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Relevant bibliographies by topics / Blacks in radio broadcasting

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Academic literature on the topic 'Blacks in radio broadcasting'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Blacks in radio broadcasting"

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Sudiartha, I. Ketut Gede, Putu Manik Prihatini, and I. Made Purbhawa. "Implementation of text to speech on web-based broadcasting radio service applications." Matrix : Jurnal Manajemen Teknologi dan Informatika 12, no. 1 (March 29, 2022): 51–57. http://dx.doi.org/10.31940/matrix.v12i1.51-57.

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Radio broadcasting is a source of information for the public. In delivering information, the broadcaster must read the text of the news before it is transmitted through a radio transmitter. Implementing a text-to-speech conversion can help solve this problem. The purpose of this study is to develop a Broadcasting Service Application by implementing text to speech on a Web-Based Radio Broadcasting service application that can convert data/information in text form into information in the form of voice. This paper does not discuss text-to-speech conversion techniques but emphasizes how to apply text-to-speech conversion techniques in web-based broadcasting service applications, especially news and music data management. This application utilizes web hosting services and Google voice services to convert text data into voice. The method used is Analyzing the application system of Broadcasting Radio services, Application of Text to speech (TTS), which functions to convert text into sound before being transmitted to broadcasting stations and to test the response of the conversion results and data management to the quality of the design. The process carried out in this system, namely retrieval of text data from the news database, converting text data into sound, adjusting the volume of music and sound information, and updating the status of the text data that has been broadcast. Based on application testing carried out with the Black Box Testing Method, all functional applications have been running well and are now successfully operationalized.

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Shields, Steven O., and Robert M. Ogles. "Black liberation radio: A case study of free radio micro‐broadcasting." Howard Journal of Communications 5, no. 3 (March 1995): 173–83. http://dx.doi.org/10.1080/10646179509361661.

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CODDINGTON, AMY. "A “Fresh New Music Mix” for the 1980s: Broadcasting Multiculturalism on Crossover Radio." Journal of the Society for American Music 15, no. 1 (February 2021): 30–59. http://dx.doi.org/10.1017/s1752196320000462.

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AbstractThis article examines the racial politics of radio programming in the United States by focusing on the development of a new radio format in the late 1980s. This new format, which the radio industry referred to as Crossover, attracted a coalition audience of Black, white, and Latinx listeners by playing up-tempo dance, R&B, and pop music. In so doing, this format challenged the segregated structure of the radio industry, acknowledging the presence and tastes of Latinx audiences and commodifying young multicultural audiences. The success of this format influenced programming on Top 40 radio stations, bringing the sounds of multicultural publics into the US popular music mainstream. Among these sounds was hip hop, which Crossover programmers embraced for its ability to appeal across diverse audiences; these stations helped facilitate the growth of this burgeoning genre. But like many forms of liberal multiculturalism in the 1980s and 1990s, the racial politics of these stations were complex, as they decentered individual minority groups’ interests in the name of colorblindness and inclusion.

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Dong, Xiao Lei, Pei Tian, and Zi Zhe Wang. "The Detection Method of Black Field Failure and Static Frame Failure in Radio and Television Broadcast." Advanced Materials Research 912-914 (April 2014): 1456–60. http://dx.doi.org/10.4028/www.scientific.net/amr.912-914.1456.

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Black field failure and static frame failure are two kinds of abnormal states in the process of radio and television broadcast. To explore an effective method to eliminate the two faults, so as to ensure the safety of radio and television broadcasting, has a very important practical significance. This paper introduces a method to detect black field failure and static frame failure which based on digital image processing techniques. During the detection,the image block processing is introduced, and the gray values of the inner frame images and the adjacent frame images need to be calculated and contrasted. The Matlab simulation analysis was carried on has proved its feasibility at last.

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Cyzewski, Julie. "Broadcasting Nature Poetry: Una Marson and the BBC's Overseas Service." PMLA/Publications of the Modern Language Association of America 133, no. 3 (May 2018): 575–93. http://dx.doi.org/10.1632/pmla.2018.133.3.575.

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Although the nature poems of the Jamaican writer Una Marson are usually set against her transnational projects, they are inextricable from the cosmopolitan vision described in her radio broadcasts and journalism. Studies of transnational modernism have brought to the fore Marson's participation in pan- Africanist political and literary networks, her poems' mediation of the black West Indian woman's experience, and her work promoting West Indian literature in the metropolitan institution of the BBC. Analyses of Marson as a transnational igure, however, have obscured aspects of her literary production—speciically, her nature poetry. Placing Marson's West Indian nature poetry that was broadcast by the BBC in the context of the original programs reveals the efects of moving from print publication to radio broadcast. And, along with her editorials for the Jamaican literary magazine The Cosmopolitan (1928–31), Marson's BBC broadcasts (1939–45) make the case for the ongoing relevance of the pastoral tradition to public life.

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Tate, Angela. "Sounding Off." Resonance 2, no. 3 (2021): 395–410. http://dx.doi.org/10.1525/res.2021.2.3.395.

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The only traces of Etta Moten Barnett’s 1950s–’60s radio program, I Remember When, exist on well-worn cassette tapes (recently digitized) at the Schomburg Center for Research in Black Culture in Harlem. On these tapes are the only traces of not only Moten Barnett’s own career but also the immense network of activists, educators, and Pan-Africanists with whom she interacted. Many of them are now long forgotten or exist in the footnotes of better-known figures (often their husbands). What could be considered a project of recovery is also a project of tracing the use Black women made of radio broadcasting. I Remember When also provides an intriguing counternarrative to existing scholarship on Cold War radio history, which instead of looking West to East and from the perspective of government propaganda, now traces the networks across the diaspora in the struggle for independence and self-determination. Bringing the focus to Etta Moten Barnett and other Black women in radio raises questions about their stake in citizenship and political solidarity in this period. Through transcribing original broadcast recordings, and reading correspondence and newspaper articles, this paper documents the process of recovery, the cultural connections between women across the African diaspora, and their formation of a global Black community.

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Moreira Vieira, Caroline, and Joana Bahia. "Yaô africano: the orixá in the voice of Patricio Teixeira." Religiones y religiosidades en América Latina, no. 26 (December 31, 2020): 39–62. http://dx.doi.org/10.36551/2081-1160.2020.26.39-62.

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Patricio Teixeira was an important voice in Brazilian music, particularly during the 1920s and 1930s. His career in radio broadcasting extended into the mid-1950s. Teixeira’s work gave visibility to black subjects and their cultural identities. This article analyzes the sacred elements that overflow into the musical and recreational universe of Rio through some of the songs recorded by Teixeira. With varied appropriations, these recordings of chants for orixá, Afro-Brazilian practices, and rituals mark the presence of the Afro-Brazilian sacred in Brazilian popular song.

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Smółka, Maciej. "Purple Current: Streaming Popular Music in the Name of a Local Heritage." Zarządzanie Mediami 10, no. 3 (2022): 209–24. http://dx.doi.org/10.4467/23540214zm.22.015.17298.

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The Current, a broadcasting service, which is a part of Minnesota Public Radio organization, has launched a special online radio stream called Purple Current in 2018. Based in Minneapolis, it focuses on the life and legacy of Prince, emphasizing his inspirations, influence, culture in which he grew up and recorded. While Purple Current can be seen as a reactive venture after musician’s death in 2016, the stream is much more complex cultural project, especially given very specific cultural environment of Twin Cities. The research aims to analyze Purple Current radio stream as a cultural text, using the perspective of music geography and American studies, and through studying the discourse it presents – its mission, programming, music, image-building via Twitter, and statements by its founders – to understand its purpose and deeper social functions. The study shows that Purple Current is much more complex venture to be considered simply an homage to an important cultural figure as Prince. It integrates local community, exposes listeners to historically neglected minority culture of Black Minneapolitans, while being involved in the processes of popularization, education, and image-building. This results in a project, which is relevant and valid culturally, socially, politically, or even historically.

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Rawnsley, Gary D. "Overt and covert: The voice of Britain and black radio broadcasting in the Suez crisis, 1956." Intelligence and National Security 11, no. 3 (July 1996): 497–522. http://dx.doi.org/10.1080/02684529608432374.

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Anderson, Heather, and Charlotte Bedford. "Prisoner radio as an abolitionist tool: A scholactivist reflection." Journal of Alternative & Community Media 6, no. 1 (April 1, 2021): 55–68. http://dx.doi.org/10.1386/joacm_00093_1.

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Prisoner and prison radio – audio production and broadcasting that services prisoner and prison communities – has existed in a variety of forms in a diverse range of countries for over 30 years and has recently seen a surge in popularity and awareness. At the same time, the prison abolition movement has also gained momentum and visibility, after an equally long presence and history. Recently in the United States, the New York City Council voted to close Rikers Island by 2026 in response to community campaigning driven by an abolition agenda. Likewise, the Black Lives Matter movement has introduced an abolitionist discourse (especially around defunding police services) to the mainstream vernacular. This article considers the relationships between broadcasters/audiences and the State – embodied through government departments responsible for managing the incarceration of its citizens, and how these impact on prisoner radio’s capacity to act as an agent of change. To do so, we take a scholactivist approach to critically reflect on our experiences as prisoner radio practitioners and researchers and consider the potentials for prisoner radio to either support or hinder a prison abolition agenda. Can the genre contribute to the prison abolition movement when it often requires the support of the prison-industrial complex to exist?

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Dissertations / Theses on the topic "Blacks in radio broadcasting"

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Bosch, Tanja Estella. "Radio, community, and identity in South Africa a rhizomatic study of Bush Radio in Cape Town /." Connect to this title online, 2003. http://www.ohiolink.edu/etd/view.cgi?ohiou1079300111.

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Suggs, Vickie L. "The production of political discourse annual radio addresses of Black college presidents during the 1930s and 1940s /." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-07242008-220731/.

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Thesis (Ph. D.)--Georgia State University, 2008.
Title from file title page. Philo Hutcheson, committee chair; Richard Lakes, Marybeth Gasman, Joyce King, committee members. Description based on contents viewed Nov. 13, 2009. Includes bibliographical references (p. 159-165).

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Mhlambi, Thokozani Ndumiso. "The early years of black radio broadcasting in South Africa : a critical reflection on the making of Ukhozi FM." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/18999.

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Includes bibliographical references. .
The history of black radio in South Africa demonstrates the legacy of colonialism, but also exhibits the performance of novel identities in the 'modem' state. In this dissertation I look at the early years of black radio in South Africa circa 1940-1944, focussing primarily on the Zulu language service. The service was originally broadcasted on the Afrikaans and English radio stations in South Africa. It was 3 minutes in length at its inception in 1940 and was gradually extended to 30 minutes by September of 1942. Based on the collection of archival material and newspaper clippings I look at three colonial figures that were active in the early years of native radio, namely: Hugh Tracey, who was the initiator of broadcasts in Zulu, K. E. Masinga, who presented the first shows in the Zulu service, and The Zulu Radio Choir, who were mentioned as part of the first groups to be recorded for the Zulu radio service (Tracey 1948). All three of these stakeholders have played a foundational role in the establishment of the radio archive in South Africa. Using discourse analysis and Judith Butler's performativity theory (1988; 1990; 1999), I trace the discursive interactions of these stakeholders-an area where 'African tradition' meets 'colonial modernity' (Mudirnbe 1988). I then proceed to show how their performative acts reveal multi-layered processes of redefinition and negotiation. A recurring thread in the entire dissertation is a quest to represent Africa and its people's in new ways that challenge colonial legacies.

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Sahota, Anu. "Sermon and surprise: the meaning of scheduling in broadcast radio history /." Burnaby B.C. : Simon Fraser University, 2006. http://ir.lib.sfu.ca/handle/1892/2659.

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Extended Essays (M.A.) - Simon Fraser University, 2006.
Theses (School of Communication) / Simon Fraser University. Senior supervisor : Dr. Catherine Murray. Also issued in digital format and available on the World Wide Web.

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Mezahav, Amatzya. "Radio and structural adjustment in Fairy Hill, Jamaica /." view abstract or download file of text, 2001. http://wwwlib.umi.com/cr/uoregon/fullcit?p3018383.

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Thesis (Ph. D.)--University of Oregon, 2001.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 216-269). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p3018383.

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Allen, D. P. "Independent Local Radio (ILR) in the West Midlands, 1972-1984 : a comparative study of BRMB Radio and Beacon Radio." Thesis, University of Worcester, 2011. http://eprints.worc.ac.uk/1430/.

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Informed by theory and debate associated with the field of media studies, this thesis presents a comparative analysis of two Independent Local Radio (ILR) stations in the West Midlands between 1972 and the mid 1980s: BRMB Radio in Birmingham and Beacon Radio, which served Wolverhampton and the Black Country. It locates the two stations in the context of the development of British broadcasting policy, which had been shaped from the start by the British model of public service broadcasting. ILR was a public radio service which was funded by the sale of advertising time. Similar to commercial radio elsewhere, the survival of BRMB and Beacon Radio depended on the income they could generate, but the commercial imperative was constrained by the legislative and regulatory framework of British public service broadcasting. The thesis argues that the fortunes of the two stations depended largely on the approaches taken by their respective management teams to these conflicting influences. The success or failure of an ILR station, in terms of profit or programming, was shaped by its management team. BRMB Radio was an example of a station with an appropriate balance of experience and expertise. From the beginning it was headed by a managing director with a commercial background and a programme controller who was experienced in regulated public service broadcasting. In contrast, Beacon Radio was a station with the wrong people in charge. Both the managing director and the programme controller were from a commercial broadcasting background, and their approach brought the station into conflict with the Independent Broadcasting Authority, ILR‟s regulator. Almost every aspect of the Beacon operation was designed to make money. The profit motive took precedence over the fulfilment of its public service obligations. Beacon‟s deficiencies in terms of local coverage and its aggressive sales tactics caused some parts of the local community to reject the station, with some calling on the IBA to remove the Beacon licence. Formulating the correct type of programmes and working with the regulator was a necessity. To generate revenue a station needed to sell an audience to advertisers. To build an audience it had to create programming to which listeners could relate. Music policy, the personality of presenters, and predictability of output were specifically relevant to BRMB and Beacon. Above all, each station had to have access to the airwaves, and with the IBA as gatekeeper to the airwaves it had to abide by its rules and regulations, especially those relating to programming and content. This was exemplified by the case of Beacon Radio: it was only after the IBA had refused to renew its licence that Beacon recognised the importance of having programmes which met the prescribed standard of quality and public service, and working with the regulator and not against it.

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Da-Wariboko, Biobele. "Investigating the effects of the proliferation of commercial broadcasting on public service broadcasting: the case of Rivers State of Nigeria Broadcasting Corporation." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1002876.

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1992 marked a turning point in Nigeria’s broadcasting history as the country formally deregulated her broadcast space. However, it was not until March 2002 that the first commercial radio station was established in Rivers State, a broadcast environment hitherto monopolised by Radio Rivers. The coming of the first independent radio station in Rivers State in March 2002 was followed by the establishment of two other stations in October 2003 and November 2003 respectively. As important as these events in broadcasting in Rivers State are, however, media scholars have argued that in most societies where such change has taken place, public service broadcasters have tampered with their values of being an open space where individuals and groups can come together to be educated, informed, and entertained. This study investigates the extent to which the proliferation of commercial broadcasting outlets has affected Radio Rivers’ public service programming and scheduling. Using a combination of qualitative and quantitative research methods, through in-depth interviews and analysis of the mandate and programme schedules, the study established that while Radio Rivers still maintains some public service values, its current programming policy is driven by the need to compete with the commercial broadcasters. This is evidenced in the decrease in the programme space allocated to current affairs and educational programmes on the schedule, (the genre of public service broadcasting), and the increase in attention to advertisements and entertainment programmes, (the genre of commercial broadcasting). The study also confirms the adverse effects of dwindling financial resources as forcing public service radios to compromise on their public service values, as majority of programmes on Radio Rivers current programme schedules are now geared towards attracting advertisers rather than serving the public good and interests. However, the study proved that it is not in all cases that the entry of commercial broadcasters into Rivers State broadcast space has undermined Radio Rivers public service values. Indeed, in leading to the expansion of interactive, news, and the diversification of entertainment programmes spaces on Radio Rivers’ programming schedules, the proliferation of commercial broadcasters has yielded some positive effects on Radio Rivers public service values and contribution to the public sphere. The study further highlights the need for some policy reforms at Radio Rivers, such as the introduction of licence fees, increased government funding and loosening government’s current control over the station. In addition, there is the need for the edict establishing the station to be amended to reflect the current trends in broadcasting in Rivers State, and above all to reposition Radio Rivers to sustain public good and public interests in its programming.

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Dunn, Robert L. "On the Crest of a (Short) Wave: The Rise and Fall of International Radio Broadcasting." ScholarWorks@UNO, 2007. http://scholarworks.uno.edu/td/1055.

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Since 1927 international broadcasters have spanned oceans and transcended borders through the use of shortwave radio. In the beginning of the 21st century, some longtime shortwave stations have sharply cut back their English language services, particularly to North America and the Pacific region; at least one station has signed off forever. This paper examines the history of shortwave broadcasting--how it came to be, how it was used and by whom. Through interviews with broadcasters and listeners, it also explores the nature of the shortwave "experience"--especially how shortwave listening is different from listening to other media. Finally, this paper looks at what forces have precipitated such rapid and drastic changes in an 80-year old medium, why some adherents say new technologies are not necessarily suitable substitutes for shortwave, and what the near future holds for international radio broadcasting.

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Crisell, Andrew. "Commentary on 'understanding radio'." Thesis, University of Sunderland, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263476.

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Lötter, Theresa E. "An investigation into the sustainability of community radio campus radio as case-study /." Pretoria : [S.n.], 2007. http://upetd-up.ac.za/thesis/available/etd-11192007-122714/.

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Books on the topic "Blacks in radio broadcasting"

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George, Marsha Washington. Black radio--: Winner takes all. [Philadelphia, Pa.]: Xlibris, 2001.

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Michael, Nelson. War of the black heavens: The battles of Western broadcasting in the Cold War. London: Brassey's, 1997.

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Nelson, Michael. War of the black heavens: The battles of Western broadcasting in the Cold War. [Syracuse, N.Y.]: Syracuse University Press, 1997.

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Durham, Richard. Richard Durham's Destination freedom: Scripts from radio's Black legacy, 1948-50. New York: Praeger, 1989.

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Newman, Mark. Entrepreneurs of profit and pride: From Black-appeal to radio soul. New York: Praeger, 1988.

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Mulryan, Peter. Radio radio. Dublin: Borderline Publications, 1988.

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Pelusey, Michael. Radio. Philadelphia: Chelsea House, 2005.

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G, Pitts Gregory, ed. The radio broadcasting industry. Boston, MA: Allyn and Bacon, 2000.

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Wesley, Jim. Radio memories. Philadelphia]: Xlibris, 2011.

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L, Beli͡a︡nina, Ershov L, and T͡S︡entr izuchenii͡a︡ obshchestvennogo mnenii͡a︡ (Vsesoi͡u︡znai͡a︡ gosudarstvennai͡a︡ teleradioveshchatelʹnai͡a︡ kompanii͡a︡), eds. Denʹ radio. Moskva: Vses. gos. teleradioveshchatelʹnai͡a︡ kompanii͡a︡, T͡S︡entr izuchenii͡a︡ obshchestvennogo mnenii͡a︡, 1991.

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Book chapters on the topic "Blacks in radio broadcasting"

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Chlebus, Bogdan S., Leszek Gçasieniec, Anna Östlin, and John Michael Robson. "Deterministic Radio Broadcasting." In Automata, Languages and Programming, 717–29. Berlin, Heidelberg: Springer Berlin Heidelberg, 2000. http://dx.doi.org/10.1007/3-540-45022-x_60.

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Kanayama, Tomoko. "Community Radio Broadcasting." In Advances in Information and Communication Research, 95–111. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4704-1_6.

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Chen, Zhuojun Joyce. "Digital Radio Broadcasting." In Handbook of Computer Networks, 642–74. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2011. http://dx.doi.org/10.1002/9781118256053.ch42.

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Inglis, Andrew F. "FM Radio Broadcasting." In Behind the Tube, 113–54. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003454601-3.

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Inglis, Andrew F. "Am Radio Broadcasting." In Behind the Tube, 57–112. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003454601-2.

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Rembovsky, Anatoly M., Alexander V. Ashikhmin, Vladimir A. Kozmin, and Sergey M. Smolskiy. "Television and Radio Broadcasting Monitoring." In Radio Monitoring, 337–79. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74277-9_8.

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Ghasemi, Abdollah, Ali Abedi, and Farshid Ghasemi. "Wireless Broadcasting." In Propagation Engineering in Radio Links Design, 211–69. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-5314-7_4.

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Scriven, Michael. "Sartre and Radio Broadcasting." In Sartre and the Media, 71–93. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-23081-5_5.

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Wierzbicki, Andrzej Piotr. "Telecommunication, Radio Broadcasting, Television." In Intelligent Systems Reference Library, 119–35. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-09033-7_7.

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Crisell, Andrew. "Broadcasting: Television and Radio." In The Media in Britain, 61–73. London: Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27556-4_4.

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Conference papers on the topic "Blacks in radio broadcasting"

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Murata, Yoshitoshi, Daisei Sato, Yuki Itoga, Tsuyoshi Takayama, Nobuyoshi Sato, and Shoichi Horiguchi. "New Broadcasting System Combined with Radio Broadcasting and WWW." In 2008 IEEE International Conference on Web Services (ICWS). IEEE, 2008. http://dx.doi.org/10.1109/icws.2008.130.

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Censor-Hillel, Keren, Bernhard Haeupler, D. Ellis Hershkowitz, and Goran Zuzic. "Broadcasting in Noisy Radio Networks." In PODC '17: ACM Symposium on Principles of Distributed Computing. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3087801.3087808.

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Kuhn, Fabian, Nancy Lynch, Calvin Newport, Rotem Oshman, and Andrea Richa. "Broadcasting in unreliable radio networks." In Proceeding of the 29th ACM SIGACT-SIGOPS symposium. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1835698.1835779.

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Zlatanović, Jovan, and Marina Marjanović Jakovljević. "The Perspective of Radio Broadcasting." In Sinteza 2022. Beograd, Serbia: Singidunum University, 2022. http://dx.doi.org/10.15308/sinteza-2022-211-220.

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Manne, Fredrik, Shuang Wang, and Qin Xin. "Faster radio broadcasting in planar graphs." In 2007 Fourth Annual Conference on Wireless on Demand Network Systems and Services. IEEE, 2007. http://dx.doi.org/10.1109/wons.2007.340467.

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Yu, Hang, Ahmad Rahmati, Ardalan Amiri Sani, Lin Zhong, Jehan Wickramasuriya, and Venu Vasudevan. "Data broadcasting using mobile FM radio." In the 13th international conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2030112.2030146.

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Camilli, Marco, Massimiliano Dibitonto, Alessandro Vona, Roberta Grimaldi, Francesco Di Nocera, and Carlo Maria Medaglia. "Searching digital audio broadcasting radio stations." In the 9th ACM SIGCHI Italian Chapter International Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2037296.2037331.

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Darties, Benoît. "Original Broadcasting Technique in Radio Networks." In the 2005 ACM conference. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1095921.1095959.

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Demeure, C. J. "COFDM modem for terrestrial radio broadcasting." In 8th International Conference on High-Frequency Radio Systems and Techniques. IEE, 2000. http://dx.doi.org/10.1049/cp:20000148.

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Stoll, G. "Internet radio and excellent audio quality: dreamboat or reality?" In International Broadcasting Conference (IBC). IEE, 1997. http://dx.doi.org/10.1049/cp:19971266.

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Reports on the topic "Blacks in radio broadcasting"

1

Berry, Steven, and Joel Waldfogel. Free Entry and Social Inefficiency in Radio Broadcasting. Cambridge, MA: National Bureau of Economic Research, April 1996. http://dx.doi.org/10.3386/w5528.

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2

Berry, Steven, and Joel Waldfogel. Mergers, Station Entry, and Programming Variety in Radio Broadcasting. Cambridge, MA: National Bureau of Economic Research, April 1999. http://dx.doi.org/10.3386/w7080.

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3

Gutiérrez San Miguel, María, JM Martí, I. Ferrer, B. Monclús, and X. Ribes. Spanish primetime radio shows in Facebook and Twitter: Synergies between on-air radio broadcasting and social networks. Revista Latina de Comunicación Social, RLCS, July 2014. http://dx.doi.org/10.4185/rlcs-2014-1018en.

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4

Seyoum, Asrat. Pathways to viability: Community radio in Ethiopia. FOJO media institute, Linnaeus University, May 2024. http://dx.doi.org/10.15626/fojo.i.202402.

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Abstract:

Ethiopia's community radio landscape, with over 50 licensed stations and approximately 35 broadcasting nationwide, serves as a vital information source in rural areas, broadcasting in over 20 local languages. Despite their significance, these stations face challenges in governance, financial sustainability, and program quality. The media viability assessment aimed to understand these challenges, prioritize them, and inform support activities. The assessment involved 35 managers and program heads from 25 community radio stations and employed online surveys, desktop research, and limited expert interviews. Factors were scored on a scale of 1 to 10 for their importance to station viability, with most receiving high scores. Governance, programming, financial sustainability, and technical issues were key focus areas. The analysis revealed a clear recognition among managers of the complex challenges they face, with factors related to local issue coverage receiving the highest average score. Recommendations include developing robust financial sustainability strategies, prioritizing audience engagement, enhancing board leadership, creating strategic plans, advocating for high-quality content, providing training in project management and media management, offering technical skills training, facilitating networking among managers, and prioritizing digital capacity-building.

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5

Broadcasting and narrowcasting: radio and podcasts. Royal Geographical Society (with IBG), 2023. http://dx.doi.org/10.55203/dtdu7479.

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