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Journal articles on the topic 'Black British Writing'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Napier, Winston, Victoria Arana, and Lauri Ramey. "Black British Writing." Modern Language Studies 35, no. 2 (2005): 119. http://dx.doi.org/10.2307/30039834.

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Sanchez, Alexandra J. "“Bluebeard” versus black British women’s writing." English Text Construction 13, no. 1 (2020): 1–21. http://dx.doi.org/10.1075/etc.00032.san.

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Abstract Helen Oyeyemi’s 2011 novel Mr. Fox artfully remasters the “Bluebeard” fairytale and its many variants and rewritings, such as Jane Eyre and Rebecca. It is also the first novel in which Oyeyemi does not overtly address blackness or racial identity. However, the present article argues that Mr. Fox is concerned with the status of all women writers, including women writers of colour. With Mr. Fox, Oyeyemi echoes the assertiveness and inquisitiveness of Bluebeard’s last wife, whose disobedient questioning of Bluebeard’s canonical authority leads her to discover, denounce, and warn other wo

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3

Sivanandan, Tamara. "Black British Writing: A Review Article." Race & Class 43, no. 2 (2001): 132–40. http://dx.doi.org/10.1177/0306396801432008.

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4

Donnell, Alison. "Nation and contestation: Black British writing." Wasafiri 17, no. 36 (2002): 11–17. http://dx.doi.org/10.1080/02690050208589781.

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5

Boehmer, Elleke, and Erica Lombard. "Publishing, the Curriculum and Black British Writing Today." Wasafiri 34, no. 4 (2019): 115–21. http://dx.doi.org/10.1080/02690055.2019.1635836.

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6

Bekers, Elisabeth, Elizabeth-Jane Burnett, and Helen Cousins. "Call for Manuscripts: Contemporary Black British Women's Writing." Tulsa Studies in Women's Literature 38, no. 1 (2019): 253–54. http://dx.doi.org/10.1353/tsw.2019.0021.

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7

Adebayo, Mojisola, Valerie Mason-John, and Deirdre Osborne. "‘No Straight Answers’: Writing in the Margins, Finding Lost Heroes." New Theatre Quarterly 25, no. 1 (2009): 6–21. http://dx.doi.org/10.1017/s0266464x09000025.

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Mojisola Adebayo and Valerie Mason-John are two distinctive voices in contemporary writing and performance, representing an Afro-Queer diasporic heritage through the specific experience of being black, British, and lesbian. Creating continuities from contorted or erased histories (personal, social, and cultural), their drama demonstrates both Afro-centric and European theatrical influences, which in Mason-John's case is further consolidated in her polemic, poetry, and prose. Like Britain's most innovative and prominent contemporary black woman dramatist, debbie tucker green, they reach beyond

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8

DALY, GAVIN. "BRITISH SOLDIERS AND THE LEGEND OF NAPOLEON." Historical Journal 61, no. 1 (2017): 131–53. http://dx.doi.org/10.1017/s0018246x16000479.

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ABSTRACTInvestigating the letters, diaries, and memoirs of British officers and enlisted men from the Napoleonic Wars, this article explores the hitherto neglected subject of British soldiers’ perceptions of Napoleon. Soldiers often formed mixed and ambivalent views on Napoleon. At one level, this corresponds with a range of attitudes within Britain, highlighting the important connections between soldiers and domestic culture. Yet these views also reveal what soldiers as a distinct cohort prioritized about Napoleon, and how these perceptions evolved over time. They also reveal tensions and div

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9

Weedon, C. "Migration, Identity, and Belonging in British Black and South Asian Women's Writing." Contemporary Women's Writing 2, no. 1 (2008): 17–35. http://dx.doi.org/10.1093/cww/vpn003.

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10

Goodrich, Amanda. "Ryan Hanley. Beyond Slavery and Abolition: Black British Writing, c. 1770–1830." American Historical Review 126, no. 1 (2021): 381–82. http://dx.doi.org/10.1093/ahr/rhab072.

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Cuder-Domínguez, Pilar. "Settling down and Settling Up: The Second Generation in Black Canadian and Black British Women’s Writing." Contemporary Women's Writing 13, no. 3 (2019): 379–80. http://dx.doi.org/10.1093/cww/vpz020.

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12

Nyman, Jopi. "Sonic Borderscapes: Popular Music, Pirate Radio, and Belonging in Black British Writing in the 1990s." Anglia 136, no. 3 (2018): 468–81. http://dx.doi.org/10.1515/ang-2018-0048.

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Abstract This article addresses the role of music and broadcast radio as elements in the construction of borderscapes, spaces of cultural construction and identity negotiation, in three black British novels published in the 1990 s, namely Diran Adebayo’s Some Kind of Black (1996), Karline Smith’s Moss Side Massive (1994/1998), and Courttia Newland’s Society Within (1999/2000). The article argues that the novels use black popular music and pirate (community) radio stations as means of constructing black identities, belonging, and communities in the conditions of the borderscape where hegemonic

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13

Waters, Rob. "Thinking Black: Peter Fryer’s Staying Power and the Politics of Writing Black British History in the 1980s." History Workshop Journal 82, no. 1 (2016): 104–20. http://dx.doi.org/10.1093/hwj/dbw018.

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14

Wyman-McCarthy, Matthew. "Beyond Slavery and Abolition: Black British Writing, c.1770–1830 by Ryan Hanley." Eighteenth-Century Studies 53, no. 4 (2020): 731–33. http://dx.doi.org/10.1353/ecs.2020.0051.

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15

Fowler, Corinne. "A Tale of Two Novels: Developing a Devolved Approach to Black British Writing." Journal of Commonwealth Literature 43, no. 3 (2008): 75–94. http://dx.doi.org/10.1177/0021989408095239.

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16

Tournay-Theodotou, Petra, Eva Ulrike Pirker, and Sofía Muñoz-Valdivieso. "Britishness beyond the New Britain: British identities and the identity of Britain in recent black and Asian British Writing." Journal of Postcolonial Writing 52, no. 1 (2016): 1–5. http://dx.doi.org/10.1080/17449855.2015.1125146.

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17

Barrett, Paul. "Settling Down and Settling Up: The Second Generation in Black Canadian and Black British Women's Writing by Andrea Medovarski." ariel: A Review of International English Literature 51, no. 4 (2020): 188–91. http://dx.doi.org/10.1353/ari.2020.0033.

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18

King, Bruce. "Sea Change: Black British Writing, and: The Booker Prize and the Legacy of Empire (review)." Research in African Literatures 34, no. 2 (2003): 213–15. http://dx.doi.org/10.1353/ral.2003.0035.

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19

Qiu, Xin. "An Analysis of the Linguistic Features of The Minister’s Black Veil from the Perspective of Literary Pragmatics." Review of Educational Theory 3, no. 4 (2020): 44. http://dx.doi.org/10.30564/ret.v3i4.2386.

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The Minister’s Black Veil is one of the most classic short stories written by American romantic writer Nathaniel Hawthorne (1804-1864), From the perspective of literary pragmatics, this paper analyzes the language features of the novel, such as words and sentences, grammar, semantic ambiguity, rhetoric and conversational implicature based on cooperative principle, so as to explore the superb writing style and literary art of the novel, better understand and appreciate this literary work, and provide a new perspective and reference for the study of British and American literature Direction.

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20

Chanock, Martin. "Writing South African Legal History: A Prospectus." Journal of African History 30, no. 2 (1989): 265–88. http://dx.doi.org/10.1017/s0021853700024130.

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This article outlines the approach to the writing of South African legal history being taken in a book in progress on the South African legal system between 1902 and 1929. It suggests that legalism has been an important part of the political culture of South Africa and that, therefore, an understanding of legal history is necessary to a comprehension of the South African state. It offers a critique of the liberal notion of the rule of law as a defence against state power, arguing that in the South African context ideological and legitimising explanations of law should be de-emphasised in favou

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21

Hauthal, Janine. "Rewriting ‘white’ genres in search of Afro-European identities." English Text Construction 10, no. 1 (2017): 37–58. http://dx.doi.org/10.1075/etc.10.1.03hau.

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Presuming that both travel and crime fiction can be described as traditionally ‘white’ genres, this article investigates how contemporary Black British authors appropriate these genres. Focusing on Mike Phillips’s A Shadow of Myself and Bernardine Evaristo’s Soul Tourists, the article examines how the two novels redeem and suspend the traditional racial and national coding of travel writing and crime fiction by rehabilitating black mixed-race characters. In both novels, moreover, the rethinking of traditional popular genres coincides with, and is partly enabled by, a transnational shift in foc

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22

Pathania, Ashok Kumar, Dr Anshu Raj Purohit, and Dr Subhash Verma. "History of Early Colonization and Displacement of the Aboriginals: Oscar and Lucinda." International Journal of Multidisciplinary Research Configuration 1, no. 2 (2021): 35–40. http://dx.doi.org/10.52984/ijomrc1208.

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The post colonial literature questions the legitimacy and completeness of history written in form of the chronicles of kings, princes, privileged ruling elites and the colonial and imperial ways of ruling the weaker territories across the world. Such power based narratives of the rulers, also termed as ‘mainstream history’, offer, either less space, for the indigenous, ‘subalterns’ or the conquered, or misrepresented them as the black, inferiors, uncivilized or aboriginals. The mainstreaming of history in this sense is the authoritative completeness or truth telling of the past. It is propagat

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23

Fish, Laura. "Woman in the Mirror: Reflections." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 7 (May 1, 2015): 92. http://dx.doi.org/10.12681/syn.16199.

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In A Room of One’s Own (1929) Virginia Woolf asserts: “Women have served all these centuries as looking-glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size”. (34) The use of the mirror is key to Woolf’s arguments about the position of women in general and in particular that of women writers. Complicating Woolf’s view less than a century later, I examine how black women function as looking-glasses in a dual way: as blacks, we shared the past (and now share the current) fate of black people reflecting the “darker” side of white people, as ma

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24

King, Bruce. "BOOK REVIEW: Edited By Lauri Ramey.SEA CHANGE: BLACK BRITISH WRITING. and Luke Strongman.THE BOOKER PRIZE AND THE LEGACY OF EMPIRE." Research in African Literatures 34, no. 2 (2003): 213–15. http://dx.doi.org/10.2979/ral.2003.34.2.213.

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25

Needham, Anuradha Dingwaney. "A History of Black and Asian Writing in Britain, 1700-2000, and: African-British Writings in the Eighteenth Century: The Politics of Race and Reason (review)." Research in African Literatures 35, no. 1 (2004): 211–13. http://dx.doi.org/10.1353/ral.2004.0024.

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26

Stapleton, Tim. "“A Naughty Child with a Pen”: Gahadzikwa Albert Chaza as an African Policeman and Author in Colonial Southern Rhodesia (Zimbabwe) 1936–1963." History in Africa 37 (2010): 159–87. http://dx.doi.org/10.1353/hia.2010.0024.

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Those who have visited book stores in Zimbabwe in recent years, even the small one in Harare international airport, will have seen a thin volume authored by G.A. Chaza and entitled Bhurakuwacha: The Story of a Black Policeman in Colonial Southern Rhodesia. Bhurakuwacha is the longest and most detailed first hand account by an African member of the British South Africa Police (BSAP), Southern Rhodesia's paramilitary law enforcement organization, and as such constitutes an important source for studying the experience of black security force members in a white settler state.Chaza was typical of t

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27

Nunez, Domingos, and Peter James Harris. "Roger Casement in the twenty-first century: the public and private faces of a multi-media Irish hero." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 73, no. 2 (2020): 17–35. http://dx.doi.org/10.5007/2175-8026.2020v73n2p17.

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Sir Roger Casement (1864-1916) was a diplomat in the British Colonial Service and an Irish nationalist who was hanged for high treason in London in 1916. This article offers a critical overview of the material that has been published about Casement's humanitarian work in the Congo and the Peruvian Amazon and his trial in London, including biographies and editions of his own journals, particularly the so-called Black Diaries, as well as the various dramatisations of this material for the stage and other media, concentrating on those produced in the twenty-first century. The second part of the a

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28

Hobbs, David B. "Lyric Commodification in McKay’s Morocco." English Language Notes 59, no. 1 (2021): 181–200. http://dx.doi.org/10.1215/00138282-8815060.

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Abstract Reassessing Claude McKay’s writing about North Africa, this article contends that McKay saw sites in this region as uniquely felicitous to staging conversations between global socialism and the Black diasporic avant-garde. His attention to site-specific interracial urban cultures serves as a counterpoint to the Depression-fueled Pan-Africanism that increasingly defined W. E. B. Du Bois’s editorials for the Crisis. At the same time, McKay’s persistent interest in the activities of the Liberator suggests a surprising resonance between their aesthetics to his locodescriptive verse. Bring

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29

Sanguin, André-Louis. "Crna Gora u djelu Rebecce West Black Lamb and Grey Falcon: Putopisi kao izvor podataka u političkoj geografiji." Geoadria 16, no. 2 (2011): 253. http://dx.doi.org/10.15291/geoadria.288.

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The literature of travellers represents a key foundation upon which geography was built as a social construct. It depicts the territorial reality on a personal level. The literature of travellers has been at the origin of popular geographical knowledge. In 1941 the great British novelist Rebecca West (1892-1983) published a chronicle of her travels through Yugoslavia from 1936 to 1938: Black Lamb and Grey Falcon. Her book is a good example and a relevant test of the literature of travellers as a source of political geography. Actually, Black Lamb and Grey Falcon is West’s political response to

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30

Kinlen, L. J. "Eliot Howard's “law of territory” in birds: the influence of Charles Moffat and Edmund Selous." Archives of Natural History 45, no. 1 (2018): 54–68. http://dx.doi.org/10.3366/anh.2018.0482.

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Eliot Howard presented his theory of territory in the nine-part The British warblers published between 1907 and 1914. He is generally considered to have been unaware of significant earlier accounts of this theory, in particular by Altum and by Moffat in 1903 in The Irish naturalist. This periodical was perhaps little read outside Ireland, but Howard's wife came from Donegal, and his regular birdwatching there make early familiarity probable. In 1904, he began planning an ambitious work on warblers that would draw attention to supposed defects in the theory of sexual selection. Probably hastene

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31

Jones, Ruth Ann. "Leila Avrin. Scribes, Script and Books: The Book Arts from Antiquity to the Renaissance. Ill. by Malla Carl and Noah Ophir. Chicago and London: American Library Association and The British Library, 1991; reprinted 2010. xxxii, 356 pp. ISBN 978-0-8389-1038-2. $50." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 12, no. 1 (2011): 58–61. http://dx.doi.org/10.5860/rbm.12.1.350.

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In Scribes, Script and Books, Leila Avrin has provided the rare book world with a nearly comprehensive review of the history of writing and hand-bookmaking, from the earliest evidence of logographic symbols up to the eve of letterpress printing in Europe. The text is lavishly illustrated with 350 black and white photos, figures, and maps, and has an extensive bibliography. The work was originally published in 1991 and is now available as a reprint.In the introduction, Avrin clearly states that her intent is to synthesize the work of the many historians preceding her, not to present original re

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32

Gohrisch, Jana. "Susheila Nasta and Mark U. Stein (eds.). 2020. The Cambridge History of Black and Asian British Writing. Cambridge: Cambridge University Press, xxiv + 732 pp., £ 99.99." Anglia 139, no. 2 (2021): 463–67. http://dx.doi.org/10.1515/ang-2021-0036.

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33

Imre, Zoltán. "Surrogation, Mediatization, and Black Representation On- and Offstage: When Ira Aldridge, the African Roscius, Visited Pest-Buda in 1853." Theatre Survey 61, no. 1 (2020): 75–101. http://dx.doi.org/10.1017/s0040557419000449.

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Writing in 1853, Gábor Egressy, one of the leading actor-directors of the Hungarian-speaking National Theatre in Pest-Buda (Budapest), observed that representatives of different nations were appearing in increasing number on and off the stages of the major cities of Eastern Europe: Today not only ideas fly on lightning wings, but humankind as well. Quick and easy as well as cheap travel has mobilized humankind and created worldwide and constant migration. Now, we do not have to leave our place to see the people of the faraway world of whom, so far, we have had merely vague ideas through rumors

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34

Nasidlowski Manica, Katrina‐Eve. "Beyond Slavery and Abolition: Black British Writing, c.1770‐1830 . By RyanHanley. Cambridge: Cambridge University Press. 2018. xi + 269 p. £75 (hb). ISBN 978‐1‐108‐47565‐5." Journal for Eighteenth-Century Studies 42, no. 4 (2019): 559–60. http://dx.doi.org/10.1111/1754-0208.12637.

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35

Pióro, Tadeusz. "From Blueblood to Trueblood: Ngugi wa Thiongo’s and Ralph Ellison’s Rewritings of Conrad’s "Lord Jim"." Tekstualia 2, no. 41 (2015): 183–96. http://dx.doi.org/10.5604/01.3001.0013.4477.

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Postcolonial re-writings of Joseph Conrad’s works rarely make use of Lord Jim, Ngugi wa Thiongo’s A Grain of Wheat being one of the few exceptions. It is also a rare example of a re-writing in which evident intertextual connections ( in this case to Under Western Eyes and Heart of Darkness, as well as The Tempest) conceal other, more deeply embedded ones (Lord Jim). Ngugi’s version of Lord Jim has at its center John Thompson, the British antagonist of all the Gikuyu characters in the novel, and a parodic embodiment of Lord Jim’s dreams of power and glory. The most salient difference between Th

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36

Needham, Anuradha Dingwaney. "BOOK REVIEW:C. L. Innes. A HISTORY OF BLACK AND ASIAN WRITING IN BRITAIN, 1700-2000. Cambridge: Cambridge UP, 2002. andHelena Woodard. AFRICAN-BRITISH WRITINGS IN THE EIGHTEENTH CENTURY: THE POLITICS OF RACE AND REASON. Westport: Greenwood, 1999." Research in African Literatures 35, no. 1 (2004): 211–13. http://dx.doi.org/10.2979/ral.2004.35.1.211.

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37

Carretta, Vincent. "Writings of the British Black Atlantic." Eighteenth-Century Studies 34, no. 1 (2000): 121–26. http://dx.doi.org/10.1353/ecs.2000.0054.

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38

Watkinson, Caroline. "English Convents in Eighteenth-Century Travel Literature." Studies in Church History 48 (2012): 219–31. http://dx.doi.org/10.1017/s0424208400001339.

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‘A Nun’s dress is a very becoming one’, wrote Cornelius Cayley in 1772. Similarly, Philip Thicknesse, witnessing the clothing ceremony at the English Augustinian convent in Paris, observed that the nun’s dress was ‘quite white, and no ways unbecoming … [it] did not render her in my eyes, a whit less proper for the affections of the world’. This tendency to objectify nuns by focusing on the mysterious and sexualized aspects of conventual life was a key feature of eighteenth-century British culture. Novels, poems and polemic dwelt on the theme of the forced vocation, culminating in the dramatic

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39

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 3-4 (2008): 271–341. http://dx.doi.org/10.1163/13822373-90002485.

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Sally Price & Richard Price; Romare Bearden: The Caribbean Dimension (J. Michael Dash)J. Lorand Matory; Black Atlantic Religion: Tradition, Transnationalism, and Matriarchy in the Afro-Brazilian Candomblé (Stephan Palmié)Dianne M. Stewart; Three Eyes for the Journey: African Dimensions of the Jamaican Religious Experience (Betty Wood)Toyin Falola & Matt D. Childs (eds.); The Yoruba Diaspora in the Atlantic World (Kim D. Butler)Silvio Torres-Saillant; An Intellectual History of the Caribbean (Anthony P. Maingot)J.H. Elliott; Empires of the Atlantic World: Britain and Spain in America 14

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40

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 3-4 (2007): 271–341. http://dx.doi.org/10.1163/22134360-90002485.

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Sally Price & Richard Price; Romare Bearden: The Caribbean Dimension (J. Michael Dash)J. Lorand Matory; Black Atlantic Religion: Tradition, Transnationalism, and Matriarchy in the Afro-Brazilian Candomblé (Stephan Palmié)Dianne M. Stewart; Three Eyes for the Journey: African Dimensions of the Jamaican Religious Experience (Betty Wood)Toyin Falola & Matt D. Childs (eds.); The Yoruba Diaspora in the Atlantic World (Kim D. Butler)Silvio Torres-Saillant; An Intellectual History of the Caribbean (Anthony P. Maingot)J.H. Elliott; Empires of the Atlantic World: Britain and Spain in America 14

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41

Haque, Manfath Jabin. "Okonkwo and David's Fall: A Social- Psychological Analysis." Asian Journal of Humanity, Art and Literature 4, no. 1 (2017): 9–16. http://dx.doi.org/10.18034/ajhal.v4i1.314.

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Almost in every sphere of life social factors shape human thoughts and behaviors. This writing attempts to survey the social-psychological grounds accountable for the ‘fall’ of the black protagonist Okonkwo in Chinua Achebe’s Things Fall Apart and of the white protagonist David Lurie in J.M. Coetzee’s Disgrace. My intention behind picking up two opposite personalities of different social background is not to show the ‘comparative study’ in the sense of the term but to focus on the working of human inner truth and its cyclic response to particular social factors and imposition. An individual’s

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42

Walvin, James. "In black and white: Recent publications on British black writings." Slavery & Abolition 16, no. 3 (1995): 376–82. http://dx.doi.org/10.1080/01440399508575168.

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43

Ananthan, P., and Dr K. Padmanabhan. "Perspectives of feminism in the Black Prince of Iris Murdoch." History Research Journal 5, no. 5 (2019): 1–4. http://dx.doi.org/10.26643/hrj.v5i5.7856.

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Iris Murdoch is a British novelist who is well known writers of 20th century British literature. She deals with all side of social issues in her writings. Her presentations are known for reality, good , bad and sexual relationship . She depicts the reader with the use of her characterization. She uses concept of feminism in her writings. She talks about the equality of women in her most of her writings . Aim of this paper is to explore the expectations of Iris Murdoch for women. in order to get some status to women , her writings are used . it has given some space

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44

Pérez Fernández, Irene. "El color de la voz: escritoras y pensadoras de la diáspora negra y asiática británica a finales del siglo XX." Cuestiones de género: de la igualdad y la diferencia, no. 12 (June 24, 2017): 231. http://dx.doi.org/10.18002/cg.v0i12.4806.

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<p><strong>Resumen</strong></p><p>El feminismo británico negro se consolida a finales de los años 80 y está directamente vinculado a la lucha activista de mujeres inmigrantes, así como a la creación de grupos de escritura creativa. Este artículo traza una breve genealogía de escritoras británicas negras y asiáticas que utilizaron su voz para inscribir sus experiencias y reivindicar la necesidad de examinar las intersecciones entre las categorías de raza y género.</p><p><strong>Abstract</strong></p><p>The last years of the 80’s w

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45

Knadler, Stephen. "Playing in the White: Black Writers, White SubjectsBlack Africans in the British Imagination: English Narratives of the Early Atlantic WorldBorrowed Voices: Writing and Racial Ventriloquism in the Jewish American ImaginationBlack for a Day: White Fantasies of Race and Empathy." American Literature 91, no. 1 (2019): 213–16. http://dx.doi.org/10.1215/00029831-7335633.

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46

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 3-4 (2008): 253–323. http://dx.doi.org/10.1163/13822373-90002497.

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Ileana Rodríguez; Transatlantic Topographies: Islands, Highlands, Jungles (Stuart McLean)Eliga H. Gould, Peter S. Onuf (eds.); Empire and Nation: The American Revolution in the Atlantic World (Peter A. Coclanis)Michael A. Gomez; Reversing Sail: A History of the African Diaspora (James H. Sweet)Brian L. Moore, Michele A. Johnson; Neither Led Nor Driven: Contesting British Cultural Imperialism in Jamaica, 1865-1920 (Gad Heuman)Erna Brodber; The Second Generation of Freemen in Jamaica, 1907-1944 (Michaeline A. Crichlow)Steeve O. Buckridge; The Language of Dress: Resistance and Accommodation in Ja

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47

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 3-4 (2006): 253–323. http://dx.doi.org/10.1163/22134360-90002497.

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Ileana Rodríguez; Transatlantic Topographies: Islands, Highlands, Jungles (Stuart McLean)Eliga H. Gould, Peter S. Onuf (eds.); Empire and Nation: The American Revolution in the Atlantic World (Peter A. Coclanis)Michael A. Gomez; Reversing Sail: A History of the African Diaspora (James H. Sweet)Brian L. Moore, Michele A. Johnson; Neither Led Nor Driven: Contesting British Cultural Imperialism in Jamaica, 1865-1920 (Gad Heuman)Erna Brodber; The Second Generation of Freemen in Jamaica, 1907-1944 (Michaeline A. Crichlow)Steeve O. Buckridge; The Language of Dress: Resistance and Accommodation in Ja

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Khatun, Samia. "Beyond Blank Spaces." Transfers 5, no. 3 (2015): 68–86. http://dx.doi.org/10.3167/trans.2015.050306.

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From the 1860s, the colonial settlement of Beltana in the northern deserts of South Australia emerged as a transportation hub atop an existing, cosmopolitan center of Aboriginal trade. Viewing a colonial settlement on Kuyani land through a mobilities paradigm, this article examines intersecting settler and Aboriginal trajectories of movement through Beltana, illuminating their complex entanglements. Challenging the imperial myth of emptiness that shaped how Europeans saw the lands they invaded, this article renders visible the multiple imaginative geographies that existed at every colonial set

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Rood, Daniel. "Herman Merivale’s black legend: rethinking the intellectual history of free trade imperialism." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 3-4 (2008): 163–89. http://dx.doi.org/10.1163/13822373-90002493.

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Focusses on the lectures and theories of economist and colonial bureaucrat Herman Merivale on the imperial transition of British colonialism from slave labour to free labour, and toward free trade, in 1839. Author specifically shows how Merivale propagated the free trade imperialism of the reformed British Empire by using the "Black Legend" way of thinking, i.e. criticizing Spanish colonialism, to caricaturize the second British Empire, and thus justify imperial policy reforms. Author elaborates on this Black Legend tradition, going back to writings of Las Casas, and how it served as justifica

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50

Rood, Daniel. "Herman Merivale’s black legend: rethinking the intellectual history of free trade imperialism." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 3-4 (2006): 163–89. http://dx.doi.org/10.1163/22134360-90002493.

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Abstract:

Focusses on the lectures and theories of economist and colonial bureaucrat Herman Merivale on the imperial transition of British colonialism from slave labour to free labour, and toward free trade, in 1839. Author specifically shows how Merivale propagated the free trade imperialism of the reformed British Empire by using the "Black Legend" way of thinking, i.e. criticizing Spanish colonialism, to caricaturize the second British Empire, and thus justify imperial policy reforms. Author elaborates on this Black Legend tradition, going back to writings of Las Casas, and how it served as justifica

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