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Books on the topic 'Block movw'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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1

Boyette, Michael. "Let it burn!": The Philadelphia tragedy. Chicago: Contemporary Books, 1989.

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2

Move your shadow: SouthAfrica, black and white. (London): Abacus, 1987.

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3

On the move: A Black family's Western saga. College Station: Texas A&M University Press, 2009.

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4

Move your shadow: South Africa, Black and white. New York, NY: Penguin Books, 1986.

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5

Lelyveld, Joseph. Move your shadow: South Africa, black and white. London: Joseph, 1986.

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6

Move your shadow: South Africa, Black and white. New York: Time Books, 1985.

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7

Paul, Wahrhaftig, ed. The MOVE crisis in Philadelphia: Extremist groups and conflict resolution. Pittsburgh, Pa: University of Pittsburgh Press, 1990.

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8

Paul, Wahrhaftig, ed. Extremist groups and conflict resolution: The MOVE crisis in Philadelphia. New York: Praeger, 1988.

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9

Bowser, Charles W. Let the bunker burn: The final battle with MOVE. Philadelphia: Camino Books, 1989.

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10

J, Indumathi. State-of-The-Art in Block based Copy Move Forgery Detection: ICCS 2014. Edited by Kokula Krishna Hari K. Bangkok, Thailand: Association of Scientists, Developers and Faculties, 2014.

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11

Discourse and destruction: The city of Philadelphia versus MOVE. Chicago: University of Chicago Press, 1994.

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12

Butt, Jabeer. "Let's move on": Black and minority ethnic older people's views on research findings. York: Joseph Rowntree Foundation, 2004.

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13

1957-, Hevenor Hilary, ed. Burning down the house: MOVE and the tragedy of Philadelphia. New York: Norton, 1987.

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14

Centre for Higher Education Transformation, ed. Black academics on the move: How Black South African aca͠demics account for moving between institutions or leaving the academic profession. Sunnyside, [South Africa]: CHET, 2002.

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15

Farrar, Max. On the move: An introduction to the migration and settlement of the black communities in Leeds. Leeds: M.Farrar, 1993.

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16

A, Karpilovsʹka I︠E︡, Nat︠s︡ionalʹna biblioteka Ukraïny im. V.I. Vernadsʹkoho, and Ukraïnsʹkyĭ komitet slavistiv, eds. Dynamika ta stabilʹnistʹ leksychnykh i slovotvirnykh system slov'i︠a︡nsʹkykh mov: Tematychnyĭ blok : XIV Miz︠h︡narodnyĭ z'ïzd slavistiv, 10.09.-16.09 2008, Okhrid, Respublika Makedonii︠a︡. Kyïv: Nat︠s︡ionalʹna biblioteka Ukraïny im. V.I. Vernadsʹkoho, 2008.

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17

Office, General Accounting. Welfare reform: More coordinated federal effort could help states and localities move TANF recipients with impairments toward employment : report to Congressional requesters. Washington, D.C: The Office, 2001.

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18

Thailand on the move: Stumbling blocks and breakthroughs. [Bangkok]: Thai University Research Association, 1990.

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19

Thailand on the move: Stumbling blocks and breakthroughs. Canadian International Development Agency, 1990.

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20

Lelyveld, Joseph. Move your shadow: South Africa, black and white. Harmondsworth, 1986.

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21

South African Women on the Move. Between the Lines, 1986.

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22

Jane, Barrett, ed. South African women on the move. Toronto, Ont: Between the Lines, 1985.

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23

JUST MOVE: A Black Woman's Guide to Getting Fit. Outskirts Press, 2007.

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24

Angelo, Anne-Marie. Black Power on the Move: Migration, Internationalism, and the British and Israeli Black Panthers. University of North Carolina Press, 2020.

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25

Black Power on the Move: Migration, Internationalism, and the British and Israeli Black Panthers. University of North Carolina Press, 2020.

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26

Orlov, Georgi. The Black Knights' Tango: Outwit Your Opponents from Move 2! Batsford, 1998.

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27

Move on Up: Chicago Soul Music and Black Cultural Power. University of Chicago Press, 2019.

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28

Cohen, Aaron. Move on Up: Chicago Soul Music and Black Cultural Power. University of Chicago Press, 2019.

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29

South African Women on the Move: Between the Lines. Dec Book Distribution, 1986.

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30

Spirit on the Move: Black Women and Pentecostalism in Africa and the Diaspora. Duke University Press Books, 2019.

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31

Pritchard, Elizabeth A., and Judith Casselberry. Spirit on the Move: Black Women and Pentecostalism in Africa and the Diaspora. Duke University Press, 2019.

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32

Casselberry, Judith. Spirit on the Move: Black Women and Pentecostalism in Africa and the Diaspora. Duke University Press, 2019.

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33

Middle, Derek. Keep Calm and Move On: Motivational Notebook, Journal, Diary, Black Notebook. Independently Published, 2020.

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34

P, Steyn H., and Boersema N, eds. Making a move: Perspectives on Black migration decision making and its context. Pretoria: Human Sciences Research Council, 1988.

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35

Anderson, John, and Hilary Hevenor. Burning Down the House: Move and the Tragedy of Philadelphia. W W Norton & Co Inc, 1990.

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36

Notes, Resollute. One Life : Move Forward, Never Look Back: Black-Red Cover Blank Lined Writing Journal. Independently Published, 2020.

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37

Hamilton, Ginetta V. Navigate to Success - Understand the Past, Prepare for the Future, Move Forward: BLACK HISTORY. AuthorHouse, 2018.

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38

Williams, Armstrong, and Ben Carson. What Black and White America Must Do Now: A Prescription to Move Beyond Race. Skyhorse Publishing Company, Incorporated, 2020.

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39

What Black and White America Must Do Now: A Prescription to Move Beyond Race. Skyhorse Publishing Company, Incorporated, 2020.

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40

National Institutes of Health (U.S.) and National Institute of Diabetes and Digestive and Kidney Diseases (U.S.), eds. Sisters together: Move more, eat better program guide : help your community take steps toward better health. [Bethesda, Md.]: Dept. of Health and Human Services, Public Health Service, National Institutes of Health, 1999.

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41

Cooper, Brittney. Intersectionality. Edited by Lisa Disch and Mary Hawkesworth. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199328581.013.20.

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Coined by Kimberlé Crenshaw in 1989, the term intersectionality has become the key analytic framework through which feminist scholars in various fields talk about the structural identities of race, class, gender, and sexuality. This chapter situates intersectionality within a long history of black feminist theorizing about interlocking systems of power and oppression, arguing that intersectionality is not an account of personal identity but one of power. It challenges feminist theorists, including Robyn Wiegman, Jennifer Nash, and Jasbir Puar, who have attempted to move past intersectionality because of its limitations in fully attending to the contours of identity. The chapter also maps conversations within the social sciences about intersectionality as a research methodology. Finally, it considers what it means for black women to retain paradigmatic status within intersectionality studies, whether doing so is essentialist, and therefore problematic, or whether attempts to move “beyond” black women constitute attempts at erasure and displacement.
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42

Bailey, Mark. After the Black Death. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198857884.001.0001.

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The Black Death of 1348–9 is the most catastrophic event in recorded history, and this study—the Ford Lectures of 2019 at Oxford University—offers a major re-evaluation of its immediate impact and longer-term consequences in England. It draws upon recent inter-disciplinary research into climate and disease; renewed interest among econometricians in the origins of the Little Divergence, whereby economic performance in parts of north-western Europe began to move decisively ahead of the rest of the continent on the pathway to modernity; a close re-reading of case studies of fourteenth-century England; and original new research into manorial and governmental sources. The Black Death is placed within the wider contexts of extreme weather and epidemiological events, the institutional framework of markets and serfdom, and the role of the law in reducing risk and shaping behaviour. The government’s response to the crisis is re-considered to suggest an innovative re-interpretation of the Peasants’ Revolt of 1381. By 1400 the main effects of plague had worked through the economy and society, and their implications for England’s future precocity are analysed. This study rescues the third quarter of the fourteenth century from a little-understood paradox between plague and revolt, and elevates it to a critical period of profound and irreversible change in English and global history.
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43

Wallace, Rick. The Mis-education of Black Youth in America: The Final Move on the Grand Chessboard. Ettelloc Publishing, 2015.

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44

Complicated Mourning And Grief Blocks: How to Move Forward Past Our Pain (Grief Steps Guides). Champion Press (WI), 2004.

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45

Brown, Ruth Nicole. More than Sass or Silence. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037979.003.0006.

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This chapter presents a soundtrack of Black girls' expressive culture as ethnographically documented in SOLHOT in the form of original music. To think through the more dominant categorizations of how Black girls are heard, as both sassy and silent, this chapter samples Andrea Smith's (2006) “Heteropatriarchy and the Three Pillars of White Supremacy: Rethinking Women of Color Organizing” to offer a new frame called “The Creative Potential of Black Girlhood.” Music made from conversations in SOLHOT is used to emphasize how three logics of the creative potential framework, including volume/oppression, swagg/surveillance, and booty/capitalism, amplifies Black girls' critical thought to document the often overlooked creative process of Black girl music making, demonstrate how hip-hop feminist sensibilities inform girls' studies, and, most importantly, move those who do Black girl organizing toward a wider repertoire of actions and conversations that affirm differences among Black girls and differently sounding Black girl knowledge.
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46

Crawford, Margo Natalie. Introduction. University of Illinois Press, 2018. http://dx.doi.org/10.5406/illinois/9780252041006.003.0001.

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This introduction presents the theory of “black post-blackness” as a way of rethinking the mood of the 1970s, second wave of the Black Arts Movement. Crawford uncovers the inseparability, during the second wave of this cultural movement, of the hailing of blackness and the questioning of blackness. This introduction shows that this holding on to a blackness that keeps sliding away is the black post-blackness that shapes the 1970s second wave of the Black Arts Movement and resurfaces in the early years of the 21st century as writers and visual artists shape blackness into an unbelonging that creates belonging. Crawford argues that the connections between 21st century experimental black art and the experimental art of the Black Arts Movement matter, because post-black too often signals post-Black Arts Movement. She critiques a linear understanding of the move from black identity politics to freedom. This introduction presents the circle of black post-blackness as an alternative to the linear periodization that fails to see how blackness anticipates post-blackness.
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47

Whitmore, Aleysia K. World Music and the Black Atlantic. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190083946.001.0001.

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In the mid-twentieth century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and ’70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African–Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them—from musicians’ homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange.
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48

Avilez, GerShun. The Claim of Innocence. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040122.003.0002.

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This chapter tracks how artists inhabit the subjective space of whiteness as a closing ranks move. This idea may seem counterintuitive, but for many thinkers, exploring whiteness is useful in determining the conventional parameters of Black identity. The act of identifying and challenging these boundaries creates the opportunity for imagining a unity not plagued by restrictive conceptions of blackness. Therefore, turning inward does not appear as a mere rejection of whiteness in favor of shoring up blackness. The chapter then highlights how the rhetoric of White innocence provides the foundation for both racial and gender frameworks in the U.S. social imaginary. The desire to generate a radical Black identity includes dismantling this rhetoric, which permeates media and popular thought.
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49

Hendricks, Wanda A. Creating Community in the Midwest. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038112.003.0004.

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This chapter examines Fannie Barrier Williams' move to Chicago with her husband S. Laing Williams and how she built a strong local coalition that eased her entry into the segregated world of the white female club movement. It first considers how the Williams couple's introduction to Chicago's black community allowed Fannie secure a place in the privileged and cultured circle of black midwestern aristocracy. It then discusses Barrier Williams' meeting with Mary Jones, who together with her late husband John Jones advocated for black rights that benefited late-nineteenth-century migrants like Barrier Williams. It also eplores Barrier Williams' transition into the culture of the new generation of elite blacks, who faced far less racism than the so-called old guard had, and her involvement with the Prudence Crandall Literary Club and the Illinois Woman's Alliance. Finally, it describes the interracial cooperation that was displayed with the creation of the Provident Hospital and reflected the progressive nature of the Midwest.
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50

Weaver, R. Kent. Temporary Assistance for Needy Families. Edited by Daniel Béland, Kimberly J. Morgan, and Christopher Howard. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199838509.013.018.

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This chapter examines the development and implementation of the Temporary Assistance for Needy Families (TANF) block-grant program, and its predecessor, Aid to Families with Dependent Children (AFDC). Federal cash assistance to low-income, primarily single-parent families has been politically controversial since the creation of AFDC in 1935. The creation of TANF in 1996 imposed time limits on receipt of cash assistance and strengthened work requirements, while shifting the focus of expenditures away from cash benefits toward services intended to move adult recipients into work. TANF caseloads have fallen dramatically since 1996, and the employment rate of low-income single mothers has increased, but the social impacts of the TANF program have been mixed.
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