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Journal articles on the topic 'Blacks in radio broadcasting'
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Sudiartha, I. Ketut Gede, Putu Manik Prihatini, and I. Made Purbhawa. "Implementation of text to speech on web-based broadcasting radio service applications." Matrix : Jurnal Manajemen Teknologi dan Informatika 12, no. 1 (March 29, 2022): 51–57. http://dx.doi.org/10.31940/matrix.v12i1.51-57.
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Radio broadcasting is a source of information for the public. In delivering information, the broadcaster must read the text of the news before it is transmitted through a radio transmitter. Implementing a text-to-speech conversion can help solve this problem. The purpose of this study is to develop a Broadcasting Service Application by implementing text to speech on a Web-Based Radio Broadcasting service application that can convert data/information in text form into information in the form of voice. This paper does not discuss text-to-speech conversion techniques but emphasizes how to apply text-to-speech conversion techniques in web-based broadcasting service applications, especially news and music data management. This application utilizes web hosting services and Google voice services to convert text data into voice. The method used is Analyzing the application system of Broadcasting Radio services, Application of Text to speech (TTS), which functions to convert text into sound before being transmitted to broadcasting stations and to test the response of the conversion results and data management to the quality of the design. The process carried out in this system, namely retrieval of text data from the news database, converting text data into sound, adjusting the volume of music and sound information, and updating the status of the text data that has been broadcast. Based on application testing carried out with the Black Box Testing Method, all functional applications have been running well and are now successfully operationalized.
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Shields, Steven O., and Robert M. Ogles. "Black liberation radio: A case study of free radio micro‐broadcasting." Howard Journal of Communications 5, no. 3 (March 1995): 173–83. http://dx.doi.org/10.1080/10646179509361661.
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CODDINGTON, AMY. "A “Fresh New Music Mix” for the 1980s: Broadcasting Multiculturalism on Crossover Radio." Journal of the Society for American Music 15, no. 1 (February 2021): 30–59. http://dx.doi.org/10.1017/s1752196320000462.
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AbstractThis article examines the racial politics of radio programming in the United States by focusing on the development of a new radio format in the late 1980s. This new format, which the radio industry referred to as Crossover, attracted a coalition audience of Black, white, and Latinx listeners by playing up-tempo dance, R&B, and pop music. In so doing, this format challenged the segregated structure of the radio industry, acknowledging the presence and tastes of Latinx audiences and commodifying young multicultural audiences. The success of this format influenced programming on Top 40 radio stations, bringing the sounds of multicultural publics into the US popular music mainstream. Among these sounds was hip hop, which Crossover programmers embraced for its ability to appeal across diverse audiences; these stations helped facilitate the growth of this burgeoning genre. But like many forms of liberal multiculturalism in the 1980s and 1990s, the racial politics of these stations were complex, as they decentered individual minority groups’ interests in the name of colorblindness and inclusion.
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Dong, Xiao Lei, Pei Tian, and Zi Zhe Wang. "The Detection Method of Black Field Failure and Static Frame Failure in Radio and Television Broadcast." Advanced Materials Research 912-914 (April 2014): 1456–60. http://dx.doi.org/10.4028/www.scientific.net/amr.912-914.1456.
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Black field failure and static frame failure are two kinds of abnormal states in the process of radio and television broadcast. To explore an effective method to eliminate the two faults, so as to ensure the safety of radio and television broadcasting, has a very important practical significance. This paper introduces a method to detect black field failure and static frame failure which based on digital image processing techniques. During the detection,the image block processing is introduced, and the gray values of the inner frame images and the adjacent frame images need to be calculated and contrasted. The Matlab simulation analysis was carried on has proved its feasibility at last.
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Cyzewski, Julie. "Broadcasting Nature Poetry: Una Marson and the BBC's Overseas Service." PMLA/Publications of the Modern Language Association of America 133, no. 3 (May 2018): 575–93. http://dx.doi.org/10.1632/pmla.2018.133.3.575.
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Although the nature poems of the Jamaican writer Una Marson are usually set against her transnational projects, they are inextricable from the cosmopolitan vision described in her radio broadcasts and journalism. Studies of transnational modernism have brought to the fore Marson's participation in pan- Africanist political and literary networks, her poems' mediation of the black West Indian woman's experience, and her work promoting West Indian literature in the metropolitan institution of the BBC. Analyses of Marson as a transnational igure, however, have obscured aspects of her literary production—speciically, her nature poetry. Placing Marson's West Indian nature poetry that was broadcast by the BBC in the context of the original programs reveals the efects of moving from print publication to radio broadcast. And, along with her editorials for the Jamaican literary magazine The Cosmopolitan (1928–31), Marson's BBC broadcasts (1939–45) make the case for the ongoing relevance of the pastoral tradition to public life.
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Tate, Angela. "Sounding Off." Resonance 2, no. 3 (2021): 395–410. http://dx.doi.org/10.1525/res.2021.2.3.395.
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The only traces of Etta Moten Barnett’s 1950s–’60s radio program, I Remember When, exist on well-worn cassette tapes (recently digitized) at the Schomburg Center for Research in Black Culture in Harlem. On these tapes are the only traces of not only Moten Barnett’s own career but also the immense network of activists, educators, and Pan-Africanists with whom she interacted. Many of them are now long forgotten or exist in the footnotes of better-known figures (often their husbands). What could be considered a project of recovery is also a project of tracing the use Black women made of radio broadcasting. I Remember When also provides an intriguing counternarrative to existing scholarship on Cold War radio history, which instead of looking West to East and from the perspective of government propaganda, now traces the networks across the diaspora in the struggle for independence and self-determination. Bringing the focus to Etta Moten Barnett and other Black women in radio raises questions about their stake in citizenship and political solidarity in this period. Through transcribing original broadcast recordings, and reading correspondence and newspaper articles, this paper documents the process of recovery, the cultural connections between women across the African diaspora, and their formation of a global Black community.
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Moreira Vieira, Caroline, and Joana Bahia. "Yaô africano: the orixá in the voice of Patricio Teixeira." Religiones y religiosidades en América Latina, no. 26 (December 31, 2020): 39–62. http://dx.doi.org/10.36551/2081-1160.2020.26.39-62.
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Patricio Teixeira was an important voice in Brazilian music, particularly during the 1920s and 1930s. His career in radio broadcasting extended into the mid-1950s. Teixeira’s work gave visibility to black subjects and their cultural identities. This article analyzes the sacred elements that overflow into the musical and recreational universe of Rio through some of the songs recorded by Teixeira. With varied appropriations, these recordings of chants for orixá, Afro-Brazilian practices, and rituals mark the presence of the Afro-Brazilian sacred in Brazilian popular song.
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Smółka, Maciej. "Purple Current: Streaming Popular Music in the Name of a Local Heritage." Zarządzanie Mediami 10, no. 3 (2022): 209–24. http://dx.doi.org/10.4467/23540214zm.22.015.17298.
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The Current, a broadcasting service, which is a part of Minnesota Public Radio organization, has launched a special online radio stream called Purple Current in 2018. Based in Minneapolis, it focuses on the life and legacy of Prince, emphasizing his inspirations, influence, culture in which he grew up and recorded. While Purple Current can be seen as a reactive venture after musician’s death in 2016, the stream is much more complex cultural project, especially given very specific cultural environment of Twin Cities. The research aims to analyze Purple Current radio stream as a cultural text, using the perspective of music geography and American studies, and through studying the discourse it presents – its mission, programming, music, image-building via Twitter, and statements by its founders – to understand its purpose and deeper social functions. The study shows that Purple Current is much more complex venture to be considered simply an homage to an important cultural figure as Prince. It integrates local community, exposes listeners to historically neglected minority culture of Black Minneapolitans, while being involved in the processes of popularization, education, and image-building. This results in a project, which is relevant and valid culturally, socially, politically, or even historically.
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Rawnsley, Gary D. "Overt and covert: The voice of Britain and black radio broadcasting in the Suez crisis, 1956." Intelligence and National Security 11, no. 3 (July 1996): 497–522. http://dx.doi.org/10.1080/02684529608432374.
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Anderson, Heather, and Charlotte Bedford. "Prisoner radio as an abolitionist tool: A scholactivist reflection." Journal of Alternative & Community Media 6, no. 1 (April 1, 2021): 55–68. http://dx.doi.org/10.1386/joacm_00093_1.
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Prisoner and prison radio – audio production and broadcasting that services prisoner and prison communities – has existed in a variety of forms in a diverse range of countries for over 30 years and has recently seen a surge in popularity and awareness. At the same time, the prison abolition movement has also gained momentum and visibility, after an equally long presence and history. Recently in the United States, the New York City Council voted to close Rikers Island by 2026 in response to community campaigning driven by an abolition agenda. Likewise, the Black Lives Matter movement has introduced an abolitionist discourse (especially around defunding police services) to the mainstream vernacular. This article considers the relationships between broadcasters/audiences and the State – embodied through government departments responsible for managing the incarceration of its citizens, and how these impact on prisoner radio’s capacity to act as an agent of change. To do so, we take a scholactivist approach to critically reflect on our experiences as prisoner radio practitioners and researchers and consider the potentials for prisoner radio to either support or hinder a prison abolition agenda. Can the genre contribute to the prison abolition movement when it often requires the support of the prison-industrial complex to exist?
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Stoever, Jennifer Lynn. "Fine-Tuning the Sonic Color-line: Radio and the Acousmatic Du Bois." Modernist Cultures 10, no. 1 (March 2015): 99–118. http://dx.doi.org/10.3366/mod.2015.0100.
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In this essay, I perform archival work on W. E. B. Du Bois's little known history with American radio in tandem with literary analysis to rethink how we have understood The Souls of Black Folk (1903) and Dusk of Dawn (1940) as sonic texts. First, I re-examine ‘the Veil’, Du Bois's famous conception of the color-line in Souls, as an acousmatic device, an aural epistemology dependent on deliberately masking the source of one's voice to avoid the distortion caused by visual representation. Then, I contextualize Du Bois's second autobiographical work, Dusk of Dawn, within early 1940s radio culture in the U.S.A., more specifically the emergence of colorblind discourse developed alongside dominant understandings of radio as an acousmatic medium masking race. In Dusk of Dawn, Du Bois moves away from the color-line, a linear and visual metaphor, to the vacuum chamber, a more complex, diffuse, and aural figuration and, I argue, a sonic metaphor borrowed from his frustratingly racialized experiences with radio in an increasingly segregated United States. Exploring Du Bois's shifting theorizations of race and its expressions through acousmatic sound allows us to place segregation at the heart of the modernist rhetoric of technological innovation and understand how the ‘sonic color-line’ functioned as an important dynamic of the so-called ‘Golden Age’ of American broadcasting.
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Quaye, Emmanuel Silva, and Yvonne Saini. "Kaya FM: the challenge of an afropolitan positioning." Emerald Emerging Markets Case Studies 11, no. 2 (June 25, 2021): 1–35. http://dx.doi.org/10.1108/eemcs-06-2020-0182.
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Learning outcomes Amongst other things, at the end of this case discussion, the student should be able to: diagnose situational factors that contribute to a brand’s positioning; explore important issues in implementing brand positioning strategies; use relevant models for understanding a firm’s internal and external environments to inform strategic decisions about customers and competition; demonstrate an understanding of target audience; identify the unique attributes of the competition to inform a firm’s positioning and competitive strategy. Case overview/synopsis Kaya FM derives its name from the isiZulu word “ikhaya”, which means “home”. The name reflects the mission of the radio station to provide a home for black South Africans who were denied many opportunities during the apartheid era in South Africa. Kaya FM has been broadcasting since 1997, following the deregulation of the media landscape in South Africa. However, by 2018, the radio landscape has become very challenging. Mainstream advertisers still do not consider Kaya FM as a preferred channel to reach their target audience. Overall, radio listenership is dwindling and advertising sales growth is not encouraging. Greg Maloka, Kaya FM’s station manager is considering how to preserve the station’s unique positioning as it competes with both more dominant stations and new entrants so that Kaya FM can truly be a home for Afropolitans for many years to come. Complexity academic level Honour’s and master’s level, as well as executive education delegates. Supplementary materials Teaching Notes are available for educators only. Subject code CSS 8: Marketing.
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Kilvington, Daniel. "‘He needs pulling down a peg or two’: Assessing online fan responses to racialized discourse in sports broadcasting." Northern Lights: Film & Media Studies Yearbook 19, no. 1 (June 1, 2021): 25–41. http://dx.doi.org/10.1386/nl_00021_1.
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Although overt expressions of racism are increasingly rare within the sport media, implicit and conscious/unconscious racial bias, on the other hand, is a common feature within contemporary sports reporting. A comprehensive body of research has illustrated that Black athletes are more likely to be praised for their supposed innate biological superiority while White athletes are more likely to be credited for their work ethic and intelligence. In addition, Black, Asian and minoritized ethnic athletes, such as Lewis Hamilton and Raheem Sterling, have often been criticized for being too ‘flashy’ by some sections of the UK press, which conjures up images of undeserved riches. These representations are symptomatic of a wider culture in which minoritized communities are ‘othered’. This article, then, focuses on one example of racial bias from BBC Radio Derby’s Sports Scene podcast from February 2020. Former professional footballer turned pundit, Craig Ramage, suggested that ‘all the young Black lads’ needed ‘pulling down a peg or two’ and needed to work harder. This work empirically investigated three online post titles across Facebook, Instagram and a forum to critically examine how contemporary football audiences reacted to such comments. The analysis illustrated that online participants were: (1) divided over whether Ramage’s comments were racist or not, (2) unsure of who was to blame, (3) unsure of who the victim was. The article concludes by outlining preventative measures to avoid such reoccurrences and emphasizes the importance of educational training around equality and diversity within the sport media.
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D’Amico-Cuthbert, Francesca. "“We Don’t Have Those American Problems”: Anti-Black Practices in Canada’s Rap Music Marketplace, 1985–2020." Canadian Journal of History 56, no. 3 (December 1, 2021): 320–52. http://dx.doi.org/10.3138/cjh.56-3-2021-0106.
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Beginning in the early to mid 1980s, Hip Hop culture appeared on Canadian stages and in homes, even as it was limited in supply on commercial radio and television. Unlike their American counterparts, mainstream Canadian emcees (many of whom were racialized as Black and identified with the city of Toronto) were notably dependent upon personal finances, under-resourced independent record labels, distribution deals, and state and not-for-profit grant monies to subsidize the conceptualization, production, and promotion of their art. Labelled “urban music” in an attempt to spatialize and covertly reference Blackness, Hip Hop in Canada, from the outset, was mapped against, in conflict with, and outside of the national imaginary. While building local scenes, an independent label system, and a cross-Canada college radio, television, and live music infrastructure and audience, Hip Hop artists developed spaces of resistance, circumvented industry-generated obstacles, and defined success on their own terms — all of which suggested that they were not solely at the will of the dominant white music industry. And yet artists simultaneously encountered anti-Black practices that constrained the creation and sustenance of a nationwide Hip Hop infrastructure and denoted an inequitable structuring of support for the arts in Canada. By examining the interface of Blackness, art, and the racial economy of Canada’s creative industries, this article will outline instances of Canada’s anti-Black racism as well as the challenges Hip Hop artists and industry professionals have faced in the areas of recording and label relations, music sales, broadcasting regulations, and the accolade system. These social relations — many of which are rooted in longer histories of race relations and anti-Blackness in Canada — resulted in industry-wide policies, practices, norms, and ideologies that unfairly disadvantaged Black artists and undermined the realization and marketplace potential of a Hip Hop infrastructure within and beyond Canada.
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Alfiansyah, Raja, and Ilka Zufria. "Decision Support Systems for Career Recommendations for Graduates in Islamic Broadcasting Communication Studies Using ANP and TOPSIS Methods." International Journal Software Engineering and Computer Science (IJSECS) 3, no. 3 (December 30, 2023): 474–86. http://dx.doi.org/10.35870/ijsecs.v3i3.1914.
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The insufficient number of alumni students displaying a strong work ethic can be attributed to a mismatch between the talents and interests of alumni in the UINSU MEDAN KPI area, which should be the focal point of monitoring for these Indonesian youths. The effective management of alumni can offer a potential solution. In this study, researchers employed the ANP method to calculate career recommendations and ranked them using the TOPSIS method. The research methodology included a comprehensive literature review, observational data collection, interviews, documentation analysis, system flowchart design, ANP method application, TOPSIS method application, and system testing conducted using the black box method. Based on the calculations using the ANP and TOPSIS methods, Alternative A1 emerged as the top priority, scoring 1, while Alternative A13 received the lowest priority with a score of 0.13. These calculations were based on six criteria: discipline, honesty, responsibility, teamwork skills, and technical or practical proficiency. The highest-ranked career recommendation was "Insight into print, radio, and television media" with a manual priority of 0.7747 and a system-assigned priority of 0.73. Conversely, "Cameramen in television media" received the lowest score, with a value of 0.13 and a system-assigned priority of 0.13.
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Pecheranskyi, Ihor. "Brief Technical History and Audiovisual Parameters of Electromechanical Television." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 6, no. 2 (October 20, 2023): 263–76. http://dx.doi.org/10.31866/2617-2674.6.2.2023.289313.
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The purpose of the research is to characterize the most important milestones in the technical history and audiovisual parameters of electromechanical (mechanical) television of the 1840s–1930s as an audiovisual ecosystem. Research methodology. The study uses, firstly, an ecosystem approach, which made it possible to qualify television as a networked audiovisual ecosystem with internal dynamics and external interactions, and secondly, media archaeology as a field that attempts to understand the early stage and electromechanical practices of television through the prism of technical history, and, thirdly, general scientific methods of analysis and synthesis, induction and deduction, generalization and abstraction when working with theoretical material. Scientific novelty. For the first time, the article comprehensively and at the appropriate theoretical level considers the most significant milestones in the development of electromechanical (mechanical) television of the period and its audiovisual parameters. Conclusions. It is proved that during the 40 years since the patent for the “Nipkow disc” was granted in 1885 to the first public demonstration of television moving images by the Scottish inventor John Logie Baird in 1925, electromechanical TV has gone through a rapid and very significant path from broadcasting a static image (analogue of photography) to transmitting a moving image (analogue of cinema). It has been substantiated that despite numerous experiments aimed at “collaborating” the means of preserving and transmitting sound and image (telegraph, radio, telephone), early mechanical television broadcasts remained silent and black and white. It is emphasized that further technical development and improvement of audiovisual parameters of mechanical television led to the deepening of audiovisual synthesis in the industry and its transformation, which first resulted in the emergence of electromechanical and electronic systems with the ability to preserve colour images and later regular and cable television broadcasting systems.
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Burton, Alan, and Tom May. "‘Treading on sacred turf’: History, Femininity and the Secret War in the Plays for Today Licking Hitler, The Imitation Game and Rainy Day Women." Journal of British Cinema and Television 19, no. 3 (July 2022): 325–59. http://dx.doi.org/10.3366/jbctv.2022.0629.
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The article examines the three single television plays Licking Hitler, The Imitation Game and Rainy Day Women, which were broadcast in the celebrated BBC drama strand Play for Today between 1978 and 1984. Each play was set within the secret war: at a radio station broadcasting black propaganda to Germany, at Bletchley Park, and at the heart of a secret mission to investigate dark doings in remotest Fenland. Similarly, each play dealt substantially with female characters and their troubled experience of wartime Britain. The plays provided a revisionist treatment of the mythology of the Second World War, painting a less cosy picture of the ‘People’s War’, with its supposed egalitarianism, shared sacrifice and vision of the different classes all supposedly ‘pulling together’. The article investigates the changing historiography of the secret war, a process in which the authorities attempted to manage the release of wartime secrets dealing with sabotage, resistance, deception and cryptography, and shows how the three dramas came into being through, and were influenced by, the opening up of the secret archive. Detailed attention to the production of the plays and their reception considers how the three historical dramas related to the Play for Today strand, traditionally celebrated for productions dealing with contemporary social and political issues.
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Campbell, John C., Lawrence C. Soley, and John S. Nichols. "Clandestine Radio Broadcasting." Foreign Affairs 65, no. 4 (1987): 891. http://dx.doi.org/10.2307/20043103.
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Waal, Albert. "COEXISTENCE OF TELEVISION BROADCASTING, FM BROADCASTING, DIGITAL BROADCASTING IN DAB AND DRM+ STANDARDS CALCULATION METHODOLOGY." SYNCHROINFO JOURNAL 10, no. 1 (2024): 18–23. http://dx.doi.org/10.36724/2664-066x-2024-10-1-18-23.
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The model parameters of analogue and digital radio and TV broadcasting networks are determined on the basis of data on frequency assignments to radio broadcasting stations using information on issued permits for the use of radio frequency channels of existing and planned radio broadcasting stations. The parameters of the network model are also determined on the basis of data contained in the database on frequency assignments of a radio frequency service organization or radio frequency application materials for obtaining an EMC examination conclusion submitted to a radio frequency service organization to obtain permission to use frequency blocks / radio frequency channels for the declared radio broadcasting stations. The problem of sharing the spectrum in the VHF band by terrestrial digital television broadcasting services (DVB-T standard, etc.), analogue television broadcasting, analogue FM audio broadcasting, digital audio broadcasting DAB/DAB+, DRM+ and RAVIS and the conditions for them coexistence are considered. Compatibility criteria and calculation algorithm are considered. Compatibility criteria and calculation algorithm are considered. Directions for further research are presented.
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Simon, Danielle. "From Radio to Radio-visione." Representations 151, no. 1 (2020): 1–25. http://dx.doi.org/10.1525/rep.2020.151.1.1.
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This article investigates a series of experimental television broadcasts undertaken by Italian Fascism’s national broadcasting entity, the Ente Italiano per le Audizioni Radiofoniche, in the years leading up to the Second World War. It explores both the official autarchical policies and the technological limitations that shaped the radio network’s early experiments with television to show that producers’ attitudes regarding medium specificity shaped decisions about programming and musical content. It then suggests that these early sorties into televisual broadcasting left traces that can be seen in the style and political clout of Italian television even today.
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Malakhovskaya, Vera Vladimirovna, and Ekaterina Dmitrievna Kiiko. "On the modern Russian online radio broadcasting." Litera, no. 12 (December 2021): 82–92. http://dx.doi.org/10.25136/2409-8698.2021.12.36936.
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The subject of this research is broadcasting in the modern digital age. The object is the modern Russian online radio broadcasting. The goal lies in examination of the role of online radio broadcasting in the modern Russian digital space. The author aims to trace the dynamics of the development of online radio broadcasting in Russia and abroad, summarize the conclusions of the Russian researchers on the development trends of online radio broadcasting in Russia for the past decade, analyze the current state of Russian online radio broadcasting with its positive and negative sides, make recommendation for optimization of the study of Russian online radio broadcasting. The novelty of this article lies in the analysis of evolution of the Russian online radio broadcasting in the context of modern trends of the Russian and US information space. The conclusion is made that online radio broadcasting occupies a special niche within the global and Russian digital information space for the two decades of the XXI century. The dynamically developing information technologies enhance the convergent nature of this type of media, contributing to its penetration into modern social networks through mobile telephony. The US statistical data indicate testify to the growing popularity of online radio broadcasting in the United States. Various Russian data indicate a decline in the popularity of radio broadcasting overall, but rise of popularity of online radio broadcasting among certain segments of the Russian audience. The Russian academic community should increase cooperation with the media research centers to arrange consistent sources of statistical information for optimization of the study of online radio broadcasting in Russia.
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Merzagora, Matteo. "Science in Radio Broadcasting." Journal of Science Communication 03, no. 04 (December 21, 2004): C01. http://dx.doi.org/10.22323/2.03040301.
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The international symposium Science on air: the role of radio in science communication was held in Trieste on 1 and 2 October, 2004. To our knowledge, it is the first conference ever specifically held on science in radio, and it is certainly the first time science radio journalists, researchers, and media experts from 16 different countries met to discuss their journalistic practice and the role of radio in science communication. The main results are presented in this section.
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Siriyuvasak, Ubonrat. "Radio Broadcasting in Thailand." Media Asia 19, no. 2 (January 1992): 92–99. http://dx.doi.org/10.1080/01296612.1992.11726383.
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Akrofi-Quarcoo, Sarah, and Audrey Gadzekpo. "Indigenizing radio in Ghana." Radio Journal:International Studies in Broadcast & Audio Media 18, no. 1 (April 1, 2020): 95–112. http://dx.doi.org/10.1386/rjao_00018_1.
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Radio is hailed as Africa’s medium of choice in the global communication age. Introduced as a colonial tool of information, education and entertainment in the early 1930s, radio broadcasting was mainly in colonial languages as colonial administrators perceived local language broadcasting a threat to their empire building and ‘civilization’ agendas. The fortunes of local language broadcasting did not dramatically change in the independence era when broadcast media were in the firm control of the state. From the beginning of the twenty-first century, however, mostly resulting from a more liberalized media environment, local language broadcasting has undergone unprecedented growth. Drawing on written archival material, including internal communication among policy-makers, audience letters, key informant interviews and findings from a recent audience study, this article charts the progressive development of local language radio broadcasting in Ghana, and engages with the role played by early audiences and broadcasters in indigenizing broadcast content.
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Khodnev, A. S. "Lost in Broadcasting: League of Nations, International Broadcasting and Swiss Neutrality." MGIMO Review of International Relations 16, no. 5 (November 13, 2023): 7–27. http://dx.doi.org/10.24833/2071-8160-2023-5-92-7-27.
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The article delves into the historical context of cross-border radio broadcasting during the 1930s by the League of Nations (LN) and the significant impact of Switzerland's neutrality as the host country on this international organization. Drawing from the recently digitized and accessible LN archive in Geneva, this narrative unveils a minor conflict of interest that evolved into a notable political crisis, marking an international legal precedent by showcasing the influence wielded by a smaller host nation upon a global organization. The architects of the League of Nations envisioned Geneva as an ideal hub for the organization's activities, complete with modern communication technologies for global outreach. However, Switzerland's neutral stance posed an obstacle to the establishment of the League's radio broadcasting infrastructure. Recognizing the absence of robust emergency communications, transport links, and the absence of a dedicated radio station in Geneva during the mid-1920s, the LN sought an agreement with the Radio-Swiss station. Consequently, the LN's own radio station, Radio-Nations, commenced broadcasting on February 2, 1932, coinciding with the start of the Conference on the Reduction and Limitation of Arms. By May 1938, amidst mounting tensions in Europe, Switzerland chose to assert complete neutrality within the League. Discussions within the Federal Council revolved around the possibility of suspending the agreement made on May 21, 1930, along with the support for Radio-Nations. Unexpectedly, on November 3, 1938, the LN leadership in Geneva expressed a desire to re-evaluate the 1930 convention. The outbreak of World War II drastically reshaped the relationship between the LN and Radio-Nations. Switzerland decided against entering into a new agreement with the LN, leading to the closure of Radio-Nations on February 2, 1942. Maintaining the nation's neutrality, the Swiss government vigilantly observed the unfolding events during the war. During the peak of Nazi Germany's advances, Bern adopted stringent measures against the LN, upholding a resolute diplomatic stance. However, the Swiss stance toward the LN and the division of Radio-Nations’ ownership gradually shifted from 1943, culminating in the resolution of several financial matters. Ultimately, in 1947, the LN's liquidation commission transferred the remaining assets of Radio-Nations and its radio waves to the United Nations.
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Nahorniak, Maiia. "The society of friends of radio and its role in radio and radio broadcasting in Ukraine in the early 30s of the twentieth century." Communications and Communicative Technologies, no. 24 (March 29, 2024): 39–47. http://dx.doi.org/10.15421/292405.
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This article deals with the activities of such a cultural and educational public organization of Ukraine as the Radio Friends Society. Attention is drawn to the fact that the society was surprisingly successful in reaching a wide audience of Soviet people through radio broadcasting, thus ensuring the fulfillment of one of the tasks of the regime of the USSR and the USSR — the education of a new type of person with a Marxist-Bolshevik worldview. The purpose of the study is to determine the main directions of activity of the Society of Friends of Radio and, on this basis, to outline the ways in which it played an important role in issues related to the organization of radio broadcasting and radio broadcasting in Ukraine in the early 1930s of the 20th century. Among such directions is the deployment of organizational and mass work around radio broadcasting, namely: organization of radio listeners' gatherings, assistance in the organization of high-quality broadcasts, their collective listening and discussion, participation in the organization of local and grassroots broadcasting. Regarding the ways of organizing radio broadcasting and radio broadcasting, the author defined the following: the use of permanent purposeful and systematic political pressure and strict control over all aspects of the activities of the Society of Friends of Radio; constant emphasis on the shortcomings of the work, even the smallest ones, drawing people's attention to it; constant expansion of members of the radio community from different categories of the population, including conscripts, students of technical schools, and high school students; transferring the solution of the material and technical support of radio broadcasting to the shoulders of the radio community; etc.
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Kusumaningsih, Dewi. "Pengembangan Model Pembelajaran Kepenyiaran Radio dengan Pemanfaatan Streaming Radio sebagai Upaya PembentukanLife SkillBagi Mahasiswa." Jurnal VARIDIKA 28, no. 2 (January 11, 2017): 126–32. http://dx.doi.org/10.23917/varidika.v28i2.3027.
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This study examines the importance of developing learning model of radio broadcasting as a means of facilitating cognitive competencies and life skill for the students. The purposes of this study are (1) to describe the development of radio broadcasting learning model, (2) to prove that radio broadcasting learning can teach life skill the students. The method used is research and development (R & D). The research is a preliminary study that includes (1) The field study on the learning model of radio broadcasting in PBSI Veteran Bangun Nusantara University lasted 2 years; (2) Stage description and analysis of findings; (3) Phase of drafting a learning model development and test radio broadcasting limited to science communication specialists. The data used are the Events Unit Class (SAP), the value of the fourth semester student at the college broadcasting PBSI, teaching faculty journals, and interviews. The results obtained are learning radio broadcasting fourth semester of academic year 2014/2015 was limited to conventional methods that rely lecture techniques and the use of textbooks. Students are invited to visit the study just outside the campus radio to simply look how the broadcaster broadcasts. Learning skills are not trained life skill which covers various techniques of designing a radio broadcast of the event, made a rundown of events, made hot clock radio broadcast, live events in studio practice until the practice of streaming radio.
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Waal, Albert. "ALGORITHM AND INSTRUCTIONS FOR PRACTICAL USE IN THE METHODOLOGY OF COEXISTENCE OF TELEVISION, FM AND DIGITAL BROADCASTING IN DAB AND DRM+ STANDARDS." SYNCHROINFO JOURNAL 10, no. 2 (2024): 2–11. http://dx.doi.org/10.36724/2664-066x-2024-10-2-2-11.
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The parameters of the network model are determined on the basis of data contained in the database on frequency assignments of a radio frequency service organization or radio frequency application materials for obtaining an EMC examination conclusion submitted to a radio frequency service organization to obtain permission to use frequency blocks / radio frequency channels for the declared radio broadcasting stations. The problem of sharing the spectrum in the VHF band by terrestrial digital television broadcasting services (DVB-T standard, etc.), analogue television broadcasting, analogue FM audio broadcasting, digital audio broadcasting DAB/DAB+, DRM+ and RAVIS and the conditions for them coexistence are considered. The most common cases of the developed methodology application can be the following options for calculating EMC and conditions for using electronic distribution systems for television and radio broadcasting: Calculation of reference service area of the protected service; Calculation of EMC between existing and planned for use service and declared service; Calculation of service area of the proposed distribution zone.
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Defhany, Defhany Defhany. "MANAJEMEN MEDIA PENYIARAN RADIO MORAFM DALAM MENINGKATKAN KUALITAS PROGRAM SIARAN RADIO DI ERA NEW MEDIA." Jurnal Ranah Komunikasi (JRK) 1, no. 2 (December 3, 2017): 33. http://dx.doi.org/10.25077/rk.1.2.33-42.2017.
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This study discusses the management of Mora FM Radio broadcasting media in improving the quality of radio broadcasting programs in the New Media era. The purpose of this study is to describe the form of management of MoraFM Radio broadcast media in improving the quality of MoraFM Radio broadcasting programs. The research method used in this research is descriptive qualitative. The informants in this study were several managers and broadcasters from Radio MoraFM determined by purposive sampling. The final results derived from this research are: First, by implementing good and optimal management of radio broadcast media, Radio MoraFM can improve the quality of radio broadcast programs in the current new media era. Second, by using plans to develop radio radio broadcast media management specifically MoraFM in order increase the satisfaction of MoraFM radio listeners and increase the number of MoraFM Radio listeners, Third, improve the performance of MoraFM Radio in improving the quality of MoraFM radio broadcasting programs.
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Kurnia, Septiawan Santana, Firmansyah Firmansyah, Dadi Ahmadi, Doddy Iskandar Cakranegara, Satya Indra Karsa, and Erwin Kustiman. "Digital Diversification to Expand the Indonesian Radio Industry: A Case Study of PRFM, Delta, and Dahlia Stations." Jurnal Komunikasi: Malaysian Journal of Communication 39, no. 3 (September 30, 2023): 202–20. http://dx.doi.org/10.17576/jkmjc-2023-3903-11.
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Digitization has made radio stations the business of news portals, global aggregator platforms, programmed journalism or algorithm journalism. How does the radio broadcasting business retain an audience and grow listeners across borders via Facebook, Twitter, Instagram, Youtube, TikTok, WhatsApp and Website? How does the radio broadcasting business disseminate information and promotions more intimately, personally and widely? How the radio broadcasting business is accessible to audiences, fun and mobile: pocketable, openable on mobile phones, computers, iPads and more? How do listeners interact and communicate anytime and anywhere? The answer is digitalization that has changed radio technology, social culture, economy and generations. These changes affect the management, production, distribution, and reception of radio broadcast listeners. The governance of the radio broadcasting business has been mandated, commissioned, and inspired by a unique public service. This research uses a "Case Study", and Single Multi-Level Case Analysis, to confirm the theoretical proposition, of digitalization technology, in practice communication technology, which is used to develop radio broadcasting governance. How is the digitization of radio broadcasting governance used as an information technology tool, as a tool for developing marketing, and as a tool for information business diversification? Qualitative data were coded from observations, open interviews, Focus Group Discussions, and detailed documents to assess the views and experience of digitizing radio broadcast managers in managerial and business development. Keywords: Digitization, digitalization, diversification, business, radio broadcast.
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Dunaway, David K. "Pacifica Radio and Community Broadcasting." Journal of Radio Studies 12, no. 2 (November 2005): 240–55. http://dx.doi.org/10.1207/s15506843jrs1202_5.
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Clementi, Andrea E. F., Angelo Monti, Francesco Pasquale, and Riccardo Silvestri. "Broadcasting in dynamic radio networks." Journal of Computer and System Sciences 75, no. 4 (June 2009): 213–30. http://dx.doi.org/10.1016/j.jcss.2008.10.004.
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Dessmark, Anders, and Andrzej Pelc. "Broadcasting in geometric radio networks." Journal of Discrete Algorithms 5, no. 1 (March 2007): 187–201. http://dx.doi.org/10.1016/j.jda.2006.07.001.
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Ilcinkas, David, Dariusz R. Kowalski, and Andrzej Pelc. "Fast radio broadcasting with advice." Theoretical Computer Science 411, no. 14-15 (March 2010): 1544–57. http://dx.doi.org/10.1016/j.tcs.2010.01.004.
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Mtimde, Lumko. "Radio broadcasting in South Africa." International Journal of Cultural Studies 3, no. 2 (August 2000): 173–79. http://dx.doi.org/10.1177/136787790000300205.
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Iancu, Daniel, John Glossner, Mihai Sima, Peter Farkas, and Michael McGuire. "Software-Defined Radio and Broadcasting." International Journal of Digital Multimedia Broadcasting 2009 (2009): 1–2. http://dx.doi.org/10.1155/2009/698402.
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Stott, J. H. "Satellite broadcasting of sound radio." IEE Proceedings F Communications, Radar and Signal Processing 133, no. 4 (1986): 399. http://dx.doi.org/10.1049/ip-f-1.1986.0064.
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Boyd, Douglas A. "International Radio Broadcasting in Arabic." Gazette (Leiden, Netherlands) 59, no. 6 (December 1997): 445–72. http://dx.doi.org/10.1177/0016549297059006003.
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Manu, Peter Peprah. "Challenges and the Impact on the Performance of Ghanaian Universities’ Radio Broadcasting, the Case of Radio Universe 105.7fm." Journal of Media,Culture and Communication, no. 41 (December 1, 2023): 1–8. http://dx.doi.org/10.55529/jmcc.41.1.8.
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The study sought to evaluate the challenges and effects of radio broadcasting at Ghanaian universities, with a special focus on Radio Universe 105.7FM. The study was conducted to get a knowledge of the issues connected with campus radio broadcasting, the impact of these challenges, and solutions to manage campus radio broadcasting. To achieve the study aims, a mixed research approach and an exploratory research design were used. The study made use of both primary and secondary data sources. The study included fourteen (14) people. To collect data from study participants, the researchers employed a self-administered questionnaire and an interview. Radio Universe operations are hampered, according to the study, by a lack of funds to run campus radio broadcasting, radio licensing and renewal requirements, businesses' unwillingness to place radio commercials on campus radio, infrastructure, equipment, logistics, and operations financing, particularly programming expenditures. The survey also discovered that campus radio station operations encounter difficulties in self-promotion and gaining the requisite personal knowledge to fulfill all commitments. The paper claims that radio operations fall short of society's expectations due to a lack of components judged appropriate for inclusion in public radio programs, which university radio cannot achieve. Managing campus radio operations, according to the research, needs proactive planning, sticking to a specific broadcasting goal, and hiring devoted workers. According to the report, Radio Universe may be managed by maintaining adequate logistics, awarding performance, establishing flexible work schedules, and rewarding stipends to student workers. As a non-profit organization, the report advised that Radio Universe's management seek financial assistance from Non- Governmental Organizations and the government. According to the findings, Radio Universe's human resource managers and leadership should improve their marketing strategies to acquire business patronage for their services. According to the findings, Radio Universe's operations are regularly updated to meet or anticipate the needs of their clientele. According to the report, Radio Universe should consider collaborating with other wellknown radio stations to address the challenges they face in their operations. The paper adds to the body of knowledge on campus radio broadcasting. The research also adds to the body of knowledge about the difficulties associated with campus radio broadcasting. The study also adds to the literature on the influence of radio broadcasting problems on radio station operations.
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Surokim, Surokim, and Tatag Handaka. "Transisi kelembagaan dan isi siaran radio PEMDA menjadi radio publik lokal di Jawa Timur." Masyarakat, Kebudayaan dan Politik 27, no. 3 (July 1, 2014): 121. http://dx.doi.org/10.20473/mkp.v27i32014.121-130.
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The existence of Local Government Radio (namely Radio Khusus Pemerintah Daerah, abbreviated as RKPD) in East Java Province, Indonesia faced many problems in post implementing of Broadcasting Act No. 32/2002. This study used constructivism paradigm. The method used in this research is descriptive research with qualitative analysis. This research conducted observation, indepth interview, limited discussion to collect data; complemented with secondary data. The research uses purposive sampling technique. The data analyzed along with data interpretation and narrative report writing. By the research, it is found that RKPD faced complex problems regarding transition of both institutions and broadcasting content programs. Until recent time, RKPD did not have a standard design to be a public radio, both in the institutional aspect and broadcasting content program. In fact, there were various types of institution and legal entities as result of interpreting the act. The Broadcasting content program was also still dominated by the government interest. The program also discussed public issues minimally and gave limited access for the public to participate and engage. Institutional design and broadcasting program should be designed according to act No. 32/2002 as public radio that reflected the interests of public and supporting of public service
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KRASNOSTUP, H. "State information policy in the field of television and radio broadcasting: improvement of legal regulation." INFORMATION AND LAW, no. 3(18) (June 29, 2016): 12–18. http://dx.doi.org/10.37750/2616-6798.2016.3(18).272956.
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The article investigates theoretical foundations of organizational and legal support of the state information policy in the field of television and radio broadcasting. Author analyzes the subject of legal regulation of some laws on television and radio broadcasting. Proposals are prepared for improvement of legal regulation of social relations arising in the field of television and radio broadcasting.
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Riasti, Berliana Kusuma, Rosita Yanuarti, Annisa Annisa, and Gita Anesya Pebrianika. "SISTEM INFORMASI MANAJEMEN PENYIARAN IKLAN RADIO." Indonesian Journal of Applied Informatics 1, no. 1 (November 20, 2016): 13. http://dx.doi.org/10.20961/ijai.v1i1.8962.
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<p><em>Advertising Broadcasting is the main source of revenue from radio broadcasting business. The advertiser company / agency entrusts the broadcasting of its product advertisements to radio that it believes can effectively introduce its products or services to the public. Thus the main business of the radio is to provide the advertisers with the optimal service as customers by providing confidence in their professional performance.</em></p><p><em>This study discusses how to build a management information system that is intended to provide services to customers of radio advertisers to meet the demands of professional services. These needs include the accuracy of the selection of broadcasting hours for advertising a particular product or service so that the effectiveness of ad broadcasting is fulfilled, ad scheduling rapid broadcasting, easy and reliable up to the need for a disciplined performance of broadcasting ads made in accordance with the agreement contained in detail at Purchase order. The method used in this research is WaterFall Development Life Cycle System (SDLC). The first step is done in this study by conducting data collection by observation, interview and documentation study at PT. Swaramedia Pewaran (Radio Karysma FM).</em></p><p><em>The results of this study is the realization of ad-based information management information system oriented to meet customer needs with system functionality such as online ad scheduling, arrangement and supervision of the broadcasting of advertisements until the presentation of reports for advertisers and management of accurate radio in the form of documentation of transactional evidence that became part Of customer advertising services.</em></p>
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Ren, Jin, and Ting Zhang. "Performance Evaluation of HD Radio System in Radio Environments." Open Electrical & Electronic Engineering Journal 9, no. 1 (July 31, 2015): 247–52. http://dx.doi.org/10.2174/1874129001509010247.
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The advance of wireless communications brings in various schemes of wireless digital communication technology. Analog communication and broadcasting services convert into digital services in many countries. The IBOC (In- Band On-Channel) system has been developed to work in the same band with the conventional analog radio and broadcasting digital signal simultaneously. HDR (HD-Radio) standard of IBOC can use coherent demodulation using pilot subcarriers. In this paper, the performance of HD radio system is evaluated. To contribute to decision of digital radio standard and design of digital radio transmission network, the simulation results will give a help.
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Critchlow, James. "Western Cold War Broadcasting." Journal of Cold War Studies 1, no. 3 (September 1999): 168–75. http://dx.doi.org/10.1162/152039799316976841.
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In the 1940s and 1950s, Western governments turned to radio as the most effective means of countering the Soviet information monopoly. U.S. and West European radio stations attempted to provide listeners with the kind of programs they might expect from their own radio stations if the latter were free of censorship. For most of these listeners in the Soviet Union and Eastern Europe, the broadcasts were their only contact with the outside world. The importance of the foreign radio programs was confirmed not only by audience estimates, but also by the considerable efforts the Communist regimes made to jam the transmissions. Given the importance of foreign broadcasting for the political life of the Soviet bloc, it is remarkable that these broadcasts have received scant scholarly attention in the Western countries that sponsored them. The three books reviewed here help to fill that gap.
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Patterson, Rosalind. "EA Ethnic Radio: Dilemmas of Direction." Media Information Australia 41, no. 1 (August 1986): 50–56. http://dx.doi.org/10.1177/1329878x8604100115.
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On 25 March 1986, the government announced its decision on the future of EA ethnic radio and multicultural television. Following consideration of the Report of the Committee of Review of the Special Broadcasting Service (better known as the Connor Report), the Government announced that the Special Broadcasting Service (SBS), founded in 1977 to oversee EA ethnic radio, is to be replaced with a new Special Broadcasting Corporation (SBC).
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MacLennan, Anne Frances. "Private Broadcasting and the Path to Radio Broadcasting Policy in Canada." Media and Communication 6, no. 1 (February 9, 2018): 13–20. http://dx.doi.org/10.17645/mac.v6i1.1219.
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The largely unregulated early years of Canadian radio were vital to development of broadcasting policy. The Report of the Royal Commission on Radio Broadcasting in 1929 and American broadcasting both changed the direction of Canadian broadcasting, but were mitigated by the early, largely unregulated years. Broadcasters operated initially as small, independent, and local broadcasters, then, national networks developed in stages during the 1920s and 1930s. The late adoption of radio broadcasting policy to build a national network in Canada allowed other practices to take root in the wake of other examples, in particular, American commercial broadcasting. By 1929 when the Aird Report recommended a national network, the potential impact of the report was shaped by the path of early broadcasting and the shifts forced on Canada by American broadcasting and policy. Eventually Canada forged its own course that pulled in both directions, permitting both private commercial networks and public national networks.
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Winda Kustiawan, Nadya Syakilah, Tasya Salsabila, Arif Indra Hasan, and Ari Oldwin Sitorus. "MANAJEMEN PENYIARAN SERTA PENGEMBANGAN RADIO DAN TELEVISI." Jurnal Ilmiah Teknik Informatika dan Komunikasi 2, no. 2 (July 6, 2022): 37–42. http://dx.doi.org/10.55606/juitik.v2i2.178.
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Broadcasting management is intended so that the media and the broadcasting industry can maximize the purpose of broadcasting itself, namely providing information, providing education and providing entertainment to the public. Through broadcasting management, it is hoped that the broadcasting industries will be able to actualize each program properly. Radio and television, which are included as public press media, must also experience development in terms of operations, production or programs that will be conveyed to the public. With the presence of development and management, all problems that will hinder the smooth running of the program will be resolved. The approaches that must be taken are also very varied, for example the approach by means of comparative study methods or upgrading in terms of human resources or facilities that will be used to support the smooth running of the program, especially radio and television programs.
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Kozlitin, Denys. "International legal protection of related rights of broadcasting organisations." Theory and Practice of Intellectual Property, no. 3 (June 19, 2023): 16–23. http://dx.doi.org/10.33731/32023.282164.
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The international protection of the rights of radio broadcasting organisations to the programmes they create and broadcast began with the adoption of the International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations, done in Rome on 26 October 1961 (the Rome Convention). The Rome Convention establishesthe general principles of legal protection of the rights of radio broadcasting organisations and establishes property rights that allow them to influence the use of programmes by third parties. On 21 May 1974, the Convention on the Distribution of Programme-Carrying Signals Transmitted by Satellite (the Brussels Satellite Convention) was adopted in Brussels. This actdoes not contain any provisions on the rights of broadcasting organisations and is an international treaty in the field of public international law rather than private international law. On 15 April 1994, the Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS Agreement) was adopted. Its peculiarity lies in the fact that it is the first international act thatcombines provisions on the legal protection of various intellectual property rights: copyright and related rights, trademarks, geographical indications, industrial designs, inventions, etc. In terms of the related rights of radio broadcasting organisations, the TRIPS Agreement is based on the provisions of the Rome Convention and does not provide for any other related rights.Thus, today, the related rights of radio broadcasting organisations at the international level comply with the standards of 1961. This does not take into account modern broadcasting and information transmission technologies, and therefore does not sufficiently protect the interests of radio broadcasting organisations. Since the late 90s, a new international treaty on the protection of the rights of broadcasting organisations has been developed under the auspices of WIPO. The adoption of this treaty is an urgent need to strengthen the international system of protection of the rights of radio broadcasting organisations.
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Wulandari, Nuryuana Dwi. "Sejarah Berdirinya Penyiaran Radio di Banyuwangi." Estoria: Journal of Social Science and Humanities 4, no. 1 (October 31, 2023): 561–80. http://dx.doi.org/10.30998/je.v4i1.2196.
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The development of radio broadcasting in Banyuwangi experienced unstable dynamics, even radio broadcasting in Banyuwangi experienced a vacuum. This research aims to find out 1) the history of the development of radio broadcasting in Banyuwangi; 2) how to maintain existence in the digital era. In this research, researchers used qualitative methods. The results of this research are 1) the history of radio development in Banyuwangi began with the birth of amateur radio stations called RADAM in 1966 with short wafe (SW) waves, in 1967-1970 there was control and they turned into radio with official broadcasts. with various conditions, the only amateur radio stations that have turned into official broadcasts are Mandala and RKPD radio which have now turned into Blambangan FM radio which has passed, 2) along with increasingly rapid technological developments and entering the era of digitalization, the existence of radio has begun to decline, Due to developments in technology, practitioners and radio station owners must be observant and more innovative in maintaining their existence, one of which is by keeping up with the times with applications in the digital era.Keywords: History, Broadcasting, Radio, Banyuwangi.
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Pohorielova, Valentyna. "The radio broadcasting formation in Sumy region in the 20-30s of the 20th century." Obraz 43, no. 3 (2023): 59–69. http://dx.doi.org/10.21272/obraz.2023.3(43)-59-69.
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Introduction. The development of radio broadcasting in Sumy region is ambiguous. On the one hand, this process took place in the context of the development of radio broadcasting in Soviet Ukraine in general, on the other hand, it had certain features that were due to a number of both objective and subjective reasons, in particular, the territorial and administrative structure of Sumy region in the 20-30s 20th century. Relevance and goal. The relevance of the research lies in the fact that it makes it possible to introduce unknown or little-known facts related to the formation of radio broadcasting in the 20-30s of the 20th century into the scientific circulation of journalism in Sumy region. The goal of the article is to organize data on the peculiarities of the formation of radio broadcasting in Sumy region in the 20-30s of the 20th century. Methodology. Historical, retrospective methods, the method of document analysis and system analysis were used to study the outlined issue. The results. Radiofication in the Sumy region began in 1920 and was determined by the socio-economic need – the delivery of information to the population in the shortest possible way, and the mobilization of workers. First of all, “radio” came to the northern district towns of Sumy region, where industry was most developed. 1920–1922 were key in the spread of radio on the territory of Sumy region. The next stage of radio broadcasting dates back to 1924, it is connected with the beginning of its own broadcasting in Ukraine. The number of receiving radio stations is increasing. Attention was also paid to rural areas, especially to those settlements where the process of collectivization was successful. We have been observing the revival of radiography since the beginning of the 30s of the 20th century. This was especially true in rural areas. The spread of radio broadcasting was mostly entrusted to local organizations – collective farms, cooperatives, etc., which were supposed to provide funds. The final stage of radio broadcasting in Sumy region was the creation of the Sumy region State Radio Studio in August 1939. Conclusions. The process of radio broadcasting in Sumy region in the 20-30s of the 20th century reflects the main stages and regularities that occurred at that time in general. However, the territorial-administrative structure of the Sumy region had a significant influence on him.