Academic literature on the topic 'Black Panther Party'

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Journal articles on the topic "Black Panther Party"

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FREER, JOANNA. "Thomas Pynchon and the Black Panther Party: Revolutionary Suicide in Gravity's Rainbow." Journal of American Studies 47, no. 1 (July 4, 2012): 171–88. http://dx.doi.org/10.1017/s0021875812000758.

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This article pertains to the recent upsurge of interest in the politics of Thomas Pynchon. It considers Pynchon as an author very much of the 1960s counterculture, and explores the countercultural values and ideals expressed in Gravity's Rainbow, with particular emphasis on revealing the novel's attitude to the Black Panther Party. Close textual analysis suggests Pynchon's essential respect for Huey P. Newton's concept of revolutionary suicide, and his contempt for Marxist dialectical materialism, two core elements of Panther political theory. Drawing on an analogy between the BPP and Pynchon's Schwarzkommando, an assessment is made of the novel's perspective on the part played by various factors – including the Panthers’ aggressive militancy, the rise of Eldridge Cleaver through the leadership, and the subtle influence of a logic of power influenced by scientific rationalism – in bringing about the disintegration of the Panther organization by the early 1970s. Given the similarities between the paths taken by the BPP and the wider counterculture in the late 1960s, the article considers Pynchon's commentary on the Panthers to be part of a cautionary tale for future revolutionaries fighting similar forms of oppression.
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Doss, Erika. "Imaging the Panthers: Representing Black Power and Masculinity, 1960s–1990s." Prospects 23 (October 1998): 483–516. http://dx.doi.org/10.1017/s0361233300006438.

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When the moviePantherpremiered in American theaters in May 1995, it introduced a whole new generation to the rhetoric and radical politics of the Black Panther Party of a quarter-century earlier. It also sparked fierce debate about Panther fact, Panther fiction, and the power of images. Former leftie David Horowitz, now the head of the neoconservative Center for Popular Culture in Los Angeles, took out an ad inDaily VarietycallingPanthera “two-hour lie.” Damning director Mario Van Peebles for glorifying the positive aspects of the black power movement — the children's breakfasts and sickle cell anemia tests the Panthers sponsored, for example — Horowitz warned that people “will die because of this film” and faxed a seven-page press release to the media condemning the Panthers as “cocaine-addicted gangsters who … committed hundreds of felonies.”
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Harris, Jessica Christina. "Revolutionary Black Nationalism: The Black Panther Party." Journal of Negro History 85, no. 3 (July 2000): 162–74. http://dx.doi.org/10.2307/2649073.

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Harris, Jessica C. "Revolutionary Black Nationalism: The Black Panther Party." Journal of Negro History 86, no. 3 (July 2001): 409–21. http://dx.doi.org/10.2307/1562458.

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Shailendra, Soumya Rachel. "Feeling Brown, Thinking Black: Translating the Black Panther from Lowndes to Bombay." Verge: Studies in Global Asias 10, no. 1 (March 2024): 160–86. http://dx.doi.org/10.1353/vrg.2024.a922362.

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Abstract: The archive of exchanges between Dalit and Black intellectuals exhibits the significance of imagining and translating minoritarian relations in the late twentieth century. The formation of the Dalit Panthers—an anticaste organization that declared its affiliation to the Black Panther Party in 1973—presents one such translational moment, revealing the affective power of brown/ness in consolidating minoritarian worlds that are concomitantly conceived in their opposition to coloniality, caste, and white supremacy. I trace the evolution of the Panthers' relationship through the journey of its iconography, from its initial sketching in Lowndes to its circulation in Marathi little magazines in the 1970s and its reappearance in Rahee Punyashloka's print series The Panthers Is an Elusive Beast (2021).
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Jennings, Regina. "Poetry of the Black Panther Party." Journal of Black Studies 29, no. 1 (September 1998): 106–29. http://dx.doi.org/10.1177/002193479802900107.

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Gaiter, Colette. "Visualizing a Black Future: Emory Douglas and the Black Panther Party." Journal of Visual Culture 17, no. 3 (December 2018): 299–311. http://dx.doi.org/10.1177/1470412918800007.

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In the post-Civil Rights late 1960s, the Black Panther Party (BPP) artist Emory Douglas created visual messages mirroring the US Western genre and gun culture of the time. For black people still struggling against severe oppression, Douglas’s work metaphorically armed them to defend against daily injustices. The BPP’s intrepid and carefully constructed images were compelling, but conversely, they motivated lawmakers and law enforcement officers to disrupt the organization aggressively. Decades after mainstream media vilified Douglas’s work, new generations celebrate its prescient activism and bold aesthetics. Using empathetic strategies of reflecting black communities back to themselves, Douglas visualized everyday superheroes. The gun-carrying avenger/cowboy hero archetype prevalent in Westerns did not transcend deeply embedded US racial stereotypes branding black people as inherently dangerous. Douglas helped the Panthers create visual mythology that merged fluidly with the ideas of Afrofuturism, which would develop years later as an expression of imagined liberated black futures.
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McLaughlin, Richard. "Agnès Varda’s cinematic writing as political art in Black Panthers." Short Film Studies 12, no. 1 (May 1, 2022): 55–65. http://dx.doi.org/10.1386/sfs_00067_1.

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In Black Panthers, rather than identifying with or speaking for the Black Panther Party, Varda’s cinécriture ‐ her shot choices, camera movement and editing ‐ allows her to insert her commentary about the group’s revolutionary potential while the members determine themselves as subjects rather than accepting their definition by the state. Her film foregrounds the politics of social space, showing how the Panthers transform spaces of circulation like the courthouse and their neighbourhoods into spaces of contestation.
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Sandarg, Robert. "Jean Genet and the Black Panther Party." Journal of Black Studies 16, no. 3 (March 1986): 269–82. http://dx.doi.org/10.1177/002193478601600303.

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STREET, JOE. "The Historiography of the Black Panther Party." Journal of American Studies 44, no. 2 (December 24, 2009): 351–75. http://dx.doi.org/10.1017/s0021875809991320.

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This article examines forty years of historical writing on the Black Panther Party (BPP), arguing that this historiography has now reached maturity. It evaluates key publications on the BPP, splitting the historiography into three periods. The first phase, the article asserts, was dominated by accounts written by participants and observers of the BPP in action. These offered insight into the personalities of the BPP leadership but included relatively little on other BPP members. They were supplemented by a collection of friendly academic studies, a number of which emphasized the role of the FBI in precipitating the BPP's decline. The article identifies the 1994 publication of Hugh Pearson's biographical study of Huey P. Newton as the beginning of a second phase. Pearson's work, which built on a collection of accounts written by observers and right-wing writers during the first phase, precipitated an outpouring of new studies that opposed its conclusions. These works overwhelmingly focussed on individual BPP chapters and the experiences of the BPP rank and file; they were generally friendly towards the party and often appraised the BPP's actions through the 1970s. A second wave of participant accounts also emerged in this period which offered a more personal interpretation of the BPP's decline. A third period emerged in the early 2000s that abandoned the obsession with Pearson's study and focussed instead on the BPP's contribution to African American and American culture beyond its political program and violent image. The article reveals the paradox at the heart of the local approach, one which recent studies addressed in their focus on the BPP's Oakland chapter and their return to a tight chronological approach that focussed on the BPP's peak years. It concludes by noting the remaining omissions in the BPP's historical record and anticipating further studies.
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Dissertations / Theses on the topic "Black Panther Party"

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Smith, Jennifer Bradford. "The evolution of the Black Panther Party." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1240404453.

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Smith, Jennifer B. "An international history of the Black Panther party /." New York (N.Y.) : Garland publ, 1999. http://catalogue.bnf.fr/ark:/12148/cb37322424v.

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Preusser, John. "The Washington chapter of the Black Panther Party : from revolutionary militants to community activists /." Electronic version (PDF), 2007. http://dl.uncw.edu/etd/2006/preusserj/johnpreusser.pdf.

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Vario, Lisa. ""All power to the people" : the influence and legacy of the Black Panther Party, 1966-1980 /." Youngstown State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1197081489.

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Castle, E. A. "Black and native American women's activism in the Black Panther Party and the American Indian Movement." Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597362.

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The transition of activism in the late 1960s from a non-violent, citizenship-based appeal for Civil Rights to a Nationalist, potentially violent call for revolution, marked a shift to a more radical and confrontational politics of social change. Hidden in this history are the narratives of women’s participation which dramatically revise the current historical record in these ground-breaking social movements. During this period, women and men organised for social change, often around identity-based issues, and challenged the status quo. This work examines two organisations which emerged in the late sixties as vanguards of an era defined by the self-determined chants of ‘black and red power’, a time of social and political rebellion against the leaders of the waning Civil Rights movement and an increasingly repressive government. This thesis seeks to foreground the hitherto unknown involvement of women in male-identified organisations such as the Black Panther Party and the American Indian Movement. It will highlight previously untold stories of key women activists in these two organisations. Not only will it demonstrate that women comprised a majority of the participants, but also that they performed all manner of functions ranging from high-level negotiations to meal preparation. Contemporary coverage of both organisations in the media obscured such involvement. The majority of the groups that defined themselves as revolutionary or radical were unable to deal with issues of gender inequality within their ranks. Many of these groups espoused a rhetorical philosophy of equality yet they were frequently unable to match such ideals in practice. This was certainly the case for the BPP and AIM. By equating liberation with manhood, women in these groups found themselves not only struggling for the cause but also competing with oppressive notions of masculinity. Women’s liberationists failed to offer any common cause, focusing on race-specific issues and advocating the separation of sexes which alienated women of color.
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Yañez, Angélica María. "Chicano and black radical activism of the 1960s a comparison between the Brown Berets and the Black Panther Party in California /." Diss., [La Jolla] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/ucsd/fullcit?p1474777.

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Thesis (M.A.)--University of California, San Diego, 2010.
Title from first page of PDF file (viewed April 15, 2010). Available via ProQuest Digital Dissertations. Includes bibliographical references (p. 92-100).
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Nissim-Sabat, Ryan. "On the prowl : a socio-historical examination of the Black Panther Party in Cleveland, Ohio." Connect to resource, 1999. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1184190361.

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Johnson, Calvin D. "Radicals for righteousness an examination of the Black Panther Party as a model for ministry /." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.

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Ogbar, Jeffrey Ogbonna Green. "From the bottom up : popular black reactions to the Nation of Islam and the Black Panther Party, 1955-1975." Ann Arbor, Mich. : ProQuest Information and Learning, 2005. http://gateway.proquest.com/openurl?res_dat=xri:ssbe&url_ver=Z39.88-2004&rft_dat=xri:ssbe:ft:keyresource:Vann_Diss_02.

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Burke, Lucas, and Lucas Burke. "The Model City: Civil Rights, the Black Panther Party, and the Revolution of Urban Politics in Portland, Oregon." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12551.

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In recent decades, scholars have praised Portland as a model for urban planning and citizen participation. This thesis complicates Portland's rose-colored image by situating it within recent histories on the long civil rights movement in the West, the Black Panther Party, and civil rights and metropolitan space. The history of Portland's Black Panthers represents an important moment for the black freedom struggle in Northeast Portland's Albina district and for the city's approach to urban planning. Excluded from politics, spatially confined, and subjected to destructive urban renewal projects by the 1960s, blacks in Albina experimented with innovative forms of political participation. These approaches ranged from moderate demands for neighborhood involvement with urban planners to radical, separatist opposition. Although the Panthers' vision of socioeconomic uplift and community control declined, a citywide revolution in politics co-opted their approach, responded to moderate voices, and dismantled much of the undemocratic planning structure in the 1970s.
2016-02-01
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Books on the topic "Black Panther Party"

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1953-, Jones Charles E., ed. The Black Panther party (reconsidered). Baltimore: Black Classic Press, 1998.

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Avakian, Bob. Bob Avakian talks about Huey Newton and the Panthers, the early years and what's up today. New York, N.Y: Revolution Books, 1991.

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Bukhari, Safiya. Panther sisters on women's liberation: Including 1994 Black Panther newspaper perspective, On sexism within the Black Panther Party. United States?]: [publisher not identified], 1994.

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Newton, Huey P. To die for the people: The writings of Huey P. Newton. San Francisco: City Lights Books, 2009.

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Morrison, Toni, ed. To Die for the People. San Francisco, USA: City Lights Books, 2009.

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Newton, Huey P. To Die for the People: The Writings of Huey P. Newton. San Francisco, USA: City Lights Books, 2009.

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Newton, Huey P. To Die for the People: The Writings of Huey P. Newton. New York: Writers and Readers Pub., 1995.

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Eersel, Tom Van. Panthères noires: Histoire du black panther party. Paris: Echappée, 2006.

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Howard, Elbert. Panther on the prowl. [United States]: E. Howard, 2002.

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Peebles, Melvin Van. Panther: A novel. New York: Thunder's Mouth Press, 1995.

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Book chapters on the topic "Black Panther Party"

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Trometter, Alyssa L. "The Australian Black Panther Party." In Aboriginal Black Power and the Rise of the Australian Black Panther Party, 1967-1972, 147–62. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88136-8_7.

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Gosse, Van. "Black Panther Party for Self-Defense." In The Movements of the New Left, 1950–1975, 103–6. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-04781-6_27.

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Trometter, Alyssa L. "The One-Dimensional Panther." In Aboriginal Black Power and the Rise of the Australian Black Panther Party, 1967-1972, 47–76. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88136-8_3.

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Jennings, Regina. "The Black Panther Party, Poetry Performance, and Revolution." In The Black Urban Community, 415–26. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-349-73572-3_24.

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Trometter, Alyssa L. "Media Representations of the Australian Panther." In Aboriginal Black Power and the Rise of the Australian Black Panther Party, 1967-1972, 163–97. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88136-8_8.

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Trometter, Alyssa L. "ASIO and the Unraveling of the Australian Black Panther Party." In Aboriginal Black Power and the Rise of the Australian Black Panther Party, 1967-1972, 199–219. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88136-8_9.

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Trometter, Alyssa L. "Black Brisbanites." In Aboriginal Black Power and the Rise of the Australian Black Panther Party, 1967-1972, 125–45. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88136-8_6.

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Magnarella, Paul J. "Black Panther Party–Community Relations." In Black Panther in Exile, 54–65. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066394.003.0004.

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Pete O’Neal describes the Black Panther Party’s various community support programs in Kansas City, Missouri. They include a pre-school breakfast program for inner-city children, as well as clothing, food, medical support, and job and family counseling for people in need. O’Neal explains how these programs were supported by local churches and businesses. O’Neal describes ways the Panthers joined forces with other civil rights organizations such as Soul Inc., the Black Youth of America, and Students for a Democratic Society to protest city policies they deemed to be unfair to inner-city residents and to expose persons who took advantage of these same people. O’Neal also describes the Panthers’ confrontation with a “white” inner-city church (Linwood United Methodist Church) and the resulting reconciliation between the church and the Black Panther Party.
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Kelly, Eamonn. "The Black Panther Party." In Red Strains. British Academy, 2013. http://dx.doi.org/10.5871/bacad/9780197265390.003.0015.

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This chapter examines the ways in which the Black Panther Party (BPP) used popular music as a means to represent its ideology and politics to potential supporters during the peak of its activism in the late 1960s and early 1970s. Following an initial discussion of the ways in which the traditions of the U.S. left and popular music impacted upon the BPP, it explores the idea of black nationalism as understood and represented by the Panthers, its relationship to the traditions of Marxism, and the ways in which this relationship informed the cultural practice of the BPP. Finally, there is an examination of the ‘three moments’ alluded to in the title, a series of musical performances and recordings sponsored by the party.
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Farmer, Ashley D. "The Black Revolutionary Woman, 1966–1975." In Remaking Black Power. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469634371.003.0003.

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Chapter 2 turns to the political identity of the “Black Revolutionary Woman,” created by women in the Black Panther Party. The most widely recognized organization of the Black Power movement; the Panthers’ influence was pervasive, and shaped public perceptions of Black Power and empowerment both nationally and internationally. This chapter shows how Panther women used political artwork, speeches, and articles published in The Black Panther newspaper to create an evolving understanding of the female revolutionary and challenge male-centered interpretations of organizational ideology and black liberation. It also documents how Panther women’s intellectual production caused the Party to develop a more inclusive understanding of the black revolutionary activist.
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Conference papers on the topic "Black Panther Party"

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Assis, Neusa, and Hormindo Júnior. "Educação e emancipação: a perspectiva revolucionária das “escolas de libertação” do Black Panther Party For Self-Defense." In Simpósio Internacional Trabalho, Relações de Trabalho, Educação e Identidade. Appos, 2020. http://dx.doi.org/10.47930/1980-685x.2020.2507.

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A educação vem se mostrando ao longo do tempo como um importante objeto de disputa tanto por aqueles que advogam a manutenção e fortalecimento da ordem vigente quanto por aqueles que buscam a transformação e/ou superação dessa ordem. A educação enquanto mecanismo de emancipação é objeto desta pesquisa ainda em andamento, na qual, busca-se compreender a perspectiva revolucionária presente nas propostas educativas implementadas pelo Partido dos Panteras Negras para Autodefesa (The Black Panther Party for Self-Defense) nas chamadas Escolas de Libertação. Para tal, a pesquisa evidencia a relação entre classe e raça no interior do sistema capitalista e suas implicações sociais com impactos diretos na educação dos sujeitos e retoma o relevante debate acerca dos limites e possibilidades da educação na transformação social.
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