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Journal articles on the topic 'Blanchot'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Paul, Zakir. "Blanchot without Blanchot." boundary 2 51, no. 3 (2024): 173–219. http://dx.doi.org/10.1215/01903659-11209644.

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Abstract This article explores the arc of Blanchot's life, in conversation with a recent critical biography, to suggest what the significance of his writing might be today. It first situates Blanchot in the 1930s through the lens of contemporary debates about the period. It then explores what his turn to literary criticism and narrative in the 1940s might have signified and allowed him to negotiate as a “counter-law.” Finally, it turns to his time as a dissident postwar thinker who sought to invent ways of thinking capable of forgoing power, often formulated as an inoperative “relation without

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2

Watt, Calum. "The Uses of Maurice Blanchot in Bernard Stiegler's Technics and Time." Paragraph 39, no. 3 (2016): 305–18. http://dx.doi.org/10.3366/para.2016.0203.

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This article argues that Maurice Blanchot is a significant presence in Bernard Stiegler's Technics and Time series. The article first sets out Stiegler's invocation of the Blanchotian ‘change of epoch’ in the first volume, which attempts to situate Blanchot within the horizon of technics. I argue Blanchot's disaster is a hidden element in Stiegler's play on the motifs of the star and catastrophe. The article then traces how these motifs emerge in the second and third volumes, in which the technical forms of photography and cinema become more important and where the motifs are woven together th

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3

Shuling Tsai, Stéphanie. "Traduire jusqu’au point de non-pouvoir : approche de l’engagement blanchotien." TranscUlturAl: A Journal of Translation and Cultural Studies 1, no. 3 (2011): 113. http://dx.doi.org/10.21992/t9h05t.

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In the early 60’s, Blanchot participated with a group of European intellectuals in the process of conceptualizing an international journal based on translation. In our intent to inquire into Blanchot’s approach of « engagement » in the course of the project, the present study will examine differences between Blanchot and Levinas in regards to the notion of « non-pouvoir », which directs the task of the translator towards the point of fascination or inspiration in Blanchot’s terms. The point of no-power opens possibilities to various modes of translations, questioning the limits of the subject-

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4

Holland, Michael. "The Time of his Life." Paragraph 30, no. 3 (2007): 46–66. http://dx.doi.org/10.3366/para.2007.30.3.46.

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Throughout his life, contemporaries of Blanchot either sought to relegate his writing to the past, or else espoused it uncritically in a gesture akin to what Jean-Luc Nancy once called syncope. Blanchot thus divided his epoch in a way that was less a polarization than a struggle for the present in which thought takes place. Consequently, readers today in search of what makes Blanchot continue to be a contemporary find that the time of his writing is shrouded in a curiously unstable quantity of oblivion. This article argues that Blanchot's refusal of biography brings about an inaugural disrupti

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5

Ryle, Simon. "“Crni vrt“: Ekopoetika kapitalocenskoga masovnoga izumiranja u poeziji W. S. Merwina." Studia ethnologica Croatica 36, no. 1 (2024): 171–95. https://doi.org/10.17234/sec.36.9.

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Ovaj rad istražuje prikaz masovnoga izumiranja u ekopoetici pjesnika W. S. Merwina, s naglaskom na afektivnu suzdržanost u Merwinovoj poetici prirodne devastacije. Usredotočujući se na ovu formalnu tehniku, rad istražuje kako je, u Merwinovim zbirkama The Lice (1967) i The Rain in the Trees (1988), nemogućnost shvaćanja izumiranja zapravo normativni epistemički učinak i sam uzrokovan masovnim izumiranjem. Rad povezuje Merwinovu tehniku sa sličnom logikom ekološke i kulturne iscrpljenosti, u nedavnim ekosocijalističkim prikazima Marxova koncepta „metaboličkoga rascjepa“, koji, kako se tvrdi, po

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6

Hart, Kevin. "From the Star to the Disaster." Paragraph 30, no. 3 (2007): 84–103. http://dx.doi.org/10.3366/para.2007.30.3.84.

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Franz Rosenzweig's The Star of Redemption comes before the Shoah and Maurice Blanchot's The Writing of the Disaster comes after it. The one addresses itself with hope to the figure of a star; the other meditates on the state of being without a guiding star. The figure of Emmanuel Levinas stands between these two works, since Totality and Infinity is marked by Rosenzweig's critique of totality and The Writing of the Disaster is in part a response to Levinas's philosophy. Both Rosenzweig and Blanchot propose a new way of thinking, one that calls unity into question. This essay seeks to clarify w

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7

Allen, William S. "Blanchot and Lautréamont." Qui Parle 29, no. 1 (2020): 95–143. http://dx.doi.org/10.1215/10418385-8241923.

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Abstract Blanchot’s readings of Lautréamont are among the most important writings on this challenging author, and they are also crucial for the development of his own thinking, but they have never been discussed in depth. This essay surveys the whole range of Blanchot’s writings on Lautréamont and shows how they constitute the first considered attempt within his thinking to examine the notions of the fantastic and the image in relation to the experience of metaphor. This survey not only enables a renewed understanding of the significance of Lautréamont’s writings but also reveals how Blanchot

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8

Hill, Leslie. "From Deconstruction to Disaster (Derrida, Blanchot, Hegel)." Paragraph 39, no. 2 (2016): 187–201. http://dx.doi.org/10.3366/para.2016.0194.

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Derrida's Glas (1974) found one of its most attentive readers in Maurice Blanchot, whose fragmentary volume L'Ecriture du désastre (The Writing of the Disaster) (1980) responds in a number of ways to Derrida's book, in particular to its reading of Hegel. This article retraces the silent dialogue between Derrida and Blanchot as it unfolds in the two texts mentioned as well as in several others, including some of Blanchot's earlier essays and fiction, notably La Folie du jour (The Madness of the Day) and L'Arrêt de mort (Death Sentence).

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9

Ferguson, Sam. "Maurice Blanchot: ‘Theorist’ of the Diary?" Nottingham French Studies 61, no. 2 (2022): 104–18. http://dx.doi.org/10.3366/nfs.2022.0346.

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Maurice Blanchot’s writing on the diary has been presented as ignorant and contemptuous of its object, and as misrepresenting the diary by focusing on its literary qualities. This article rehabilitates Blanchot as a critic and theorist of the diary, and moreover, as a pivotal figure in realising the diary’s literary potential. Blanchot’s discussion of particular diarists (including Benjamin Constant, Joseph Joubert, Søren Kierkegaard, Franz Kafka, and André Gide), together with his critical reflections, were instrumental in his creation of conceptions of literature that exerted a strong influe

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10

Rapaport, Herman. "After Blanchot?" Paragraph 32, no. 2 (2009): 255–64. http://dx.doi.org/10.3366/e0264833409000583.

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11

Bident, Christophe, and Sylvia Gorelick. "Staging Blanchot." SubStance 50, no. 2 (2021): 141–55. http://dx.doi.org/10.1353/sub.2021.0023.

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12

Surya, Michel. "L'autre Blanchot." Lignes 43, no. 1 (2014): 7. http://dx.doi.org/10.3917/lignes.043.0007.

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13

Bataille, Georges. "Maurice Blanchot." Lignes 3, no. 3 (2000): 149. http://dx.doi.org/10.3917/lignes1.003.0149.

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14

Banki, Peter. "Translate - Blanchot?" Oxford Literary Review 22, no. 1 (2000): 178–84. http://dx.doi.org/10.3366/olr.2000.013.

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15

Holland, M. "Maurice Blanchot." French Studies 58, no. 4 (2004): 533–38. http://dx.doi.org/10.1093/fs/58.4.533.

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16

Gutjahr, Marco. "Blanchot, critique." Études littéraires 52, no. 1 (2023): 177. http://dx.doi.org/10.7202/1102659ar.

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17

Clark, Timothy. "A Green Blanchot: Impossible?" Paragraph 30, no. 3 (2007): 121–40. http://dx.doi.org/10.3366/para.2007.30.3.121.

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Blanchot's work may at first seem remote from any sort of environmentalist thinking. While elements of his work share with Levinas and Heidegger a problematic privileging of the human, Blanchot nevertheless offers the basis of what might be seen as a timely ‘deeper ecological’ thinking, one that can engage the destructive anthropocentrism of Western thought and tradition in the very minutiae of its literary and philosophical texts. Unlike in much ‘green’ philosophy, no concept of nature or earth serves as foundation for Blanchot's thought. He is engaged by the ‘impossible’ as that which is not

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18

Ghannaee Arani, Mohammad, Farid Parvaneh, Shohreh Chavoshian, and Bahareh Bahmanpour. "Big crunch singularity: Quantization of alterity and transcendence in the light of quantum entanglement or non-locality in Maurice Blanchot's Thomas the Obscure, and When the Time Comes." Lililacs Journal : English Literature, Language, and Cultural Studies Journal 4, no. 2 (2024): 10–28. http://dx.doi.org/10.21009/lililacs.042.02.

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This article is to quantize Emmanuel Levinas' manifestations of alterity and transcendence in the light of the big crunch singularity theorization, applied to the fictionality of Maurice Blanchot at a juxtaposition with the idea of the quantum entanglement or non-locality. By building its methodological foundations on the overlapping concepts of origin, image, absence, and the Other in the astrophysical and literary realms, this analytical study is to discuss how irreducible alterity of the spacetime dimensions is sustained in Blanchotian temporality of writing so as to enunciate a moment of f

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19

Opelz, Hannes. "The Political Share of Literature: Maurice Blanchot, 1931–1937." Paragraph 33, no. 1 (2010): 70–89. http://dx.doi.org/10.3366/e0264833409000753.

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From the very beginning, Blanchot's thought on literature was intimately linked to his experience and conception of politics. It is this beginning that this article sets out to explore. In particular, it examines how Blanchot's discourse, insofar as the literature/politics relation is concerned, begins to shift toward the second half of the 1930s. Initially, literature is seen as a propitious ground to prepare what Blanchot terms a ‘healthy’ politics — not in any partisan or programmatic sense but in the more fundamental sense of being the active site of what he refers to as ‘concrete’ values,

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20

Noys, Benjamin. "Political Writings, 1953-1993." Historical Materialism 19, no. 3 (2011): 196–204. http://dx.doi.org/10.1163/156920611x592436.

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AbstractThis review considers the collection Political Writings, 1953-1993 by Maurice Blanchot as a means to assess the relatively little-known political odyssey of this writer and theorist. Noting the absence of his earlier right-wing political texts from the 1930s in this collection, it attempts to probe Blanchot’s idiosyncratic ‘ultra-left’ turn represented in his texts of the 1950s and 1960s. In particular, I analyse how Blanchot develops a communism that focuses on the problem of abstraction: both the abstraction intrinsic to social reality, and the necessity to negate and contest that ab

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21

Hill, Leslie. "‘Not In Our Name’: Blanchot, Politics, the Neuter." Paragraph 30, no. 3 (2007): 141–59. http://dx.doi.org/10.3366/para.2007.30.3.141.

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Readers of Blanchot have long been aware of the importance of politics in the writer's intellectual itinerary. But though the history of Blanchot's political involvements is now quite well documented (albeit frequently misrepresented to polemical ends), much remains to be understood about Blanchot's conception of the political. Prompted in part by his support for the ‘Not In Our Name’ appeal, which was to be one of Blanchot's last political gestures, this essay fragment, which is part of a longer inquiry, reconstructs the writer's thinking on the question of the subject of politics and the clo

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22

Evans, Jonathan. "Translation and Response between Maurice Blanchot and Lydia Davis." TranscUlturAl: A Journal of Translation and Cultural Studies 4, no. 1 (2013): 49. http://dx.doi.org/10.21992/t9hs64.

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When an author translates a text by another writer, this translation is one form of a response to that text. Other responses may appear in their own writings that are more inflected with their authorial persona. Lydia Davis translated six books by Maurice Blanchot, including fiction and theoretical writings. Blanchot’s concept of the récit privileges non-conventional forms of narrative and it can be considered to have influenced Davis, a view shared in critical writing about Davis. However, responses to his fiction can also be found in Davis’s work. This article reads Lydia Davis’s story “Stor

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23

Opelz, Hannes. "Blanchot et Sartre." Les Temps Modernes 643-644, no. 2 (2007): 198. http://dx.doi.org/10.3917/ltm.643.0198.

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24

Holland, Michael, and Leslie Hill. "Blanchot: Extreme Contemporary." Modern Language Review 97, no. 1 (2002): 199. http://dx.doi.org/10.2307/3735658.

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25

Jaron, Steven, and Leslie Hill. "Blanchot: Extreme Contemporary." SubStance 28, no. 1 (1999): 120. http://dx.doi.org/10.2307/3685423.

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26

Kendall, Stuart, and Leslie Hill. "Blanchot: Extreme Contemporary." SubStance 29, no. 3 (2000): 134. http://dx.doi.org/10.2307/3685569.

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27

Hill, Leslie. "Blanchot and Mallarme." MLN 105, no. 5 (1990): 889. http://dx.doi.org/10.2307/2905160.

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28

Smock, Ann. "Listening for Blanchot." SubStance 50, no. 2 (2021): 25–44. http://dx.doi.org/10.1353/sub.2021.0016.

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29

Lacaux, André. "Blanchot et Lacan." Essaim 14, no. 1 (2005): 41. http://dx.doi.org/10.3917/ess.014.0041.

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30

Potts, Adam. "BLANCHOT AND SOUND." Angelaki 23, no. 3 (2018): 3–9. http://dx.doi.org/10.1080/0969725x.2018.1473921.

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31

Smock, Ann. "Tranced: Melville, Blanchot." Oxford Literary Review 22, no. 1 (2000): 39–54. http://dx.doi.org/10.3366/olr.2000.005.

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32

PARK, Kyouhyun. "Poétique de Blanchot." Études de Langue et Littérature Françaises 121 (March 15, 2020): 67–86. http://dx.doi.org/10.18824/ellf.121.03.

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33

Holland, Michael. "Blanchot and Gandhi." Journal for Cultural Research 16, no. 4 (2012): 393–417. http://dx.doi.org/10.1080/14797585.2011.642110.

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34

Kuzma, Joseph D. "The Intimate Blanchot." Comparative Literature 68, no. 1 (2016): 18–30. http://dx.doi.org/10.1215/00104124-3462621.

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35

Ensass, Isabelle. "The Moment of Revolution: Blanchot’s Movement from Negation to Insurrection." Journal of Speculative Philosophy 39, no. 3 (2025): 284–95. https://doi.org/10.5325/jspecphil.39.3.0284.

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ABSTRACT This article proposes that two movements emerge in Maurice Blanchot’s reading of the Marquis de Sade in “Insurrection, the Madness of Writing.” The first is the negation of the law, which is the dialectical overturning of one regime by another. The second uproots and refuses the instantiation of any order, which is Sade’s conception of insurrection. The article argues that Blanchot’s enigmatic notion of the “moment of revolution” is the point in which the negation of the law has reached its extreme point and transitions into insurrection. Further, this article contends that the moment

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36

van Rooden, Aukje. "Kafka Shared Between Blanchot and Sartre." arcadia 55, no. 2 (2020): 239–59. http://dx.doi.org/10.1515/arcadia-2020-2010.

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AbstractEver since their translation in the course of the 20th century, the works of Kafka have been widely appreciated by French intellectuals. Kafka’s greatest admirers include Maurice Blanchot and Jean-Paul Sartre, both of whom consider his work an exemplary illustration of their own poetical-philosophical views. This is remarkable, because Blanchot’s and Sartre’s respective views are generally conceived of as opposites. Apparently, then, these two authors who are so divergent in their philosophical views and literary criticism, as well as in their own literary works, find themselves on the

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37

Arce Álvarez, María Laura. "Translation as influence: A dialogue between Maurice Blanchot’s literary theory and Lydia Davis’ short fiction." Short Fiction in Theory & Practice 9, no. 2 (2019): 89–101. http://dx.doi.org/10.1386/fict_00003_1.

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The intention of this article is to analyse the intertextual influence between the American writer Lydia Davis and the French philosopher and critic Maurice Blanchot. This literary dialogue occurs as a result of Davis’ experience translating Blanchot’s most relevant critical and fictional texts. Davis’ role as a translator influenced her short fiction in which she discusses the limits of the literary space and therefore constantly challenges the genre as a way of fictionalizing Blanchot’s literary theory.

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38

Keenan, Dennis King. "Blanchot and Klossowski on the Eternal Return of Nietzsche." Research in Phenomenology 48, no. 2 (2018): 155–74. http://dx.doi.org/10.1163/15691640-12341389.

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Abstract What does it mean to say “Yes” to life? What does it mean to affirm life? What does it mean to not be nihilistic? One possible answer is the appropriation of finitude. But Klossowski argues that this amounts to a “voluntarist” fatalism. Though Klossowski draws attention to the temptation of “voluntarist” fatalism on the part of Nietzsche and readers of Nietzsche, he himself is tempted by redemption, i.e., by being redeemed from the weight of responsibility. Using the very “logic” of Klossowski’s own reading of the eternal return, Blanchot will call this possibility of redemption (on t

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39

Allen, William S. "Dead Transcendence: Blanchot, Heidegger, and the Reverse of Language." Research in Phenomenology 39, no. 1 (2009): 69–98. http://dx.doi.org/10.1163/156916408x389640.

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AbstractIn this essay I will examine the development of the notion of transcendence in Blanchot's early critical writings. Doing so indicates the radical way that Blanchot reconfigures this central ontological and theological term by way of his readings of the literary use of language. In turn this exposes the essential relation between finitude and literature, something which the second part of the essay will examine by way of Heidegger's study of the myth of Er.

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40

De Oliveira Gomes, Daniel. "Blanchot ferido com fogo." Cuadernos de Literatura, no. 13 (August 13, 2013): 21. http://dx.doi.org/10.30972/clt.0133060.

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<p>O presente ensaio trabalha específicamente com a obra de um autor da filosofia e da literatura francesa pós-estruturalista, Maurice Blanchot. O artigo visa produzir urna confabulacao blanchotiana com a questao fascinante da fala, da literatura e dos sentidos do próprio autor, confessando um desespero e uma contaminacao ardente e inevitável. Aproximando-o dos paradoxos do espaco literário, queremos demonstrar metodologicamente o hermetismo do autor e o modo com o qual ele sempre colocou a filosofia contra a própria filosofia. Até que ponto Blanchot veste urna infantilidade katkiana em

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41

Antonioli, Manola. "Entre Blanchot et Derrida." Chimères 66-67, no. 1 (2008): 133. http://dx.doi.org/10.3917/chime.066.0133.

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42

Ettlin, Annick. "Blanchot lecteur de Mallarmé." Variations 17, no. 1 (2011): 89–100. http://dx.doi.org/10.3726/85607_89.

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43

Paul, Zakir. "Introduction: Reading After Blanchot." SubStance 50, no. 2 (2021): 3–10. http://dx.doi.org/10.1353/sub.2021.0014.

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44

Syrotinski, Michael. "Noncoincidences: Blanchot Reading Paulhan." Yale French Studies, no. 93 (1998): 81. http://dx.doi.org/10.2307/3040732.

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45

Messina, Aïcha Liviana, and Lena Taub. "The Apocalypse of Blanchot." Philosophy Today 60, no. 4 (2016): 877–92. http://dx.doi.org/10.5840/philtoday2016113134.

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46

Champagne, Roland A., and Christophe Bident. "Maurice Blanchot: Partenaire invisible." World Literature Today 73, no. 1 (1999): 115. http://dx.doi.org/10.2307/40154503.

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47

Large, William. "Blanchot, Philosophy, Literature, Politics." Parallax 12, no. 2 (2006): 1–11. http://dx.doi.org/10.1080/13534640600624903.

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48

Barker, Stephen. "Derrida/Blanchot/Boltanski: Borderdiscourse." Comparatist 28, no. 1 (2004): 96–111. http://dx.doi.org/10.1353/com.2004.0011.

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49

Kalaga, Wojciech. "Blanchot: Trzecie między zaimkami." Teksty Drugie 4 (2018): 310–32. http://dx.doi.org/10.18318/td.2018.4.19.

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50

Bird, Gregory. "Nancy responds to blanchot." Angelaki 13, no. 1 (2008): 3–26. http://dx.doi.org/10.1080/09697250802156018.

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