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Relevant bibliographies by topics / Black Panther

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Academic literature on the topic 'Black Panther'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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Journal articles on the topic "Black Panther"

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Doss, Erika. "Imaging the Panthers: Representing Black Power and Masculinity, 1960s–1990s." Prospects 23 (October 1998): 483–516. http://dx.doi.org/10.1017/s0361233300006438.

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When the moviePantherpremiered in American theaters in May 1995, it introduced a whole new generation to the rhetoric and radical politics of the Black Panther Party of a quarter-century earlier. It also sparked fierce debate about Panther fact, Panther fiction, and the power of images. Former leftie David Horowitz, now the head of the neoconservative Center for Popular Culture in Los Angeles, took out an ad inDaily VarietycallingPanthera “two-hour lie.” Damning director Mario Van Peebles for glorifying the positive aspects of the black power movement — the children's breakfasts and sickle cell anemia tests the Panthers sponsored, for example — Horowitz warned that people “will die because of this film” and faxed a seven-page press release to the media condemning the Panthers as “cocaine-addicted gangsters who … committed hundreds of felonies.”

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Brown, Timothy E. "Black Panther." Philosophers' Magazine, no. 81 (2018): 108–9. http://dx.doi.org/10.5840/tpm20188159.

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Akinwole, Tolulope. "Embodied Masculine Sovereignty, Reimagined Femininity: Implications of a Soyinkaesque Reading of Ryan Coogler’s Black Panther." Cambridge Journal of Postcolonial Literary Inquiry 7, no. 2 (April 2020): 147–57. http://dx.doi.org/10.1017/pli.2019.39.

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In more ways than critics have mentioned, Ryan Coogler’s critically acclaimed Black Panther (2018) holds a vibrant conversation with Wole Soyinka’s mythopoetic orientation. But apart from Ryan Coogler’s ventriloquist reference to “The Fourth Stage,” Black Panther confers with Soyinka in many other interesting ways. In this article, I explore the mythic patterns in the movie by reading it alongside Soyinka’s densely mythic essay, “The Fourth Stage,” in order to pry the movie open for analysis. I posit that reading Ryan Coogler’s Black Panther side-by-side Soyinka’s “The Fourth Stage” amplifies the dialogic tension between violence and justice in both works, on the one hand, and exposes the strategies by which female subjectivity is reimagined in Black Panther’s radical universe, on the other hand. I also note that, in particular, Black Panther emerges from the comparative reading as somewhat inadvertently attempting a redefinition of tragedy.

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Prat-Guitart, Marta, David P. Onorato, James E. Hines, and Madan K. Oli. "Spatiotemporal pattern of interactions between an apex predator and sympatric species." Journal of Mammalogy 101, no. 5 (October 5, 2020): 1279–88. http://dx.doi.org/10.1093/jmammal/gyaa071.

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Abstract Increases in apex predator abundance can influence the behavior of sympatric species, particularly when the available habitat and/or resources are limited. We assessed the temporal and spatiotemporal interactions between Florida panthers (Puma concolor coryi) and six focal sympatric species in South Florida, where Florida panther abundance has increased by more than 6-fold since the 1990’s. Using camera trap data, we quantified species’ diel activity patterns, temporal overlap, and time-to-encounter (i.e., time between consecutive visits of a Florida panther and a focal species and vice versa). The Florida panther and bobcat (Lynx rufus) displayed a nocturnal activity pattern; the black bear (Ursus americanus), white-tailed deer (Odocoileus virginianus), wild boar (Sus scrofa), and wild turkey (Meleagris gallopavo) were mostly diurnal; and the raccoon (Procyon lotor) was cathemeral. Prey species and black bears minimized encounters with Florida panthers by being active during the day and displaying longer time-to-encounter, whereas Florida panthers visited a site after a prey species at higher probabilities than after competitor species, and were more likely to visit an elevated site or upland habitat. Our results suggest that interactions between Florida panthers and sympatric species in our study system are driven by species-specific behavioral responses. Gaining a better understanding of the crucial interactions driving species coexistence is important for a better understanding of the structure and function of ecological communities and help manage the potential expansion of the Florida panther into Central Florida.

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Lubin. "Black Panther Palestine." Studies in American Jewish Literature (1981-) 35, no. 1 (2016): 77. http://dx.doi.org/10.5325/studamerjewilite.35.1.0077.

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FREER, JOANNA. "Thomas Pynchon and the Black Panther Party: Revolutionary Suicide in Gravity's Rainbow." Journal of American Studies 47, no. 1 (July 4, 2012): 171–88. http://dx.doi.org/10.1017/s0021875812000758.

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This article pertains to the recent upsurge of interest in the politics of Thomas Pynchon. It considers Pynchon as an author very much of the 1960s counterculture, and explores the countercultural values and ideals expressed in Gravity's Rainbow, with particular emphasis on revealing the novel's attitude to the Black Panther Party. Close textual analysis suggests Pynchon's essential respect for Huey P. Newton's concept of revolutionary suicide, and his contempt for Marxist dialectical materialism, two core elements of Panther political theory. Drawing on an analogy between the BPP and Pynchon's Schwarzkommando, an assessment is made of the novel's perspective on the part played by various factors – including the Panthers’ aggressive militancy, the rise of Eldridge Cleaver through the leadership, and the subtle influence of a logic of power influenced by scientific rationalism – in bringing about the disintegration of the Panther organization by the early 1970s. Given the similarities between the paths taken by the BPP and the wider counterculture in the late 1960s, the article considers Pynchon's commentary on the Panthers to be part of a cautionary tale for future revolutionaries fighting similar forms of oppression.

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McLaughlin, Richard. "Agnès Varda’s cinematic writing as political art in Black Panthers." Short Film Studies 12, no. 1 (May 1, 2022): 55–65. http://dx.doi.org/10.1386/sfs_00067_1.

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In Black Panthers, rather than identifying with or speaking for the Black Panther Party, Varda’s cinécriture ‐ her shot choices, camera movement and editing ‐ allows her to insert her commentary about the group’s revolutionary potential while the members determine themselves as subjects rather than accepting their definition by the state. Her film foregrounds the politics of social space, showing how the Panthers transform spaces of circulation like the courthouse and their neighbourhoods into spaces of contestation.

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Nelson, Crystal Am. "And They Started Sayin’ “Black Power!”." Feminist Media Histories 4, no. 3 (2018): 30–48. http://dx.doi.org/10.1525/fmh.2018.4.3.30.

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This photo essay attempts to map some of the historical moments that likely influenced the birth of the black panther as an icon and hero in the worlds of both political activism and comic books. From its initial appearance in Alabama to its incarnation in Oakland, the black panther has stood the test of time and remained an index of Black power. This essay examines the births of the Lowndes County Freedom Movement, Marvel's Black Panther character, and the Black Panther Party—all in 1966. The founding of that first proves to be a seminal, highly influential moment that presaged what was to come later that year. The events described trace how community action transformed into black power–cum–panther power.

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Kabir, Ananya Jahanara. "Alegropolis: Wakanda and Black Panther’s Hall of Mirrors." Cambridge Journal of Postcolonial Literary Inquiry 7, no. 2 (April 2020): 121–35. http://dx.doi.org/10.1017/pli.2019.41.

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The climax of the film Black Panther (directed by Ryan Coogler, 2018) shows the two heirs claiming the Black Panther’s mantle battling it out in a tunnel that is modernity's dark hull. My article teases out the complex relationship between the film’s doubled Black Panthers as a hall of mirrors, where the African American filmmaker and the assembled African and Afro-diasporic cast confront each other, their collective memories of slavery, and the complex relationship of those on the African continent to those memories. What in the structure of cinema might take us out of this hall of mirrors to a futurity beyond trauma? In answer, I offer a reading of Wakanda as “Alegropolis”: a lavish and loving cinematic creation that draws on Afro-Futurist play with temporality and technology to reinscribe this circum-Atlantic history within a planetary frame. An affiliative afro-modernity is generated thereby, which invites a global audience to share the film’s ethical and emotional concerns as what Michael Rothberg calls “implicated subjects.”

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Oriowo, Donna. "And Then . . . Black Panther." Journal of Black Sexuality and Relationships 4, no. 3 (2018): 97–101. http://dx.doi.org/10.1353/bsr.2018.0006.

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Dissertations / Theses on the topic "Black Panther"

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Smith, Jennifer Bradford. "The evolution of the Black Panther Party." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1240404453.

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Smith, Jennifer B. "An international history of the Black Panther party /." New York (N.Y.) : Garland publ, 1999. http://catalogue.bnf.fr/ark:/12148/cb37322424v.

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Preusser, John. "The Washington chapter of the Black Panther Party : from revolutionary militants to community activists /." Electronic version (PDF), 2007. http://dl.uncw.edu/etd/2006/preusserj/johnpreusser.pdf.

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Vario, Lisa. ""All power to the people" : the influence and legacy of the Black Panther Party, 1966-1980 /." Youngstown State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1197081489.

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Castle, E. A. "Black and native American women's activism in the Black Panther Party and the American Indian Movement." Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597362.

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The transition of activism in the late 1960s from a non-violent, citizenship-based appeal for Civil Rights to a Nationalist, potentially violent call for revolution, marked a shift to a more radical and confrontational politics of social change. Hidden in this history are the narratives of women’s participation which dramatically revise the current historical record in these ground-breaking social movements. During this period, women and men organised for social change, often around identity-based issues, and challenged the status quo. This work examines two organisations which emerged in the late sixties as vanguards of an era defined by the self-determined chants of ‘black and red power’, a time of social and political rebellion against the leaders of the waning Civil Rights movement and an increasingly repressive government. This thesis seeks to foreground the hitherto unknown involvement of women in male-identified organisations such as the Black Panther Party and the American Indian Movement. It will highlight previously untold stories of key women activists in these two organisations. Not only will it demonstrate that women comprised a majority of the participants, but also that they performed all manner of functions ranging from high-level negotiations to meal preparation. Contemporary coverage of both organisations in the media obscured such involvement. The majority of the groups that defined themselves as revolutionary or radical were unable to deal with issues of gender inequality within their ranks. Many of these groups espoused a rhetorical philosophy of equality yet they were frequently unable to match such ideals in practice. This was certainly the case for the BPP and AIM. By equating liberation with manhood, women in these groups found themselves not only struggling for the cause but also competing with oppressive notions of masculinity. Women’s liberationists failed to offer any common cause, focusing on race-specific issues and advocating the separation of sexes which alienated women of color.

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Yañez, Angélica María. "Chicano and black radical activism of the 1960s a comparison between the Brown Berets and the Black Panther Party in California /." Diss., [La Jolla] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/ucsd/fullcit?p1474777.

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Thesis (M.A.)--University of California, San Diego, 2010.
Title from first page of PDF file (viewed April 15, 2010). Available via ProQuest Digital Dissertations. Includes bibliographical references (p. 92-100).

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Ogbar, Jeffrey Ogbonna Green. "From the bottom up : popular black reactions to the Nation of Islam and the Black Panther Party, 1955-1975." Ann Arbor, Mich. : ProQuest Information and Learning, 2005. http://gateway.proquest.com/openurl?res_dat=xri:ssbe&url_ver=Z39.88-2004&rft_dat=xri:ssbe:ft:keyresource:Vann_Diss_02.

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Bredell, Kyle Hampton. "Black Panther High: Racial Violence, Student Activism, and the Policing of Philadelphia Public Schools." Master's thesis, Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/216534.

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History
M.F.A.
The school district of Philadelphia built up its security program along a very distinct pathway that was largely unrelated to any real needs protection. This program played out in two distinct phases. In the late 1950s, black and white students clashed in the neighborhoods surrounding schools over integration. Black parents called upon the city to provide community policing to protect their children in the communities surrounding schools. As the 1960s progressed and the promised civil rights gains from city liberals failed to materialize, students turned increasingly to Black Nationalist and black power ideology. When this protest activity moved inside their schoolhouses as blacks simultaneously began moving into white neighborhoods, white Philadelphians began to feel threatened in their homes and schools. As black student activism became louder and more militant, white parents called upon the police to protect their children inside the school house, as opposed to the earlier calls for community policing by black parents. White parents, the PPD, and conservative city politicians pushed the district to adopt tougher disciplinary policies to ham string this activism, to which black parents vehemently objected. The district resisted demands to police the schools through the 1960s until finally caving to political pressure in the 1970s.
Temple University--Theses

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Behrami, Drilon. "The Intersections of Wakanda : Aspects of intersectionality as presented in the Marvel blockbuster Black Panther." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-97931.

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The following essay analyzes Marvel blockbuster Black Panther with an intersectional lens, discussing relations of power, oppression and discrimination through the fictive society of Wakanda. The findings present similar factors of intersectionality to that of most western societies, with gender, sexuality, aptitude and tribal affiliations as the main factors of identity. The essay argues for the inclusion of culturally loaded films in the EFL classroom, with the intention of introducing students to intersectionality through a fictive society, in an effort to promote better understanding of relations of power, oppression and discrimination, whilst also including education on different types of language usage

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Nissim-Sabat, Ryan. "On the prowl : a socio-historical examination of the Black Panther Party in Cleveland, Ohio." Connect to resource, 1999. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1184190361.

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Books on the topic "Black Panther"

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Baer, Willi. Black Panther. Hamburg: LAIKA, 2020.

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Bala, Aravind Krish. Black Panther. Chennai: Tulika Books, 2011.

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Panther. Edinburgh: Payback Press, 1995.

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Sargent, Pat. The black panther. Prairie Grove, AR: Ozark Pub., 1997.

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(Letterer), Sharpe Dave, Crossley Andrew, Koblish Scott, Garcia Manuel (Cartoonist), and Marvel Entertainment LLC, eds. Black Panther adventures. New York: Marvel Worldwide, Incorporated, 2018.

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Sateren, Shelley Swanson. The black panther. New York: Crestwood House, 1990.

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1910-, Foner Philip Sheldon, ed. The Black Panthers speak. New York: Da Capo Press, 1995.

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1936-, Sargent Pat, and Huff Jeane ill, eds. Bingo the black panther. Prairie Grove, AR: Ozark Pub., 1998.

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West, Alexandra. This is Black Panther. Los Angeles, CA: Marvel Worldwide, Incorporated, 2018.

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McGregor, Don. Black Panther: Panther's Quest. Marvel, 2018.

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Book chapters on the topic "Black Panther"

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Underberg-Goode, Natalie M. "Black Panther." In Multiplicity and Cultural Representation in Transmedia Storytelling, 36–81. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003158905-3.

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Dowtin, LaTrice L., and Mawule A. Sevon. "The Black Panther Lives." In Using Superheroes and Villains in Counseling and Play Therapy, 274–91. New York, NY : Routledge, [2019]: Routledge, 2019. http://dx.doi.org/10.4324/9780429454950-24.

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Trometter, Alyssa L. "The Australian Black Panther Party." In Aboriginal Black Power and the Rise of the Australian Black Panther Party, 1967-1972, 147–62. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88136-8_7.

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Trometter, Alyssa L. "The One-Dimensional Panther." In Aboriginal Black Power and the Rise of the Australian Black Panther Party, 1967-1972, 47–76. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88136-8_3.

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Smith-Jones, Siobhan E. "Black Women, Black Panther, and Black Feminist Anticipatory Vigilance." In Feminist Vigilance, 123–46. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-59793-1_7.

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Gosse, Van. "Black Panther Party for Self-Defense." In The Movements of the New Left, 1950–1975, 103–6. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-04781-6_27.

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Trometter, Alyssa L. "Media Representations of the Australian Panther." In Aboriginal Black Power and the Rise of the Australian Black Panther Party, 1967-1972, 163–97. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88136-8_8.

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Jennings, Regina. "The Black Panther Party, Poetry Performance, and Revolution." In The Black Urban Community, 415–26. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-349-73572-3_24.

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Firmansyah, Firman M., and Jason J. Jones. "Did the Black Panther Movie Make Blacks Blacker? Examining Black Racial Identity on Twitter Before and After the Black Panther Movie Release." In Lecture Notes in Computer Science, 66–78. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-34971-4_5.

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Bordere, Tashel C., and Marshall Allen. "Black Panther." In Superhero Grief, 93–98. Routledge, 2020. http://dx.doi.org/10.4324/9780429056666-22.

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Conference papers on the topic "Black Panther"

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Sari, Rizkiana Puspita, and Teguh Setiawan. "Strategies for Translating the Idioms in Black Panther Movie." In Proceedings of the International Conference on Interdisciplinary Language, Literature and Education (ICILLE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icille-18.2019.71.

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Assis, Neusa, and Hormindo Júnior. "Educação e emancipação: a perspectiva revolucionária das “escolas de libertação” do Black Panther Party For Self-Defense." In Simpósio Internacional Trabalho, Relações de Trabalho, Educação e Identidade. Appos, 2020. http://dx.doi.org/10.47930/1980-685x.2020.2507.

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A educação vem se mostrando ao longo do tempo como um importante objeto de disputa tanto por aqueles que advogam a manutenção e fortalecimento da ordem vigente quanto por aqueles que buscam a transformação e/ou superação dessa ordem. A educação enquanto mecanismo de emancipação é objeto desta pesquisa ainda em andamento, na qual, busca-se compreender a perspectiva revolucionária presente nas propostas educativas implementadas pelo Partido dos Panteras Negras para Autodefesa (The Black Panther Party for Self-Defense) nas chamadas Escolas de Libertação. Para tal, a pesquisa evidencia a relação entre classe e raça no interior do sistema capitalista e suas implicações sociais com impactos diretos na educação dos sujeitos e retoma o relevante debate acerca dos limites e possibilidades da educação na transformação social.

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VALENTIN DA SILVA, Cláudio, and Rita APARECIDA DA CONCEIÇÃO RIBEIRO. "A semiótica visual de Emory Douglas na construção da identidade negra: movimento Black Panther e militância das comunidades afro-americanas." In 13º Congresso Pesquisa e Desenvolvimento em Design. São Paulo: Editora Blucher, 2019. http://dx.doi.org/10.5151/ped2018-4.2_aco_06_substituido.pdf.

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Reports on the topic "Black Panther"

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Cooney, Christopher. Radicalism in American Political Thought : Black Power, the Black Panthers, and the American Creed. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.3228.

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