Relevant bibliographies by topics / Black African literature in French

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Black African literature in French'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Black African literature in French"

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Gueye, Abdoulaye. "BREAKING THE SILENCE." Du Bois Review: Social Science Research on Race 7, no. 1 (2010): 81–102. http://dx.doi.org/10.1017/s1742058x10000196.

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AbstractSince the turn of the millennium, French society has become the theatre of a noticeable Black agency. Few previous events have ignited the media's interest in a Black French agenda more than the Collectif Égalité-led “March for the dignity of Black peoples” and the formation of the Conseil Représentatif des Associations Noires (CRAN). Through these newly-founded organizations, French activists of African descent have been challenging the hegemonic ideology of color-blindness, and heralding the claims, problems, and expectations of postcolonial African-descended people.Informed by this ideology of so-called color-blindness, the academic literature in France has been slow to account for this new form of political expression. Moreover, as this article will argue, postcolonial African-descended people have not been recognized as political agents in the French literature. Few studies have attempted to correct this myopic view by analyzing the current political dynamic of postcolonial African-descended people. Due to the state-centered or institutionalist approach, these studies are more concerned with highlighting external and structural factors, such as racial discrimination, at the expense of endogenous determinants. They focus on what postcolonial African-descended people are denied in the French society instead of investigating the qualities these citizens actually possess that enable them to organize collectively. This article is intended to contribute to this new literature. It will pinpoint the different transformations that postcolonial African-descended people have undergone from the 1960s through the 1990s, examine the resources and skills under these actors' control, and gauge the contribution of these resources and skills to the emergence of a Black collective voice.
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Sellin, Eric, and Janet G. Vaillant. "Black, French, and African: A Life of Léopold Sédar Senghor." World Literature Today 66, no. 4 (1992): 762. http://dx.doi.org/10.2307/40148782.

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Olson, Steven E., Janet G. Vaillant, and Mark Hudson. "Black, French, and African: A Life of Léopold Sédar Senghor." Antioch Review 49, no. 2 (1991): 298. http://dx.doi.org/10.2307/4612381.

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Pigeon, Gerard G. "Black Icons of Colonialism: African Characters in French Children's Comic Strip Literature." Social Identities 2, no. 1 (February 1996): 135–59. http://dx.doi.org/10.1080/13504630.2019.12062303.

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Pigeon, Gerard G. "Black Icons of Colonialism: African Characters in French Children's Comic Strip Literature." Social Identities 2, no. 1 (February 1, 1996): 135–59. http://dx.doi.org/10.1080/13504639652420.

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Johnson, Jerah. "Jim Crow laws of the 1890s and the origins of New Orleans jazz: correction of an error." Popular Music 19, no. 2 (April 2000): 243–51. http://dx.doi.org/10.1017/s0261143000000143.

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A seriously misleading error has crept into almost all the literature on the origins of New Orleans jazz. The error mistakenly attributes to the Jim Crow laws of the 1890s a significant role in the formation of the city's jazz tradition.Jazz historians have done a reasonably good job of depicting the two black communities that existed in new Orleans from the time of the Louisiana Purchase in 1803 until the twentieth century. One community comprised a French-speaking Catholic group who lived mostly in downtown New Orleans, i.e. the area of the city down-river from Canal Street. Before the Civil War this group, commonly called Creoles, or Black Creoles, but more accurately called Franco-Africans, comprised free people of colour as well as slaves, and after the war consisted of their descendants who perpetuated the group's language, religion and musical tradition, which combined French, African and Caribbean elements.Members of the other black community were English-speaking Protestants who lived mostly in uptown new Orleans. That group, before the Civil War, was made up largely of slaves brought to New Orleans by Americans who flooded into Louisiana after the 1803 Purchase, though it also included some free people of colour. After the war, the descendants of these immigrants continued their language, religion and musical tradition, which came mostly from the rural South. There Anglo-Africans were generally less prosperous and less educated than the downtown Franco-African or Creole community.
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Yillah, Dauda. "Patrick Grainville's Black African World: Dismantling or Bolstering Cultural Binarisms?" Nottingham French Studies 58, no. 1 (March 2019): 82–101. http://dx.doi.org/10.3366/nfs.2019.0237.

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This article examines the cross-cultural perspective offered by the metropolitan French author Patrick Grainville in his novels Les Flamboyants and Le Tyran éternel, set each in a fictional post-1960 independent black African state. In doing so, it identifies an inherent contradiction in the vision and argues that, while setting out to celebrate cultural difference, Grainville ends up paradoxically, if perhaps unwittingly, reasserting the supremacy of the cultural self. The article does not seek to discredit entirely Grainville's cross-cultural endeavour, but does not attempt to overrate it either. Rather it shows how, writing in a post-imperial European historical context of the mid-1970s and the late 1990s, Grainville breaks with colonial modes of cross-cultural perception but only to restate in certain respects the cultural assumptions that tend to underpin those modes of apprehending cultural difference.
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Djiadeu, Pascal, Abban Yusuf, Clémence Ongolo-Zogo, Joseph Nguemo, Apondi J. Odhiambo, Chantal Mukandoli, David Lightfoot, Lawrence Mbuagbaw, and LaRon E. Nelson. "Barriers in accessing HIV care for Francophone African, Caribbean and Black people living with HIV in Canada: a scoping review." BMJ Open 10, no. 8 (August 2020): e036885. http://dx.doi.org/10.1136/bmjopen-2020-036885.

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IntroductionIn 2001, 50%–55% of French-speaking minority communities did not have access to health services in French in Canada. Although Canada is officially a bilingual country, reports indicate that many healthcare services offered in French in Anglophone provinces are insufficient or substandard, leading to healthcare discrepancies among Canada’s minority Francophone communities.ObjectivesThe primary aim of this scoping systematic review was to identify existing gaps in HIV-care delivery to Francophone minorities living with HIV in Canada.Study designScoping systematic review.Data sourcesSearch for studies published between 1990 and November 2019 reporting on health and healthcare in Francophone populations in Canada. Nine databases were searched, including Medline, Cumulative Index to Nursing and Allied Health Literature, the Cochrane Library, the National Health Service Economic Development Database, Global Health, PsychInfo, PubMed, Scopus and Web of Science.Study selectionEnglish or French language studies that include data on French-speaking people with HIV in an Anglophone majority Canadian province.ResultsThe literature search resulted in 294 studies. A total of 230 studies were excluded after duplicates were removed. The full texts of 43 potentially relevant papers were retrieved for evaluation and data extraction. Forty-one studies were further excluded based on failure to meet the inclusion criteria leaving two qualitative studies that met our inclusion criteria. These two studies reported on barriers on access to specialised care by Francophone and highlighted difficulties experienced by healthcare professionals in providing quality healthcare to Francophone patients in Ontario and Manitoba.ConclusionThe findings of this scoping systematic review highlight the need for more HIV research on linguistic minority communities and should inform health policymaking and HIV/AIDS community organisations in providing HIV care to Francophone immigrants and Canadians.
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Djiadeu, Pascal, Joseph Nguemo, Chantal Mukandoli, Apondi J. Odhiambo, David Lightfoot, Lawrence Mbuagbaw, and LaRon E. Nelson. "Barriers to HIV care among Francophone African, Caribbean and Black immigrant people living with HIV in Canada: a protocol for a scoping systematic review." BMJ Open 9, no. 1 (January 2019): e027440. http://dx.doi.org/10.1136/bmjopen-2018-027440.

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IntroductionLanguage is a social determinant of health. Addressing social determinants of health is paramount to successful progression along the HIV-care continuum. Canada is a bilingual country with French and English as official languages. There are few studies to date that have focused on the impact of being a French-speaking linguistic minority on the HIV-care continuum. The primary objective of this scoping, systematic review of literature is to evaluate existing gaps in access to HIV- care among French-speaking people living with HIV in Canada. Our primary outcome is healthcare services availability and access for French- speaking people living with HIV.Methods and analysesOur scoping, systematic review will draw on a systematic search of published literature, both quantitative and qualitative studies published on French-speaking individuals' healthcare and HIV status in Canada, with particular emphasis on the province of Ontario. We will conduct our search in MEDLINE, the Excerpta Medica Database, the Cumulative Index to Nursing and Allied Health Literature, Web of Science, EBSCO and Google Scholar for work published between 1990 and 2018. Identified articles will be screened in duplicate and full-text articles of relevant studies will be retrieved. Data will also be extracted by two researchers working independently. Any discrepancies that arise will be resolved by consensus or by consulting a third author. Our findings will be reported according to the Preferred Reporting Items for Systematic Reviews and Meta-Analyses.Ethics and disseminationOur proposed research will not be conducted with human participants. We will only use secondary published data and therefore ethics approval is not required. Our findings will be disseminated as peer reviewed manuscripts at conferences and student rounds, and could be of interest to government health agencies and local HIV/AIDS service organisations.
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Lamont, Michèle, and Sada Aksartova. "Ordinary Cosmopolitanisms." Theory, Culture & Society 19, no. 4 (August 2002): 1–25. http://dx.doi.org/10.1177/0263276402019004001.

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In contrast to most literature on cosmopolitanism, which focuses on its elite forms, this article analyzes how ordinary people bridge racial boundaries in everyday life. It is based on interviews with 150 non-college-educated white and black workers in the United States and white and North African workers in France. The comparison of the four groups shows how differences in cultural repertoires across national context and structural location shape distinct anti-racist rhetorics. Market-based arguments are salient among American workers, while arguments based on solidarity and egalitarianism are used by French, but not by American, workers. Minority workers in both countries employ a more extensive toolkit of anti-racist rhetoric as compared to whites. The interviewed men privilege evidence grounded in everyday experience, and their claims of human equality are articulated in terms of universal human nature and, in the case of blacks and North Africans, universal morality. Workers' conceptual frameworks have little in common with multiculturalism that occupies a central place in the literature on cosmopolitanism. We argue that for the discussion and practice of cosmopolitanism to move forward we should shift our attention to the study of multiple ordinary cosmopolitanisms.
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Dissertations / Theses on the topic "Black African literature in French"

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Gaetan, Maret. "The early struggle of black internationalism : intellectual interchanges among American and French black writers during the interwar period." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:e649fb42-e482-428b-8fd4-a62acecbb899.

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The thesis focuses on the interchanges which took place during the interwar period between the American and the French black communities. It explores the role of national and transnational frames of reference in the definition of the New Negro movement during the 1920s as well as in its reception by French black intellectuals during the 1930s. Black internationalism during the interwar period can be seen as a circuit of interconnections which resulted in multifaceted and shifting identifications encompassing national and transnational affiliations as well as, sometimes, a cosmopolitan sense of belonging. My work explores the difficulties and successes that the writers under consideration encountered at the time in their attempts to communicate with fellow black people across socio-cultural boundaries. Although, during the interwar period, the perspective shifted from a preeminence of local paradigms to an emphasis on diasporic views of the black race, the national and the transnational, understood as sites of social positioning, cultural self-definition, and political agency, remained inextricably intermingled. All the examples presented in the thesis show that literature, often understood as a national category, does not exist in a vacuum. It is constantly formed and informed through transnational exchanges. The American Harlem Renaissance depended on external sources of inspiration to come to existence. Not restricted to the United States, it then spread across territorialized borders and, in turn, affected the French black community, becoming a major influence in the emergence of Négritude. The thesis successively explores five defining instances of black internationalism: René Maran's Batouala (1921), Alain Locke's The New Negro (1925), black Parisian newspapers from the mid-1920s to the early 1930s, Claude McKay's Banjo (1928), and the early theorization of Négritude. Through the use of Glissant's notion of detour, theorized in Le Discours antillais (1981), this thesis frames 'black internationalism' as a shifting web of negotiations expanding between national and transnational spaces.
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Yillah, Dauda. "Post-war French writings on Black Africa : the ambiguities and paradoxes of a cross-cultural perspective." Thesis, University of Oxford, 2007. http://ora.ox.ac.uk/objects/uuid:6fed22a9-2401-45ef-b492-aa0e5ee65163.

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Edward Said stresses the politically and ideologically skewed nature of western imperial responses to colonised or formerly colonised cultures and peoples, articulated in a variety of media, including scholarly and imaginative writings, which are inflected by the various kinds of power (political, intellectual, cultural and moral) that the West has wielded and continues to wield over non-Western regions of the world. While recognising the pathbreaking import of Said's work, critics have pointed out his blindness to the possibilities of resistance to and subversion of the discourse of Empire within the western-authored texts that he discusses. Even where he does consider the issue of resistance and opposition to Empire by western intellectuals, he still stresses the complicity of their texts with the processes of Empire. If one were to pursue the logic of such criticisms to its limit and apply it to the intellectual resistance generated from the centre in the context of the post-War dismantling of European overseas empires and its aftermath, one might be tempted to conclude that such resistance constitutes an unqualified disruption of colonial modes of apprehending difference. Against the backdrop of such readings of Said, this thesis examines the issue of cross-cultural representation in a selection of mainstream metropolitan French writings relating to black Africa produced between 1945 and the present. It brings together scholars and writers like Gide, Sartre and Griaule, some of whose works relating to black Africa belong to the first decade of the post-War period marked by France's continued colonial presence in the continent. It also considers other scholars and writers like Dumont, Conchon, Verchave and Le Clézio, whose books appeared in the second and succeeding decades of the period. The overall aim is to identify the ways in which these writers respond individually and collectively to black Africa often construed as a paradigm of cultural difference, and to consider whether such cross-cultural responses, given their historical context, can be described as being invariably a function of the changing relations between France and black Africa. What forms do the cross-cultural responses take? What cultural assumptions and ideological motivations shape those responses? Are the responses entirely disruptive of colonial modes of relating to difference? If not, what are their aporias, their ambiguities and paradoxes? My conclusion is that while Sartre and others relate to black Africa with unmistakeable empathy, their positive cross-cultural disposition does not necessarily enable them to attain a relationship with the peoples and cultures of Africa which is an equipollent relationship between equals.
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Sengupta, Sheila L. "La Réconciliation des Féminismes : L’amélioration du statut de la femme africaine." Case Western Reserve University School of Graduate Studies / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=case1307478844.

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Manirambona, Fulgence. "Africanité et mondialisation à travers la production romanesque de la nouvelle génération d'écrivains francophones d'Afrique noire." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209947.

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Le roman africain de la nouvelle génération s’élabore au carrefour des langues et des cultures. Dans son orientation théorique et paratextuelle, le discours romanesque de la nouvelle génération se résume en une « modernité universalisante », lieu de l’articulation dialectique entre l’africanité et la mondialisation. Le contexte idéologique de création de cette littérature et le questionnement identitaire nous amènent à considérer l’africanité comme une notion dynamique et la mondialisation littéraire comme une ouverture à la concurrence et à la légitimité littéraire. Le discours péritextuel, ce haut lieu de la lisibilité/visibilité, amorce les stratégies de cette altérité que le romancier développe largement dans l’énonciation textuelle.

La reconfiguration de l’énonciation dégage les ressorts d’une écriture nouvelle marquée par une narration éclatée, une spatialité multiple et une innovation thématique. La transgression narrative s’intègre au rang des discours de la déconstruction caractéristique de la postmodernité et se donne à lire comme le reflet de l’être de l’entre-deux qu’est l’écrivain migrant comme d’ailleurs son protagoniste. L’espace dans lequel évolue ce dernier peut être interprété comme une transteritorialité dans laquelle se moule la création littéraire marquée du sceau de l’altérité et traduit la « transidentité » du personnage évoluant dans cet espace. La perspective thématique renforce cette idée de l’altérité mondiale structurant le récit africain contemporain. Elle s’engage dans la voie des mutations et des transgressions caractéristiques de la mise en relation de l’africanité et de la mondialisation comme lieu de l’écriture/lecture du roman contemporain.

Le mode d’écriture nous offre un cadre linguistique et stylistique dans lequel se joue l’altérité africanité-mondialisation. Le romancier de la nouvelle génération retravaille la langue française à l’aide des ingrédients des langues et des cultures dans lesquelles il baigne. Cette manipulation linguistico-stylistique est rendue possible par le jeu interlinguistique et le registre humoristico-ironique qui produisent une esthétique du « risible » face aux défis de l’altérité. L’écrivain africain contemporain, décomplexé par ces manipulations linguistique et stylistique, exploite les ressources de l’oralité en vue de concilier la pluralité des formes d’expression et des pratiques langagières de son environnement. Cette stratégie d’écriture produit une esthétique de l’oraliture, celle-là même qui, tout en exaltant les vertus de l’écriture, recourt aux différents procédés offerts par l’oralité, versant de l’africanité du texte contemporain, pour marquer une opposition contre l’écriture et l’Occident qui l’incarne./The African novel by the new generation is made at the meeting point of languages and cultures. In its theoretical and paratextual orientation, the fiction discourse by the new generation can be summed up as a « universality-oriented modernity », a place of dialectic link between africanity and globalization. The ideological context of creation of this literature and the identity questioning bring us to consider africanity as a dynamic notion and the literary globalization as a way to competition and literary legitimacy.

The peritextual discourse, which is a high place of readability/visibility, initiates the strategies of this otherness which the novelist develops largely in textual enunciation.

Reshaping the enunciation shows the motivation of a new writing characterized by a breaking up narration, a multiple area coverage and a thematic innovation. Narrative transgression is integrated in the rank of discourses of deconstruction characterizing postmodernity. It is to be read as a reflection of the being in the space between, this is the migrant writer as well as his protagonist. The space in which the latter evolves can be interpreted as a transterritoriarity in which is moulded literary creation sealed by otherness and shows « transidentity » of the character evolving in that space. The thematic perspective reinforces this idea of global otherness structuring the African contemporary narration. It moves into mutations and transgressions characterizing the relationship between africanity and globalization as a place of writing/reading of contemporary novel.

The writing mode gives us a linguistic and stylistic framework in which takes place the otherness africanity-globalization. The new generation novelist works on the French language he uses by means of ingredients of languages and cultures surrounding him. This linguistic and stylistic manipulation is made possible by an interlinguistic game and the humoristic and ironic register which produce aesthetics of the “funny” in front of otherness challenges. The contemporary African writer, encouraged by these linguistic and stylistic manipulations, exploits the oral ressources in order to reconcile the plurality of forms of expression and of language practices of his environment. This writing strategy produces aesthetics of orality, the one which, in addition to exalting the virtues of writing, has recourse to different procedures of orality, showing thus africanity of contemporary text, to mark an opposition against writing and the Western world which embodies it.


Doctorat en Langues et lettres
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Letsetsengui, Marthe Prisca. "Les fictions d'auteurs dans la littérature francophone et contemporaine d'Afrique noire, des Caraïbes et du Québec." Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAC009.

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Qu’est-ce que « les fictions d’auteurs » ? Nous désignons par cette thématique un ensemble de textes littéraires qui met l’accent sur la fabrication d’un personnage écrivain et la réception du livre fictif. Ce phénomène est né dans la littérature française à la suite de deux publications consécutives sur la mort de l’auteur. Ces actes de décès de l’auteur ont donc engendré la parade de fabrication de l’auteur dans le roman français pour tenter de lui redonner vie. Ils ont introduit le principe de l’immanence entrainant l’effacement de l’auteur au profit de l’écriture. Ainsi, sans chercher à confronter les différents champs littéraires, cette thèse constitue un panorama des éléments d’identification d’un personnage écrivain dans le roman francophone et un moyen pour l’auteur de dévoiler aux lecteurs les dessous de son métier d’écrivain. Pour saisir l’ancrage de ce romancier fictif dans le texte francophone, cette étude s’appuie sur la sociologie littéraire et la poétique littéraire
What is "author's fiction"? By this theme we designate a set of literary texts that focuses on the making of a character writer and the reception of the fictional book. This phenomenon was born in French literature following two consecutive publications on the death of the author. These acts of death of the author have thus generated the author's production parade in the French novel to try to revive him. They introduced the principle of immanence leading to the erasure of the author in favor of writing. Thus, without trying to confront the different literary fields, this thesis constitutes a panorama of the identifying elements of a writer's character in the French-speaking novel and a means for the author to reveal to the readers the underpinnings of his writing profession. To capture the anchor of this fictional novelist in the French text, this study is based on literary sociology and literary poetics
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Bundu, Malela Buata. "L'Homme pareil aux autres: stratégies et postures identitaires de l'écrivain afro-antillais à Paris, 1920-1960." Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210803.

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Cette étude porte sur le fait littéraire afro-antillais de l’ère coloniale (1920-1960). Il s’agit d’examiner les stratégies des agents à partir des cas de René Maran, Léopold Sédar Senghor, Aimé Césaire, Édouard Glissant et Mongo Beti et de percevoir comment ils se définissent leur identité littéraire et sociale.

Pour ce faire, notre démarche s’articule en deux temps :(1) examiner les conditions de possibilité d’un champ littéraire afro-antillais à Paris (colonisation française et ses effets, configuration d’un champ littéraire pré-institutionnalisé, etc.) ;(2) analyser les processus de consolidation du champ, ainsi que les luttes internes qui opposent deux tendances émergentes représentées d’abord par Senghor et Césaire, ensuite par Beti et Glissant, dont les prises de position littéraires mettent en œuvre des « modèles empiriques » ;ceux-ci régulent et unifient leurs rapports au monde et à l’Afrique.

This study relates to afro-carribean literature in colonial period (1920-1960). We want to examine the strategies of agents like René Maran, Léopold Sédar Senghor, Aimé Césaire, Édouard Glissant and Mongo Beti ;and we want to understand how they invente literary and social identity.

Our approach is structured in two steps: we shall analyse (1) the conditions for an afro-carribean literary field to appear in Paris (french colonialism and its consequences, configuration of literay field.) ;(2) the consolidation of this field and the internal struggles between two tendances represented by Senghor and Césaire, by Glissant and Beti whose literary practice shows the “empirical model” that regularizes and consolidates their relation with the world and Africa.
Doctorat en philosophie et lettres, Orientation langue et littérature
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Shango, Lokoho Tumba. "Roman et écriture de l'espace en Afrique (noire) francophone." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1998. http://books.google.com/books?id=sZxcAAAAMAAJ.

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Gaylard, Rob. "Writing black : the South African short story by black writers /." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019/3224.

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Crawford, Meredith Meagan. "Envisioning Black Childhood: Black Nationalism, Community, and Identity Construction in Black Arts Movement Children's Literature." W&M ScholarWorks, 2005. https://scholarworks.wm.edu/etd/1539626475.

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Ferguson, J. "The representation of the Negro in French literature, 1848-1880." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.354777.

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Books on the topic "Black African literature in French"

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Black Paris: The African writers' landscape. Urbana: University of Illinois Press, 1998.

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Frindéthié, K. Martial. The Black renaissance in Francophone African and Caribbean literatures. Jefferson, N.C: McFarland & Company, 2008.

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Giguère, Ronald Gérard. Ecrivains noirs d'Afrique et des Antilles. New York: P. Lang, 1997.

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Odysseys home: Mapping African-Canadian literature. Toronto: University of Toronto Press, 2002.

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Irele, Abiola. The negritude moment: Explorations in francophone African and Caribbean literature and thought. Trenton, N.J: Africa World Press, 2011.

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Black writers in French: A literary history of negritude. Washington, D.C: Howard University Press, 1991.

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Littérature africaine et sa critique. Paris: A.C.C.T, 1986.

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Histoire de la littérature négro-africaine. Paris: Editions Karthala, 2001.

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Parmelli, Jean-Paul. Lettres noires: Afrique, Caraïbes, Océan Indien : écrivains d'expression française. Essonne: Association pour le développement de la lecture publique en Essonne, Bibliothèque centrale de prêt de l'Essonne, 1990.

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Oeuvre critique: Articles, communications, interviews, préfaces et études sur commandes des organismes internationaux, 1970-2009. Paris: L'Harmattan, 2009.

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Book chapters on the topic "Black African literature in French"

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Smethurst, James Edward. "The Black Arts Movement." In A Companion to African American Literature, 302–14. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch20.

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Nintai, Moses Nunyi. "Translating african literature from french into english." In Benjamins Translation Library, 41. Amsterdam: John Benjamins Publishing Company, 1994. http://dx.doi.org/10.1075/btl.5.08nin.

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Lee, Maurice S. "The 1850s: The First Renaissance of Black Letters." In A Companion to African American Literature, 103–18. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch7.

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Carretta, Vincent. "Back to the Future: Eighteenth-Century Transatlantic Black Authors." In A Companion to African American Literature, 9–24. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch1.

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Smiles, Robin V. "Popular Black Women's Fiction and the Novels of Terry McMillan." In A Companion to African American Literature, 347–59. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch23.

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Vernon, Matthew X. "Introduction: Reading Out of Time—Genealogy, African-American Literature, and the Middle Ages." In The Black Middle Ages, 1–43. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91089-5_1.

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Khannous, Touria. "Identity politics and the constructions of blackness in North African medieval travel narratives." In Black-Arab Encounters in Literature and Film, 82–103. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429462979-4.

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Tabone, Mark A. "Black Power Utopia: African-American Utopianism and Revolutionary Prophesy in Black Power-Era Science Fiction." In Race and Utopian Desire in American Literature and Society, 59–78. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19470-3_4.

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Cooper, Preston Park. "“A Beautiful Black Butterfly”: Eastern Aesthetics and Postmodernism in Ishmael Reed’S Japanese by Spring." In Cross-Cultural Visions in African American Literature, 177–90. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119123_9.

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Green, Tara T. "The Black Matriarch’s Quest for Love: Oprah Winfrey as Sofia in The Color Purple." In Presenting Oprah Winfrey, Her Films, and African American Literature, 21–43. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137282460_2.

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Conference papers on the topic "Black African literature in French"

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Chilufya, Emma Mainza, and Annika Silvervarg. "The Black Box of Virtual Agent Design: A Literature Review of User Involvement at the IVA Conference." In AfriCHI 2021: 3rd African Human-Computer Interaction Conference. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3448696.3448720.

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Zhabo, Natallia, Marina Avdonina, Vadim Plushikov, Elena Notina, and Hairova Nadiya. "Organization of Extracurricular Activities: Student Video ""Little Black Dress"" in Teaching French Language for Special Purposes." In 6th Annual International Conference on Language, Literature and Linguistics (L3 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2251-3566_l317.101.

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