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McGarvey, Timothy D. "Desi, Bizarro, and Motown Metal the wind and percussion music of Michael Daugherty /." [S.l. : s.n.], 1997. http://catalog.hathitrust.org/api/volumes/oclc/57205361.html.
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Peat, Nicholas. ""Is this Bizarro World?" : the adaptation of characterisation and intertextuality in German audiovisual translation." Thesis, Lancaster University, 2018. http://eprints.lancs.ac.uk/126015/.
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This thesis contributes to the scholarly understanding of intertextuality, characterisation and translation theory; building upon earlier analyses of audiovisual translation of genre television (e.g. Bosseaux 2015, Knox and Adamou 2011), my thesis undertakes analyses of interactions between recurring characters in the sixth season of the US television programme, Buffy the Vampire Slayer. The first major contribution of this thesis is the construction of a model of textual cues for characterisation specifically for audiovisual media (e.g. film, television), including non- English language media, building on Bosseaux’s (2015), Culpeper’s (2001) and Walker's (2012) models for dubbed television, drama and novels, respectively. The scene-based analysis of these textual cues in the original English, German dubbing and German subtitles allows the viability of my model for characterisation to be assessed with regard to the audiovisual-specific aspects they incorporate; examples include the visual features of a character's milieu (e.g. the furnishings with which characters are seen to surround themselves) or the visual representation of mental processes (e.g. hallucinations to which the viewer is privy), neither of which could be discerned from non-visual scripts or prose narration. The second major contribution of this thesis concerns intertextual references (see e.g. Fairclough 2003, Allen 2011) which, as a form of textual adaptation, are used in the text to create characterisation. As intertextual references are adapted in audiovisual translation (see e.g. Pérez-González 2014), the characterisation provided by those intertextual references is also adapted; these adaptations are the focus of analysis. For the purposes of this analysis, intertextual references are categorised as allusions, quotations, adaptations and co-text (categories chosen to reflect how intertextuality can be removed or introduced via audiovisual translation): these categories serve to help discern how specific forms of intertextuality are adapted in translation. These qualitative, scene-based analyses (Bednarek 2012) explore different ways in which audiovisual translation can adapt characterisation; adaptations via translation are considered in accordance with the specific limitations of dubbing and subtitles, as well as Systemic Functional Grammar (e.g. Halliday 2014) and multimodal codes (e.g. Chaume 2012), to explain salient decisions taken by translators. Through so doing, it is demonstrated that characterisation can be analysed in dubbed and subtitled texts and intertextual references can be analysed in terms of the characterisation they convey, which can be adapted in translation as the intertextuality is adapted. These are the contributions of this thesis to the fields of intertextuality, characterisation and translation.
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Rolim, TÃcito Thadeu Leite. "Giram os Sputniks nas alturas, ferve a ImaginaÃÃo nas planuras: a ciÃncia e o bizarro no Cearà em fins da dÃcada de 1950." Universidade Federal do CearÃ, 2006. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=4487.
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nÃo hÃO objetivo desta DissertaÃÃo foi o de recuperar as diferentes percepÃÃes em torno dos fenÃmenos ocorridos na dÃcada de 1950, no estado do CearÃ, descritos como clarÃes, estrondos e objetos luminosos. Estes episÃdios repercutiram de forma controversa na imprensa local, na medida em que, de um lado, alguns consideravam como resultantes do progresso da CiÃncia e Tecnologia que permitiu a Corrida Espacial e Armamentista (que se tornou um dos ingredientes da disputa de poder entre EUA e URRS, durante a Guerra Fria) e, por outro lado, para outros, apareciam como fenÃmenos estranhos e inexplicÃveis para os quais se davam explicaÃÃes fantÃsticas. Consultando periÃdicos de diferentes tendÃncias â a revista americana Time, o jornal do PCB O Democrata, e jornais da imprensa local do Cearà como O Povo, UnitÃrio, O Jornal etc, alÃm de outros documentos (inclusive alguns sà recentemente liberados pelo Departamento de Defesa americano) -- procuro recuperar o debate que se estabeleceu e os sentimentos de euforia pelo progresso que representavam, assim como os de medo e de estranhamento, por parecerem fantÃsticos, bizarros e inusitados.
This Dissertation intends to recover the many different perceptions around some phenomena occurred in the 50âs, in the State of CearÃ, described as flashes of light, blasts and luminous objects. These events repercuted in a controversial way in the local press as, on one hand, some people considered them as a result of progress in Science and Technology that allowed Space and Arms Race (that become one of the ingredients of the power dispute between US and USSR in the Cold War) and, on the other hand, for some other people, they showed up as strange and inexplicable phenomena, to which were given fantastic explications. In a search through newspapers from many tendencies -- American Time magazine, the communist paper O Democrata, and other papers from Cearà local press, such as O Povo, UnitÃrio, O Jornal etc, besides some other documents (some of them just declassified by US Department of Defense) -- I intend to recover the debate that was established and the feelings of euphoria by the progress that they represented as well as those of fear and oddly, once they seemed fantastic, bizarre, and unusual.
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ROLIM, Tácito Thadeu Leite. "Giram os Sputniks nas alturas, ferve a Imaginação nas planuras: a ciência e o bizarro no Ceará em fins da década de 1950." http://www.teses.ufc.br, 2006. http://www.repositorio.ufc.br/handle/riufc/3017.
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ROLIM, Tácito Thadeu Leite. Giram os sputniks nas alturas, ferve a imaginação nas planuras: a ciência e o bizarro no Ceará em fins da década de 1950. 2006. 204 f. Dissertação (Mestrado em História) - Universidade Federal do Ceará, Departamento de História, Programa de Pós-Graduação em História Social, Fortaleza-CE, 2006.Submitted by Raul Oliveira (raulcmo@hotmail.com) on 2012-06-28T16:04:33Z No. of bitstreams: 1 2006_Dis_TTLRolim.pdf: 8850982 bytes, checksum: c28e1faea361e534ab5e405fb9b08575 (MD5)
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This Dissertation intends to recover the many different perceptions around some phenomena occurred in the 50’s, in the State of Ceará, described as flashes of light, blasts and luminous objects. These events repercuted in a controversial way in the local press as, on one hand, some people considered them as a result of progress in Science and Technology that allowed Space and Arms Race (that become one of the ingredients of the power dispute between US and USSR in the Cold War) and, on the other hand, for some other people, they showed up as strange and inexplicable phenomena, to which were given fantastic explications. In a search through newspapers from many tendencies -- American Time magazine, the communist paper O Democrata, and other papers from Ceará local press, such as O Povo, Unitário, O Jornal etc, besides some other documents (some of them just declassified by US Department of Defense) -- I intend to recover the debate that was established and the feelings of euphoria by the progress that they represented as well as those of fear and oddly, once they seemed fantastic, bizarre, and unusual.
O objetivo desta Dissertação foi o de recuperar as diferentes percepções em torno dos fenômenos ocorridos na década de 1950, no estado do Ceará, descritos como clarões, estrondos e objetos luminosos. Estes episódios repercutiram de forma controversa na imprensa local, na medida em que, de um lado, alguns consideravam como resultantes do progresso da Ciência e Tecnologia que permitiu a Corrida Espacial e Armamentista (que se tornou um dos ingredientes da disputa de poder entre EUA e URRS, durante a Guerra Fria) e, por outro lado, para outros, apareciam como fenômenos estranhos e inexplicáveis para os quais se davam explicações fantásticas. Consultando periódicos de diferentes tendências – a revista americana Time, o jornal do PCB O Democrata, e jornais da imprensa local do Ceará como O Povo, Unitário, O Jornal etc, além de outros documentos (inclusive alguns só recentemente liberados pelo Departamento de Defesa americano) -- procuro recuperar o debate que se estabeleceu e os sentimentos de euforia pelo progresso que representavam, assim como os de medo e de estranhamento, por parecerem fantásticos, bizarros e inusitados.
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Raschig, Barbara. "Bizarre Welten Ror Wolf von A bis Z /." [S.l.] : [s.n.], 2000. http://deposit.ddb.de/cgi-bin/dokserv?idn=964177846.
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LaMay, Mary Louise. "Memory for common and bizarre imagery: A storage-retrieval analysis." CSUSB ScholarWorks, 1996. https://scholarworks.lib.csusb.edu/etd-project/1465.
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Warren, Treena Kay. "Negative traits : the uncanny, bizarre and horrific in nineteenth century photographs." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/78234/.
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VIANA, Luciene Galvão. "A folia dos cus prolapsados: pornografia bizarra e prazeres sexuais entre mulheres." Universidade Federal de Pernambuco, 2014. https://repositorio.ufpe.br/handle/123456789/19150.
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viana luciene galvo.pdf: 2798947 bytes, checksum: 3df6a7838cee38b373c26ee48edc4314 (MD5)Made available in DSpace on 2017-06-21T18:11:37Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) viana luciene galvo.pdf: 2798947 bytes, checksum: 3df6a7838cee38b373c26ee48edc4314 (MD5) Previous issue date: 2014-02-25
A “temática anal” aparece como critica as epistemologias científicas que pressupõem que neutralidade e universalidade são atributos que se estendem tanto àqueles e àquelas que produzem conhecimento quanto àquilo que é produzido. Nessa perspectiva, o cu tem sido utilizado, metaforicamente, em discussões político-epistemológicas que reivindicam a desconstrução da norma heterossexual contribuindo para a produção de saberes implicados pela erotização corporal, como também, para a criação de políticas que privilegiam o prazer anal e criticam a reprodução da divisão “norte-sul”, no âmbito das teorizações queer. No entanto, as metáforas, muitas vezes, parecem produzir certa facticidade do uso sexual anal, relacionado à penetração e à passividade. A encenação do prolapso no pornô, quase exclusivamente realizado por atrizes, nos fez questionar se a pornografia pode ir além do sentido de “pedagogia sexual” e caracterizar-se como um campo de potência imaginativa e, nesse caso, de criação de possibilidades corporais que desafiam verdades anatômicas e fisiológicas. Nos interrogarmos também sobre o fato de que a penetração anal seja comumente o único referente do prazer sexual anal e, consequentemente, a base para que se possa pensar as relações sexuais a partir da binaridade “atividade/passividade”. Assim, elegemos como objetivo primordial analisar as disposições de sexualidade e erotismo acionadas pelo prolapso pornográfico no site prolapseparty.com. O material de pesquisa constituiu-se de textos, elementos gráficos e vídeos apresentados no site Prolapseparty.com que foram problematizados a partir de uma perspectiva pós-estruturalista de inspiração Foucaultiana. Consideramos que as fantasias nesse site podem ser vivenciadas pela criação de elementos que incentivem a imaginação de que os atos sexuais podem ir além da tela do computador e fazer parte do cotidiano. Os usos sexuais do ânus, nesse sentido, não envolvem a penetração ou a inserção anal, mas, a exploração da capacidade de elasticidade e excrescência que levou-nos a argumentar que as imagens engendram “prazeres sexuais de superfície”. Outro elemento importante foi a menção à relação de proximidade entre as atrizes que funciona como forma de denotar que o deleite sexual proporcionado pelo deslocamento do reto se diferencia de um ato de “violência”. Assim, a exibição das técnicas que deslocam e criam genitálias e ânus prolapsados abdicam da naturalidade corporal e, consequentemente, enfatizam que o prazer sexual é fabricado.
The "anal subject" is revealed as the scientific epistemologies criticism which assumes that neutrality and universality are attributes embracing both those who produce knowledge as well as what is produced. In this perspective, the asshole has been used, metaphorically, in political and epistemological debates which clames for deconstruction of the heterossexual standards and contributes to production of knowledges involved by the body erotization, and also to the creation of policies that privileges anal pleasure and criticizes the reproduction of "north-south" division in Queer Theories. However, the metaphors often seems to produce certain facticity of sexual anal uses, often related to penetration and passivity. The enactment of prolapses in pornography, almost exclusively performed by actresses, made us wonder if pornography can go beyond the meaning of "sexual pedagogy" and going to be characterized as a field of imaginative power and creation of bodily possibilities that challenge anatomical and physiological truths. We ask also about the fact that anal penetration is commonly the only referent for sexual anal pleasure and, consequently, the basis to think about the sexual relations from the "activity/passivity" binarity. Thereby, we chose as the primary objective to analyze the sexuality and eroticism provisions which are driven by pornographic prolapse at the website prolapseparty.com. The research material was consisted of texts, graphics and videos on this website contents and were debated from a post-structuralist perspective, inspirated by Foucault's theories. We believe that the fantasies in this website contents may be experienced by the creation of elements that encourage imaginations about sexual acts going beyond the screen of the computer and being part of everyday lifes. The sexual uses of the asshole does not involve the penetration or the anal insertion, but the holding capacity of elasticity and excrescence, wich have led us to argue that those images engender "sexual pleasures of surfaces". Another important element to mention is the close relationship between the actresses as a way to denote that the sexual pleasure provided by the displacement of the rectum is different from an act of "violence". Finally, the exhibition of techniques that moves and creates genitals and prolapsed anus abdicates from the body naturally and consequently emphasizes that sexual pleasure is manufactured.
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Tomalis, Susan M. "Effects of retrieval instructions on children's retention for bizarre and nonbizarre pictures." Thesis, Virginia Polytechnic Institute and State University, 1986. http://hdl.handle.net/10919/91073.
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There is a transitional period between preschool and first grade during which children develop from reliance on instructions to self-sufficient, spontaneous retrieval. Past research has revealed that retrieval instructions are vital to preschoolers' retention of paired-associates. Preschool and kindergarten children were presented with a mixed-list of 20 paired-associate pictures to learn. Ten of the 20 pairs depicted 2 nouns as interacting in an uncommon or bizarre (funny) manner with one another whereas the other 10 pictures depicted component nouns as normally (nonfunnily) interacting. Type and timing of instructions to learn the paired-associates were manipulated. Funny-group subjects were provided with encoding instructions highlighting the silliness quality of the pictures. Nonfunny-group subjects were provided with encoding instructions which concentrated on the interactive aspects of the pictures. A control group was told to remember the pictures “really hard.” For the former two instructional groups, half of each group served as a control during test-time. These control groups were told to try really hard to remember the pictures. The experimental halves of these groups were given elaborative retrieval instructions at test-time, dependent upon their r e encoding instructions. Reference to the funny pictures was provided for half the Funny group whereas reference to the normal interaction was given to half the Nonfunny group. This study revealed that elaborative instructions do not enhance memory for paired-associates over non-elaborative or control instructions. These preschoolers did not exhibit retrieval deficiencies though control retrieval instructions may have provided sufficient information to enhance memory. As well, non bizarre (nonfunny) interactive pictures were remembered better than bizarre (funny) interactive pictures.M.S.
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Krauskopf, Kai. "Bismarckdenkmäler : ein bizarrer Aufbruch in die Moderne /." Hamburg : Dölling und Galitz, 2002. http://catalogue.bnf.fr/ark:/12148/cb41117763h.
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Texte remanié de: Dissertation--Hamburg--Fachbereich Architektur der Hoschschule für bildende Künste, 2001. Titre de soutenance : Monument und Landschaft - das Bismarckdenkmal am Starnberger See als Wendepunkt der Denkmalsarchitektur um 1900.Bibliogr. p. 182-185. Index.
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Marcon, Roberta Maia. "O controle pelos antecedentes e consequentes nas respostas verbais de pessoas com diagnóstico de esquizofrenia." Pontifícia Universidade Católica de Goiás, 2014. http://localhost:8080/tede/handle/tede/1765.
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Previous issue date: 2014-10-17This study intention was to experimentally investigate the control by antecedent events, such as control to respond to discriminative stimulus or by motivating operation, and also by consequent events on the verbal response from three people: two males and a female, diagnosed with schizophrenia, aged 26 and 53 years. It was applied functional assessment strategies through direct and indirect observation, as well as by functional analyses or function analyses methodology. The latter implicates in the environmental events manipulation, especially in four conditions: attention, control, escape demand and alone. These conditions were manipulated in the presence of motivating operation, identified based on context variables, and operation in the presence of positive and negative reinforcement (attention conditions and escape demand). Functional analyses data indicated that bizarre vocalizations were issued with high frequency conditions attention and escape demand; showing the control to respond to establishing or reinforcement operation. For the control condition it was possible to decrease the effect from changing the reinforced stimuli effectiveness from the establishing operation. However, bizarre vocalizations were not emitted as the reinforcement stimulus were offered regardless it occurred or not, as reinforcement operation was not used. When alone, the bizarre vocalizations were abolished, evidencing the control to respond to the presence of abolishing operation and without reinforcement operation. Based on this study information, the conclusion is that the control exercised by antecedent events explains the control exercised from consequent events. This is because in different antecedent conditions, the probability of bizarre vocalization changes, justifying the necessity to analyze with same relevance the control from antecedent and consequent events as response to experimental manipulation as in this context. The functional analysis was complementary to the functional assessment from direct observation, which data were not enough to elucidate controlled events to bizarre vocalization. In addition, it was complementary to the functional assessment by direct observation that, although with enough data to indicate manipulations, these are from an experimental strategy. For this reason it was justified the use of functional analysis methodology from empiric studies about the control from the antecedents from behavior, including bizarre vocalizations from people with schizophrenia.
O presente estudo objetivou investigar experimentalmente o controle exercido pelos eventos antecedentes seja o controle do responder pelo estímulo discriminativo ou pela operação motivadora , e também pelos eventos consequentes sobre as respostas verbais de três pessoas: duas do sexo masculino e uma do sexo feminino, com diagnóstico de esquizofrenia e idades entre 26 e 53 anos. Com essa finalidade, empregou-se estratégias de avaliação funcional por observação indireta e por observação direta e a análise funcional ou metodologia de análise funcional. Esta última envolveu a manipulação de eventos ambientais em quatro condições principais: atenção, controle, fuga de demanda e sozinho. Essas condições foram manipuladas na presença de operação motivadora, identificada com base em variáveis de contexto, e na presença de operação de reforçamento positivo e negativo (condições atenção e fuga de demanda). Os dados da análise funcional apontaram que as vocalizações bizarras foram emitidas com alta frequência nas condições atenção e fuga de demanda, sendo evidenciado o controle do responder pela operação estabelecedora e pela operação de reforçamento. Na condição controle foi possível deduzir o efeito de alterar a eficácia do estímulo reforçador pela operação estabelecedora. Contudo, as vocalizações bizarras não foram emitidas haja vista que o estímulo reforçador foi disponibilizado independentemente da ocorrência das mesmas, por estar ausente uma operação de reforçamento. Na condição sozinho as vocalizações bizarras foram suprimidas, sendo evidenciado o controle sobre o responder quando na presença de operação abolidora e ausência de operação de reforçamento. Com base nos dados deste estudo conclui-se que o controle do responder exercido pelos eventos antecedentes melhor elucida o controle exercido pelos eventos consequentes. Isso porque na presença de diferentes condições antecedentes as vocalizações bizarras alteraram sua probabilidade de ocorrência na operação de reforçamento, o que justifica a importância de se analisar, com igual relevância, o controle pelos eventos antecedentes e consequentes sobre o responder em manipulações experimentais no contexto aplicado. Cumpre ressaltar que a análise funcional mostrou-se complementar à avaliação funcional por observação indireta, cujos dados não se mostraram suficientes para elucidar eventos controladores das vocalizações bizarras. Também mostrou-se complementar à avaliação funcional por observação direta que, embora forneça dados suficientes para delinear manipulações, estas se dão por meio de uma estratégia com a estrutura de um experimento. Isso justifica o uso da metodologia de análise funcional em estudos empíricos acerca do controle exercido pelos antecedentes sobre o comportamento, incluindo vocalizações bizarras de pessoas com diagnóstico de esquizofrenia.
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Gaensler, Bryan M. "Barrels, jets and smoke-rings understanding the bizarre shapes of radio supernova remnants /." Connect to full text, 1999. http://hdl.handle.net/2123/399.
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Thesis (Ph. D.)--University of Sydney, 1999.Title from title screen (viewed Apr. 16, 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the School of Physics, Faculty of Science. Includes bibliography. Also available in print form.
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Gaensler, Bryan Malcolm. "Barrels, jets and smoke-rings: Understanding the bizarre shapes of radio supernova remnants." Thesis, The University of Sydney, 1999. http://hdl.handle.net/2123/399.
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This thesis considers the various morphologies of radio supernova remnants (SNRs), and attempts to determine whether their appearance results from the properties of the progenitor star and its supernova explosion, or from the structure of the interstellar medium (ISM) and ambient magnetic field into which a SNR consequently expands. High-resolution observations of Supernova 1987A show a young remnant whose appearance and evolution are completely dominated by the structure of its progenitor wind. A statistical study of the Galactic population of bilateral SNRs demonstrates that the symmetry axes of these remnants run parallel to the Galactic Plane. This result can be explained by the interaction of main sequence stellar wind-bubbles with the ambient magnetic field; expansion of SNRs into the resulting elongated cavities results in a bilateral appearance with the observed alignment. Radio observations of SNR G296.8-00.3 show a double-ringed morphology which is best explained by expansion either into an anisotropic main-sequence progenitor wind or into multiple cavities in the ISM. Data on SNRs G309.2-00.6 and G320.4-01.2 (MSH 15-52) make a strong case that the appearance of both remnants is significantly affected by collimated outflows from a central source; for G309.2-00.6 the source itself is not detected, but for G320.4-01.2 there is now compelling evidence that the remnant is associated with and is interacting with the young pulsar PSR B1509-58. I conclude that, while the youngest SNRs are shaped by their progenitor's circumstellar material, the appearance of most SNRs reflects the properties of the local ISM and magnetic field. Remnants which interact with an associated pulsar or binary system appear to be rare, and are easily distinguished by their unusual and distorted morphologies.
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Gaensler, Bryan Malcolm. "Barrels, jets and smoke-rings: Understanding the bizarre shapes of radio supernova remnants." University of Sydney, Physics, 1999. http://hdl.handle.net/2123/399.
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This thesis considers the various morphologies of radio supernova remnants (SNRs), and attempts to determine whether their appearance results from the properties of the progenitor star and its supernova explosion, or from the structure of the interstellar medium (ISM) and ambient magnetic field into which a SNR consequently expands. High-resolution observations of Supernova 1987A show a young remnant whose appearance and evolution are completely dominated by the structure of its progenitor wind. A statistical study of the Galactic population of bilateral SNRs demonstrates that the symmetry axes of these remnants run parallel to the Galactic Plane. This result can be explained by the interaction of main sequence stellar wind-bubbles with the ambient magnetic field; expansion of SNRs into the resulting elongated cavities results in a bilateral appearance with the observed alignment. Radio observations of SNR G296.8-00.3 show a double-ringed morphology which is best explained by expansion either into an anisotropic main-sequence progenitor wind or into multiple cavities in the ISM. Data on SNRs G309.2-00.6 and G320.4-01.2 (MSH 15-52) make a strong case that the appearance of both remnants is significantly affected by collimated outflows from a central source; for G309.2-00.6 the source itself is not detected, but for G320.4-01.2 there is now compelling evidence that the remnant is associated with and is interacting with the young pulsar PSR B1509-58. I conclude that, while the youngest SNRs are shaped by their progenitor's circumstellar material, the appearance of most SNRs reflects the properties of the local ISM and magnetic field. Remnants which interact with an associated pulsar or binary system appear to be rare, and are easily distinguished by their unusual and distorted morphologies.
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Wong, Carmen Ka-Wing. "Unlocking mechanisms implicated in drug-induced bizarre idiosyncratic behaviours - learning from people and molecules." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16263.
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Zolpidem, an imidazopyridine hypnotic, which acts on GABA‐A receptors has been associated with the development of a number of disturbing neuropsychiatric adverse drug reactions (ADRs) including parasomnias, amnesia and hallucinations. Although other non-hypnotic medications are also implicated in the induction of such adverse events; the mechanism behind these ADRs remains elusive and have been postulated to arise from off-target receptor or pathway activation resulting in the disruption and dysregulation of keyneurotransmitters including GABA, acetylcholine, noradrenaline and dopamine. Using a novel multidisciplinary approach, we aim to investigate relationships between these rare idiosyncratic ADRs (parasomnia, movement-based parasomnia, non-movement based parasomnia, amnesia and hallucination) by identifying similarities in the chemical structure amongst drugs that share these reactions. These shared structural features or motifs may enable diverse drugs to participate in a pharmacological reaction with a mutual target receptor or pathway. By combining human population pharmacovigilance data with in silico computational techniques, insights into mechanisms underlying idiosyncratic reactions or toxicities can be elucidated.
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Frazer, Jennifer Tucker 1978. "Mold fever : how a bizarre life form penetrated popular consciousness and launched a creeping hysteria." Thesis, Massachusetts Institute of Technology, 2004. http://hdl.handle.net/1721.1/39433.
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Thesis (S.M. in Science Writing)--Massachusetts Institute of Technology, Dept. of Humanities, Program in Writing and Humanistic Studies, 2004.Includes bibliographical references (p. 40-42).
Molds are everywhere, lately: in our homes, newspapers, and courtrooms, and on our minds. In the past few years, mold has gone from a blip on the radar of public consciousness to a major force in home inspections, insurance, litigation, and testing. Never before have people been so concerned over a group of creatures that--undeniably--have been there all along. This thesis--written as a four-part newspaper series--details the mold hysteria phenomenon, the biology of indoor molds, the science of indoor mold and health, and the profit-making frenzy that capitalized on mold fever.
by Jennifer Tucker Frazer.
S.M.in Science Writing
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Lee, Yi-Pei. "La poétique du "bizarre" et de "la surprise" dans la prose d'imagination de Guillaume Apollinaire." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA040/document.
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Guillaume Apollinaire est incontestablement l’un des poètes français les plus célèbres du XXe siècle. Celui qui a participé aux mouvements d’avant-garde et écrit des poèmes comme «Le Pont Mirabeau» et «La Chanson du Mal-Aimé», s’est pourtant livré à une autre activité littéraire moins connue du grand public. En effet, la «prose d’imagination»—contes et romans—de l’écrivain est conçue dans les règles de «l’esprit nouveau», et selon une poétique de « la surprise » qui caractérise aussi ses vers. Friand de curiosa et de bizarreries de toutes sortes, le prosateur Apollinaire manifeste une prédilection pour les hérétiques, les aventuriers, les maniaques, les poètes disgracieux et les artistes originaux. Il n’a pas peur d’aborder des sujets étonnants, voire hétérodoxes, à la recherche du renouvellement esthétique. Cette écriture très particulière peut s’inscrire dans une certaine lignée de la littérature, parmi les genres et les ouvrages des auteurs voués à ce qui est fantastique, mystérieux, anticlérical ou subversif. Comme la vie et l’œuvre sont inséparables dans le monde apollinarien, il est naturel que la curiosité et le goût du bizarre de l’écrivain laissent des empreintes dans sa bibliothèque personnelle, ses agendas et dans ses chroniques anecdotiques. Et c’est effectivement dans le domaine du journalisme que se trouvent maintes «authentiques faussetés» d’un Apollinaire conteur, qui excelle à mêler le réel et l’imaginaire. Une telle tendance fusionnelle se traduit aussi par le mélange des genres artistiques et littéraires dans sa fiction, laquelle témoigne d’une volonté d’inventer au-delà de certains «modèles», de créer une nouvelle esthétique libre de contraintes formelles, tout en restant fidèle aux principes défendus par le poète Guillaume ApollinaireGuillaume Apollinaire is undoubtedly one of the most famous French poets of the twentieth century. However, apart from being a key figure in the early avant-garde movements and the author of The Mirabeau Bridge (“Le Pont Mirabeau“) and The Song of the Ill-Beloved (“La Chanson du Mal-Aimé“), the poet played another literary role less known to the public today. In fact, the “imaginative prose” (“la prose d’imagination“)—short stories and novels—of Apollinaire was written in the spirit of “l’esprit nouveau“ and in accordance with a poetics of “surprise“ which also shaped his poetry. Being an avid reader of curiosa and other unusual texts, the prosateur Apollinaire had a predilection for heretics, rogues, maniacs, ungraceful poets and eccentric artists. He was not afraid to write about shocking or unconventional subjects while aiming for aesthetic renewal. This very distinctive fiction writing belongs probably to a certain tradition in literature, where Apollinaire and some of his works remain among the genres and the authors who devoted themselves to fantastic tales, mysteries, anticlerical stories or other subversive texts. Since worldly experience and literary enterprise are inseparable in Apollinaire’s world, it is natural to notice many signs of the writer’s curiosity and his taste for the bizarre in his private library, his journals and his magazine columns. In fact, a large number of the so-called “true falsities“ (“authentiques faussetés“)—a term invented by Apollinaire himself who, as a brilliant raconteur, excelled in mixing reality with fantasy—can actually be found in the writer’s journalistic writing. As for his work of fiction, a similar tendency for mixing also reveals itself in the fusion of different artistic and literary genres. The “imaginative prose“ shows the author’s will to invent out of some existing “frameworks“, to create a new aesthetic free of genre constraints, while remaining faithful to the principles defended by the poet Guillaume Apollinaire
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Borges, Mackely Ribeiro. "Gira de escravos: a música dos exus e pombagiras no Centro Umbandista Rei de Bizarra." reponame:Repositório Institucional da UFBA, 2006. http://www.repositorio.ufba.br/ri/handle/ri/9123.
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Os Exus e as Pombagiras são as entidades mais controversas da Umbanda. Devido a esta natureza, a presença destes espíritos nos centros umbandistas é, em geral, restrita ou muitas vezes até evitada. No Centro Umbandista Rei de Bizara estas entidades ocupam um papel de destaque tanto no espaço sagrado quanto na execução de determinadas atividades. Este centro umbandista realiza mensalmente uma cerimônia em homenagem aos Exus e Pombagiras denominada Gira de Escravos, e nela constatamos a existência de um repertório musical específico que merece ser melhor entendido. Com o objetivo de compreender a música dos Exus e Pombagiras e a importância destas entidades dentro da prática umbandista deste centro, após a Introdução (Capítulo 1), o Capítulo 2 contextualiza o surgimento da Umbanda no Brasil, mostrando a sua trajetória marcada pela busca de uma institucionalização e legitimação diante da sociedade e do Estado brasileiro, apresentando uma visão geral da prática umbandista e das entidades cultuadas através da revisão da literatura. O Capítulo 3 se concentra no Centro Umbandista Rei de bizara, abordando a sua história, estrutura social, hierarquia e o lugar ocupado pelos Exus e Pombagiras, assim como a importância dos instrumentos musicais e seus executantes. O Capítulo 4 faz uma descrição minuciosa da Gira de Escravos. Apresenta a transcrição dos toques que acompanham os pontos cantados. Propõe uma classificação das cantigas levando em conta a visão êmica e sugere possíveis interpretações das estruturas melódicas, dos textos e da forma de cantar. As conclusões até aqui obtidas são apresentadas no Capítulo 5. As transcrições musicais e as ilustrações fotográficas, obtidas em seu contexto original, constam do corpo desta dissertação à proporção que se tornam necessárias para exemplificar os problemas abordados.
Salvador
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Fichera, Rita Carmel. "Rule detection after frontal lobe lesions : the role of perseveration, compulsive risk-taking and bizarre responses." Thesis, St George's, University of London, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.404671.
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Hubrich, Jordan. "CHOOSE YOUR END!" UKnowledge, 2018. https://uknowledge.uky.edu/english_etds/77.
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Choose Your End! is a short story collection that examines what it means to live in a world with containers at every corner. Containers like houses and studio apartments and Tupperware and blenders, and containers like the social constraints of domesticity and womanhood and the physical body. There are limitations in this world both out of and within our control. Both voluntary and involuntary. These stories delve into the ways in which we are affected by our surroundings, our technology, our relationships, our bodies, and our minds and the ways that individuals affect those in turn. Moreover, these stories attempt to pull apart how self-awareness works with regard to these affects alongside how conscious and subconscious delusion pairs with or overshadows that awareness. The world is weird. Mundane things that people accept as normal ways of life are really strange. This collection shifts into and out of the absurd to clash the mundane with the bizarre in an attempt to examine just how weird our world is. And also, because sometimes the traditional ways of examining the world and human existence within it do not feel nearly sufficient enough.
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Duarte, João Muchagata Madeira. "Function, sexual dimorphism and intraspecific variation of the bizarre rostral structures of the extinct beaked whale, Globicetus hiberus." Master's thesis, Universidade de Évora, 2016. http://hdl.handle.net/10174/31060.
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Ziphiids (commonly known as beaked whales) are deep-diving, echolocation-user odontocetes. The recently named Pliocene Globicetus hiberus bears a peculiar large bony sphere in the rostrum, the mesorostral process of the premaxillae or MPP. The origin and function of MPP is mysterious, but hypotheses are addressed: 1. malformation, deformity or disease; 2. ballast; 3. intraspecific fighting; 4. reflection and directional aim of the sound beam; 5. increasing the velocity of sound waves; 6. sound barrier; and 7. secondary sexual organ. Some hypotheses are rejected (1, 2, 6), others may play a secondary role (3, 4, 5) and we suggest the secondary sexual organ (7) as the most likely explanation. The MPP varies in size in the six specimens studied. During life, MPP grows allometrically in a subgroup but not in the other, suggesting that one subgroup corresponds to males and the other to females (sexual dimorphism). Beaked whales are able to perceive bones as distinctive echoic images with their sonar; therefore the MPP may work as a secondary sexual organ, the so-called “antlers inside” hypothesis; Função, dimorfismo sexual e variação intraespecífica das estruturas rostrais bizarras na baleia-de-bico extinta Globicetus hiberus
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Zifídeos (vulgarmente conhecidos como baleias de bico) são odontocetes ecolocalizadores capazes de efetuar mergulhos de grande profundidade. O recentemente nomeado Globicetus hiberus do Plioceno, exibe uma peculiar e grande esfera óssea no rostro, o processo mesorostral da pré-maxila ou MPP. A origem e função do MPP é misterioso, mas algumas hipóteses são abordadas: 1. malformação, doença ou deformidade; 2. lastro; 3. luta intraespecífica; 4. reflexão e orientação do feixe de som; 5. aumento da velocidade das ondas sonoras; 6. barreira sonora; e 7. órgão sexual secundário. Algumas hipóteses são rejeitadas (1, 2, 6), outros podem desempenhar um papel secundário (3, 4, 5) e sugerimos o órgão sexual secundário (7) como a melhor hipótese. O MPP varia de tamanho nos seis espécimes estudados. Durante a vida, o MPP cresce alométricamente apenas em um subgrupo, sugerindo que um deles corresponde a machos e o outro a fêmeas (dimorfismo sexual). Estas baleias seriam capazes de detetar ossos como imagens ecóicas distintas com o seu sonar, portanto, o MPP poderia funcionar como um órgão sexual secundário, a chamado hipótese das “hastes internas”.
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Butula, Cichá Marie. "Pro tebe." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2012. http://www.nusl.cz/ntk/nusl-232365.
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Abdoh, Abdol-Reza. "Field geophysical studies in the Pierrefonds-Ile Bizard region, western Montreal." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63322.
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Alves, Julio Cesar. "Análise funcional e tratamento das respostas verbais bizarras de pessoas com o diagnóstico de esquizofrenia." Pontifícia Universidade Católica de Goiás, 2018. http://tede2.pucgoias.edu.br:8080/handle/tede/4035.
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The present study assessed and treated bizarre verbal responses of three participants diagnosed with schizophrenia and was based on theoretical and practical fundamentals of Behavior Analysis. In order to do so we analyzed the control exerted by antecedent and consequent events on verbal responses of the participants, who were all female, with ages varying between 48 and 63 years. The participants were interned in a mental health institution. A functional assessment process was conduced using indirect and direct observation and functional (experimental) analysis. The functional analysis involved the manipulation of environmental events across four conditions: attention, control, demand escape and alone, being that the attention condition was subdivided in three other conditions in which disapproving, reverse and stare were manipulated. For the demand condition a task that could be avoided or delayed was presented. In order to assess the sensorial stimulation each participant was left alone in a room. One condition with high density schedule of reinforcement served as control. When treating bizarre verbal responses we used DRA (Differential Reinforcement of Alternative behavior) and the verbal discrimination controlled by an alternated treatment experimental design and a follow-up. The results show that the occurrences of measured responses increased in attention conditions and decreased in demand and control conditions. In alone condition the responses never occurred. It is evident that social attention is a powerful reinforcer for bizarre verbal responses. Based on the data collected throughout the study, we concluded that the control of responding exerted by the antecedent events offer a more satisfying description of the control exerted by consequences. Regarding the treatment, the data show that the frequency of the bizarre verbal responses decreased and the appropriate ones increased. It is worth highlighting that the presence of different antecedent conditions changed the likelihood of occurrence of bizarre verbal responses, which justifies the analysis of the control exerted both by antecedent and consequent events upon inappropriate responding of people diagnosed with schizophrenia.
O presente estudo avaliou e tratou das respostas verbais bizarras de três pessoas com o diagnóstico de esquizofrenia a partir dos fundamentos teóricos e práticos da análise do comportamento. Para essa finalidade foi analisado o controle exercido pelos eventos antecedentes e consequentes sobre as respostas verbais das participantes, do sexo feminino, cujas idades variaram entre 48 a 63 anos. As participantes se encontravam internadas em uma instituição de saúde mental. Usou-se o processo avaliação funcional por observação indireta, direta e a análise funcional (experimental). A análise funcional envolveu a manipulação de eventos ambientais em quatro condições principais: atenção, controle, fuga de demanda e sozinho, sendo que a condição de atenção foi subdividida em três subcondições com o desaprovar, o inverter e o encarar manipulados. Para a condição de demanda, foi oferecida uma tarefa que poderia ser retirada ou adiada. Para avaliar a estimulação sensorial, cada participante foi deixada sozinha na sala. Uma condição com esquema denso de reforçadores serviu como controle. Para tratar as respostas verbais bizarras foi empregado o DRA (reforçamento diferencial de comportamentos alternativos) e a discriminação verbal controlados pelo delineamento de tratamentos alternados seguido de follow-up. Os resultados apontaram que as ocorrências das respostas ocorreram principalmente nas condições de atenção, sendo que nas condições de demanda e controle, poucas foram às emissões destas respostas. Já na condição sozinho, a frequencia foi zero. Ficou evidenciado ser a atenção social um potente reforçador para as respostas verbais bizarras. Com base nos dados deste estudo, conclui-se que o controle do responder exercido pelos eventos antecedentes melhor elucida o controle exercido pelos eventos consequentes. Em relação ao tratamento os dados apontaram que as frequências das respostas verbais diminuíram e as apropriadas aumentaram. Destaca-se que a presença de diferentes condições antecedentes as respostas verbais bizarras alteraram sua probabilidade de ocorrência, o que justifica a importância de se analisar, com igual relevância, o controle pelos eventos antecedentes e consequentes sobre o responder inapropriado de pessoas com o diagnóstico de esquizofrenia
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Ranta, Ellinor. "Styrka, uthållighet & självuppoffring -En studie om maskuliniteter utifrån mangaserierna My hero academia, One-punch man & Jojo’s bizarre adventure: part 1 phantom blood." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-89866.
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Uppsatsen analyserar maskuliniteter i tre populära mangasserier: Kohei Horikoshis My hero academia (2014), One och Yusuke Muratas One-punch man (2012) samt Hirohiko Arakis Jojo’s bizarre adventure: part 1 phantom blood (1986). Syftet med föreliggande studie är attsynliggöra vilka maskuliniteter som representeras i mangorna och på så sätt kunna diskutera och problematisera de manliga ideal som ungdomar möter i populärkulturen. För att besvara uppsatsens syfte utgår studien från en kvalitativ metod och materialet tolkas utifrån ett genusperspektiv med inriktning på maskuliniteter. Resultatet visar att samtliga verk innehåller representationer av ideala samt icke-önskvärda maskuliniteter. Den självuppoffrande, uthålliga, starka och moraliskt drivna hjälten utgör verkens maskulina ideal. De icke-önskvärda maskuliniteterna underbygger sina handlingar med egoism. Vidare synliggör resultatet att mangornas konstruktioner av maskulinitet och femininitet både reproducerar och utmanar samhällets föreställningar om vad som är manligt och kvinnligt. I samtliga verk görs exempelvis femininet till något passivt och vackert och maskulinitet till något starkt och aktivt. Verken tar dock avstånd från tanken att män till sin natur är aggressiva. Resultatet visar också att mangorna skiljer sig i sina maskulina representationer. I My hero academia och Jojo’s bizarre adventure utgör protagonisterna verkens maskulina ideal medan protagonisten i One-punch man kan betraktas som en skrattspegel till ett traditionellt hjälte-ideal.
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Pereira, Almerinda Maria do Rosário. "Para uma tipologia das gentes bizarras em Juan José Millás: um estudo de faunas e criaturas literárias." Doctoral thesis, Universidade de Évora, 2018. http://hdl.handle.net/10174/24626.
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Neste trabalho percorreremos a obra literária de Juan José Millás (Valencia, 1946), desde
1975 até 2018. O nosso périplo pelo conjunto da obra narrativa do autor (19 romances e
8 coletâneas de contos) terá como foco de interesse o estudo da personagem que se afasta
de uma determinada tipologia do que se entende ser a personagem humana, aquela que é
possuidora de um corpo e de um rosto que são a primeira marca da sua identidade.
Partindo da personagem humana que se vai corporeamente diminuindo, por via da
amputação, da assimetria, da deficiência ou da própria morte, abrimos caminho para um
género de personagem despojada de corpo, que se petrifica ou se faz oca. À medida que
o vazio acontece, o corpo da escrita, uma prótese como as outras, ganha volume, e um
novo repovoamento tem lugar, com o aparecimento de personagens cada vez mais
distantes da tradicional humana, mas não por isso desumanizadas. É então que o objeto
inerte se faz gente, que o animal se recobra de múltiplos significados, que o robot se
amantiza com o humano, que a miniatura o desafia. Acompanharemos, deste modo, o
Millás sombrio e hermético dos primeiros anos, assistiremos à sua metamorfose no
trânsito de uma escrita mais realista para outra assumidamente fantástica,
permaneceremos com ele no seu colorido que trouxe, nos últimos vinte anos, uma certa
forma carnavalizada e nova de ver o mundo. Mas o assunto da escrita de Millás
permanece sério: o da busca da identidade, ou talvez do mistério. E o mistério é veiculado
por todas as criaturas bizarras que vivem na sua obra, os outros, de que fará parte também
um eu à beira de um precipício, ou de uma mãe cósmica eternamente por desvendar; Abstract:
For a typology of bizarre people in Juan José Millás – A study of the
fauna and literary creatures
In this work we will travel through the literary work of Juan José Millás (Valencia,1946),
from 1971 to 2018. Our journey through the narrative work of the author (19 novels and
8 compilations of short stories) will focus on the study of the character that doesn’t obey
to a certain typology, the one we believe to be a human character, gifted of a body and a
face which are the first signs of an identity. Going from the human character that loses
body, through amputation, asymmetry, deficiency or own death, we open a path to a new
kind of character with no body, that petrifies itself or becomes hollow. As the emptiness
happens, the body of the writing, a prosthesis like others, gains volume and a new
repopulation takes place, with the apparition of characters more and more distant from
the traditional human figure, but not totally inhuman. Then, the inert object will become
people, the animal gets multiple meanings, the robot will have feelings for the human, the
miniature defies it. So, we will accompany the dark and tense Millás of the early years,
we will experience his metarmorphosis from a realistic writing to a clearly fantastic one,
we will stay with him in this brightnes brought to us from the last twenty years, through
a new and carnavalesque way to see the world. But the subject of Millas’ writing remains
serious: the search for identity or perhaps mistery. And the mistery is aired by all the
bizarre creatures that live through his work, the others, and an I at the edge of a precipice
or a cosmic mother that is forever uncovered.
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Lépori, Roberto [UNESP]. "Mil años de ciencia ficción hermética latinoamericana [1492-2500]: En tres episodios: Borges, la conspiración; Sor Juana y Antônio Vieira, íntimos herejes; Bizarros profetas ciberculturales." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/122239.
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000813391.pdf: 1986149 bytes, checksum: d81810d695d36601d15589bb10e0ea44 (MD5)A forma mais simples de apresentar os três episódios que compõem este trabalho é supor que o argentino Jorge Luis Borges ocupe provisoriamente o centro duma rede de obras e de escritores de ficção científica hermética latino-americana – uma rede que pode ser lida como uma conspiração. A figura de Borges – mistura heterodoxa de literatura e de “vida”, de revelações, de epifanias, de “mentiras verdadeiras”, de excessos intelectuais – permite ingressar na tradição da ficção científica herege desde o instante inicial quando os conquistadores invadiram o território que ainda não era América. O “kairós” histórico, político, cultural, ideológico, econômico do desencontro dessas duas cosmovisões provocou uma “guerra de imagens” e de discursos em cujo fragor mestiçaram-se desejos milenaristas europeus e concepções ameríndias também proféticas, também transcendentes e com idêntica impossibilidade – como o sonho dos seus invasores – de ser utopia em uma “terra sem mal”. Nessas heterodoxias misturadas – caóticas, potentes para pensar e híbridas na sua origem europeia – cozinhou-se o húmus da ficção científica hermética que, com maior ou menor intensidade, fermentou até explodir no século XX. Em consequência, o gnóstico e cabalístico Borges é um mecanismo textual, com suas árduas especulações e com suas conspirações, para ler duas linhas genéricas surgidas desse húmus herege – linhas que, por nascer dos códigos do pensamento heterodoxo, são principais, porém não únicas. A primeira eclode no século XVII entre Brasil e Lisboa. Responde à ideia do complô, da conquista do espaço, da invasão, do domínio total (macrocosmo). O padre jesuíta Antônio Vieira baseado no milenarismo português constrói, no contexto de uma vida polêmica, um peculiar córpus composto de sermões apocalípticos e satíricos; uma carta-tratado (“papel”) que justifica um silogismo ...
El camino más directo para presentar estos tres episodios es suponer que el argentino Jorge Luis Borges ocupa –de forma provisoria- el centro de una red de obras y de escritores de ciencia ficción hermética latinoamericana –red que puede ser leída como una conspiración. La figura de Borges –mezcla heterodoxa de literatura y de ´vida´, de revelaciones, de epifanías, de ´mentiras verdaderas´, de excesos intelectuales- permite acceder a esa tradición de ciencia ficción hereje desde el instante inicial en el que los conquistadores invadieron el territorio que no era América todavía. El ´kairós´ histórico, político, cultural, ideológico, económico del desencuentro de dos cosmovisiones provocó una ´guerra de imágenes´, y de discursos, en cuyo fragor se mestizaron anhelos milenaristas europeos y concepciones amerindias también proféticas, también trascendentes y con idéntica imposibilidad -que el sueño de sus invasores- de resultar utopía en una ´tierra sin mal´. En esas heterodoxias mezcladas -caóticas, potentes para pensar y ya híbridas en su origen europeo- se cocinó el humus de la ciencia ficción hermética que, con mayor o menor intensidad, fermentó por centurias hasta explotar en el siglo XX. El gnóstico y cabalístico Borges es, entonces, un mecanismo textual, con sus arduas especulaciones y con sus conspiraciones, para leer dos líneas genéricas surgidas de ese humus hereje -líneas que al desprenderse de los códigos del pensamiento heterodoxo son principales, pero no únicas. La primera eclosiona en el siglo XVII entre Brasil y Lisboa. Responde a la idea de complot, de conquista del espacio, de invasión, de dominio total (´macrocosmos´). El padre jesuita Antônio Vieira en base al milenarismo portugués construye, en el entramado no menos polémico de su vida, un peculiar corpus compuesto por sermones apocalípticos y satíricos; una carta-tratado (´papel´) que justifica un silogismo ...
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Lépori, Roberto. "Mil años de ciencia ficción hermética latinoamericana [1492-2500] : En tres episodios: Borges, la conspiración; Sor Juana y Antônio Vieira, íntimos herejes; Bizarros profetas ciberculturales /." São José do Rio Preto, 2014. http://hdl.handle.net/11449/122239.
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Orientador: Giséle Manganelli FernandesCoorientador: Manuel Fernando Medina
Banca: Nelson Luís Ramos
Resumo: A forma mais simples de apresentar os três episódios que compõem este trabalho é supor que o argentino Jorge Luis Borges ocupe provisoriamente o centro duma rede de obras e de escritores de ficção científica hermética latino-americana - uma rede que pode ser lida como uma conspiração. A figura de Borges - mistura heterodoxa de literatura e de "vida", de revelações, de epifanias, de "mentiras verdadeiras", de excessos intelectuais - permite ingressar na tradição da ficção científica herege desde o instante inicial quando os conquistadores invadiram o território que ainda não era América. O "kairós" histórico, político, cultural, ideológico, econômico do desencontro dessas duas cosmovisões provocou uma "guerra de imagens" e de discursos em cujo fragor mestiçaram-se desejos milenaristas europeus e concepções ameríndias também proféticas, também transcendentes e com idêntica impossibilidade - como o sonho dos seus invasores - de ser utopia em uma "terra sem mal". Nessas heterodoxias misturadas - caóticas, potentes para pensar e híbridas na sua origem europeia - cozinhou-se o húmus da ficção científica hermética que, com maior ou menor intensidade, fermentou até explodir no século XX. Em consequência, o gnóstico e cabalístico Borges é um mecanismo textual, com suas árduas especulações e com suas conspirações, para ler duas linhas genéricas surgidas desse húmus herege - linhas que, por nascer dos códigos do pensamento heterodoxo, são principais, porém não únicas. A primeira eclode no século XVII entre Brasil e Lisboa. Responde à ideia do complô, da conquista do espaço, da invasão, do domínio total (macrocosmo). O padre jesuíta Antônio Vieira baseado no milenarismo português constrói, no contexto de uma vida polêmica, um peculiar córpus composto de sermões apocalípticos e satíricos; uma carta-tratado ("papel") que justifica um silogismo ...
Resumen: El camino más directo para presentar estos tres episodios es suponer que el argentino Jorge Luis Borges ocupa -de forma provisoria- el centro de una red de obras y de escritores de ciencia ficción hermética latinoamericana -red que puede ser leída como una conspiración. La figura de Borges -mezcla heterodoxa de literatura y de 'vida', de revelaciones, de epifanías, de 'mentiras verdaderas', de excesos intelectuales- permite acceder a esa tradición de ciencia ficción hereje desde el instante inicial en el que los conquistadores invadieron el territorio que no era América todavía. El 'kairós' histórico, político, cultural, ideológico, económico del desencuentro de dos cosmovisiones provocó una 'guerra de imágenes', y de discursos, en cuyo fragor se mestizaron anhelos milenaristas europeos y concepciones amerindias también proféticas, también trascendentes y con idéntica imposibilidad -que el sueño de sus invasores- de resultar utopía en una 'tierra sin mal'. En esas heterodoxias mezcladas -caóticas, potentes para pensar y ya híbridas en su origen europeo- se cocinó el humus de la ciencia ficción hermética que, con mayor o menor intensidad, fermentó por centurias hasta explotar en el siglo XX. El gnóstico y cabalístico Borges es, entonces, un mecanismo textual, con sus arduas especulaciones y con sus conspiraciones, para leer dos líneas genéricas surgidas de ese humus hereje -líneas que al desprenderse de los códigos del pensamiento heterodoxo son principales, pero no únicas. La primera eclosiona en el siglo XVII entre Brasil y Lisboa. Responde a la idea de complot, de conquista del espacio, de invasión, de dominio total ('macrocosmos'). El padre jesuita Antônio Vieira en base al milenarismo portugués construye, en el entramado no menos polémico de su vida, un peculiar corpus compuesto por sermones apocalípticos y satíricos; una carta-tratado ('papel') que justifica un silogismo ...
Mestre
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Mamoudou, Garba Abdourhamane. "Les répercussions des maltraitances physiques et psychologiques sur le développement de l'enfant de 6 mois à 3 ans et appartenance culturelle : place et enjeux psychiques de cet enfant dans la relation mère-enfant." Thesis, Normandie, 2018. http://www.theses.fr/2018NORMR148/document.
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Cette thèse a cherché à évaluer et à comprendre les répercussions des maltraitances physiques et psychiques sur le développement des enfants qui en sont victimes. Il s’agit ici de repérer l’influence des représentations de la mère concernant l’enfant qui ont conduit aux actes maltraitants. Le but de l’étude était de repérer la place de l’enfant dans les enjeux psychiques maternels avec l’hypothèse de la mise en acte d’un fantasme d’infanticide à l’œuvre. Dans une approche culturelle, il a été question d’élargir la notion de maltraitance au-delà des syndromes communs notamment les enfants singuliers. L’étude a visé à comprendre les modalités d’expression de l’enfant de moins de 3 ans à travers les comportements d’externalisation et d’internalisation. 15 enfants de 6 mois à 3 ans et leur mère ont été recrutés. Différentes méthodes ont été utilisées, l’échelle de Brunet-Lézine-Révisé et la Malette Projective Petite Enfance, l’observation et l’entretien clinique à visée de recherche. Les résultats ont fait ressortir la mise en acte de fantasme chez les 12 mères sous différentes formes à travers le vécu de la grossesse, de l’accouchement, du maternage etc. et les effets des maltraitances qui entravent le développement de ces enfantsThe goal of this research is to evaluate and understand the repercussions of physical and psychological abuse on the development of children who are victims. The focal point is to identify the mental appraisal the mother has of the child and how it inherently drives her to mistreat the child. The aim of the study was to ascertain the child’s place in the mother’s mental thoughts with the assumption of the portrayal of an infanticide fantasy at work. Culturally, it was pertinent to broaden the notion of abuse way beyond the common syndromes especially associated with children that act bizarre. The study aimed to understand the modalities of expression of the child below the age of three through behaviors externally and internally expressed. Fifteen children from 6 months to 3 years of age and their mothers were selected for this study. Different methods were used such as, the revised version of the Brunet-Lézine scale, the "Malette projective Petite enfance " test, observation and clinical research interviews. The results highlighted the act of fantasy in the 12 mothers in different forms. Right from the experience of pregnancy, to childbirth, to nursing the child, etc. and the effects of abuse that hinder the development of these children
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Kahnt, Belinda [Verfasser], Robert J. [Gutachter] Paxton, Martin [Gutachter] Schlegel, and Christoph [Gutachter] Bleidorn. "Evolutionary genetics of a bizarre adaptation : elongated forelegs of South African Rediviva bees as an adaptation to their Diascia flower hosts / Belinda Kahnt ; Gutachter: Robert J. Paxton, Martin Schlegel, Christoph Bleidorn." Halle (Saale) : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2019. http://d-nb.info/1210728346/34.
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Queiroz, Guilherme Bento Lago de. "Em busca de um novo bizarro: contribuições clássicas e actuais para o diagnóstico de esquizofrenia." Master's thesis, 2017. http://hdl.handle.net/10316/81853.
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Trabalho de Projeto do Mestrado Integrado em Medicina apresentado à Faculdade de MedicinaDesde o DSM-III que o diagnóstico de esquizofrenia foi marcado pela presença de delírios bizarros, critério especial nos manuais de diagnóstico. Com a publicação do DSM-5 em 2013 eliminou-se este critério especial de bizarria, abandonando o conceito de um delírio específico da esquizofrenia. Ao longo dos manuais diagnósticos a ideia de um delírio bizarro constituía um complemento fenomenológico do diagnóstico. Apesar de a sua descrição ter sofrido várias alterações de edição para edição, a definição do delírio centrava-se numa ideia de irredutibilidade psicológica, com foco exclusivo no conteúdo dos delírios e na sua inadaptabilidade cultural. Neste artigo propõe-se uma revisão do conceito de delírio aplicado à esquizofrenia, procurando uma nova definição de bizarro. Nas obras clássicas “Psicopatologia Geral” de Karl Jaspers, e “Psicopatologia Clínica” de Kurt Schneider, o conceito de delírio primário e de percepção delirante defendem uma alteração na forma da experiência. Consequentemente, os delírios bizarros tais como descritos nos DSM seriam considerados delírios secundários, apenas dependentes do conteúdo do delírio Numa revisão dos critérios clássicos de delírio, a incompreensibilidade apresenta-se como único conceito específico do delírio esquizofrénico. Tanto como fractura do desenvolvimento individual, como alteração da sua capacidade de transcender para outro sistema de referencial, a incompreensibilidade torna a experiência inconcebível a um observador saudável.Contribuições psicopatológicas recentes apresentam as perturbações do self como possível sintoma nuclear da esquizofrenia, desconstruindo a incompreensibilidade do fenómeno delirante primário e apresentando um critério fiável que consiga substituir o de delírios bizarros no diagnóstico de esquizofrenia. Estudos utilizando a escala EASE apontam para uma correlação entre as experiências anómalas de self e a esquizofrenia, constituindo uma melhoria da abordagem diagnóstica, nomeadamente na avaliação prognóstica em doentes High Risk e Ultra High-Risk, Este tipo de abordagens psicopatológicas assumem-se como complementos úteis para o DSM-5, ajudando a definir um novo conceito de delírio bizarro como fenómeno específico de esquizofrenia.
Since DSM-III, the diagnosis of schizophrenia has been marked by the presence of bizarre delusions, considered as special criteria in diagnostic manuals. The publication of DSM-5 in 2013 eliminated this special criteria of bizarreness, abandoning the concept of a specific schizophrenic delusion. Along the history of DSM, the concept of bizarre delusion was a phenomenological complement for the diagnosis. Even though its descriptions suffered multiple alterations from one edition to the other, the definition of ‘bizarre’ was centred in an idea of psychological irreducibility, with an exclusive focus on the delusional content and on its cultural inadaptability.In this article we propose a revision on the concept of delusion as applied to schizophrenia, searching for a new definition of ‘bizarre’. Karl Jaspers’s ‘General Psychopathology’, and Kurt Schneider’s ‘Clinical Psychopathology’, both classics on psychopathology, present descriptions of primary delusions and delusional perceptions that defend a disorder of the form of the experience. Consequently, bizarre delusions as presented in DSM would be considered secondary delusions, only dependent on the delusional content. A revision of the classical criteria for delusions suggests incomprehensibility as the only concept specific to schizophrenic delusion. Both as a fracture of individual development and as an alteration on the subject’s ability to transcend into a different referential system, incomprehensibility makes the experience inconceivable to the healthy observer.Recent psychopathologic contributions present self-disorders as the possible core symptom in schizophrenia, deconstructing the incomprehensibility of the primary delusions and presenting reliable criteria that can replace the one of bizarre delusions in the diagnosis of schizophrenia. Studies using the EASE interview propose a correlation between anomalous self-experiences and schizophrenia, improving diagnosis, and especially in the evaluation of high risk and ultra-high risk individuals. This kind of psychopathological approaches present themselves as useful complements to DSM-5, helping to define a new concept of bizarre delusions as a specific phenomenon of schizophrenia.
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Matušínská, Radka. "Bizarní jídlo? Dobré k přemýšlení." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-350735.
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The following thesis discusses how bizarre food is conceptualized within the anthropology of food and how it connects to symbolic anthropology. Through the complex description of the individual experience during the process of eating bizarre foods, the perception of the experience and the various motivations behind it will be explained. From an anthropological point of view it will be examined whether bizarre foods are the carriers of cultural significance and how this is further demonstrated within the culture. Through analysis of some specific foods I will also try to reveal their symbolic meaning.
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Wang, Li-Wen, and 王麗雯. "The Characteristics of Bizarre Monks Portrayed in Tang Tales." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/01277524249542060606.
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碩士國立臺灣大學
中國文學研究所
103
Buddhist monks constitute an important and complicated group of characters in classic Chinese novels, but have received insufficient attention thus far. From the sacred descriptions found in hagiography and the mystic stories of the six dynasties, to the greedy, licentious images portrayed by the vernacular novels of Ming and Qing, it seems that the image of Buddhist monks in novels has greatly transformed over time, and that monks portrayed in Tang tales seem more lacking of compilation and discussion. However, in Taiping guangji, the most complete compilation of Tang tales, there are 12 volumes (volumes 87–98) dedicated to “bizarre monks” (yiseng), depicting Tang Buddhist monks in abundant ways. Moreover, descriptions of bizarre monks are not limited to volumes 87–98, but are widespread across all of the books. Why are these monks considered “bizarre”? How do the tales present their personalities and interactions with other characters? What is the meaning behind them? These complex characterizations, intersecting with various cultural and religious issues, are worthy of more detailed research. Therefore, this essay identifies the characteristics of bizarre monks on the basis of the compilation of related texts, and analyses the following three themes, attempting to interpret the basic traits of bizarre monks portrayed in Tang tales: The one is personality including asceticism, insanity, and affection; another one is versatile thaumaturgy mixed with Daoism and traditional beliefs; the other one is special affiliated identity such as scholar, knight-errant, foreigner, and monster.
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Raschig, Barbara [Verfasser]. "Bizarre Welten : Ror Wolf von A bis Z / Barbara Raschig." 2000. http://d-nb.info/964177846/34.
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Lin, Shih-Chieh, and 林士傑. "A Study on the Iconography of the Thirty Six DeityGuardians-In the Case of Those with Bizarre Appearance." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/4kzv49.
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碩士國立臺北藝術大學
建築與文化資產研究所
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ABSTRACT The object of this study is those with bizarre appearance of the thirty six deity guardians in temples from the folk religion. This study aims to develop a conceptual scheme and understand those with bizarre appearance in the Thirty Six Deity Guardians in Tainan and Taipei through the perspective of Taiwanese folk religion. Furthermore, this study tries to sort out numerous descriptions of Deities and Deity guardians through the Religious text, and compares myths, legends, and folk painting album to know their relevance and how they influence each other. Finally, through the discussion and narration above, this study analyzes and compares with the images of deity guardians with bizarre appearance collected form field study by analyzing their hold things, mount, clothing, appearance and so on to see the culture accumulation and complex on them, and roughly induces their system and distribution in these two areas. To constructing the rough exploration of the research of Taiwan deity statue and bizarre deity guardians was studied through the methods of documentary analysis, iconography, and field study. The main content of the paper is divided into: 1.To generally sort out the difference and connection between these two areas by going through the folk myths, documents, and institutional religion’s scriptures. 2.To know the influence between institutional religion and folk religion by study the description of deity guardians and Wrathful deities’ role and appearance from two scripture, "Tao Fa Hui Yuan"(Taoism’s scripture) and" Taishō Tripitaka". 3.To try to explain the possible reason of the bizarre elements shown in the thirty six deity guardians through analyze and summary in the two points above. 4.To induce the elements of constructing the folk bizarre deity guardians and their appearance by analyzing their appearance, hold things, clothes, and mount and so on.
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SureshRangapillai and 施瑞西. "“Do You Like Familiar or Bizarre Experience?”: The Effect of Proximal vs. Far Cultural Psychological Distance on Brand Preference." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/42271959297560219563.
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碩士國立成功大學
國際經營管理研究所碩士班
103
Goal construal theory has it that special distance, time distance, and psychological distance influence individuals’ decision in that they relying on high versus low level of knowledge in decision making. None of the study has applied the construal theory in cross-cultural consumption study.Based on the notion of goal construal level theory, this study examines the effect of psychological distance in a cross-cultural context, proximal versus far cultural distant, on the consumption pattern of Taiwanese and Indian consumers. This study also investigates the moderating effect of cosmopolitanism and nostalgia in brand choice. This study finds that people of far cultural distant are influenced by high construal level product knowledge. Their attitudes, personal skills, knowledge towards other culture are more related to abstract value. These people generally relying only on high level construal values, i.e. hedonic values, to make decision. On the other hand, people of proximal cultural distant are influenced by both high construal level knowledge and low construal level knowledge, which includes details and fact related information, in their decision making. This study also finds that cosmopolitanism influences consumers choice, but it does not moderate the relationship of knowledge construal’s influence on brand choice. Also, contrarily to previous studies, nostalgia is found to have no effect in consumption choice.
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Ridgway, Tess. "Troubling the lyric : Weet-Bix and Honey & Freely bizarre : Hera Lindsay Bird’s poetry, gurlesque performativity and the post-ironic lyric." Thesis, 2020. http://hdl.handle.net/1959.7/uws:58323.
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“Troubling the Lyric” comprises a book of poems and an exegesis. The former is “Weet-Bix and Honey”, a collection of 49 lyric poems that explore networks of relation within Sydney suburbia, alongside a brief excursion to Los Angeles. These personally expressive poems might be seen as a “bestiary” or book of metamorphoses, after the way they transform people and feelings into other bodies and states. The exegetical component of this research, “Freely Bizarre: Hera Lindsay Bird’s Poetry, Gurlesque Performativity and the Post-Ironic Lyric,” examines the poetry of contemporary New Zealand poet Hera Lindsay Bird across her first two books Hera Lindsay Bird (2016) and Pamper Me to Hell & Back (2018).
Upon the release of Bird’s boldly eponymous debut, two of her poems went viral. Bird garnered a cult following for her unbridled sexuality, mashing together of pop-cultural icons with literary greats, extended similes, feminine kitsch, and her highly ironic and dark humour. Though there have been many interviews and literary reviews of Bird there has been, to date, no published long-form critical engagement with her work. This thesis is structured around close readings of Bird’s poetry drawing on scholarly conceptualisations of camp, the gurlesque and post-irony, and recent theorisations of the lyric.
I employ the queer and feminist theory of Judith Butler and Eve Kosofsky Sedgwick in order to elucidate how Bird playfully troubles conventional categorical divisions, including heteronormative performances of gender and literary conventions of affect. Bird in a camp and post-postmodern repositioning of hegemonic value gives priority to feminine, homosexual and bisexual desires that are typically subordinated in heteronormative discourse. The kitsch, melodrama and gurlesque humour that Bird liberally employs serve to trouble and queer femininity, feminism, conventions of poetry, and sexuality. The lyric is enlivened and updated by Bird to inhabit new post-ironic modes––interplaying sincerity and irony to create unconventional variances in affect and trouble normative idea of universality. Bird expresses personal conceits through inventive and over-elaborate similes, shamelessly creating a self-consciously inwardly-focused lyric.
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Клешніна, Світлана Андріівна, and Svitlana Andriivna Kleshnina. "Жанрово-стильові особливості романів Валерія Шевчука." Master's thesis, 2020. http://repository.sspu.edu.ua/handle/123456789/9930.
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У роботі системно досліднжено жанрово-стильові особливості романів В. Шевчука «Дім на горі», «На полі смиренному» та «Три листки за вікном», з’ясовано їх місце в українському літературному процесі ХХ століття.
У першому розділі, що має теоретичне спрямування, спираючись на праці українських та зарубіжних науковців, досліджено поняття «жанр» і «стиль» у теоретико-літературознавчому дискурсі. У другому розділі проаналізовано жанрові особливості прозової творчості В. Шевчука, індивідуальний стиль письменника, химерність визначається як основна характерна риса творчості прозаїка. У третьому розділі висвітлено проблематику прози В. Шевчука, з’ясовано місце архетипів та їх відображення у творчому доробку письменника. У четвертому розділі досліджено особливості хронотопу, міфопростору та поетики романів В. Шевчука, окреслено місце онірики у творчості письменика. У висновках закцентовано на ключових моментах роботи. Список викорисаних джерел містить 78 позицій. У додатку подано матеріал, яким можуть послуговуватися в шкільній практиці вчителі-філологи у процесі підготовки до уроку української літератури в 11 класі у загальноосвітній школі.
Підсумком роботи стали результати, які можна використовувати в шкільній практиці вчителям-філологам, у процесі написання рефератів, курсових та інших видів науково-дослідних робіт; при розробці спецкурсів і спецсемінарів із досліджуваної проблематики для студентів-філологів гуманітарних спеціальностей вищих навчальних закладів.The genre-style features of V. Shevchuk’s novels “House on the Mountain”, “On the Humble Field” and “Three Leaves Outside the Window” are systematically studied in the work, their place in the Ukrainian literary process of the XX century. In the first section, which has a theoretical direction, based on the work of Ukrainian and foreign scholars, the concepts of "genre" and "style" in the theoretical and literary discourse are studied. The second section analyzes the genre features of V. Shevchuk's prose, the individual style of the writer, whimsy is defined as the main characteristic feature of the prose. The third chapter highlights the problems of V. Shevchuk’s prose, clarifies the place of archetypes and their reflection in the creative of the writer. In the fourth chapter the peculiarities of the chronotope, mythospace and poetics of V. Shevchuk's novels are investigated, the place of onyric in the writer's work is outlined. The conclusions focus on key points of work. The list of used sources contains 78 items. The addition contains material that can be used in school practice by teachers of philology in preparation for the lesson of Ukrainian literature in the 11th grade in secondary school. The result was the results that can be used in school practice for teachers of philology, in the process of writing essays, term papers and other types of research work; in the development of special courses and special seminars on the researched issues for students of philology of humanities specialties of higher educational institutions.
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Bizard, Pascal [Verfasser]. ""Welche Seite der Welt soll man jungen Leuten zeigen?" : die literarische Reflexion pädagogischer Konzepte in Prosatexten Johann Karl Wezels / vorgelegt von Pascal Bizard." 2007. http://d-nb.info/982988095/34.
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Silva, Natacha Rodrigues Pinto Torres da 1974. "Cuidadoras de doentes com traumatismo crânio-encefálico : 12 estudos desenvolvimentistas de significações pessoais." Master's thesis, 2002. http://hdl.handle.net/10451/39844.
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Tese de mestrado em Psicologia (Psicoterapia e Psicologia da Saúde) apresentada à Universidade de Lisboa através da Faculdade de Psicologia e de Ciências da Educação, 2002Este estudo visou caracterizar as crenças ou significações das cuidadoras familiares de vítimas de traumatismo crânio-encefálico, estruturando a sua ordenação por meio de critérios desenvolvimentistas e dialécticos (Joyce-Moniz, 1993). Para além dos níveis de significação, foram identificados os modos da sua expressão e congruência emocional. Para o efeito, estudaram-se as respostas de doze cuidadoras a situações dilemáticas (envolvendo procedimentos para a sua resolução e dramatização), subordinadas às três temáticas mais relevantes da literatura; prognóstico da evolução do traumatismo, dependência dos cuidadores e comportamentos agressivos ou bizarros do doente. As significações foram, na sua quase totalidade, classificadas nos níveis dois e três das hierarquias desenvolvimenrtistas do modelo com cinco níveis e nos modos de expressão catártica e congruente. Também se verificou uma diminuição da perturbação emocional, sobretudo nos casos de hipervaléncia significativa de nível três. Foram examinadas as implicações desta caracterização desenvolvimentista para a adequação dos processos de cuidados.
This study aimed at the characterization of the beliefs or significations of family caregivers of patients with a traumatic brain injury, structuring their ordering by means of developmental and dialectic criteria (Joyce-Moniz, 1993). In addiction to the levels of signification, the modes of emotional expression and congruency were identified. For this purpose, responses of twelve caregivers to dillematic situations (involving procedures to its resolution and dramatizing) connected to the three most relevant topics of the literature; prognosis of the trauma evolution, dependance on caregivers and aggressive and bizarre behaviours were analyzed. Almost all the significations were classified in levels two and three of the developmental hierarchies of the model which comprise five levels and in modes of cathartic and congruent expression. Emotional disturbance was also decreased, mainly in cases of meaningful hypervalence of level three. The implications of this developmental characterizing to the adjustment of caregiving processes were examined.
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Ondič, Ondrej. "Praktická aplikace imunohistochemických a molekulárně - genetických metod v diferenciální diagnostice lézí urogenitálního a gynekologického traktu." Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-391332.
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This thesis focuses on gynecopathology. It consists of a collection of seven papers published in pathology journals with impact factor. Introduction section contains selection of examples showing scientific application of molecular genetic methods. Further on the aims of individual research projects are described. The first project comprises histomophologic study of skin endometriosis addressing "mullerian" differentiation. A case report of a rare tumor namely borderline papillary serous tumor of the fimbriated end of the fallopian tube follows with molecular genetic analysis of KRAS, BRAF and p53 gene mutation status. Prospective longitudinal study on high grade squamous dysplasia (HSIL) of the cervix in HPV vaccinated women, so called DAV (dysplasia after vaccination), aims to elucidate pathogenesis of this phenomenon. Two other studies focus on incidence of fumarate hydratase deficient leiomyomas of the uterus and hereditary leiomyomatosis and renal cell carcinoma syndrome (HLRCC). The aim of those studies is to improve our diagnostic capability and increase detection rate of the patients with HLRCC syndrome. Finally a new subtype of HSIL namely bizarre cell dysplasia is described in two separate studies. Conclusion remarks contemplate the role of molecular genetics in surgical pathology.
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Vondráčková, Kristýna. "Byl jednou jeden cizinec na cestě." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-328531.
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v anglickém jazyce: This thesis mainly analyzes the five-part novel Gargantua and Pantagruel written by the French author Francois Rabelais. Emphasis is based particularly on an inclusion of Rabelais's work in historical and literary context of the period of transformation between medieval and Renaissance society. More specifically, it deals with the author's humanist opinion and his critique of contemporary society, which is the main line of the work itself. The aim of our thesis is especially an attempt to outline the various possible meanings of the terms « road or path » and « stranger » in Rabelais's work and explain the role of these thematic concepts in the author's concept of criticism of society.