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Relevant bibliographies by topics / Black, Henry James, Japan

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Journal articles

Academic literature on the topic 'Black, Henry James, Japan'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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Journal articles on the topic "Black, Henry James, Japan"

1

Swanson, Darren. "Henry Black: on stage in Meiji Japan." Asian Studies Review 40, no. 2 (2016): 311–12. http://dx.doi.org/10.1080/10357823.2016.1148547.

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2

Goldberg, Shari. "Henry James’s Black Dresses." Nineteenth-Century Literature 72, no. 4 (2018): 515–38. http://dx.doi.org/10.1525/ncl.2018.72.4.515.

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Shari Goldberg, “Henry James’s Black Dresses: Mourning without Grief” (pp. 515–538) While scholars have carefully discerned how nineteenth-century modes of mourning differ from Sigmund Freud’s later model, the distinction between mourning and grief, in texts of the period and beyond, tends to be collapsed. This essay argues that Henry James disentangles the two terms by insisting on mourning’s association with ritualistic, social behavior, most iconically the wearing of a black dress. In James’s writing, to be “in mourning” generally means to be physically within such a dress, without referenc

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3

Donahue-Martens, Scott. "James Henry Harris, Black Suffering: Silent Pain, Hidden Hope." Homiletic 45, no. 2 (2020): 99–100. http://dx.doi.org/10.15695/hmltc.v45i2.5018.

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4

McArthur, Ian D. "Australian, British, or Japanese?: Henry Black in Japan." Japanese Studies 22, no. 3 (2002): 305–18. http://dx.doi.org/10.1080/1037139022000036986.

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5

McArthur, Ian. "Henry Black,rakugoand the coming of modernity in Meiji Japan." Japan Forum 16, no. 1 (2004): 135–64. http://dx.doi.org/10.1080/0955580032000189366.

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6

Shores, Matthew W. "Henry Black: On Stage in Meiji Japan by Ian McArthur." Asian Theatre Journal 32, no. 2 (2015): 675–80. http://dx.doi.org/10.1353/atj.2015.0032.

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7

Jortner, David. "Henry Black: On Stage in Meiji Japan by Ian McArthur." Journal of Japanese Studies 41, no. 1 (2015): 205–8. http://dx.doi.org/10.1353/jjs.2015.0010.

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8

Cain, William E. "Forms of Self-Representation in Booker T. Washington's Up from Slavery." Prospects 12 (October 1987): 201–22. http://dx.doi.org/10.1017/s0361233300005585.

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Booker T. Washington's Up from Slavery (1901) is one of the most famous American autobiographies, yet it is unfortunately also one of the least analyzed. Compared with the American autobiographies that we frequently study and teach, it seems meager and unchallenging. Unlike Whitman and Thoreau, Washington does not propose experiments in form, and he does not undertake a profound inner exploration as his text unfolds. He is not keenly conscious of his competitive relation to the autobiographical writings that have preceded his own and unlike Henry Adams and Henry James, he does not manifest a h

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9

Stone, Ian R. "Hunting marine mammals for profit and sport: H.J. Snow in the Kuril Islands and the north Pacific, 1873–96." Polar Record 41, no. 1 (2005): 47–55. http://dx.doi.org/10.1017/s0032247404004000.

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Henry James Snow hunted marine mammals in the sub-Arctic Kuril Islands and adjacent areas of the North Pacific between the years 1873 and 1896. His success resulted from careful study of the animals hunted, in particular the sea otter. He had continual difficulties with the governments of Japan and Russia, which had sovereignty over the land and territorial waters of the region, some of the encounters involving violence. At the same time, Snow was a careful observer of the wildlife and surveyor of the natural features, especially of the Kuril Islands. His works represented the most accessible

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10

BUDICK, EMILY MILLER. "Hawthorne, Pearl, and the Primal Sin of Culture." Journal of American Studies 39, no. 2 (2005): 167–85. http://dx.doi.org/10.1017/s0021875805009679.

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In his long critical essay entitled simply “Hawthorne” (published in 1879), Henry James narrates the story of his own coming to know Hawthorne's most famous work of fiction, The Scarlet Letter. Speaking in an impersonal third person, James, “who was a child at the time,” explains that heremembers dimly the sensation that book produced, and the little shudder with which people alluded to it, as if a peculiar horror were mixed in its attractions. He was too young to read it himself, but its title, upon which he fixed his eyes as the book lay upon the table, had a mysterious charm. … Of course it

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