Relevant bibliographies by topics / Black British Writing

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Black British Writing'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Black British Writing"

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Napier, Winston, Victoria Arana, and Lauri Ramey. "Black British Writing." Modern Language Studies 35, no. 2 (October 1, 2005): 119. http://dx.doi.org/10.2307/30039834.

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Sanchez, Alexandra J. "“Bluebeard” versus black British women’s writing." English Text Construction 13, no. 1 (July 24, 2020): 1–21. http://dx.doi.org/10.1075/etc.00032.san.

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Abstract Helen Oyeyemi’s 2011 novel Mr. Fox artfully remasters the “Bluebeard” fairytale and its many variants and rewritings, such as Jane Eyre and Rebecca. It is also the first novel in which Oyeyemi does not overtly address blackness or racial identity. However, the present article argues that Mr. Fox is concerned with the status of all women writers, including women writers of colour. With Mr. Fox, Oyeyemi echoes the assertiveness and inquisitiveness of Bluebeard’s last wife, whose disobedient questioning of Bluebeard’s canonical authority leads her to discover, denounce, and warn other women about his murderous nature. A tale of the deception and manipulation inherent in storytelling, Mr. Fox allows for its narrative foul play to be exposed on the condition that its literary victims turn into detective-readers and decipher the hidden clues left behind by the novel’s criminal-authors. This article puts the love triangle between author St. John Fox, muse Mary, and wife Daphne under investigation by associating reading and writing motifs with detective fiction. Oyeyemi’s ménage à trois can thus be exposed as an anthropomorphic metaphor for the power struggle between the patriarchal literary canon, established feminist literature, and up-and-coming (black British) women writers, incarnated respectively by Mr. Fox, Mary Foxe, and Daphne Fox.
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Sivanandan, Tamara. "Black British Writing: A Review Article." Race & Class 43, no. 2 (October 2001): 132–40. http://dx.doi.org/10.1177/0306396801432008.

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Donnell, Alison. "Nation and contestation: Black British writing." Wasafiri 17, no. 36 (June 2002): 11–17. http://dx.doi.org/10.1080/02690050208589781.

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Boehmer, Elleke, and Erica Lombard. "Publishing, the Curriculum and Black British Writing Today." Wasafiri 34, no. 4 (October 2, 2019): 115–21. http://dx.doi.org/10.1080/02690055.2019.1635836.

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Bekers, Elisabeth, Elizabeth-Jane Burnett, and Helen Cousins. "Call for Manuscripts: Contemporary Black British Women's Writing." Tulsa Studies in Women's Literature 38, no. 1 (2019): 253–54. http://dx.doi.org/10.1353/tsw.2019.0021.

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Adebayo, Mojisola, Valerie Mason-John, and Deirdre Osborne. "‘No Straight Answers’: Writing in the Margins, Finding Lost Heroes." New Theatre Quarterly 25, no. 1 (February 2009): 6–21. http://dx.doi.org/10.1017/s0266464x09000025.

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Mojisola Adebayo and Valerie Mason-John are two distinctive voices in contemporary writing and performance, representing an Afro-Queer diasporic heritage through the specific experience of being black, British, and lesbian. Creating continuities from contorted or erased histories (personal, social, and cultural), their drama demonstrates both Afro-centric and European theatrical influences, which in Mason-John's case is further consolidated in her polemic, poetry, and prose. Like Britain's most innovative and prominent contemporary black woman dramatist, debbie tucker green, they reach beyond local or national identity politics to represent universal themes and to centralize black women's experiences. With subject matter that includes royal families, the care system, racial cross-dressing, and global ecology, Adebayo and Mason-John have individually forged a unique aesthetic and perspective in work which links environmental degradation with social disenfranchisement and travels to the heart of whiteness along black-affirming imaginative routes. Deirdre Osborne is a lecturer in drama at Goldsmiths College, University of London, and has published essays on the work of black British dramatists and poets, including Kwame Kwei-Armah, Dona Daley, debbie tucker green, Lennie James, Lemn Sissay, SuAndi, and Roy Williams. She is the editor of Hidden Gems (London: Oberon Books, 2008), a collection of plays by black British dramatists.
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DALY, GAVIN. "BRITISH SOLDIERS AND THE LEGEND OF NAPOLEON." Historical Journal 61, no. 1 (February 27, 2017): 131–53. http://dx.doi.org/10.1017/s0018246x16000479.

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ABSTRACTInvestigating the letters, diaries, and memoirs of British officers and enlisted men from the Napoleonic Wars, this article explores the hitherto neglected subject of British soldiers’ perceptions of Napoleon. Soldiers often formed mixed and ambivalent views on Napoleon. At one level, this corresponds with a range of attitudes within Britain, highlighting the important connections between soldiers and domestic culture. Yet these views also reveal what soldiers as a distinct cohort prioritized about Napoleon, and how these perceptions evolved over time. They also reveal tensions and divisions within the army itself, and shed light on British soldiers and patriotism. And finally, they add to our understanding of soldiers’ writing practices, especially their cultural context and the differences between wartime writing and memoirs. A diverse and shifting set of cultural frameworks and lived experiences shaped soldiers’ writings on Napoleon – from the Black Legend and Napoleonic Legend, to the Enlightenment and Romanticism; and from Spain and its battlefields to Restoration Paris and post-Waterloo Britain. Tracing the evolution of British soldiers’ perceptions of Napoleon from the outbreak of the Peninsular War in 1808 to the mid-nineteenth century reveals a growing admiration of Napoleon and the increasing hold of the Napoleonic Legend.
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Weedon, C. "Migration, Identity, and Belonging in British Black and South Asian Women's Writing." Contemporary Women's Writing 2, no. 1 (June 1, 2008): 17–35. http://dx.doi.org/10.1093/cww/vpn003.

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Goodrich, Amanda. "Ryan Hanley. Beyond Slavery and Abolition: Black British Writing, c. 1770–1830." American Historical Review 126, no. 1 (March 1, 2021): 381–82. http://dx.doi.org/10.1093/ahr/rhab072.

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Dissertations / Theses on the topic "Black British Writing"

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Saroukhani, Henghameh. "Cosmopolitanism and contemporary black British writing." Thesis, University of Leeds, 2014. http://etheses.whiterose.ac.uk/8404/.

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This thesis critically explores the conjunction of cosmopolitanism and contemporary black British writing, a hitherto little acknowledged field of investigation. I argue that a problematic lacuna exists within black British literary scholarship, which renders theoretical and textual engagements with cosmopolitanism as incommensurable with the “authentically” located political and discursive formation of black Britain. This thesis proposes that an examination of cosmopolitanism within the study of black British writing remains both vital and crucially generative for the field. I formulate cosmopolitanism as a critical praxis and expression of a certain aesthetic modality that captures the provocative ways in which twenty-first-century black British authors have uncovered translocal, outer-national and cross-cultural histories of alliance in their work. The writers examined in this thesis – whose work ranges across established and innovative cultural forms – resource the past as a means to compose their particular literary enunciations of cosmopolitanism. Each writer imagines a specific “sign of history” (in Jean-François Lyotard’s usage) that reconstitutes the recent past in the service of excavating distinctive cosmopolitan histories, affinities and opportunities. The chapters in this thesis, which are organized around three pivotal historical signs (1948; 1981/1982; 1989), closely examine the work of James Berry, Andrea Levy, Alex Wheatle, Linton Kwesi Johnson, Zadie Smith, Mike Phillips and Bernardine Evaristo. By delineating how these writers envision historically inspired worldly imaginaries (whether in pejorative or salutary ways), I offer a critical revaluation of black British writing, one that enables new interpretative avenues from which to appraise and critique the field’s burgeoning cosmopolitanism.
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Reive, Samantha Elizabeth. "Between the black Atlantic and Europe : emerging paradigms in contemporary black British writing." Thesis, University of Leeds, 2015. http://etheses.whiterose.ac.uk/11684/.

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My thesis explores the emerging concerns of contemporary black British writing. I index the move towards a non-normative black British aesthetic through my reading of the twenty-first century novels of Diana Evans, Bernardine Evaristo, Caryl Phillips and Zadie Smith. I hypothesise that the works interrogated in the thesis offer a break from the generational model of black British writing, and in so doing shift the trajectories of black British writing away from the triangulated model of Paul Gilroy’s ‘black Atlantic’. I argue that the novels posit a non-normative black British aesthetic which draws upon multidirectional cultural trajectories. Locating this non-normative aesthetic in relation to iterations of Englishness allow my readings of the novels to uncover a newly emergent writing of black British selfhood which engages with transcultural and non-diasporic modes of cosmopolitan belonging. I identify a positioning of Europe as an alternative dwelling place which allows for new trajectories of travel for the black British subject. Subsequently, this thesis interrogates the implications for collective cultural histories, narrative and memory in which critical theories of cosmopolitanism and multidirectional memory intervene. I hypothesise a transformative energy within contemporary black British fiction as it moves on from the language of identity, crosses the boundaries of nationhood and memory, and offers a new vocabulary for the articulation of cultural belonging and ‘Englishness’.
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Procter, James Richard. "Dwelling places : the cultural politics of black British writing, 1948-1998." Thesis, University of Leeds, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251989.

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Danaher, Katie. "Mapping and re-mapping the city : representations of London in black British women's writing." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/80676/.

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This thesis maps and re-maps literary London through an engagement with selected novels by Diana Evans, Bernardine Evaristo and Andrea Levy. The thesis builds on the work of very strong strands of black British women's writing, an area of writing that remains committed to the necessity of having to defend it. I argue that the literature of this group of contemporary women writers re-orientates trajectories of black British writing to focus on emerging distinctive London identities in the twenty-first century. The thesis charts a shift in black British women's writing which rewrites familiar postcolonial tensions around nationhood, displacement and unbelonging to articulate a rootedness in London. Evans', Evaristo's and Levy's sense of belonging stems from the city in which they were all born and raised, their 'London-ness' rendering a new form of selfhood which informs who they are and what they write. The study is motivated by an agenda to critique black British women's writing outside of the historical paradigmatic racial and gendered identities through which it has traditionally been read. I wish to attend to women's writing in a way which disturbs the canon of contemporary British fiction, reconfiguring predominately male narratives of London life to present an alternative view of the city. The study assesses Evans', Evaristo's and Levy's contributions to and reappraisal of long traditions of women writing novels of family and home. The novels I engage with are localised within a particular London postcode, foregrounding the importance of microcosmic conceptions of home and domestic spaces to constructions of belonging in a multifaceted, complex urban environment such as London. The role of family is central to the authors' narratives and the thesis explores familial women's relationships which are both nuanced and complicated. The trope of sisterhood is deployed across the texts and raises profound questions concerning ideological constructions of belonging and home. The thesis grounds itself intellectually at the nexus of debates in the fields of feminist discourse, postcolonial theory and contemporary urban theory, implementing them within a more fluid critical framework capable of reading the literature by this group of writers outside rigid categorising partitions. To not attend to questions of race and gender within their works would be to distort the thematic framework underpinning the novels. Nevertheless, I wish to re-inflect the ways in which we critique London writing to encourage the emergence of a new language which allows us think about it as organically diverse, rather than consciously or systematically 'multicultural'.
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Velickovic, Vedrana. "The idea of (un)belonging in post-1989 black British and former Yugoslav women's writing." Thesis, Kingston University, 2010. http://eprints.kingston.ac.uk/20761/.

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The idea of belonging remains highly politicised and represents a recurring thematic concern in literary works. This thesis examines its articuiations in post-1989 black British and post-Yugoslav women's writing. It focuses on Bernardine Evaristo's verse¬novel Lara (1997) and her novel-with-verse Soul Tourists (2005), Zadie Smith's White Teeth (2000), Dubravka Ugresic's novel The Ministry of Pain (2004) and her essays (1994, 1998,2003,2007), and Vesna Goldsworthy's memoir Chernobyl Strawberries (2005). Engaging with recent theories ofloss and melancholia (Cheng 2002; Boym 2002; Eng 2003; Gilroy 2004; Ahmed 2008), the thesis explores precarious nature of belonging and moments of tension and non-resolution that characterise belonging in all the examined narratives. I have coined the term '(un)belonging' in order to define the oscillations between belonging and unbelonging. As a dialectic process, (un)belonging indicates the protagonists' negotiation between the ways in which they are positioned by the hegemonic structures of belonging and their provisional locations of belonging. On whose terms this negotiation depends is precisely what is repeatedly questioned in these narratives and it is this tension which the concept of (un)belonging importantly keeps in place. My contention is that the significance of (un)belonging lies in what is less a melancholic 'inability' in these narratives to resolve cultural/personal conflicts and more a melancholic obligation to resist neat resolution of conflicts and the translation of (un)belonging into a personal/'ethnic' /cultural issue. The thesis offers new ways of reading post-1989 black British narratives and the very first discussion of Ugreäié's and Goldsworthy's narratives. The chapter structure of this thesis reflects four main areas of concern through which the four writers thematically intersect. 'Belonging and the Body' examines how (un)be1onging results from querying or hailing of belonging through 'visible' and 'audible' markers of difference and the posing of the question 'Where are you from?' . 'Belonging and Home' explores the constructions of attachments to both real and imaginary places in these narratives. 'Belonging and Movement' discusses how and to what extent (un)belonging acquires a performative and imaginative potential in order to counter the workings of hegemonic belonging and to release various burdens. 'Belonging and Memory' examines how memory functions as a foundation of belonging and considers how the past in these narratives can serve as a resource to reconsider the present. Though these narratives are primarily concerned with disrupting hegemonic forms of belonging, this thesis suggests that they also gesture towards new ways of belonging. By comparing black British and post- Yugoslav narratives, the thesis introduces post-Yugoslav/Eastern European (un)belonging into contemporary British criticism, and it also shows that black British literature with its long tradition of narratives of (un)belonging can be useful for theorising the contemporary Eastern European experience in the 'West'. The thesis makes critical interventions in literary scholarship in terms of offering new ways to theorise the bodies that continue to be marked as Eastern European, raced and migrant, and brings in some of the writers' own reflections on belonging.
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Laursen, Ole Birk. "Black and Asian British life writing : race, gender and representation in selected novels from the 1990s." Thesis, Open University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578659.

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This thesis explores six post-1990s black and Asian British women novelists and the ways in which they utilise life writing strategies in their novels. Using a comparative approach, it explores how their novels are informed by issues of diaspora, hybridity and cultural identity, and how these questions are implicitly linked to the autobiographical nature of their novels. Attention is paid to how these novelists represent their individual subjective identities and how their particular experiences are linked to the narrative structures of their novels. My contention is that these novelists employ autobiographical strategies in their novels to challenge in fictional form the dominant discourses of race, gender and cultural identity, and that such strategies allow these authors to re-imagine and re-assert their subjectivities in fiction. As a frame for my analysis, I focus on three themes - the politics of location, the notion of trauma and the narration of family - and examine how these six novelists utilise autobiographical strategies in order to explore these issues. This approach allows me to both identify some key characteristics which are common to black and Asian British women's life writing as well as highlight differences which point to the diversity of this body of literature. My theoretical framework draws heavily on, first, feminist and postcolonial theorists and critics of autobiography and life writing and, second, black British cultural theorists and critics. Throughout the thesis, I interrogate the limitations of existing feminist and postcolonial autobiography and life writing theories when applied in this context, and address concerns over certain aspects of existing black British cultural theory.
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Medovarski, Andrea Katherine. "Un/settled migrations : rethinking nation through the second generation in Black Canadian and Black British women's writing /." 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR29339.

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Thesis (Ph.D.)--York University, 2007. Graduate Programme in English.
Typescript. Includes bibliographical references (leaves 343-355). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR29339
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Reid, Darren. "The Aborigines' Protection Society as an imperial knowledge network: the writing and representation of black South African letters to the APS, 1879-1888." Thesis, 2020. http://hdl.handle.net/1828/11888.

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This thesis presents a case study of letters written by black South Africans to the Aborigines' Protection Society (APS) between 1879-1888. Recognizing that previous histories of the APS have been based primarily on British correspondence, this thesis contends that including these marginalized black letters is crucial if historians are to develop a nuanced understanding of the APS in particular, and of British imperialism in general. By placing these letters within a framework of imperial knowledge networks, this thesis traces how the messages and voices of black South African correspondents traveled in letter form to England and then were disseminated in published form by the APS. This thesis demonstrates how correspondents used writing to the APS as a tool of anti-colonial resistance, as well as how the APS used their positionality to censor and control the voices of its correspondents. Emphasizing the entanglement of correspondents' resistance and adaptation with the APS's imperialist mission, this thesis presents its case study as a window into the negotiated and unstable natures of British imperialism.
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Dreyer, Dagmar. "London literarisch: Stadtentwürfe im zeitgenössischen englischen Roman, 1990-2000." Doctoral thesis, 2005. http://hdl.handle.net/11858/00-1735-0000-0006-AEEE-0.

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Araslanova, Anna. "Negociace a hybridizace: Konstrukce přistěhovalecké identity v románech Zadie Smith White Teeth a Swing Time." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-404849.

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Present research addresses the topic of construction immigrant identities in two novels, White Teeth and Swing Time by contemporary British author Zadie Smith. The main focus of the work is to look closely at the examples of the characters in the aforementioned two novels who are first and second generation immigrants and see how they negotiate and create their identity formations. The most valuable theoretical framework for the present research proves to be the hybrid identity theory created by Homi Bhabha. Thus, the first theoretical part of the thesis attempts to explain the theoretical framework in order to apply the notion to the literary examples from the novels that are addressed in the following two chapters of the thesis. The following analysis of the literary characters revealed that the identity formations are primarily constructed through negotiation and hybridization as the immigrant identities tend to be hybrids of the cultures of their ancestors. Additionally, the penultimate chapter addresses the ideas of cross-national cosmopolitanism that are mentioned in the second novel which seem to be the possible and desired outcome of the processes of hybridization, while also exploring the limits of the theory.
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Books on the topic "Black British Writing"

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Arana, R. Victoria, and Lauri Ramey. Black British Writing. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981134.

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Dwelling places: Postwar Black British writing. Manchester: Manchester University Press, 2003.

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Woodard, Helena. African-British writings in the eighteenth century: The politics of race and reason. Westport, Conn: Greenwood Press, 1999.

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Treasure island: Kidnapped ; Weir of Hermiston ; The master of Ballantrae ; The black arrow. London: Peerage Books, 1991.

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Treasure island: Kidnapped ; Weir of Hermiston ; The master of Ballantrae ; The black arrow ; The strange case of Dr. Jekyll and Mr. Hyde. London: Spring, 1989.

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Victoria, Arana R., and Ramey Lauri, eds. Black British writing. New York: Palgrave Macmillan, 2004.

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Ramey, Lauri, and R. Victoria Arana. Black British Writing. Palgrave Macmillan, 2009.

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Jackson, Joseph H. Writing Black Scotland. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474461443.001.0001.

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Writing Black Scotland: Race, Nation and the Devolution of Black Britain examines Blackness in devolutionary Scottish writing, bringing together two established contemporary literary-critical fields – Black British and Scottish literature – with significant implications for both. The book focuses on key literary works from the 1970s to the early 2000s, which emerge from and shape a period of history defined by post-imperial adjustment: a new British state politics of race centred on multiculturalism, the changing status of the Union, and the expanding racial diversity of Scotland itself. The book suggests that the larger world context of Black politics shaped the priorities of Scottish writers in the 1980s and 1990s, at the same time that Black writers were rising to prominence in Scottish letters. Following the referendum on devolved government in 1997, race and racism became even more important negotiations in the national space, evidenced by case studies of three texts directly addressing Blackness in Scotland. This ‘devolving’ of Black Britain parallels the shifting constitutional arrangements in contemporary Britain, implicating not only Scotland but Black British literary studies, which have largely left the integrity of the Union undisturbed. Writing Black Scotland critiques that unifying Britishness, recognisable in a confident state multiculturalism, with reference to the constitutional challenge from Scotland.
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Nasta, Susheila, and Mark U. Stein. Cambridge History of Black and Asian British Writing. Cambridge University Press, 2020.

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Nasta, Susheila, and Mark U. Stein, eds. The Cambridge History of Black and Asian British Writing. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108164146.

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Book chapters on the topic "Black British Writing"

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Ramey, Lauri. "Contemporary Black British Poetry." In Black British Writing, 109–36. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981134_8.

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Wisker, Gina. "Black British Women’s Writing." In Post-Colonial and African American Women’s Writing, 273–300. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-0-333-98524-3_12.

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Sesay, Kadija George. "Transformations Within the Black British Novel." In Black British Writing, 99–108. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981134_7.

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Arana, R. Victoria, and Lauri Ramey. "Introduction." In Black British Writing, 1–7. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981134_1.

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Okpala, Jude Chudi. "Deterritorialization, Black British Writers, and the Case of Ben Okri." In Black British Writing, 145–59. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981134_10.

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Sumers, Alinda J. "The Black Man and the Dark Lady: The Imaginary African in Early Modern and Modern British Writers." In Black British Writing, 161–68. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981134_11.

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Walters, Tracey. "A Black Briton’s View of Black British Literature and Scholarship." In Black British Writing, 169–76. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981134_12.

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Kelly, Ann. "Narrating the Africanist Presence in the Early Modern Survey of English Literature." In Black British Writing, 9–18. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981134_2.

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Arana, R. Victoria. "Sea Change: Historicizing the Scholarly Study of Black British Writing." In Black British Writing, 19–45. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981134_3.

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Lima, Maria Helena. "The Politics of Teaching Black and British." In Black British Writing, 47–62. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981134_4.

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