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1

Hidalgo, Javiera Jaque, and Miguel A. Valerio. Indigenous and Black Confraternities in Colonial Latin America. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721547.

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Employing a transregional and interdisciplinary approach, this volume explores indigenous and black confraternities –or lay Catholic brotherhoods– founded in colonial Spanish America and Brazil between the sixteenth and eighteenth century. It presents a varied group of cases of religious confraternities founded by subaltern subjects, both in rural and urban spaces of colonial Latin America, to understand the dynamics and relations between the peripheral and central areas of colonial society, underlying the ways in which colonialized subjects navigated the colonial domain with forms of social o
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2

Werner, Kalow, Goedde H. W, Agarwal Dharam P, and Boehringer Ingelheim Fonds, eds. Ethnic differences in reactions to drugs and xenobiotics: Proceedings of a meeting held in Titisee, Black Forest, Federal Republic of Germany, October 3-6, 1985. Liss, 1986.

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3

Schwartz, Mimi. Good neighbors, bad times: Echoes of my father's German village. University of Nebraska Press, 2007.

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4

Schwartz, Mimi. Good neighbors, bad times: Echoes of my father's German village. University of Nebraska Press, 2009.

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5

Schwartz, Mimi. Good neighbors, bad times: Echoes of my father's German village. University of Nebraska Press, 2009.

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6

Burford, Mark. Gospel Singing as Black Popular Culture. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190634902.003.0004.

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Gospel music was integral to the culture of many black churches, but gospel singing offered pleasures to its practitioners and fans that extended beyond musical worship. In the late 1940s, Jackson’s career was interwoven with two phenomena that nudged black gospel singing toward the realm of popular culture: the “song battle” and the high-profile programs of religious music presented at Harlem’s Golden Gate Auditorium by promoter Johnny Myers. Pitting Jackson against such rivals as Roberta Martin and Ernestine Washington, the battle of song offered gospel singers alternate forms of prestige an
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7

Keeling, Kara. Queer Times, Black Futures. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9780814748329.001.0001.

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Contestations over “the future” and “futurity” have been central to formulations of time throughout the twentieth century and into the twenty-first. Queer Times, Black Futures considers the implications of scholarly, artistic, and popular investments in the promises and pitfalls of imagination, technology, futurity, and liberation that have persisted in Euro-American culture. Of specific interest are those Afrofuturist cultural forms and logics through which creative engagements with Black existence, technology, space, and time might be accessed and analyzed.Punctuated throughout by meditation
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8

Cabrera, Lydia. La foret et les dieux. religions afro-cubaines et medecine sacrée a cuba. Jean-Michel Place, 2003.

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9

Hörmann, Raphael, and Gesa Mackenthun, eds. Human Bondage in the Cultural Contact Zone. Transdisciplinary Perspectives on Slavery and Its Discourses. Waxmann Verlag GmbH, 2010. http://dx.doi.org/10.31244/9783830973751.

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Slavery – the subjection of some human beings to a state of bondage by other, more powerful, people – has been an accepted social institution since ancient times. It is less well known that slavery has also produced cultural contact zones in forcing members of different cultures into sharing the same places – whether in private households, on plantations, in mines and quarries, or indeed the same imaginative sites in works of art and public memory. The recent commemorations of the abolition of the transatlantic slave trade by Britain (1807) and the United States (1808), as well as the rise of
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10

Smith, Marlon A. Reshaping Beloved Community. The Rowman & Littlefield Publishing Group, 2018. https://doi.org/10.5040/9781978730656.

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Reshaping Beloved Community: The Experiences of Black Male Felons and Their Impact on Black Radical Traditions offers a reflexive interrogation on the history of black male incarceration in the United States starting in the nineteenth century to both illustrate the complex ways black male felons have been discursively constructed and the various techniques utilized in the United States to erase the contributions of black male felons and their black radical projects. This erasure has left many black men without the benefit of fellowship and community. Therefore, Reshaping Beloved Community focu
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11

Adair, Gigi. Kinship Across the Black Atlantic. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620375.001.0001.

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This book considers the meaning of kinship across black Atlantic diasporas in the Caribbean, Western Europe and North America via readings of six contemporary novels. It draws upon and combines insights from postcolonial studies, queer theory and black Atlantic diaspora studies in novel ways to examine the ways in which contemporary writers engage with the legacy of anthropological discourses of kinship, interrogate the connections between kinship and historiography, and imagine new forms of diasporic relationality and subjectivity. The novels considered here offer sustained meditations on the
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12

Sarath, Ed. Black Music Matters. Rowman & Littlefield, 2018. https://doi.org/10.5040/9798881810290.

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Black Music Matters: Jazz and the Transformation of Music Studies is one of the first books to promote the reform of music studies with a centralized presence of jazz and black music to ground American musicians in a core facet of their true cultural heritage. Ed Sarath applies an emergent consciousness-based worldview called Integral Theory to music studies while drawing upon overarching conversations on diversity and race and a rich body of literature on the seminal place of black music in American culture. Combining a visionary perspective with an activist tone, Sarath installs jazz and bla
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13

Kelly, Michael, and Monique Roelofs, eds. Black Art and Aesthetics. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350294592.

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Black Art and Aesthetics comprises essays, poems, interviews, and over 50 images from artists and writers: GerShun Avilez, Angela Y. Davis, Thomas F. Defrantz, Theaster Gates, Aracelis Girmay, Jeremy Matthew Glick, Deborah Goffe, James B. Haile III, Vijay Iyer, Isaac Julien, Benjamin Krusling, Daphne Lamothe, George E. Lewis, Sarah Elizabeth Lewis, Meleko Mokgosi, Wangechi Mutu, Fumi Okiji, Nell Painter, Mickaella Perina, Kevin Quashie, Claudia Rankine, Claudia Schmuckli, Evie Shockley, Paul C. Taylor, Kara Walker, Simone White, and Mabel O. Wilson. The stellar contributors practice Black aest
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Havis, Devonya N. Creating a Black Vernacular Philosophy. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781666993394.

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Creating a Black Vernacular Philosophy explores how everyday Black vernacular practices, developed to negotiate survival and joy, can be understood as philosophy in their own right. Devonya N. Havis argues that many unique cultural and intellectual practices of African diasporic communities have done the work of traditional philosophies. Focusing on creative practices that take place within Black American diasporic cultures via narratives, the blues, jazz, work songs, and other expressive forms, this book articulates a form of Black vernacular Philosophy that is centered within and emerges fro
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15

de la Torre, Oscar. The People of the River. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469643243.001.0001.

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In this history of the black peasants of Amazonia, Oscar de la Torre focuses on the experience of African-descended people navigating the transition from slavery to freedom. He draws on social and environmental history to connect them intimately to the natural landscape and to Indigenous peoples. Relying on this world as a repository for traditions, discourses, and strategies that they retrieved especially in moments of conflict, Afro-Brazilians fought for autonomous communities and developed a vibrant ethnic identity that supported their struggles over labor, land, and citizenship. Prior to a
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16

Davis, Adrienne D., and BSE Collective, eds. Black Sexual Economies. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042645.001.0001.

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This book is a compilation of contemporary and previously unpublished scholarship on Black sexualities. The sixteen essays work to untangle the complex mechanisms of dominance and subordination as they are attached to political and socioeconomic forces, cultural productions, and academic lenses that assess sexuality as it intersects with race. Some of the essays trace the historical and contemporary markets for sexual labor and systems of erotic capital. Other essays illuminate how forces of commodification, exploitation, and appropriation, which render black sexualities both desirable and dev
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17

Hutchinson, Sikiyu. Black Infidels. Edited by Phil Zuckerman and John R. Shook. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988457.013.28.

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African Americans are among the most religious groups in the United States. Consequently, secular humanism and atheism are largely anathema to mainstream African Americans. Nonetheless, secular humanist and atheist traditions have coexisted with religious traditions in African American social thought and community as a progressive political and cultural counterweight to black religious orthodoxy. Radical or progressive humanism is specifically concerned with the liberation struggle of disenfranchised peoples. Organized religion is one of many powerful forces solidifying inequity based on race,
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Dash, J. Michael. Culture and Customs of Haiti. Greenwood, 2000. http://dx.doi.org/10.5040/9798400635397.

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Culture and Customs of Haitibegins with an overview of the mountainous island that seemed forbidding to European colonizers. Historical periods, including French colonization, U.S. occupation in the early 20th century, Independence and the Duvaliers' reigns, until today, are reviewed and provide the framework for the volume. A chapter on the people and society details the pride of the black state that managed the only successful slave revolution in history. The extremes of society from the elite to the peasantry and slum dwellers are depicted, along with Haitians in diaspora. Religion in Haiti
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19

Bynoe, Yvonne. Encyclopedia of Rap and Hip Hop Culture. Greenwood Publishing Group, Inc., 2005. http://dx.doi.org/10.5040/9798216004714.

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Hip Hop music is comprised of several art forms: 1) MC-ing or rapping 2)B-boying or breakdancing 3)Deejaying (music) and 4) Graffiti art (visual art). This encyclopedia examines all four elements of Hip Hop Culture, providing students, scholars, and music fans with a complete history of the thirty-year music genre. Tracing its early roots from black DJs talking over music in the 1960s, the B-boy dancers in the 1970s, and the scratching and sampling techniques of the '80s to the founding of Def Jam productions, the current East Cost-West Coast rivalry, and superstars such as Eminem and 50 Cent,
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20

Anderson, Crystal S. Soul in Seoul. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496830098.001.0001.

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Soul in Seoul: African American Popular Music and K-pop examines how K-pop cites musical and performative elements of Black popular music culture as well as the ways that fans outside of Korea understand these citations. K-pop represents a hybridized mode of Korean popular music that emerged in the 1990s with global aspirations. Its hybridity combines musical elements from Korean and foreign cultures, particularly rhythm and blues-based genres (R&B) of African American popular music. Korean pop, R&B and hip-hop solo artists and groups engage in citational practices by simultaneously em
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21

Wilson, William Julius. Urban Poverty, Race, and Space. Edited by David Brady and Linda M. Burton. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199914050.013.18.

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This article examines the political, economic, and cultural factors that contributed to the emergence and persistence of concentrated poverty in black inner cities. It begins with a discussion of the political forces that adversely affected black inner-city neighborhoods, followed by an analysis of impersonal economic forces that accelerated neighborhood decline in the black inner city and increased disparities in race and income between cities and suburbs. It then considers two types of cultural forces that contribute to racial inequality: belief systems of the broader society that either exp
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22

Reddie, Anthony G. Living Black Theology. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780191944239.001.0001.

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Abstract Living Black Theology is a constructive theological appraisal for a radical mode of socio-political engagement that both acknowledges and speaks to the current cultural and intellectual contestations with which many societies are wrestling. This book offers a liberationist and postcolonial articulation of Black theology that addresses the historic legacy of slavery and colonialism. It creates a dynamic, interdisciplinary critique of the underlying constructs and social forces that have led to a world of endemic, systemic racism. It provides a unique and innovative approach to these co
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23

Moody, Joycelyn, ed. A History of African American Autobiography. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108890946.

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This History explores innovations in African American autobiography since its inception, examining the literary and cultural history of Black self-representation amid life writing studies. By analyzing the different forms of autobiography, including pictorial and personal essays, editorials, oral histories, testimonials, diaries, personal and open letters, and even poetry performance media of autobiographies, this book extends the definition of African American autobiography, revealing how people of African descent have created and defined the Black self in diverse print cultures and literary
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24

Lucas, Glaura. Drums in the Experience of Black Catholicism in Minas Gerais, Brazil. Edited by Jonathan Dueck and Suzel Ana Reily. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199859993.013.11.

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This chapter examines the role of the drums and their music in the formation and development of an Afro-Christian ritual called congado, in Minas Gerais, Brazil. Being the main means for social interactions, music is viewed as a privileged context for the protection, reconstruction, performance, and transmission of spiritual and other cultural knowledge among Africans and their descendants since colonial times, and thus for the reinterpretation of the Catholic faith. Historical and contemporary forms of the congado ritual are discussed, based on ethnographic research of present-day rituals, on
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25

Lawrence, Mark. Anglo-Hispania beyond the Black Legend. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350366251.

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This book traces and analyses the relationship between Britain and Spain in its various forms since 1489. So often viewed as antagonistic rivals in history, the two countries are here compared and contrasted in order to shed light on their international connection and how this has evolved over time. Mark Lawrence reflects on the similarities of their composite monarchies, their roles as successive projectors of European global power, and the common fondness for peculiarly patriotic expressions of Christianity through the ages. At the same time, Lawrence is alert to recognising other ways in wh
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26

Burford, Mark. Mahalia Jackson and the Black Gospel Field. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190634902.001.0001.

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Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago g
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27

McNeil, Kenneth. Scottish Romanticism and Collective Memory in the British Atlantic. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474455466.001.0001.

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Charting the transatlantic movements of Scottish literature in the Age of Revolution, this book provides an in-depth examination of Scottish Romantic literary ideas on memory and their influence among various cultures in the British Atlantic. The book brings into relief a distinct Scottish historiography, in which a temporality of modernity takes shape in the forms, tropes and categories of a mode of historical understanding we now would term collective or cultural memory. The study traces this emergent mode in Scottish history writing, both fictional and non-fictional, as it circulated throug
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Rios, Jodi. Black Lives and Spatial Matters. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501750465.001.0001.

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This book is a call to reconsider the epistemic violence that is committed when scholars, policymakers, and the general public continue to frame Black precarity as just another racial, cultural, or ethnic conflict that can be solved solely through legal, political, or economic means. This book argues that the historical and material production of blackness-as-risk is foundational to the historical and material construction of our society and certainly foundational to the construction and experience of metropolitan space. The book also considers how an ethics of lived blackness—living fully and
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Courage, Richard A., and Christopher Robert Reed. Roots of the Black Chicago Renaissance. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043055.001.0001.

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This anthology engages questions about origins of the Black Chicago Renaissance (1930-1955) from wide-ranging disciplinary perspectives. It traces a foundational stage from the 1893 World’s Columbian Exposition to onset of the Depression. Eleven essays contribute to recovering understudied black artists and intellectuals, remapping African American cultural geography beyond and before 1920s Harlem, and reconceptualizing the paradigm of urban black renaissance. Contributors probe the public lives and achievements, class and family backgrounds, education and training, areas of residency, and ins
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Jaque Hidalgo, Javiera, and Miguel A. Valerio, eds. Indigenous and Black Confraternities in Colonial Latin America. Amsterdam University Press, 2022. http://dx.doi.org/10.1017/9789048552351.

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Employing a transregional and interdisciplinary approach, this volume explores indigenous and black confraternities - or lay Catholic brotherhoods - founded in colonial Spanish America and Brazil between the sixteenth and eighteenth century. It presents a varied group of cases of religious confraternities founded by subaltern subjects, both in rural and urban spaces of colonial Latin America, to understand the dynamics and relations between the peripheral and central areas of colonial society, underlying the ways in which colonialized subjects navigated the colonial domain with forms of social
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31

Stewart, James B. Higher Flight. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350380325.

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In the open access book Higher Flight, pre-eminent scholar and activist James B. Stewart offers a much-needed critical assessment of the current state of Black/Africana studies in order to chart a path forward. In three equally groundbreaking sections, Stewart clarifies and refines the distinctive approaches that currently define the field; shows how creative production in particular can serve as a unique means of cultural analysis and political mobilization; and suggests how to restore the balance between intellectual inquiry and direct action in order to improve the actual lived experiences
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32

Cannon, Sarita. Black-Native Autobiographical Acts. The Rowman & Littlefield Publishing Group, Inc., 2021. https://doi.org/10.5040/9781978740327.

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In 2012, an exhibition at the National Museum of the American Indian entitled “IndiVisible: African-Native American Lives in the Americas” illuminated the experiences and history of a frequently overlooked multiracial group. This book redresses that erasure and contributes to the growing body of scholarship about people of mixed African and Indigenous ancestry in the United States. Yoking considerations of authenticity in Life Writing with questions of authenticity in relationship to mixed-race subjectivity, Cannon analyzes how Black Native Americans navigate narratives of racial and ethnic au
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33

Burford, Mark. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190634902.003.0001.

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The book opens by unpacking Mahalia Jackson’s January 20, 1952, appearance on the nationally televised CBS variety show Toast of the Town, hosted by Ed Sullivan. Jackson’s performance of the W. Herbert Brewster gospel song “These Are They” raises a host of issues that situates her and contemporary performers within the black gospel field. The Sullivan appearance carried considerable significance for African Americans, introducing both Jackson and black gospel singing to a national television audience. The latter half of the chapter assesses the attribution of exceptionalism to black vernacular
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34

Maud, Gonne, Merrigan Klaartje, Meylaerts Reine, and van Gerwen Heleen, eds. Transfer Thinking in Translation Studies. Leuven University Press, 2020. http://dx.doi.org/10.11116/9789461663726.

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The concept of transfer covers the most diverse phenomena of circulation, transformation and reinterpretation of cultural goods across space and time, and are among the driving forces in opening up the field of translation studies. Transfer processes cross linguistic and cultural boundaries and cannot be reduced to simple movements from a source to a target (culture or text). In a time of paradigm shifts, this book aims to explore the potential and interdisciplinary power of transfer as a concept and an analytical tool to account for complex cultural dynamics. The contributions in this book ad
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Cooper, Brittney C. Prologue. University of Illinois Press, 2018. http://dx.doi.org/10.5406/illinois/9780252040993.003.0001.

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Beyond Respectability employs an Anna Julia Cooperian approach to reading and interrogating the theoretical work and lived experiences of Black women intellectuals. To understand this methodological approach, one needs to first become acquainted with two of Cooper’s cardinal commitments. They include: 1) a commitment to seeing the Black female body as a form of possibility and not a burden, and 2) a commitment to centering the Black female body as a means to cathect Black social thought. In Voice, Cooper places the Black female body and all that it knows squarely in the center of the text’s me
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Mitchell, Koritha. From Slave Cabins to the White House. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043321.001.0001.

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This book argues for a new reading practice. Rather than approach art and literature from marginalized groups as examples of protest or as responses to “dominant” culture, it demonstrates the power of reading through the lens of achievement, using case studies from black expressive culture. Even while bombarded with racist and sexist violence, African Americans remain focused on defining, redefining, and pursuing success. By examining canonical examples of black women’s cultural production, this study reveals how African Americans keep each other oriented toward accomplishment through an ongoi
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37

Smith, T. Alexander, and Lenahan O'Connell. Black Anxiety, White Guilt, and the Politics of Status Frustration. Greenwood Publishing Group, Inc., 1997. http://dx.doi.org/10.5040/9798216959694.

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In this wide-ranging survey of contemporary race relations in the United States, Smith and O'Connell provide a thorough re-examination of our situation. They begin by assessing the part played by status struggles and anxieties in intergroup relations. For the black middle classes, they assert, the benefits of social-economic advancement and rising expectations combine with status frustration and anxiety to create a sense of estrangement from whites and what are typically referred to as white institutions. They then look at the role social scientists have played in both analyzing and contributi
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Davis, Kimberly Chabot. Cross-Racial Empathy: Viewing the White Self through Black Eyes. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038433.003.0001.

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This introductory chapter focuses on the progressive potential of empathetic feeling to redress a scholarly bias against compassion, empathy, and sympathy, particularly in American studies. Rather than viewing empathy as a “passive ideal” and an impediment to political change, the chapter argues that it is an active cognitive process that can play an important role in changing attitudes and self-perception or even catalyzing action. Tying in with this volume's overall response to critics who believe that the forces of commodification render cultural consumption a tainted vehicle for cross-raci
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39

Rodriguez, R., Dzodzi Tsikata, and Akosua Adomako Ampofo, eds. Transatlantic Feminisms. Lexington Books, 2015. https://doi.org/10.5040/9781978740006.

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Transatlantic Feminisms is an interdisciplinary collection of original feminist research on women’s lives in Africa and the African diaspora. Demonstrating the power and value of transcontinental connections and exchanges between feminist thinkers, this unique collection of fifteen essays addresses the need for global perspectives on gender, ethnicity, race and class. Examining diverse topics and questions in contemporary feminist research, the authors describe and analyze women’s lives in a host of vibrant, compelling locations. There are essays exploring women’s political activism in Kenya,
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40

Hogan, Brandon, Michael Cholbi, Alex Madva, and Benjamin S. Yost, eds. The Movement for Black Lives. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197507773.001.0001.

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The Movement for Black Lives (M4BL) has gained worldwide visibility as a grassroots social justice movement distinguished by a decentralized, nonhierarchical mode of organization. M4BL rose to prominence in part thanks to its protests against police brutality and misconduct directed at black Americans. However, its animating concerns are far broader, calling for a wide range of economic, political, legal, and cultural measures to address what it terms a “war against Black people,” as well as the “shared struggle with all oppressed people.” Despite the significance of the social, political, and
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41

Adeleke, Tunde, and Arno Sonderegger. Africa and its Historical and Contemporary Diasporas. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781666983227.

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Africa and its Historical and Contemporary Diasporas edited by Tunde Adeleke and Arno Sonderegger is an interdisciplinary study of the changing and complex nature of the Africa-Black Diaspora relationship. The contributors highlight the problems and challenges of this relationship and provide strategies for developing a more functional and mutually beneficial engagement in a radically changing global environment. This book presents new methodological approaches and research to study the many dimensions and complexities of Africa and its Diasporas. Collectively, this book addresses three vital
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42

Cheng, William, and Danielle Fosler-Lussier, eds. A Cultural History of Western Music in the Modern Age. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350075627.

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A Cultural History of Western Music in the Modern Age covers the period from 1920 to the present, an era which has seen unprecedented global conflict, transnational diplomacy, intercultural influence, ecological crisis, technological innovation, and collaborative experiments among artists. The extraordinary range of modern Western music—from the disciplinary systems of the Suzuki Method to the esoteric philosophies of Sun Ra, and from the rapid commercialization of audio recordings to the multi-genre soundtracks of Black Lives Matter—offers no single or clear-cut narrative. In order to examine
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43

Sweeney, Carole. From Fetish to Subject. Greenwood Publishing Group, Inc, 2004. http://dx.doi.org/10.5040/9798400654480.

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Was modern primitivism complicit with the ideologies of colonialism, or was it a multivalent encounter with difference? Examining race and modernism through a wider and more historically contextualized study, Sweeney brings together a variety of published and new scholarship to expand the discussion on the links between modernism and primitivism. Tracing the path from Dada and Surrealism to Josephine Baker and Nancy Cunard's Negro: An Anthology, she shows the development of négrophilie from the interest in black cultural forms in the early 1920s to a more serious engagement with difference and
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Berruezo-Sánchez, Diana. Black Voices in Early Modern Spanish Literature, 1500-1750. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198914259.001.0001.

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Abstract This book recovers a missing chapter in the history of Afro-Iberian diasporas. From the sixteenth to the eighteenth centuries, black women and men—enslaved, free(d), and half-manumitted—resided in the Iberian peninsula, particularly as a result of the transatlantic slave trade. This renovated the period’s human, urban, and social landscapes. In exploring Spain’s role in the Atlantic slave trade, and the cultural forms of the period, the book pictures the black African diaspora’s broad yet unexplored literary impact. It transforms our understanding of blackness in early modern Spanish
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45

Lobato, Ramon. Shadow Economies of Cinema. British Film Institute, 2012. https://doi.org/10.5040/9781838710330.

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How do people access movies today? What are the most popular and powerful channels for media distribution on a global scale? How are film industries changing in the face of media convergence and digitisation? To answer questions such as these, argues Ramon Lobato, we must shift our gaze away from the legal film business and toward cinema's shadow economies. All around the world, films are bought from roadside stalls, local markets, and grocery stores; they are illegally downloaded and streamed; they are watched in makeshift video clubs, on street corners, and in restaurants, shops and bars. In
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Joseph-Gabriel, Annette K. Reimagining Liberation. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042935.001.0001.

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In the 20<sup>th</sup> century, black women in the French empire played crucial leadership roles in anticolonial movements. This book harnesses untapped archival documents to highlight the work of Suzanne Césaire, Paulette Nardal, Eugénie Éboué-Tell, Jane Vialle, Andrée Blouin, Aoua Kéita and Eslanda Robeson, women who remain relatively understudied in scholarship that continues to privilege male politicians and writers. Examining the literary production and political activism of African, Antillean, Guyanese and African American women, this book argues that black women writers and thinkers art
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Coles, Kimberly Anne, and Dorothy Kim, eds. A Cultural History of Race in the Renaissance and Early Modern Age. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350067462.

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The past is always an interpretive act from the lens of the present. Through the lens of critical race theory, the essays collected here explore new analytical models, theoretical frameworks, and methodological approaches in attempting to reimainge the European Renaissance and early modern periods in terms of global expansion, awareness, and participation. Centering race in these periods requires that we acknolwedge the people against whom social hierarchies and differential treatment were directed. This collection takes Europe as its focus, but White Europeans are not centred in it and the ex
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Jordan, Alley Marie. Classical Taste in the Architectural World of Thomas Jefferson. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350428782.

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Reaching beyond politics and law, this book focuses on Thomas Jefferson as an aesthetic classicist. Jefferson embraced the influence of antiquity through his adoption of classical architecture in his Virginia residences, in order to establish Rome as an ancestor to America. In a time of significant political and cultural change, he aligned himself with a Greco-Romano legacy that represented knowledge, power and art. Alley Marie Jordan studies the architectural and landscape spaces of Jefferson’s classical taste, which include the villas of Monticello and Poplar Forest, as well as the Universit
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Gamble, Steven. Digital Flows. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197656389.001.0001.

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Abstract Digital Flows provides a radical study of the most recent chapter in the life of hip hop, one closely intertwined with the networked cultural flows of the internet. Some fifty years after its birth in the Bronx, hip hop is one of the most significant cultural forms of the internet age. Now that the internet is enmeshed in our everyday lives, hip hop is predominantly encountered and experienced online, where it comprises a third of all streamed music. People are constantly making, sharing, and commenting on hip hop—from Drake memes through viral TikTok dances to AI-generated rappers—ch
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Trotter, Joe W. African American Migration from the Colonial Era to the Present. Edited by Ronald H. Bayor. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199766031.013.006.

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This essay explores several overlapping waves of black population movement from the African background through the early twenty-first century. It shows how enslaved people dominated the first two great migrations—from Africa to the tobacco-producing colonies of British North America and later from the Upper South to the cotton-producing lands of the Deep South. In the wake of the Civil War and the emancipation of some 4 million enslaved people, the great farm-to-city migration gradually transformed African Americans from a predominantly rural southern people into the most urbanized sector of t
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