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Journal articles on the topic 'Blickling Hall (England). Library'

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1

TOGNONI, FEDERICO. "NATURE DESCRIBED: FABIO COLONNA AND NATURAL HISTORY ILLUSTRATION." Nuncius 20, no. 2 (2005): 347–70. http://dx.doi.org/10.1163/182539105x00024.

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Abstracttitle ABSTRACT /title The article analyses Fabio Colonna's interest in natural history illustration. The re-examination of several pieces of unjustly neglected documentary evidence has allowed us to focus on the essential role of naturalistic illustration in the work of this Neapolitan naturalist. Of great importance was the opportunity to study a herbal that was recently discovered at Blickling Hall, near Norwich in England. This herbal was created using the technique of nature-printing, and reflects Colonna's interest in naturalistic illustration as an essential means of presenting n
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2

Schrijver, Emile. "An Unknown Passover Haggadah by Joseph ben David of Leipnik in the Library of Blickling Hall." Zutot 2, no. 1 (2002): 170–80. http://dx.doi.org/10.1163/187502102788638978.

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3

Pulsiano, Phillip. "The Latin and Old English Glosses in the ‘Blickling’ and ‘Regius’ Psalters." Traditio 41 (1985): 79–115. http://dx.doi.org/10.1017/s0362152900006863.

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In his Studien zum Psalterium Romanum in England und zu seinen Glossierungen, Karl Wildhagen writes of the Blickling Psalter (MS Pierpont Morgan Library m.776): ‘Dass es gegen Schluss des 10. oder Anfang des 11. Jahrhunderts im Süden und zwar in der bischöflichen (über Canterbury?) oder königliehen Kanzlei zu Winchester gewesen sein muss, beweisen die zahlreichen in ihm befindlichen jüngeren ae. Glossierungen aus dieser Zeit, die durchaus mit der damals in Winchester befindlichen Regius-Glosse übereinstimmen und z. T. sicher aus ihr kopiert sind.’ Helmut Gneuss reiterates Wildhagen's claim for
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4

Birkhead, T. R., E. Butterworth, and S. van Balen. "A recently discovered seventeenth century French encyclopaedia of ornithology." Archives of Natural History 33, no. 1 (2006): 109–34. http://dx.doi.org/10.3366/anh.2006.33.1.109.

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We describe the contents of an unpublished seventeenth century French encyclopaedia of ornithology by Jean-Baptiste Faultrier dated 1660, located in the library of The Earl of Derby at Knowsley Hall, England. The manuscript appears to have escaped the attention of ornithologists and historians and as a result has not previously been evaluated in terms of its contribution to the history of ornithology. The manuscript is based closely on Belon's (1555) encyclopaedia but contains descriptions of many more species or forms. A full evaluation of the ornithological significance of Faultrier's manusc
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Lannon, David. "Manchester’s New Fleet Prison or House of Correction and Other Gaols for Obstinate Recusants." Recusant History 29, no. 4 (2009): 459–86. http://dx.doi.org/10.1017/s003419320001236x.

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Few people today realise that Manchester was used in Elizabethan England as a place where obstinate recusants might be imprisoned both as a warning to others and in the hope that their conformity to the religious laws of the realm might be obtained. Three places were used to hold the captives. The first was the disused chapel on the only bridge that then existed between Manchester and Salford, the second was Radcliffe Hall or Pool Fold Lodge near the present day Cross Street Chapel, and the third was the House of Correction built between Hunt’s Bank and the sandstone bluff on which stood the f
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Goodall, John A. "Rolls of Arms of Kings: Some Recent Discoveries in the British Library." Antiquaries Journal 70, no. 1 (1990): 82–94. http://dx.doi.org/10.1017/s0003581500070311.

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As the intensive study of the medieval rolls of arms continues it is becoming ever more clear that, even in the thirteenth century, the general rolls were drawing material from existing collections—often in blocks of entries. One of the features of many of the general rolls, both in England and on the continent, is a section devoted to the arms of emperors and kings; sometimes with a selection of oriental and African potentates (Appendix I). Such series were also used in decoration; as in the windows formerly in the great hall of the Bishop's Palace at Lincoln, in wood carvings at St Mary's, B
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Holman, Peter. "The Sale Catalogue of Gottfried Finger's Music Library: New Light on London Concert Life in the 1690s." Royal Musical Association Research Chronicle 43 (2010): 23–38. http://dx.doi.org/10.1080/14723808.2010.10541030.

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In the winter of 1704–5 Henry Playford advertised ‘a Choice Collection of Vocal and Instrumental Musick in Italian, French, and English’ owned by Gottfried Finger and partly collected by him ‘in his Travels to Italy’. Finger had evidently sold the collection to Johann Gottfried Keller and John Banister junior prior to his abrupt departure from England in 1701 after coming last in the competition to set Congreve's masque The Judgement of Paris. The discovery of a copy of the printed catalogue throws light on Finger's collecting activities in Italy and on the reception of Italian music in Englan
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8

McCorison, Marcus A. "Bibliography and the Book Trades: Studies in the Print Culture of Early New England. Hugh Amory , David D. Hall." Papers of the Bibliographical Society of America 101, no. 2 (2007): 221–25. http://dx.doi.org/10.1086/pbsa.101.2.24293939.

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9

Kloda, Lorie Andrea. "Despite Barriers, Education Providers, Health Professionals, and Students Perceive E-Learning to Be an Effective Method of Education." Evidence Based Library and Information Practice 1, no. 3 (2006): 63. http://dx.doi.org/10.18438/b83s3r.

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A review of:
 
 Childs, Sue, Elizabeth Blenkinsopp, Amanda Hall, and Graham Walton. “Effective E-Learning for Health Professionals and Students—Barriers and Their Solutions. A Systematic Review of the Literature—Findings from the HeXL Project.” Health Information & Libraries Journal 22.S2 (2005): 20-32.
 
 Objective – To determine barriers or problems and possible solutions related to e-learning, and to determine the effectiveness of e-learning among health professionals and students.
 
 Design – Systematic review of qualitative literature, in addition to inte
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10

Dr., G. Aghalya. "EAST INDIA COMPANY IN INDIA OFFICE RECORDS IN LONDON." International Journal of Computational Research and Development 2, no. 1 (2017): 73–76. https://doi.org/10.5281/zenodo.569734.

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The historical research, which involves interpreting past events to predict future ones. Historical research design involves synthesizing data from many different sources. The purpose of the research is to further encourage the limited but fruitful cross-disciplinary conversations of recent years. The historical scope of the records begins in 1600, when the East India Company was granted exclusive rights to trade in much of Asia, including the entire Indian subcontinent. The records of the East India Company’s Governments in India are probably the best historical materials in the world. The re
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11

Hartkamp, Arthur, and Beatrijs Brenninkmeyer-De Rooij. "Oranje's erfgoed in het Mauritshuis." Oud Holland - Quarterly for Dutch Art History 102, no. 3 (1988): 181–232. http://dx.doi.org/10.1163/187501788x00401.

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AbstractThe nucleus of the collection of paintings in the Mauritshuis around 130 pictures - came from the hereditary stadholder Prince William v. It is widely believed to have become, the property of the State at the beginning of the 19th century, but how this happened is still. unclear. A hand-written notebook on this subject, compiled in 1876 by - the director Jonkheer J. K. L. de Jonge is in the archives of the Mauritshuis Note 4). On this basis a clnsor systematic and chronological investigation has been carried out into the stadholder's. property rights in respect of his collectcons and t
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12

Aktas, Yasemin Didem, Dina D’Ayala, Nigel Blades, and Christopher Calnan. "An assessment of moisture induced damage in Blickling Hall in Norfolk, England, via environmental monitoring." Heritage Science 5, no. 1 (2017). http://dx.doi.org/10.1186/s40494-017-0119-4.

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13

"The earliest copy in Russia of Newton’s Principia : is it David Gregory’s annotated copy?" Notes and Records of the Royal Society of London 46, no. 2 (1992): 203–18. http://dx.doi.org/10.1098/rsnr.1992.0022.

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Some years ago an exhibition of rare books was held to mark the recent opening of the renovated assembly hall of Moscow University. One of the exhibits was a contemporary edition of Newton’s Principia , and examination revealed that it was a first edition of the Philosophiae naturalis principia mathematica , published in London in 1687. A historian of science must find this a striking fact, given the current opinion that, until the October Revolution at least, Russia had not possessed a copy of the first edition.1 A copy was donated as a great treasure by the Royal Society of London to the Sov
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14

Franks, Rachel. "Building a Professional Profile: Charles Dickens and the Rise of the “Detective Force”." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1214.

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IntroductionAccounts of criminals, their victims, and their pursuers have become entrenched within the sphere of popular culture; most obviously in the genres of true crime and crime fiction. The centrality of the pursuer in the form of the detective, within these stories, dates back to the nineteenth century. This, often highly-stylised and regularly humanised protagonist, is now a firm feature of both factual and fictional accounts of crime narratives that, today, regularly focus on the energies of the detective in solving a variety of cases. So familiar is the figure of the detective, it se
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15

Provençal, Johanne. "Ghosts in Machines and a Snapshot of Scholarly Journal Publishing in Canada." M/C Journal 11, no. 4 (2008). http://dx.doi.org/10.5204/mcj.45.

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The ideas put forth here do not fit perfectly or entirely into the genre and form of what has established itself as the scholarly journal article. What is put forth, instead, is a juxtaposition of lines of thinking about the scholarly and popular in publishing, past, present and future. As such it may indeed be quite appropriate to the occasion and the questions raised in the call for papers for this special issue of M/C Journal. The ideas put forth here are intended as pieces of an ever-changing puzzle of the making public of scholarship, which, I hope, may in some way fit with both the work
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16

Brockington, Roy, and Nela Cicmil. "Brutalist Architecture: An Autoethnographic Examination of Structure and Corporeality." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1060.

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Introduction: Brutal?The word “brutal” has associations with cruelty, inhumanity, and aggression. Within the field of architecture, however, the term “Brutalism” refers to a post-World War II Modernist style, deriving from the French phrase betón brut, which means raw concrete (Clement 18). Core traits of Brutalism include functionalist design, daring geometry, overbearing scale, and the blatant exposure of structural materials, chiefly concrete and steel (Meades 1).The emergence of Brutalism coincided with chronic housing shortages in European countries ravaged by World War II (Power 5) and g
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17

Lyons, Craig, Alexandra Crosby, and H. Morgan-Harris. "Going on a Field Trip: Critical Geographical Walking Tours and Tactical Media as Urban Praxis in Sydney, Australia." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1446.

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IntroductionThe walking tour is an enduring feature of cities. Fuelled by a desire to learn more about the hidden and unknown spaces of the city, the walking tour has moved beyond its historical role as tourist attraction to play a key role in the transformation of urban space through gentrification. Conversely, the walking tour has a counter-history as part of a critical urban praxis. This article reflects on historical examples, as well as our own experience of conducting Field Trip, a critical geographical walking tour through an industrial precinct in Marrickville, a suburb of Sydney that
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