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1

FREER, JOANNA. "Thomas Pynchon and the Black Panther Party: Revolutionary Suicide in Gravity's Rainbow." Journal of American Studies 47, no. 1 (July 4, 2012): 171–88. http://dx.doi.org/10.1017/s0021875812000758.

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This article pertains to the recent upsurge of interest in the politics of Thomas Pynchon. It considers Pynchon as an author very much of the 1960s counterculture, and explores the countercultural values and ideals expressed in Gravity's Rainbow, with particular emphasis on revealing the novel's attitude to the Black Panther Party. Close textual analysis suggests Pynchon's essential respect for Huey P. Newton's concept of revolutionary suicide, and his contempt for Marxist dialectical materialism, two core elements of Panther political theory. Drawing on an analogy between the BPP and Pynchon's Schwarzkommando, an assessment is made of the novel's perspective on the part played by various factors – including the Panthers’ aggressive militancy, the rise of Eldridge Cleaver through the leadership, and the subtle influence of a logic of power influenced by scientific rationalism – in bringing about the disintegration of the Panther organization by the early 1970s. Given the similarities between the paths taken by the BPP and the wider counterculture in the late 1960s, the article considers Pynchon's commentary on the Panthers to be part of a cautionary tale for future revolutionaries fighting similar forms of oppression.
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2

Doss, Erika. "Imaging the Panthers: Representing Black Power and Masculinity, 1960s–1990s." Prospects 23 (October 1998): 483–516. http://dx.doi.org/10.1017/s0361233300006438.

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When the moviePantherpremiered in American theaters in May 1995, it introduced a whole new generation to the rhetoric and radical politics of the Black Panther Party of a quarter-century earlier. It also sparked fierce debate about Panther fact, Panther fiction, and the power of images. Former leftie David Horowitz, now the head of the neoconservative Center for Popular Culture in Los Angeles, took out an ad inDaily VarietycallingPanthera “two-hour lie.” Damning director Mario Van Peebles for glorifying the positive aspects of the black power movement — the children's breakfasts and sickle cell anemia tests the Panthers sponsored, for example — Horowitz warned that people “will die because of this film” and faxed a seven-page press release to the media condemning the Panthers as “cocaine-addicted gangsters who … committed hundreds of felonies.”
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3

Harris, Jessica Christina. "Revolutionary Black Nationalism: The Black Panther Party." Journal of Negro History 85, no. 3 (July 2000): 162–74. http://dx.doi.org/10.2307/2649073.

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4

Harris, Jessica C. "Revolutionary Black Nationalism: The Black Panther Party." Journal of Negro History 86, no. 3 (July 2001): 409–21. http://dx.doi.org/10.2307/1562458.

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Shailendra, Soumya Rachel. "Feeling Brown, Thinking Black: Translating the Black Panther from Lowndes to Bombay." Verge: Studies in Global Asias 10, no. 1 (March 2024): 160–86. http://dx.doi.org/10.1353/vrg.2024.a922362.

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Abstract: The archive of exchanges between Dalit and Black intellectuals exhibits the significance of imagining and translating minoritarian relations in the late twentieth century. The formation of the Dalit Panthers—an anticaste organization that declared its affiliation to the Black Panther Party in 1973—presents one such translational moment, revealing the affective power of brown/ness in consolidating minoritarian worlds that are concomitantly conceived in their opposition to coloniality, caste, and white supremacy. I trace the evolution of the Panthers' relationship through the journey of its iconography, from its initial sketching in Lowndes to its circulation in Marathi little magazines in the 1970s and its reappearance in Rahee Punyashloka's print series The Panthers Is an Elusive Beast (2021).
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6

Jennings, Regina. "Poetry of the Black Panther Party." Journal of Black Studies 29, no. 1 (September 1998): 106–29. http://dx.doi.org/10.1177/002193479802900107.

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7

Gaiter, Colette. "Visualizing a Black Future: Emory Douglas and the Black Panther Party." Journal of Visual Culture 17, no. 3 (December 2018): 299–311. http://dx.doi.org/10.1177/1470412918800007.

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In the post-Civil Rights late 1960s, the Black Panther Party (BPP) artist Emory Douglas created visual messages mirroring the US Western genre and gun culture of the time. For black people still struggling against severe oppression, Douglas’s work metaphorically armed them to defend against daily injustices. The BPP’s intrepid and carefully constructed images were compelling, but conversely, they motivated lawmakers and law enforcement officers to disrupt the organization aggressively. Decades after mainstream media vilified Douglas’s work, new generations celebrate its prescient activism and bold aesthetics. Using empathetic strategies of reflecting black communities back to themselves, Douglas visualized everyday superheroes. The gun-carrying avenger/cowboy hero archetype prevalent in Westerns did not transcend deeply embedded US racial stereotypes branding black people as inherently dangerous. Douglas helped the Panthers create visual mythology that merged fluidly with the ideas of Afrofuturism, which would develop years later as an expression of imagined liberated black futures.
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8

McLaughlin, Richard. "Agnès Varda’s cinematic writing as political art in Black Panthers." Short Film Studies 12, no. 1 (May 1, 2022): 55–65. http://dx.doi.org/10.1386/sfs_00067_1.

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In Black Panthers, rather than identifying with or speaking for the Black Panther Party, Varda’s cinécriture ‐ her shot choices, camera movement and editing ‐ allows her to insert her commentary about the group’s revolutionary potential while the members determine themselves as subjects rather than accepting their definition by the state. Her film foregrounds the politics of social space, showing how the Panthers transform spaces of circulation like the courthouse and their neighbourhoods into spaces of contestation.
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9

Sandarg, Robert. "Jean Genet and the Black Panther Party." Journal of Black Studies 16, no. 3 (March 1986): 269–82. http://dx.doi.org/10.1177/002193478601600303.

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10

STREET, JOE. "The Historiography of the Black Panther Party." Journal of American Studies 44, no. 2 (December 24, 2009): 351–75. http://dx.doi.org/10.1017/s0021875809991320.

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This article examines forty years of historical writing on the Black Panther Party (BPP), arguing that this historiography has now reached maturity. It evaluates key publications on the BPP, splitting the historiography into three periods. The first phase, the article asserts, was dominated by accounts written by participants and observers of the BPP in action. These offered insight into the personalities of the BPP leadership but included relatively little on other BPP members. They were supplemented by a collection of friendly academic studies, a number of which emphasized the role of the FBI in precipitating the BPP's decline. The article identifies the 1994 publication of Hugh Pearson's biographical study of Huey P. Newton as the beginning of a second phase. Pearson's work, which built on a collection of accounts written by observers and right-wing writers during the first phase, precipitated an outpouring of new studies that opposed its conclusions. These works overwhelmingly focussed on individual BPP chapters and the experiences of the BPP rank and file; they were generally friendly towards the party and often appraised the BPP's actions through the 1970s. A second wave of participant accounts also emerged in this period which offered a more personal interpretation of the BPP's decline. A third period emerged in the early 2000s that abandoned the obsession with Pearson's study and focussed instead on the BPP's contribution to African American and American culture beyond its political program and violent image. The article reveals the paradox at the heart of the local approach, one which recent studies addressed in their focus on the BPP's Oakland chapter and their return to a tight chronological approach that focussed on the BPP's peak years. It concludes by noting the remaining omissions in the BPP's historical record and anticipating further studies.
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11

Abron, JoNina M. "The Legacy of the Black Panther Party." Black Scholar 17, no. 6 (November 1986): 33–37. http://dx.doi.org/10.1080/00064246.1986.11414441.

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12

Nelson, Crystal Am. "And They Started Sayin’ “Black Power!”." Feminist Media Histories 4, no. 3 (2018): 30–48. http://dx.doi.org/10.1525/fmh.2018.4.3.30.

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This photo essay attempts to map some of the historical moments that likely influenced the birth of the black panther as an icon and hero in the worlds of both political activism and comic books. From its initial appearance in Alabama to its incarnation in Oakland, the black panther has stood the test of time and remained an index of Black power. This essay examines the births of the Lowndes County Freedom Movement, Marvel's Black Panther character, and the Black Panther Party—all in 1966. The founding of that first proves to be a seminal, highly influential moment that presaged what was to come later that year. The events described trace how community action transformed into black power–cum–panther power.
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Meng, Eana. "Photo Essay: Bringing Acupuncture to the People." Asian Medicine 16, no. 2 (October 29, 2021): 276–94. http://dx.doi.org/10.1163/15734218-12341494.

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Abstract This photo essay examines key events in the career of physician-activist Tolbert Small, a doctor for the Black Panther Party and one of the first American doctors to practice acupuncture. It features the historic 1972 Black Panther Party delegation to China where Small first learned about acupuncture, as well as the Harriet Tubman Medical Office where he incorporated acupuncture into his practice.
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Potorti, Mary. "Feeding Revolution: The Black Panther Party and the Politics of Food." Radical Teacher 98 (February 27, 2014): 43–51. http://dx.doi.org/10.5195/rt.2014.80.

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This chapter examines the role of food in the symbolic politics and practical agenda of the Black Panther Party (BPP), founded in the late 1960s in Oakland, California. Situating hunger and the politics of food at the center of drives for racial justice, it argues that the BPP’s anti-hunger efforts and food-centered campaigns were driven by an implicit understanding of the power of food in battles over racialized definitions of personhood, a forum for both enforcing and resisting hegemonic authority. From this vantage, the Panthers and their allies in the East Bay community utilized the Party’s popular food programs, specifically its Free Breakfast for School Children Program, as staging grounds to prepare for a revolutionary overthrow of the socio-economic order. In addition to strengthening the physical bodies of African Americans to ensure their “survival pending revolution,” the food programs served a deeper organizing function by encouraging community members to come together to meet an immediate, practical need and, in doing so, to visualize themselves as part of a larger movement for change. The Panthers’ subsequent demands for consumer rights and calls for conscientious consumption (both as purchasers and eaters of food) highlighted the role of food politics in perpetuating racial injustice while demonstrating the capacity for food-related protest to challenge structures of hunger and patterns of widespread malnourishment.
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15

Gaiter, Colette. "The Art of Liberation." South Atlantic Quarterly 119, no. 3 (July 1, 2020): 567–86. http://dx.doi.org/10.1215/00382876-8601422.

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This article describes an under-reported success of the Black Panther Party for Self-Defense. Through a creative team led by the party’s Minister of Culture Emory Douglas, who was also the Black Panther (BP) newspaper’s designer and main illustrator, the Panthers visualized compelling alternatives to post–Civil Rights Black assimilation in the United States. Douglas and the other artists filled the paper’s pages every week with drawings, cartoons, and posters that empowered people who were historically relegated to subservient representations in mainstream media. Douglas’s larger posters were wheat-pasted on walls in Black communities, creating advertising for psychological liberation as the struggles for complete liberation continued on several fronts. Through textual and visual analysis of BP newspapers from 1968, clear visual strategy and intentions are deconstructed in a way that illuminates the party’s more visible words and public actions and explains why their “revolutionary art” resonates into the twenty-first century.
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16

Ibram X. Kendi. "Inside the Gun of the Black Panther Party." Journal of Civil and Human Rights 3, no. 2 (2017): 113. http://dx.doi.org/10.5406/jcivihumarigh.3.2.0113.

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17

Burton-Rose, Daniel, and Yi-Li Wu. "Acupuncture, the Black Panther Party, and People’s Medicine." Asian Medicine 16, no. 2 (October 29, 2021): 251–75. http://dx.doi.org/10.1163/15734218-12341493.

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Abstract Tolbert Small (b. 1943) is a physician and civil rights activist best known for his advocacy for research on sickle cell anemia. In the summer of 2020 two of Asian Medicine’s editors, Daniel Burton-Rose and Yi-Li Wu, interviewed Small about his clinical career of more than fifty years. The interview focuses on Small’s experience with acupuncture, the practice of Chinese medicine in the United States, and his commitment to social justice. Small was introduced to acupuncture in 1972 as a member of a delegation of the Black Panther Party to the People’s Republic of China, and he incorporated it into his clinical practice upon his return to Oakland, California. Small began practicing acupuncture at a time when instructional materials and therapeutic implements were difficult to obtain. He witnessed the gradual mainstreaming of Chinese medicine in the United States, accompanied by problems of differential access based on race and income.
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18

Jones, Jason Christopher. "The Black Panther Party and the Japanese Press." Journal of African American Studies 21, no. 1 (March 2017): 42–70. http://dx.doi.org/10.1007/s12111-016-9337-1.

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19

Bonnet, Valérie. "Du parti de la panthère noire aux panthères : un ou des Black Panther Party(ies) ?" Mots, no. 120 (July 11, 2019): 127–43. http://dx.doi.org/10.4000/mots.25303.

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20

Zafir, Lindsay. "Queer Connections." GLQ: A Journal of Lesbian and Gay Studies 27, no. 2 (April 1, 2021): 253–79. http://dx.doi.org/10.1215/10642684-8871691.

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This article examines the gay French author Jean Genet’s 1970 tour of the United States with the Black Panther Party, using Genet’s unusual relationship with the Panthers as a lens for analyzing the possibilities and pitfalls of radical coalition politics in the long sixties. I rely on mainstream and alternative media coverage of the tour, articles by Black Panthers and gay liberationists, and Genet’s own writings and interviews to argue that Genet’s connection with the Panthers provided a queer bridge between the Black Power and gay liberation movements. Their story challenges the neglect of such coalitions by historians of the decade and illuminates some of the reasons the Panthers decided to support gay liberation. At the same time, Genet distanced himself from the gay liberation movement, and his unusual connection with the Panthers highlights some of the difficulties activists faced in building and sustaining such alliances on a broad scale.
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21

Johnson, Cedric. "Panther Nostalgia as History: Black against Empire: The History and Politics of the Black Panther Party." New Labor Forum 23, no. 2 (May 2014): 112–15. http://dx.doi.org/10.1177/1095796014526572.

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22

Pough, Gwendolyn D. "Empowering Rhetoric: Black Students Writing Black Panthers." College Composition & Communication 53, no. 3 (February 1, 2002): 466–86. http://dx.doi.org/10.58680/ccc20021459.

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This article examines Black student responses to Black Panther Party documents and how those documents moved the students toward change. I maintain that by allowing the classroom to function as a public space in which students can discuss the issues that matter to them, teachers can help to foster and encourage student activism and ultimately their empowerment.
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23

Barreto, Raquel. "Partido dos Panteras Negras, história, gênero e poder." Fronteiras & Debates 5, no. 1 (December 13, 2018): 189. http://dx.doi.org/10.18468/fronteiras.2018v5n1.p189-191.

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24

Narayan, John. "Survival pending revolution: Self-determination in the age of proto-neo-liberal globalization." Current Sociology 68, no. 2 (January 27, 2020): 187–203. http://dx.doi.org/10.1177/0011392119886870.

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In 1971, the Black Panther Party (BPP) seemingly went through an ideological transformation. Between 1968 and 1970 the Party had forged strong national and international solidarity and support through a politics of revolutionary armed self-defence and a commitment to anti-imperialism. Yet, in late 1970 as the sands of both national and geo-politics shifted, and as allies, both at home and abroad, became less supportive, the Panthers found themselves on less solid ground. Black Panther leader Huey P Newton, realizing this shift in the political landscape, and the futility of attempting an armed insurgency against the state without widespread support, now steered the BPP towards the idea of ‘Survival Pending Revolution’. This saw the Panthers abandon the idea of immediate armed insurrection against the state and reorient towards a focus on their community engagement ‘survival programs’. This article argues that Newton’s orientation of the BPP away from armed insurrection and towards survival pending revolution was not simply a pragmatic choice of strategy, but rather based on a theorization of what he dubbed reactionary intercommunalism. Moreover, the article suggests that the history of neo-liberal globalization can be complicated and expanded by viewing Newton as one of the first theorists of neo-liberal globalization, and BPP survival programs as one of the first responses to the on-coming era of neo-liberalism in the US.
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Ngozi-Brown, Scot. "The US Organization, Maulana Karenga, and Conflict with the Black Panther Party: A Critique of Sectarian Influences on Historical Discourse." Journal of Black Studies 28, no. 2 (November 1997): 157–70. http://dx.doi.org/10.1177/002193479702800202.

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The BPP [Black Panther Party] and Us, two Black extremist groups, are currently feuding… It is important that Black extremist groups be kept divided so that their strength is not increased through united action.
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26

Morabia, Alfredo. "Unveiling the Black Panther Party Legacy to Public Health." American Journal of Public Health 106, no. 10 (October 2016): 1732–33. http://dx.doi.org/10.2105/ajph.2016.303405.

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27

Jeffries, Judson L. "Introduction: The Continuing Significance of the Black Panther Party." Journal of African American Studies 25, no. 4 (December 2021): 511–12. http://dx.doi.org/10.1007/s12111-021-09559-x.

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28

Smethurst, James. "The Black Panther Party in a City Near You." Journal of American History 105, no. 4 (March 1, 2019): 1092–93. http://dx.doi.org/10.1093/jahist/jaz150.

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29

Briley, Ron. "“I'm sorry I had to fight in the middle of your Black Panther party”: The Black Panther Party, Hollywood, and Popular Memory." Popular Culture Review 15, no. 2 (June 2004): 5–19. http://dx.doi.org/10.1002/j.2831-865x.2004.tb00190.x.

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30

Aziz, M. "Vanguard of the Athletic Revolution: The Black Panther Party, Micki and Jack Scott, and the Sports Liberation Movement." American Quarterly 75, no. 3 (September 2023): 655–72. http://dx.doi.org/10.1353/aq.2023.a905868.

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Abstract: During the 1970s, the Black Panther Party believed in and provided sports programming that spoke to community embodiment. The Party's approach aligned with what Jack and Micki Scott called "the sports liberation movement." Though understudied in sports history, the Scotts endeavored to create a revolution motivated by the 1968 Olympics. They controversially wrote about and taught sports in a way that prioritized the needs and well-being of professional athletes and everyday people, rather than US patriotism and capitalism consumption. Influenced by fellow leftists like the Scotts, the Black Panthers circulated ideas on freedom and free movement, drawing inspiration from international role models in non-European, socialist countries too. They imagined that socialist sports could escape the militarization of sport in the US and find space for gender inclusion. Their interpretation of socialism showed up in both philosophy and pedagogy, on and off the mat. Using sports archives from the Party as well as broader newspaper research, I contend in this essay that the Panthers, representative of the larger Black Power movement, politicized sport as a necessary site to revolutionize the everyday person's life.
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31

Connor, Michan. "Black against Empire: The History and Politics of the Black Panther Party." Southern California Quarterly 95, no. 4 (2013): 403–5. http://dx.doi.org/10.1525/scq.2013.95.4.403.

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32

Courtney Thorsson. "Why Now?: Recent Writings on Black Power and the Black Panther Party." Callaloo 32, no. 2 (2009): 670–75. http://dx.doi.org/10.1353/cal.0.0452.

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33

Ogbar, J. O. G. "Black against Empire: The History and Politics of the Black Panther Party." Journal of American History 100, no. 4 (March 1, 2014): 1175–76. http://dx.doi.org/10.1093/jahist/jau012.

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34

Waters, Rob. "Black Against Empire: the history and politics of the Black Panther Party." Race & Class 55, no. 3 (January 2014): 98–101. http://dx.doi.org/10.1177/0306396813509202.

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35

Kuykendall. "Black Against Empire: The History and Politics of the Black Panther Party." Journal for the Study of Radicalism 8, no. 2 (2014): 109. http://dx.doi.org/10.14321/jstudradi.8.2.0109.

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36

FEARNLEY, ANDREW M. "THE BLACK PANTHER PARTY'S PUBLISHING STRATEGIES AND THE FINANCIAL UNDERPINNINGS OF ACTIVISM, 1968–1975." Historical Journal 62, no. 1 (September 11, 2018): 195–217. http://dx.doi.org/10.1017/s0018246x18000201.

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AbstractHistorians of America's post-war social movements have said little about the financial underpinnings of activism, and this article aims to address this oversight. It focuses on the Black Panther Party, which was formed in Oakland, California, in 1966, and was soon one of America's most visible, and controversial, black power organizations. The article sketches the array of funding sources from which the party drew, and reconstructs the apparatus it fashioned to steward those resources. It condenses the discussion to one of the organization's most lucrative streams, that of book publishing, and relates this to the period's literary culture, which, in the US, witnessed a ‘black revolution in books’. Between 1968 and 1975, members of the party published some ten books, which together raised $250,000 in advances, and additional sums through their sale, serialization, and translation. The production of these works relied on the assistance of several freelance writers, and was guided by the party's commercial agency, Stronghold Consolidated Productions. By recovering the role of these groups and the infrastructure they fashioned, the article shows how publishing was connected to the wider financial structure of the organization, and prompts us to see that the Panthers’ books were not just accounts of their activism, but examples of it.
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Illner, Peer. "Who’s Calling the Emergency? The Black Panthers, Securitisation and the Question of Identity." Culture Unbound 7, no. 3 (October 28, 2015): 479–95. http://dx.doi.org/10.3384/cu.2000.1525.1572479.

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This article intervenes in a debate in cultural disaster studies that interprets disasters as objects, whose study opens up an understanding of societies’ fears, anxieties and vulnerabilities. Widening the scope of disaster studies, it proposes to view disaster not as an object but as an optics, a matrix that frames elements of social life as an emergency. Presenting the case of the American Black Panther Party for Self-Defense through a framework of security studies, the article explores the Black Panthers’ politics as a process of societal securitisation that allowed African Americans to mobilise politically by proclaiming an emergency. It traces a political trajectory that ranged from an early endorsement of revolutionary violence to the promotion of community services and casts this journey as a negotiation of the question of identity and ontological security in times of crisis. Drawing on Black studies and on stigma theory, it suggests finally, that the Panthers’ abandonment of violence represented a shift from identity-politics to an engagement with structural positionality.
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Meredith Roman. "The Black Panther Party and the Struggle for Human Rights." Spectrum: A Journal on Black Men 5, no. 1 (2016): 7. http://dx.doi.org/10.2979/spectrum.5.1.02.

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Antwanisha Alameen-Shavers. "The Woman Question: Gender Dynamics within the Black Panther Party." Spectrum: A Journal on Black Men 5, no. 1 (2016): 33. http://dx.doi.org/10.2979/spectrum.5.1.03.

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Mary Duncan. "Emory Douglas and the Art of the Black Panther Party." Spectrum: A Journal on Black Men 5, no. 1 (2016): 117. http://dx.doi.org/10.2979/spectrum.5.1.06.

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Kamish, D. W. "Infrastructure and the Black Panther Party: Toward an Infrastructural Politics." Journal of African American Studies 25, no. 4 (November 19, 2021): 513–33. http://dx.doi.org/10.1007/s12111-021-09556-0.

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42

Clemons, Michael L., and Charles E. Jones. "Global solidarity: The Black Panther party in the international arena." New Political Science 21, no. 2 (June 1999): 177–203. http://dx.doi.org/10.1080/07393149908429862.

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43

Hoerl, Kristen. "Mario Van Peebles'sPantherand Popular Memories of the Black Panther Party." Critical Studies in Media Communication 24, no. 3 (August 2007): 206–27. http://dx.doi.org/10.1080/07393180701520900.

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Brooks, Dwight E. "Media Bias, Perspective, and State Repression: The Black Panther Party." Journal of Broadcasting & Electronic Media 55, no. 2 (May 25, 2011): 275–76. http://dx.doi.org/10.1080/08838151.2011.572494.

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45

Jones, Charles E. "The Political Repression of the Black Panther Party 1966-1971." Journal of Black Studies 18, no. 4 (June 1988): 415–34. http://dx.doi.org/10.1177/002193478801800402.

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Ongiri, Amy Abugo. "Prisoner of Love: Affiliation, Sexuality, and the Black Panther Party." Journal of African American History 94, no. 1 (January 2009): 69–86. http://dx.doi.org/10.1086/jaahv94n1p69.

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47

Frierson, Jannie C. "The Black Panther Party and the Fight for Health Equity." Journal of Health Care for the Poor and Underserved 31, no. 4 (2020): 1520–29. http://dx.doi.org/10.1353/hpu.2020.0113.

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48

Musgrove, George Derek. "“There Is No New Black Panther Party”: The Panther-Like Formations and the Black Power Resurgence of the 1990s." Journal of African American History 104, no. 4 (September 2019): 619–56. http://dx.doi.org/10.1086/705022.

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49

Peariso, Craig. "The Black Arts Movement and the Black Panther Party in American Visual Culture." Journal of American History 108, no. 1 (June 1, 2021): 214–15. http://dx.doi.org/10.1093/jahist/jaab054.

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50

Charles E. Jones and Judson L. Jeffries. "The 50th Anniversary of the Black Panther Party: A Scholarly Commemoration." Spectrum: A Journal on Black Men 5, no. 1 (2016): 1. http://dx.doi.org/10.2979/spectrum.5.1.01.

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