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Dissertations / Theses on the topic 'Blake'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Duerden, P. "Producing Blake." Thesis, Swansea University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.636745.

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This thesis offers a demonstration and examination of the ways in which conceptions of literature are shaped by historically specific conditions and a study of the social, cultural, institutional and ideological needs that these conceptions attempt to meet. It proceeds on the basis that the reading process is both productive and determined by environmental conditions, a position reached by way of - to name only the main routes - Derrida's interrogation of the notion of the <I>parergon</I> or frame, and Tony Bennett's concept of the 'reading formation'. The central premise of the thesis is that

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2

Drennan, William. "Blake and Gnosis." Thesis, University of Liverpool, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367814.

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3

Farrell, Michael John. "Blake and the methodists." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527298.

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4

Boyce, MicheÌ€le D. "Blake and the emanation." Thesis, University of Southampton, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.252372.

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5

Brown, Paul Ferrell. "Blake and the Enlightenment." W&M ScholarWorks, 1995. https://scholarworks.wm.edu/etd/1539625980.

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6

Moore, Grace. "Paine, Blake and Hegemony." W&M ScholarWorks, 1996. https://scholarworks.wm.edu/etd/1539626059.

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7

Lieshout, Jules van. "Within and without eternity : the dynamics of interaction in William Blake's myth and poetry /." Amsterdam ; Atlanta (Ga.) : Rodopi, 1994. http://catalogue.bnf.fr/ark:/12148/cb35716579k.

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8

Wells, David. "A study of William Blake's letters /." Tübingen : Stauffenburg-Verl, 1987. http://catalogue.bnf.fr/ark:/12148/cb36651920m.

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9

Pharabod-Ibata, Hélène. "William Blake : l'invention d'une esthétique." Paris 3, 1998. http://www.theses.fr/1998PA030178.

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Opposee aux theorisations et sans respect pour l'horizon d'attente de ses contemporains, l'oeuvre graphique et picturale de william blake semble marginalisee dans les developpements de l'art au tournant du xixe siecle. L'objet de cette etude est de mettre en evidence l'interaction nouvelle entre artiste, oeuvre et spectateur qui y est en jeu. Il a paru utile pour cela de retablir les liens de blake avec les transformations epistemologiques des lumieres, afin de cerner une demarche artistique moins isolee que hardie; moins conservatrice que proche des revolutions intellectuelles vers lesquelles

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10

Payton, Steven James. "William Blake : the authority of truth /." Title page and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09AR/09arp347.pdf.

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11

Fuglem, Terri. "William Blake and the ornamental universe." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69556.

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Blake's writings were explored as a refutation of Newton and Locke, and thereby positivism and atomistic psychology, leading to a renovation of the sensual body and the imagination. The form of Blake's work, the Illuminated Manuscript, is examined for the relationship between image and text in the prophetic mode, and for its investigations of the copy within a typographic culture. In the last Chapter, Blake's prophetic poem Jerusalem unveils his conception of the Spiritual Fourfold as the restitution of an ornamental universe and the 'building' of the Heavenly City on earth.

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12

Whittaker, J. P. "Blake and the myths of Albion." Thesis, University of Birmingham, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534142.

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13

Ishizuka, Hisao. "William Blake and eighteenth-century medicine." Thesis, University of Essex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265025.

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14

Billingsley, Naomi. "The visual Christology of William Blake." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/the-visual-christology-of-william-blake(f7f88baa-574c-4cb0-8d39-20046f370f6e).html.

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This thesis is an examination of Blake's images of Christ and a study of his theology of art. My central premise is that these two topics are to be viewed simultaneously: that is, I argue that Blake's visualisation of Christ is an expression of his theology of art. Moreover, I contend that through his art, Blake seeks to emulate the spirit of Jesus' life and ministry in order to engender a community of Imagination which is the Divine Body of Jesus. Through a series of case studies focusing on Blake's depictions of different aspects of Christ's life, this thesis examines how Blake uses images t

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15

Young, John P. "Multimedia Blake World Wide Web version /." View online record:, 2000. http://srproj.lib.calpoly.edu/jyoung.

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16

Chambers, Leslie. "The Swedenborgian influence on William Blake." Thesis, Open University, 1993. http://oro.open.ac.uk/57405/.

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The aim of the thesis is to examine the Blake-Swedenborg connection, and the influence this Swede's writings may have had on Blake's published work. In particular The Songs of Innocence and of Experience and The Marriage of Heaven and Hell are considered in detail to assess a Swedenborgian influence. Also discussed are the annotations Blake made to his copies of Swedenborg's works, namely Heaven and Hell, Divine Love and Wisdom, and Divine Providence. A survey is made of the important literature expressing the Blakean perspective and the Swedenborgian perspective on the relationship. Blake's a

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17

Whittaker, Jason. "William Blake and the myths of Britain /." Basingstoke (GB) : New York : Macmillan press ; St. Martin's press, 1999. http://catalogue.bnf.fr/ark:/12148/cb376224111.

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18

Cox, P. "'Unnatural refuge' : Aspects of pastoral in William Blake's epic poetry." Thesis, University of York, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234932.

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19

Jahrling, Eleanor C. "William Blake: Revealing the Lines of Infinity." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/867.

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In my thesis, I explore William Blake's technique of combining word and image in his practice of engraving. The unity of text and image is deeply related to his unique mythology and concept of infinity. Blake's artistic theories and practices, such as his emphasis on the line as the most essential artistic element, are reflective of his understanding of art in relation to human perception and imagination. The interaction of his words and images provides a space of imaginative engagement for the reader, which opens the doors of perception and creates the possibility of revealing infinity.

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20

Franklin, William Neal. "Awen, Barddas, and the Age of Blake." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278061/.

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Studies of William Blake's poetry have historically paid little attention to the Welsh literary context of his time, especially the bardic lore (barddas), in spite of the fact that he considered himselfto be a bard and created an epic cosmos in which the bardic had exalted status. Of particular importance is the Welsh concept of the awen, which can be thought of as "the muse," but which must not be limited to the Greek understanding of the term For the Welsh, the awen had to do with the Christian concept of the Holy Spirit, and beyond that, with the poet's connection with his inspiration, or g

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21

Steil, Juliana. "Tradução comentada de Milton de William Blake." Florianópolis, SC, 2011. http://repositorio.ufsc.br/xmlui/handle/123456789/95364.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-graduação em Estudos da Tradução<br>Made available in DSpace on 2012-10-26T00:41:25Z (GMT). No. of bitstreams: 1 299876.pdf: 2307924 bytes, checksum: 1a2a31ac21f25e65ff1cbd74e5c950b9 (MD5)<br>Partindo de uma análise do percurso da tradução das obras de William Blake no sistema literário brasileiro, esse trabalho discute uma proposta de tradução de Milton, uma das três maiores profecias do autor, como uma possibilidade de reescrita complementar às reescritas existentes do poeta inglês n

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22

Sherman, Brenda. "A study of the text of William Blake's Jerusalem: the emanation of the giant albion." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1990. http://www.kutztown.edu/library/services/remote_access.asp.

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23

Feldman, Travis. "The contexts and production of William Blake's The Four Zoas : towards a theory of the manuscript /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/6671.

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24

Otto, Peter. "Constructive vision and visionary deconstruction : Los, eternity and the production of time in the later poetry of William Blake /." Title page, table of contents and summary only, 1985. http://web4.library.adelaide.edu.au/theses/09PH/09pho91.pdf.

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25

Morweiser, Klaus. "Untersuchungen zum 'New Western' unter besonderer Berücksichtigung der Gattungsproblematik, Thematik und Motivik in Michael Blakes 'Dances with wolves' /." Regensburg (Allemagne) : Roderer, 1997. http://catalogue.bnf.fr/ark:/12148/cb388999084.

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26

Jung, Kenneth Alan. "The manacles of society : Blake's discourse on the 'other' /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20059942.

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27

Stewart, David. "Blake, Boehme and the human or prophetic character." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314967.

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28

Goldman, William David. "'Prophetic history' : Blake, Browning & the visionary tradition." Thesis, King's College London (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416427.

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29

Denize, Joseph. "L'imagination créatrice chez William Blake et James Joyce." Paris 8, 2001. http://www.theses.fr/2001PA081994.

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Bien qu'appartenant à des genres différents, les poèmes de William Blake et les romans de James Joyce font état de similitudes profondes reposant essentiellement sur une conception de l'imagination créatrice commune aux deux auteurs. Faculté humaine mais aussi substance verbale (au sens théologique du terme) de l'expérience, l'imagination est la mátière première de l'être que l'artiste doit s'efforcer de capturer dans son oeuvre qui en devient ainsi l'anatomie ou le théâtre vivant. Sur les bases d'une définition précise des notions complémentaires d'imagination et d'anagogie, qui trouvent leur

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30

Chauvin, Danièle. "William Blake et l'Apocalypse le verbe et l'image /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376038725.

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31

Muir, Daniel. "Frowning Babe or Brightening Glance? Blake and Yeats's Particular Uses of Metaphor." Oberlin College Honors Theses / OhioLINK, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1396533537.

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32

Vine, Steven. "Blake's poetry : spectral visions /." London : New York : Macmillan ; St. Martin's press, 1993. http://catalogue.bnf.fr/ark:/12148/cb355874967.

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33

Colebrook, Claire Mary. "John Milton, William Blake and the history of individualism." Thesis, University of Edinburgh, 1995. http://hdl.handle.net/1842/26407.

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The justification of "the ways of God to man" in <I>Paradise Lost </I>draws upon a history of classical and Christian theories of justice. According to these theories, justice is a <I>virtue </I>and has less to do with positive law than it does with individual wisdom. These theories of justice as a virtue are conceptually dependent upon the doctrine of the Platonic/Christian soul and a certain form of pre-modern individualism. In response to the emergent modern individualism of his day Milton asserted a neo-Platonic conception of truth and order. According to this metaphysical theory, the indi

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34

Parker, Lisa Karee. "A World of Our Own: William Blake and Abolition." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-11302006-120306/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Title from title screen. Christine Gallant, committee chair; Paul Schmidt, LeeAnne Richardson, committee members. Electronic text (130 p. : ill., some col.) : digital, PDF file. Description based on contents viewed Apr. 20, 2007. Includes bibliographical references (p. 123-130).

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35

Sato, Hikari. "William Blake and multiculturalism between Christianity and heathen myths." Thesis, Birkbeck (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499276.

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36

Crosby, Mark Christopher. "'Sparks of Fire': William Blake in Felpham, 1800-1803." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491561.

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This thesis is a minute biographical investigation into William Blake's life and work while living at Felpham, Sussex between 1800 and 1803. During this period Blake's patron was the poet, biographer, and man of letters, William Hayiey. Previous scholarship on Blake's relationship with Hayiey has tended to focus on biographical eadings of Blake's penultimate illuminated book, Milton. These readings have consistently presented Hayiey as a negative influence on Blake. Instead, I use an interdisciplinary approach to demonstrate that Hayley's influence on Blake was productive and diverse, inspirin

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37

Walker, Luke. "William Blake in the 1960s : counterculture and radical reception." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/53244/.

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The study begins with an account of Blake, as voiced by Allen Ginsberg, taking part in a key Sixties anti-war protest, and goes on to examine some theoretical aspects of Blake's relationship with the Sixties. In Chapter One, I explore the relationship between ‘popular Blake', ‘academic Blake', and ‘countercultural Blake'. The chapter seeks to provide a revisionist account of the relationship between Blake's Sixties popularity and his earlier reception, suggesting that all three elements of Blake's Sixties reception – popular, academic and countercultural – have long been intertwined, and conti

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38

Ryu, Son-Moo. "Imagining society William Blake, William Wordsworth, and George Eliot /." [Bloomington, Ind.] : Indiana University, 2005. http://wwwlib.umi.com/dissertations/fullcit/3167282.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2005.<br>Title from PDF t.p. (viewed Dec. 3, 2008). Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 1010. Chair: Nicholas Mark Williams.

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39

Dörrbecker, Detlef W. "Konvention und Innovation : eigenes und entliehenes in der Bildform bei William Blake und in der britischen Kunst seiner Zeit /." Berlin : Wasmuth, Kommissionsvertrieb Buchhandlung und Antiquariat, 1992. http://catalogue.bnf.fr/ark:/12148/cb37590096x.

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40

Rayneard, Max James Anthony. "Reading William Blake and T.S. Eliot: contrary poets, progressive vision." Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1007545.

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Many critics resort to explaining readers' experiences of poems like William Blake's Jerusalem and T.S. Eliot's Four Quartets in terms of "spirituality" or "religion". These experiences are broadly defined in this thesis as jouissance (after Roland Barthes' essay The Pleasure of the Text) or "experience qua experience". Critical attempts at the reduction of jouissance into abstract constructs serve merely as stopgap measures by which critics might avoid having to account for the limits of their own rational discourse. These poems, in particular, are deliberately structured to preserve the read

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41

Chinelato, Fernanda Carolina Silva [UNESP]. "Variabilidade genética em progênies de guapuruvu Schizolobium parahyba (Vell.) Blake." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/99788.

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Made available in DSpace on 2014-06-11T19:30:21Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-09-02Bitstream added on 2014-06-13T19:00:17Z : No. of bitstreams: 1 000758111.pdf: 1745610 bytes, checksum: cd922394519398b6196cb02039323d77 (MD5)<br>O guapuruvu Schizolobium parahyba (Vell.) S. F. Blake é uma espécie pioneira de rápido crescimento da família Fabaceae (Leguminosae) de grande importância em projetos de restauração. Com o objetivo de verificar a variabilidade genética de progênies Schizolobium parahyba da região de Botucatu – SP foram estimados os parâmetros genéticos das car

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42

Dougherty, Karen. "Dorothy Livesay and William Blake : the situation of the self." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68083.

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This thesis traces the connections between Dorothy Livesay and William Blake, especially with respect to the construction and symbolization of the self. Models of influence relevant to Livesay and Blake are examined resulting in a contextual model of influence which considers artists' "anxiety" and the importance of gender issues. Archival documents supplement, and sometimes transform the implications of, Livesay's poetry and other published works in relation to Blake. The discussion moves from tracing the general points of intersection between Livesay and Blake (ancestors, traditions), to foc

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43

Bruder, Helen P. "Historicizing Blake in 'A Land of Men and Women Too'." Thesis, Oxford Brookes University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359640.

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44

Forbes, Nicholas George. "The encyclopaedia of hell : Wiliam Blake and the differential imagination." Thesis, University of Bristol, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.556713.

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This thesis examines William Blake's engagement with the problem of pro- ducing "prophetic" art within the confines of the fallen world, in which it is necessarily constructed using inherited fallen materials and addressed to a fallen audience. It focuses primarily on the discourse and textuality of Jeru- salem, which it reads as a negotiation of the problem of the need to con- struct prophetic vision in the context of the impossibility of any such pronouncement within history. Jerusalem is examined as a differentiated en- cyclopaedia of Minute Particulars drawn from across Blake's contexts (i

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45

Fallon, David. "'Devouring Fiery Kings': William Blake and the Politics of Apotheosis." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487188.

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This thesis examines the previously unrecognised importance of apotheosis as both a concept and a trope in Blake's literary and artistic works. Apotheosis can be defined as the transformation ofa human into a god or demi-god, most often figured posthumously as the ascension of the hero's soul to the stars in reward for services to the nation. The term also refers to the deification of powerful rulers whilst living. In both forms, apotheosis aestheticises ideology and authority through spectacle, imbuing both its representation and critique with political significance. The motif of apotheosis r

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46

MacPhee, Chantelle L. ""All the World's a Stage" : William Blake and William Shakespeare." Thesis, University of Glasgow, 2002. http://theses.gla.ac.uk/3467/.

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Shakespeare's presence in Blake's poetry has been virtually unrecognised by scholarly criticism except, of course, for Jonathan Bate's groundbreaking work of 1986. Bate has had no major successors, so this thesis is, then, an attempt to close to lacuna, to restore Shakespeare to the place that was recognized by Blake himself, as a major influence on his work. In my introductory chapter, I offer a brief sketch of the manner in which Shakespeare informed the culture of the later eighteenth century of which Blake was a product. I survey Shakespearean production, staging and acting techniques, and

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47

Picón, Bruno Daniela. "Escenas de escritura visionaria: Hildegard de Bingen y William Blake." Tesis, Universidad de Chile, 2009. http://repositorio.uchile.cl/handle/2250/108581.

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La siguiente investigación se centra en el estudio de las escenas de escritura de dos autores cuyas obras podemos denominar visionarias, ellos son Hildegard von Bingen (1098-1179) y William Blake (1757-1827). El estudio del momento en que estos dos autores pusieron por escrito lo que ellos experimentaron como revelación divina, utilizando diferentes soportes escriturarios, nos lleva a comprender, por una parte, cómo es que concibieron la escritura de revelación, a partir de dos contextos distantes en el tiempo, pero también nos permite realizar un análisis que espera establecer las similitudes

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48

Kahn, Daniel Scott. "The Blake Ridge a study of multichannel seismic reflection data /." Thesis, Available online, Georgia Institute of Technology, 2004:, 2004. http://etd.gatech.edu/theses/available/etd-06072004-131223/unrestricted/kahn%5Fdaniel%5Fs%5F200405%5Fms.pdf.

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49

Chinelato, Fernanda Carolina Silva 1979. "Variabilidade genética em progênies de guapuruvu Schizolobium parahyba (Vell.) Blake /." Botucatu, 2011. http://hdl.handle.net/11449/99788.

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Orientador: Edson Seizo Mori<br>Banca: Simey Thuruy Vieira Fisch<br>Banca: Mário Luiz Teixiera de Moraes<br>Resumo: O guapuruvu Schizolobium parahyba (Vell.) S. F. Blake é uma espécie pioneira de rápido crescimento da família Fabaceae (Leguminosae) de grande importância em projetos de restauração. Com o objetivo de verificar a variabilidade genética de progênies Schizolobium parahyba da região de Botucatu - SP foram estimados os parâmetros genéticos das características quantitativas de 10 locais. As mudas foram produzidas no viveiro do Departamento de Ciência Florestal - UNESP/Campus de Botuca

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50

Picón, Bruno Daniela. "Recepción de William Blake : desde su público contemporáneo hasta el Surrealismo." Doctoral thesis, Universitat Pompeu Fabra, 2014. http://hdl.handle.net/10803/285267.

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En esta investigación exploramos la historia de la recepción del poeta, artista y visionario inglés William Blake (1757-1827), indagando en los diversos aspectos de la concreción de su obra en su propio tiempo, a través del siglo XIX y las primeras décadas del siglo XX. A partir de una perspectiva metodológica comparada e interdisciplinaria, este estudio considera los contextos críticos y artísticos en los cuales el foco en la dimensión visionaria de la figura y/o la obra de Blake se hace particularmente relevante. Hemos atendido a los aspectos específicos de su recepción crítica y artística e

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