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Relevant bibliographies by topics / Blacks in radio broadcasting

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Journal articles

Academic literature on the topic 'Blacks in radio broadcasting'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Blacks in radio broadcasting"

1

Sudiartha, I. Ketut Gede, Putu Manik Prihatini, and I. Made Purbhawa. "Implementation of text to speech on web-based broadcasting radio service applications." Matrix : Jurnal Manajemen Teknologi dan Informatika 12, no. 1 (2022): 51–57. http://dx.doi.org/10.31940/matrix.v12i1.51-57.

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Radio broadcasting is a source of information for the public. In delivering information, the broadcaster must read the text of the news before it is transmitted through a radio transmitter. Implementing a text-to-speech conversion can help solve this problem. The purpose of this study is to develop a Broadcasting Service Application by implementing text to speech on a Web-Based Radio Broadcasting service application that can convert data/information in text form into information in the form of voice. This paper does not discuss text-to-speech conversion techniques but emphasizes how to apply t

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2

Shields, Steven O., and Robert M. Ogles. "Black liberation radio: A case study of free radio micro‐broadcasting." Howard Journal of Communications 5, no. 3 (1995): 173–83. http://dx.doi.org/10.1080/10646179509361661.

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CODDINGTON, AMY. "A “Fresh New Music Mix” for the 1980s: Broadcasting Multiculturalism on Crossover Radio." Journal of the Society for American Music 15, no. 1 (2021): 30–59. http://dx.doi.org/10.1017/s1752196320000462.

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AbstractThis article examines the racial politics of radio programming in the United States by focusing on the development of a new radio format in the late 1980s. This new format, which the radio industry referred to as Crossover, attracted a coalition audience of Black, white, and Latinx listeners by playing up-tempo dance, R&B, and pop music. In so doing, this format challenged the segregated structure of the radio industry, acknowledging the presence and tastes of Latinx audiences and commodifying young multicultural audiences. The success of this format influenced programming on Top 4

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4

Dong, Xiao Lei, Pei Tian, and Zi Zhe Wang. "The Detection Method of Black Field Failure and Static Frame Failure in Radio and Television Broadcast." Advanced Materials Research 912-914 (April 2014): 1456–60. http://dx.doi.org/10.4028/www.scientific.net/amr.912-914.1456.

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Black field failure and static frame failure are two kinds of abnormal states in the process of radio and television broadcast. To explore an effective method to eliminate the two faults, so as to ensure the safety of radio and television broadcasting, has a very important practical significance. This paper introduces a method to detect black field failure and static frame failure which based on digital image processing techniques. During the detection,the image block processing is introduced, and the gray values of the inner frame images and the adjacent frame images need to be calculated and

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5

Cyzewski, Julie. "Broadcasting Nature Poetry: Una Marson and the BBC's Overseas Service." PMLA/Publications of the Modern Language Association of America 133, no. 3 (2018): 575–93. http://dx.doi.org/10.1632/pmla.2018.133.3.575.

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Although the nature poems of the Jamaican writer Una Marson are usually set against her transnational projects, they are inextricable from the cosmopolitan vision described in her radio broadcasts and journalism. Studies of transnational modernism have brought to the fore Marson's participation in pan- Africanist political and literary networks, her poems' mediation of the black West Indian woman's experience, and her work promoting West Indian literature in the metropolitan institution of the BBC. Analyses of Marson as a transnational igure, however, have obscured aspects of her literary prod

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6

Tate, Angela. "Sounding Off." Resonance 2, no. 3 (2021): 395–410. http://dx.doi.org/10.1525/res.2021.2.3.395.

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The only traces of Etta Moten Barnett’s 1950s–’60s radio program, I Remember When, exist on well-worn cassette tapes (recently digitized) at the Schomburg Center for Research in Black Culture in Harlem. On these tapes are the only traces of not only Moten Barnett’s own career but also the immense network of activists, educators, and Pan-Africanists with whom she interacted. Many of them are now long forgotten or exist in the footnotes of better-known figures (often their husbands). What could be considered a project of recovery is also a project of tracing the use Black women made of radio bro

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7

Moreira Vieira, Caroline, and Joana Bahia. "Yaô africano: the orixá in the voice of Patricio Teixeira." Religiones y religiosidades en América Latina, no. 26 (December 31, 2020): 39–62. http://dx.doi.org/10.36551/2081-1160.2020.26.39-62.

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Patricio Teixeira was an important voice in Brazilian music, particularly during the 1920s and 1930s. His career in radio broadcasting extended into the mid-1950s. Teixeira’s work gave visibility to black subjects and their cultural identities. This article analyzes the sacred elements that overflow into the musical and recreational universe of Rio through some of the songs recorded by Teixeira. With varied appropriations, these recordings of chants for orixá, Afro-Brazilian practices, and rituals mark the presence of the Afro-Brazilian sacred in Brazilian popular song.

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Smółka, Maciej. "Purple Current: Streaming Popular Music in the Name of a Local Heritage." Zarządzanie Mediami 10, no. 3 (2022): 209–24. http://dx.doi.org/10.4467/23540214zm.22.015.17298.

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The Current, a broadcasting service, which is a part of Minnesota Public Radio organization, has launched a special online radio stream called Purple Current in 2018. Based in Minneapolis, it focuses on the life and legacy of Prince, emphasizing his inspirations, influence, culture in which he grew up and recorded. While Purple Current can be seen as a reactive venture after musician’s death in 2016, the stream is much more complex cultural project, especially given very specific cultural environment of Twin Cities. The research aims to analyze Purple Current radio stream as a cultural text, u

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9

Rawnsley, Gary D. "Overt and covert: The voice of Britain and black radio broadcasting in the Suez crisis, 1956." Intelligence and National Security 11, no. 3 (1996): 497–522. http://dx.doi.org/10.1080/02684529608432374.

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10

Anderson, Heather, and Charlotte Bedford. "Prisoner radio as an abolitionist tool: A scholactivist reflection." Journal of Alternative & Community Media 6, no. 1 (2021): 55–68. http://dx.doi.org/10.1386/joacm_00093_1.

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Prisoner and prison radio – audio production and broadcasting that services prisoner and prison communities – has existed in a variety of forms in a diverse range of countries for over 30 years and has recently seen a surge in popularity and awareness. At the same time, the prison abolition movement has also gained momentum and visibility, after an equally long presence and history. Recently in the United States, the New York City Council voted to close Rikers Island by 2026 in response to community campaigning driven by an abolition agenda. Likewise, the Black Lives Matter movement has introd

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