space and Arms Race (that become one of the ingredients of the power dispute between US and USSR in the Cold War) and, on the other hand, for some other people, they showed up as strange and inexplicable phenomena, to which were given fantastic explications. In a search through newspapers from many tendencies -- American Time magazine, the communist paper O Democrata, and other papers from Ceará local press, such as O Povo, Unitário, O Jornal etc, besides some other documents (some of them just declassified by US Department of Defense) -- I intend to recover the debate that was established and the feelings of euphoria by the progress that they represented as well as those of fear and oddly, once they seemed fantastic, bizarre, and unusual.
O objetivo desta Dissertação foi o de recuperar as diferentes percepções em torno dos fenômenos ocorridos na década de 1950, no estado do Ceará, descritos como clarões, estrondos e objetos luminosos. Estes episódios repercutiram de forma controversa na imprensa local, na medida em que, de um lado, alguns consideravam como resultantes do progresso da Ciência e Tecnologia que permitiu a Corrida Espacial e Armamentista (que se tornou um dos ingredientes da disputa de poder entre EUA e URRS, durante a Guerra Fria) e, por outro lado, para outros, apareciam como fenômenos estranhos e inexplicáveis para os quais se davam explicações fantásticas. Consultando periódicos de diferentes tendências – a revista americana Time, o jornal do PCB O Democrata, e jornais da imprensa local do Ceará como O Povo, Unitário, O Jornal etc, além de outros documentos (inclusive alguns só recentemente liberados pelo Departamento de Defesa americano) -- procuro recuperar o debate que se estabeleceu e os sentimentos de euforia pelo progresso que representavam, assim como os de medo e de estranhamento, por parecerem fantásticos, bizarros e inusitados.
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Raschig, Barbara. "Bizarre Welten Ror Wolf von A bis Z /." [S.l.] : [s.n.], 2000. http://deposit.ddb.de/cgi-bin/dokserv?idn=964177846.

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LaMay, Mary Louise. "Memory for common and bizarre imagery: A storage-retrieval analysis." CSUSB ScholarWorks, 1996. https://scholarworks.lib.csusb.edu/etd-project/1465.

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Warren, Treena Kay. "Negative traits : the uncanny, bizarre and horrific in nineteenth century photographs." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/78234/.

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VIANA, Luciene Galvão. "A folia dos cus prolapsados: pornografia bizarra e prazeres sexuais entre mulheres." Universidade Federal de Pernambuco, 2014. https://repositorio.ufpe.br/handle/123456789/19150.

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A “temática anal” aparece como critica as epistemologias científicas que pressupõem que neutralidade e universalidade são atributos que se estendem tanto àqueles e àquelas que produzem conhecimento quanto àquilo que é produzido. Nessa perspectiva, o cu tem sido utilizado, metaforicamente, em discussões político-epistemológicas que reivindicam a desconstrução da norma heterossexual contribuindo para a produção de saberes implicados pela erotização corporal, como também, para a criação de políticas que privilegiam o prazer anal e criticam a reprodução da divisão “norte-sul”, no âmbito das teorizações queer. No entanto, as metáforas, muitas vezes, parecem produzir certa facticidade do uso sexual anal, relacionado à penetração e à passividade. A encenação do prolapso no pornô, quase exclusivamente realizado por atrizes, nos fez questionar se a pornografia pode ir além do sentido de “pedagogia sexual” e caracterizar-se como um campo de potência imaginativa e, nesse caso, de criação de possibilidades corporais que desafiam verdades anatômicas e fisiológicas. Nos interrogarmos também sobre o fato de que a penetração anal seja comumente o único referente do prazer sexual anal e, consequentemente, a base para que se possa pensar as relações sexuais a partir da binaridade “atividade/passividade”. Assim, elegemos como objetivo primordial analisar as disposições de sexualidade e erotismo acionadas pelo prolapso pornográfico no site prolapseparty.com. O material de pesquisa constituiu-se de textos, elementos gráficos e vídeos apresentados no site Prolapseparty.com que foram problematizados a partir de uma perspectiva pós-estruturalista de inspiração Foucaultiana. Consideramos que as fantasias nesse site podem ser vivenciadas pela criação de elementos que incentivem a imaginação de que os atos sexuais podem ir além da tela do computador e fazer parte do cotidiano. Os usos sexuais do ânus, nesse sentido, não envolvem a penetração ou a inserção anal, mas, a exploração da capacidade de elasticidade e excrescência que levou-nos a argumentar que as imagens engendram “prazeres sexuais de superfície”. Outro elemento importante foi a menção à relação de proximidade entre as atrizes que funciona como forma de denotar que o deleite sexual proporcionado pelo deslocamento do reto se diferencia de um ato de “violência”. Assim, a exibição das técnicas que deslocam e criam genitálias e ânus prolapsados abdicam da naturalidade corporal e, consequentemente, enfatizam que o prazer sexual é fabricado.
The "anal subject" is revealed as the scientific epistemologies criticism which assumes that neutrality and universality are attributes embracing both those who produce knowledge as well as what is produced. In this perspective, the asshole has been used, metaphorically, in political and epistemological debates which clames for deconstruction of the heterossexual standards and contributes to production of knowledges involved by the body erotization, and also to the creation of policies that privileges anal pleasure and criticizes the reproduction of "north-south" division in Queer Theories. However, the metaphors often seems to produce certain facticity of sexual anal uses, often related to penetration and passivity. The enactment of prolapses in pornography, almost exclusively performed by actresses, made us wonder if pornography can go beyond the meaning of "sexual pedagogy" and going to be characterized as a field of imaginative power and creation of bodily possibilities that challenge anatomical and physiological truths. We ask also about the fact that anal penetration is commonly the only referent for sexual anal pleasure and, consequently, the basis to think about the sexual relations from the "activity/passivity" binarity. Thereby, we chose as the primary objective to analyze the sexuality and eroticism provisions which are driven by pornographic prolapse at the website prolapseparty.com. The research material was consisted of texts, graphics and videos on this website contents and were debated from a post-structuralist perspective, inspirated by Foucault's theories. We believe that the fantasies in this website contents may be experienced by the creation of elements that encourage imaginations about sexual acts going beyond the screen of the computer and being part of everyday lifes. The sexual uses of the asshole does not involve the penetration or the anal insertion, but the holding capacity of elasticity and excrescence, wich have led us to argue that those images engender "sexual pleasures of surfaces". Another important element to mention is the close relationship between the actresses as a way to denote that the sexual pleasure provided by the displacement of the rectum is different from an act of "violence". Finally, the exhibition of techniques that moves and creates genitals and prolapsed anus abdicates from the body naturally and consequently emphasizes that sexual pleasure is manufactured.
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Tomalis, Susan M. "Effects of retrieval instructions on children's retention for bizarre and nonbizarre pictures." Thesis, Virginia Polytechnic Institute and State University, 1986. http://hdl.handle.net/10919/91073.

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There is a transitional period between preschool and first grade during which children develop from reliance on instructions to self-sufficient, spontaneous retrieval. Past research has revealed that retrieval instructions are vital to preschoolers' retention of paired-associates. Preschool and kindergarten children were presented with a mixed-list of 20 paired-associate pictures to learn. Ten of the 20 pairs depicted 2 nouns as interacting in an uncommon or bizarre (funny) manner with one another whereas the other 10 pictures depicted component nouns as normally (nonfunnily) interacting. Type and timing of instructions to learn the paired-associates were manipulated. Funny-group subjects were provided with encoding instructions highlighting the silliness quality of the pictures. Nonfunny-group subjects were provided with encoding instructions which concentrated on the interactive aspects of the pictures. A control group was told to remember the pictures “really hard.” For the former two instructional groups, half of each group served as a control during test-time. These control groups were told to try really hard to remember the pictures. The experimental halves of these groups were given elaborative retrieval instructions at test-time, dependent upon their r e encoding instructions. Reference to the funny pictures was provided for half the Funny group whereas reference to the normal interaction was given to half the Nonfunny group. This study revealed that elaborative instructions do not enhance memory for paired-associates over non-elaborative or control instructions. These preschoolers did not exhibit retrieval deficiencies though control retrieval instructions may have provided sufficient information to enhance memory. As well, non bizarre (nonfunny) interactive pictures were remembered better than bizarre (funny) interactive pictures.
M.S.
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Krauskopf, Kai. "Bismarckdenkmäler : ein bizarrer Aufbruch in die Moderne /." Hamburg : Dölling und Galitz, 2002. http://catalogue.bnf.fr/ark:/12148/cb41117763h.

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Texte remanié de: Dissertation--Hamburg--Fachbereich Architektur der Hoschschule für bildende Künste, 2001. Titre de soutenance : Monument und Landschaft - das Bismarckdenkmal am Starnberger See als Wendepunkt der Denkmalsarchitektur um 1900.
Bibliogr. p. 182-185. Index.
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Books on the topic "Bizarro"

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Souto-Pereira, Max Mallmann. Mundo bizarro. Porto Alegre: Mercado Aberto, 1996.

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Mondo bizarro. San Francisco: Chronicle Books, 1989.

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1948-, Heimann Jim, ed. Bizarro postcards. Köln: Taschen, 2002.

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Todd, Alcott, and DC Comics Inc, eds. Bizarro world. New York: DC Comics, 2005.

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Jessica, Abel, ed. Bizarro comics. New York, NY: DC Comics, 2001.

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Glasnost bizarro. San Francisco: Chronicle Books, 1990.

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Bizarro heroes. San Francisco, CA: Last Gasp, 2011.

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Simonson, Louise. Bizarro is born! Minneapolis: Stone Arch Books, 2010.

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Bizarro in love. San Francisco, CA: Cheap Shots, 1986.

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ill, Vecchio Luciano, ed. Superman vs. Bizarro. North Mankato, Minn: Capstone Stone Arch Books, 2013.

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Book chapters on the topic "Bizarro"

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Dlugos, Jenn, and Charlie Hatton. "Ice Capades or Ice Kuiperpades?" In Bizarre Space, 91–95. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003233329-18.

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Dlugos, Jenn, and Charlie Hatton. "Our (H)Earth and Home." In Bizarre Space, 17–21. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003233329-5.

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Dlugos, Jenn, and Charlie Hatton. "New Moons is Good Moons." In Bizarre Space, 57–61. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003233329-12.

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Dlugos, Jenn, and Charlie Hatton. "Introduction." In Bizarre Space, 1–2. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003233329-1.

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Dlugos, Jenn, and Charlie Hatton. "Asteroids: The Real-Life Video Game." In Bizarre Space, 73–77. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003233329-15.

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Dlugos, Jenn, and Charlie Hatton. "Easy Comet, Easy Go." In Bizarre Space, 79–83. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003233329-16.

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Dlugos, Jenn, and Charlie Hatton. "The Fellowship of the Icy Rings." In Bizarre Space, 51–55. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003233329-11.

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Dlugos, Jenn, and Charlie Hatton. "Our Crazy Exo-Girlfriends and Boyfriends." In Bizarre Space, 159–63. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003233329-30.

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Dlugos, Jenn, and Charlie Hatton. "Our Brother is Bigger than yours." In Bizarre Space, 45–49. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003233329-10.

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Dlugos, Jenn, and Charlie Hatton. "Where no One has Gone before." In Bizarre Space, 197–203. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003233329-37.

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Conference papers on the topic "Bizarro"

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Williams, Amanda, and Eric Kabisch. "Bizarro game controllers studio proposal." In TEI'11: Fifth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2010. http://dx.doi.org/10.1145/1935701.1935780.

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"PS-075 - LA PREVENCIÓN COMO PIEANGULAR DEL PROCESO, A PROPÓSITO DE UN CASO." In 24 CONGRESO DE LA SOCIEDAD ESPAÑOLA DE PATOLOGÍA DUAL. SEPD, 2022. http://dx.doi.org/10.17579/abstractbooksepd2022.ps075.

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INTRODUCCIÓN Varón de 31 años. PAntecedentes de consumo perjudicial de cannabis con clínica psicótica en 2011 con remisión completa sin psicofármacos en 2011. Antecedentes F23. Trastornos psicóticos agudos y transitorios en contexto de consumo de estupefacientes por parte de tío y tío abuelo paterno MATERIAL Y MÉTODOS Consumo puntual de “speed” durante varios días de inicio de julio. Desde entonces, progresiva aparición de clínica psicótica con ideación delirante de perjuicio y místico-religioso de corte bizarro (“coméis carne humana”; “ellos vendrán”), alucinaciones cenestésicas e importante suspicacia con marcada repercusión vivencial en forma de aislamiento en el domicilio de los padres y continuas peleas reactivas a interpretaciones delirantes. Ingreso el 12 de julio. Rápida recuperación tras inicio progresivo de pauta de AP hasta 6 mg risperidona (0-0-1) RESULTADOS Paciente con buen ajuste premórbido con cuadro de primer episodio psicótico en contexto de consumo de estupefacientes. Caso en el que estaban presentes diversos factores predisponentes al desarrollo de PEP (clínica psicótica atenuada en contexto de consumo de cannabis, TCE grave, antecedentes familiares de psicosis breve por consumo de sustancias) en el que un buen trabajo terapéutico con el paciente, fundamentando en el peligro del consumo de estupefacientes) hubiera podido evitar el cuadro. CONCLUSIÓN Es necesaria la detección temprana, por parte de todos los recursos sanitarios, de pacientes con factores de riesgo para el desarrollo de cuadros psicóticos poniendo especial énfasis en la presencia de clínica psicótica previa en contexto de consumo y los antecedentes familiares.
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Kercel, Stephen W., H. John Caulfield, and Paul Bach-y-Rita. "Bizarre hierarchy of brain function." In AeroSense 2003, edited by Kevin L. Priddy and Peter J. Angeline. SPIE, 2003. http://dx.doi.org/10.1117/12.496988.

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Oleynikov, Ilya. "The Globalisation and Deglobalization Processes in International Cooperation of the Region (On the Example of the Irkutsk Oblast)." In Irkutsk Historical and Economic Yearbook 2020. Baikal State University, 2020. http://dx.doi.org/10.17150/978-5-7253-3017-5.24.

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The article presents the periodization and general characteristics of the region’s international interaction through the prism of the globalization concept. The author concludes that regional international cooperation is characterized by a bizarre combination of opposite processes of globalization and deglobalisation.
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Bacha, D., A. Ben Amor, A. Halouani, A. Lahmar, and S. Ben Slama. "407 Leiomyoma with bizarre nuclei: clinical and pathologic features of 10 patients." In IGCS 2020 Annual Meeting Abstracts. BMJ Publishing Group Ltd, 2020. http://dx.doi.org/10.1136/ijgc-2020-igcs.352.

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Prothero, Donald. "A NEW GENUS AND SPECIES OF LATE MIOCENE PECCARY WITH BIZARRE FLARING CHEEKBONES." In GSA Annual Meeting in Phoenix, Arizona, USA - 2019. Geological Society of America, 2019. http://dx.doi.org/10.1130/abs/2019am-332458.

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Kelly, Erin Taylor. "Body slamming and bolt-back behavior: Characterizing an embiopteran’s (Antipaluria urichi) bizarre backwards run." In 2016 International Congress of Entomology. Entomological Society of America, 2016. http://dx.doi.org/10.1603/ice.2016.115280.

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Grejdieru, Angela. "The Temptation of the Exotic: Projections of the Orient in Romanian Travel Prose from the Pashoptist Period." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.36.

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Passionate about travel, the writers of the Pasoptist era were also tempted to explore the Orient, a sumptuous land full of miracles. In the memorials and travel diaries of Ion Heliade Rădulescu, Dimitrie Bolintineanu, Vasile Alecsandri et. a., the colorful, picturesque and bizarre, of the places visited, the unusual atmosphere of this universe are evoked. Contemplative, the Romanian writers expose in detail the coordinates of the oriental space – a mixture of human entities, of sumptuousness, luxury and misery. All of them still experience the feeling that they have entered a real Babylon. The exotic element is highlighted in geographical, ethnographic, cultural-spiritual descriptions, etc. The journey of the writer-travelers through such lands stimulates not only the initiatory adventure, but also the act of writing.
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Siegman, Anthony E. "The unusual world of unstable resonators." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1987. http://dx.doi.org/10.1364/oam.1987.wa1.

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The transverse eigenmodes of unstable optical resonators have since their first discovery displayed unusual, even bizarre, eigenvalue and eigenmode properties, into which we are gaining new insights even today, two decades later. Many of these properties arise because the unstable resonator eigenmodes are highly nonpower orthogonal or biorthogonal. As one consequence it becomes possible to inject more energy into an unstable resonator mode that one has in the injecting signal. Unstable resonator modes also experience an excess spontaneous emission or quantum noise at a rate significantly greater than one noise photon per mode. A virtual-source analysis, based on adding up all the edge waves generated inside an unstable system, can help in calculating and understanding the complex mode properties of the unstable resonator.
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Reynolds, Craig, Louis J. Everett, and Richard A. Volz. "Identifying the Pose Between a Head Mounted Display and a Head Pose Sensor." In ASME 2000 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/detc2000/mech-14159.

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Abstract Head mounted displays (HMDs) are common hardware in a virtual reality environment. Sensors are commonly installed on the helmet to provide information about where the operator is looking. If the operator rotates the helmet, the virtual scene should rotate correspondingly. If the point of rotation (POR) of the operator’s head differs from the POR used to transform the image, the display may behave in bizarre ways. In “enhanced reality” and similar applications the virtual scene must also accurately correspond to the real world. When the virtual scene must accurately correspond to a real scene, it becomes necessary to accurately match the virtual display to the real world. A method for automatically collecting data to align these scenes is described and demonstrated in this paper. A theoretical basis for the method and experimental data are presented. Results indicate that the underlying assumptions of the theory are reasonable and that the errors in the method are reasonable.
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Reports on the topic "Bizarro"

1

Briley, Myra. Bizango. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1657.

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