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1

Richardson, Thomas C. "James Hogg, ‘the beginner, and almost sole instigator' of Blackwood's – Not Once, but Twice." Romanticism 23, no. 3 (2017): 205–14. http://dx.doi.org/10.3366/rom.2017.0335.

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James Hogg claims to have been instrumental in initiating both versions of William Blackwood's venture into magazine publishing in 1817. This essay examines Hogg's role in beginning the Edinburgh Monthly Magazine and its successor, Blackwood's Edinburgh Magazine, and discusses the significance of his contributions to the Edinburgh Monthly and the early numbers of Blackwood's in terms of his influence on the direction of the magazine and the magazine's impact on him. Attention is given to key works in both versions, especially ‘Tales and Anecdotes of the Pastoral Life’ and ‘Shakspeare Club of A
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2

Morrison, Robert. "Blackwood's Byron: The Lakers, the Cockneys, and the ‘throne of poetical supremacy’." Romanticism 23, no. 3 (2017): 272–81. http://dx.doi.org/10.3366/rom.2017.0342.

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Blackwood's in its earliest numbers was a staunch admirer of Lord Byron. But when he published Beppo, it damned him in a June 1818 review as a hypocrite and a reveller, and thereafter the magazine lurched between celebrating him for his genius and castigating him for his perversion of it. Byron objected to the uneven treatment he received at the hands of the Blackwood's critics, but in ‘Some Observations Upon an Article in Blackwood's Edinburgh Magazine’ he echoes their views on several contemporary poets, and seems to reconcile himself to the exuberant unpredictability of the magazine.
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3

Lago, Sofia. ""Nearest Approach to Fairyland": Mythologising Scotland in Nineteenth-Century Edinburgh Periodical Travel-Writing and Tourism Advertisements." Victorian Periodicals Review 56, no. 1 (2023): 88–109. http://dx.doi.org/10.1353/vpr.2023.a905141.

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Abstract: This article investigates descriptions of the Scottish landscape in travel writing and tourism advertisements published in Tait's Edinburgh Magazine and Blackwood's Edinburgh Magazine from 1800 to 1900. Its main objective is to analyze the ways in which periodical nature writing simultaneously created a vicarious interaction with the countryside for the reader and revealed the effects that increased human presence had on the land. The essay shows how the creation of landscape narratives without a distinct narrator came to contribute to the interplay between the mythologized, untouche
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4

Mahoney, Charles. "‘The malignity of Reviewers’: Coleridge, Wilson, and Blackwood's." Romanticism 23, no. 3 (2017): 234–42. http://dx.doi.org/10.3366/rom.2017.0338.

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The first number of the refashioned Blackwood's Edinburgh Magazine opens with a review of Samuel Taylor Coleridge's Biographia Literaria which is still regarded as one of the most virulent ‘attacks’ in the history of periodical reviewing. What could have motivated John Wilson to disparage Coleridge so personally and at such length? One factor may have been the treatment of Francis Jeffrey in the Biographia. Jeffrey's presence in both the Biographia and Wilson's review reveals a complicated debate regarding reviewing practices in the 1810s at the same time as it illuminates the boisterous, unpr
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5

Gidal, Eric. "Industrial Transport and Political Economy in Blackwood's Edinburgh Magazine." Studies in Romanticism 61, no. 2 (2022): 279–303. http://dx.doi.org/10.1353/srm.2022.0020.

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6

Dewitt, Anne. "Evolution and Political Revolution in Blackwood's Periodical Poetry." Victorian Periodicals Review 56, no. 2 (2023): 158–81. http://dx.doi.org/10.1353/vpr.2023.a912316.

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Abstract: In May 1861, the middlebrow British monthly Blackwood's Edinburgh Magazine published a comic poem titled "The Origin of Species." While foregrounding Charles Darwin, the poem portrays evolution as teleological, progressive, and driven by the agency and desires of individual organisms—a misrepresentation of Darwin's theory. I argue that the poem undertakes this misrepresentation deliberately: the version of evolution it attributes to Darwin was associated with radical politics and threats to the social order. The Blackwood's poems call up these political associations to reduce the nov
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7

Finkelstein, David. "Unraveling Speke: The Unknown Revision of an African Exploration Classic." History in Africa 30 (2003): 117–32. http://dx.doi.org/10.1017/s036154130000317x.

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In late 1990 I found myself in the Department of Manuscripts at the National Library of Scotland in Edinburgh working on what was supposed to be a short-term project. The aim was to create a listing of uncataloged archival material relating to the eminent Edinburgh publishers William Blackwood & Sons. Famous for publishing George Eliot, Joseph Conrad, John Buchan, and Anthony Trollope, as well as for their monthly Blackwood's Magazine, the firm was a major presence in Edinburgh from 1805 to 1980. Over the years, most of their papers have accumulated in the National Library of Scotland, mak
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8

Woody, Christine. "Reanimating Romantic Print and Periodical Culture through Digital Humanities: The Noctes Ambrosianae Project." Studies in Romanticism 63, no. 3 (2024): 427–38. http://dx.doi.org/10.1353/srm.2024.a943152.

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Abstract: This article considers the author's digital project, an edition of Blackwood's Edinburgh Magazine 's " Noctes Ambrosianae " series, as a test case to explore the value of digital editions for better understanding Romantic print culture. The essay provides an overview of the project, including the process of developing customized TEI typologies to capture different literary and cultural elements of the series. It argues that the process of digital editing should be considered a practice of critical making and affords deeper insights into the texts edited, particularly when those texts
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9

Christie, William. "‘Wars of the Tongue’ in Post-War Edinburgh: On Blackwood's Edinburgh Magazine and its Campaign against the Edinburgh Review." Romanticism 15, no. 2 (2009): 95–108. http://dx.doi.org/10.3366/e1354991x09000580.

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10

Alexander, J. H. "Learning from Europe: Continental Literature in the "Edinburgh Review" and "Blackwood's Magazine" 1802-1825." Wordsworth Circle 21, no. 3 (1990): 118–23. http://dx.doi.org/10.1086/twc24044620.

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11

Faraut, Martine. "Les Tories, la famine et l'Irlande, une lecture de Blackwood's Edinburgh Magazine, janvier 1844-décembre 1848." Études irlandaises 28, no. 1 (2003): 109–23. http://dx.doi.org/10.3406/irlan.2003.1652.

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12

Jarrells, Anthony. "James Hogg: Contributions to Blackwood's Edinburgh Magazine, Volume 1: 1817-1828. Edited by Thomas C. Richardson." Wordsworth Circle 39, no. 4 (2008): 187–90. http://dx.doi.org/10.1086/twc24045246.

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13

Robinson, Solveig C. "Expanding a "Limited Orbit": Margaret Oliphant, Blackwood's Edinburgh Magazine, and the Development of a Critical Voice." Victorian Periodicals Review 38, no. 2 (2005): 199–220. http://dx.doi.org/10.1353/vpr.2005.0025.

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14

Barringer, Terry. "Literature and Medicine in the Nineteenth-Century Periodical Press: Blackwood's Edinburgh Magazine, 1817–1858 by Megan Coyer." Victorian Periodicals Review 51, no. 4 (2018): 746–48. http://dx.doi.org/10.1353/vpr.2018.0054.

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15

Shattock, Joanne. "The Sense of Place and Blackwood’s (Edinburgh) Magazine." Victorian Periodicals Review 49, no. 3 (2016): 431–42. http://dx.doi.org/10.1353/vpr.2016.0026.

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16

Roberts, Jessica. "Radical Contagion and Healthy Literature in Blackwood’s Edinburgh Magazine." Literature and Medicine 34, no. 2 (2016): 418–39. http://dx.doi.org/10.1353/lm.2016.0020.

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17

Boucher-Rivalain, Odile. "Tait’s Edinburgh Magazine comme outil de transmission culturelle en Écosse : 1832-1850." Recherches anglaises et nord-américaines 43, no. 1 (2010): 25–33. http://dx.doi.org/10.3406/ranam.2010.1387.

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Cet article étudie le périodique écossais Tait’s Edinburgh Magazine durant la période 1832-1850 et son rôle comme vecteur de culture populaire aussi bien que savante. En effet, à l’époque de la «Reform Bill», l’ambition de son fondateur William Tait était d’amener un nouveau lectorat, issu de la «lower midddle-class», à appréhender le type de culture dite savante, jusque là réservée à l’élite sociale. Tait’s opéra une véritable révolution en Ecosse, osant braver la concurrence des deux grandes revues qu’étaient The Edinburgh Review et Blackwood’s Magazine avec l’ambition de s’adresser à un niv
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18

Braida, Antonella. "Women Characters’ Cross-Cultural (Self-)Development in Mary Margaret Busk’s Zeal and Experience: A Tale and Tales of Fault and Feeling." Eger Journal of English Studies 22 (2023): 99–113. http://dx.doi.org/10.33035/egerjes.2023.22.99.

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This article focuses on the importance of women characters’ education in Mary Margaret Busk’s Zeal and Experience: a Tale (1819) and Tales of Fault and Feeling (1825). A translator and cultural mediator, Mary Margaret Busk (1779–1863) was one of the first women writers to publish review articles on European literatures in Blackwood’s Edinburgh Magazine, a high-brow, conservative journal with a large readership and, it has often been assumed, mostly written by male authors. This contribution intends to analyse the importance of women characters’ education in her tales, which also foregrounds he
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19

Ramos Ramos, María Rocío. "Parodia al estilo editorial y periodístico en "Warreniana"." Cuadernos de Investigación Filológica 53 (November 11, 2023): 83–105. http://dx.doi.org/10.18172/cif.5695.

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Warreniana (1824) de W. F. Deacon presenta una colección de parodias literarias que varían entre aquellas centradas en poetas específicos y sus obras (“poet parody”) y las que parodian estilos específicos de la prensa romántica (“journal parodies”). Estas últimas son el foco concreto de este estudio, habiendo sido las primeras, junto con la estructura y naturaleza de Warreniana, ya analizadas en un estudio anteriormente publicado. Deacon da más cobertura a la parodia de autores románticos que al estilo periodístico o editorial en Warreniana, pero también los imita. Incluye así cuatro partes de
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20

Vuohelainen, Minna. "“A Feeling of Space”: Margaret Oliphant’s Supernatural Short Fiction in Blackwood’s Edinburgh Magazine." Women's Writing 29, no. 2 (2022): 216–37. http://dx.doi.org/10.1080/09699082.2022.2052458.

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21

Dillane, Fionnuala. "Forms of Affect, Relationality, and Periodical Encounters, or ‘Pine-Apple for the Million’." Journal of European Periodical Studies 1, no. 1 (2016): 5. http://dx.doi.org/10.21825/jeps.v1i1.2574.

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The social, economic, intellectual, cultural, and material relations that comprise periodical encounters have been attended to in analyses that invoke the concept of the network, what Nathan Hensley has described as a ‘chain of visible or material interactions among human and nonhuman entities’. The affective dimensions of these relations, however, are neither material nor always visible, yet they are fundamental to all such interactions. This article argues that the periodical’s capacity to communicate, the contours, scope, and effects of that capacity, and in particular its genre traction, a
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22

Connolly, Matthew C. "“But the narrative is not gloomy”: Imperialist Narrative, Blackwood’s Edinburgh Magazine, and the Suitability of Heart of Darkness in 1899." Victorian Periodicals Review 49, no. 1 (2016): 76–99. http://dx.doi.org/10.1353/vpr.2016.0004.

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23

Lawrence, Lindsy. "Romantic Periodicals in the Twenty-First Century: Eleven Case Studies from Blackwood’s Edinburgh Magazine ed. by Nicholas Mason and Tom Mole." Victorian Periodicals Review 54, no. 2 (2021): 373–75. http://dx.doi.org/10.1353/vpr.2021.0027.

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24

Salyer, Matt. "“Nae mortal man should be entrusted wi’ sic an ingine”: Blackwood’s Edinburgh Magazine and the Tory Problem of Romantic Genius." Victorian Periodicals Review 46, no. 1 (2013): 92–115. http://dx.doi.org/10.1353/vpr.2013.0007.

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25

Rexroth, Grace. "Byron and the Problem with Memory Arts." Nineteenth-Century Literature 77, no. 1 (2022): 1–28. http://dx.doi.org/10.1525/ncl.2022.77.1.1.

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Grace Rexroth, “Byron and the Problem with Memory Arts: Writing Don Juan for an Age of ‘Uncertain Paper’” (pp. 1–28) In the first canto of Don Juan (1819–24), George Gordon, Lord Byron describes Juan’s mother as a woman whose memory needs no artificial aid: “Her memory was a mine. …For her Feinagle’s were an useless art.” The mention of “Feinagle” is a reference to a memory system designed by Gregor von Feinaigle, outlined in a book titled The New Art of Memory (1812). While the reference might appear insignificant, I argue that concerns about memory and mnemonic arts actually animate Byron’s
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26

Koroleva, Vera V. ""Hoffmann’s complex" in Edgar Allan Poe’s story "Loss of Breath"." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 82 (2023): 288–302. http://dx.doi.org/10.17223/19986645/82/13.

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In the article, based on the theory of intertextuality (Roland Barth, Julia Kristeva), the question of the influence of E. T. A. Hoffmann on the formation of the satirical style of Edgar Allan Poe in the cycle of stories Grotesques and Arabesques (Tales of the Grotesque and Arabesque (1839)). The author argues that Hoffmann’s recognizable plots (“The Sandman”, “Princess Brambilla”, “Elixirs of Satan”, etc.), which were popular during this period in Europe, as well as the relevance of the problems of his works and the original style, could become a source of not only satire (the story “Loss of
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27

Gijbels, Jolien. "Review of Megan Coyer, Literature and Medicine in the Nineteenth-Century Periodical Press: Blackwood’s Edinburgh Magazine, 1817–1858 (2017)." Journal of European Periodical Studies 4, no. 2 (2019). http://dx.doi.org/10.21825/jeps.v4i2.12584.

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28

De Clerck, Ernest. "Het origineel ontrouw: vertaling en de constructie van nationale cultuur in de ‘Horae Germanicae’ van Blackwood’s." Handelingen - Koninklijke Zuidnederlandse maatschappij voor taal- en letterkunde en geschiedenis 74 (September 30, 2022). http://dx.doi.org/10.21825/kzm.85255.

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In translation studies, the idea of the ‘original’ is often traced back to Romantic conceptions of art. This idea is congruous with the perception of the nineteenth-century British literary system as insular and self-sufficient. Yet, the etymology of the word ‘original’ reveals a profound ambivalence between being true to the origin and being new, true to nothing but itself. Similarly, in one of the Late-Romantic period’s most popular literary magazines Blackwood’s Edinburgh Magazine, translation itself reveals an ambivalent if not paradoxical relationship to the ‘original’. While maintaining
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29

George, Jacqueline. "Avatars in Edinburgh: The Private Memoirs and Confessions of a Justified Sinner and the Second Life of Hogg’s Ettrick Shepherd." Articles, no. 62 (July 29, 2014). http://dx.doi.org/10.7202/1026001ar.

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In this essay, I deploy the contemporary technical term avatar to interpret the functions of “the Ettrick Shepherd,” a character associated with James Hogg that originated in Blackwood’s Edinburgh Magazine and appears subsequently in Hogg’s novel The Private Memoirs and Confessions of a Justified Sinner (1824). The notorious difficulty of Sinner, I argue, is due in part to the movement of the Shepherd, as an avatar, from one textual realm to another in a way that reveals the limits of meaning making in synthetic landscapes. I show how reading the Shepherd as an avatar furthers our understandin
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30

Perkins, Blake. "Christian Isobel Johnstone and <i>The Cook and Housewife’s Manual</i> by Meg Dods." Petit Propos Culinaires, April 1, 2016, 16–41. http://dx.doi.org/10.1558/ppc.28150.

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Christian Isobel Johnstone was a remarkable figure in an age of remarkable Scots, not least the inhabitants of Edinburgh. There she edited Tait’s Edinburgh Magazine, rival to the legendary Blackwood’s. Her politics were radical and she was the only woman to edit a major British periodical before the 1860s. She was also Meg Dods who wrote the best-selling and quite off-beat The Cook and Housewife's Manual (1826). This article looks at her biography and the content of her magnus opus, a cookbook that combines stringent social satire, delivered through plot, dialogue and characterization, with th
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31

Jackson, Richard D. "James Hogg and The Unfathomable Hell." Romanticism on the Net, no. 28 (November 10, 2003). http://dx.doi.org/10.7202/007206ar.

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Abstract The use of opium, often in the form of laudanum, was a constituent element of the Romantic Imagination. Coleridge, Thomas De Quincey, and Charles Lloyd were all subject to its bondage. In Scotland the literati of Blackwood’s Edinburgh Magazine were aware of its prevalence. James Hogg had a ‘perfect horror’ of the effects of laudanum and gave great offence to John Gibson Lockhart when, in his Anecdotes of Sir W. Scott, he revealed that Lady Scott had taken opium. In one of the ‘Noctes Ambrosianae’ published in Blackwood’s, probably written by John Wilson (himself possibly an opium user
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32

Garside, Peter. "Shadow and Substance: Restoring the Literary Output of Robert Pearse Gillies (1789–1858)." Romantic Textualities: Literature and Print Culture, 1780–1840, no. 24 (June 24, 2023). http://dx.doi.org/10.18573/romtext.106.

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Late in life in in his Memoirs of a Literary Veteran (1851) R. P. Gillies reflected on a career fraught with difficulties owing to debt and other obstacles, though in it earlier stages it might be said to have paralleled in some respects the path of Walter Scott, while reaching a highpoint in the 1820s through Gillies’s significant input as a Germanist into Blackwood’s Edinburgh Magazine. One deep regret as expressed in the Memoirs was his eventual incapacity to piece together his own literary record owing to the loss of materials at significant points in his life. The present article attempts
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33

Lendrum, Chris. "“Periodical Performance”: The Figure of the Editor in Nineteenth-Century Literary Magazines." Articles, no. 57-58 (December 5, 2011). http://dx.doi.org/10.7202/1006515ar.

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When John Scott and William Christie, representatives of the London Magazine and Blackwood’s Edinburgh Magazine, met in their fatal 1821 duel, the conflict was between more than two men with sullied reputations: it was a between the editor figures of two competing publications. This essay examines those editorial personae, the distinctive editorial voices crafted by individual journals, and how they played a crucial role in establishing a publication in the changing periodical market while simultaneously obscuring that process. Explicating the content and purpose of a publication, the editor f
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34

Sharp, Sarah. "A club of “murder-fanciers”: Thomas De Quincey’s essays “On Murder” and consuming violence in Blackwood’s Edinburgh Magazine." Nineteenth-Century Contexts, October 26, 2023, 1–18. http://dx.doi.org/10.1080/08905495.2023.2273081.

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