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Journal articles on the topic 'Blood – Symbolic aspects'

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1

Aldrete, Gregory S. "Hammers, Axes, Bulls, and Blood: Some Practical Aspects of Roman Animal Sacrifice." Journal of Roman Studies 104 (May 21, 2014): 28–50. http://dx.doi.org/10.1017/s0075435814000033.

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AbstractAnimal sacrifice was a central component of ancient Roman religion, but scholars have tended to focus on the symbolic aspects of these rituals, while glossing over the practical challenges involved in killing large, potentially unruly creatures, such as bulls. The traditional explanation is that the animal was struck on the head with a hammer or an axe to stun it, then had its throat cut. Precisely how axes, hammers, and knives were employed remains unexplained. This article draws upon ancient sculpture, comparative historical sources, and animal physiology to argue that the standard i
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Rodrigues, Hillary Peter. "Fluid control: Orchestrating blood flow in the Durgā Pūjā." Studies in Religion/Sciences Religieuses 38, no. 2 (2009): 263–92. http://dx.doi.org/10.1177/000842980903800204.

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Tantric rituals are often concerned with the manipulation of life fluids. The Bengali Durgā Pūjā, an annual worship celebration for the Hindu Great Goddess, is an example of an essentially Tantric ritual with orthodox Vedic and Puranic features. Although the overt rationales for the ritual have undergone changes over the centuries, from its martial origins to socio-economic display, the liturgy offers an underlying rationale that reveals its Tantric interests. Ritual features, symbolic elements, and the states and statuses of the actors during the enactment of the Durgā Pūjā demonstrate its co
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Venkataraman, Srinivasan, and Semmal Syed Meerasa. "Analysis of relationship between memory functions and blood indices across parturition in primigravidae." International Journal of Reproduction, Contraception, Obstetrics and Gynecology 6, no. 4 (2017): 1455. http://dx.doi.org/10.18203/2320-1770.ijrcog20171409.

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Background: Psychoneuroendocrinology is a nascent and vibrant field of endocrinology, revealing the unexplored paths of the diversifying field relating to cognitive functions and blood indices which is an interesting learning arena. This work, establishes the relationship of cognitive status and blood indices across parturition among the same subjects.Methods: The experimental design aimed at administration of cognitive assessment function tests as per Wechsler’s memory scale to pregnant subjects and getting specific blood parameters analysed across parturition. The statistical analysis includ
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Lebreton, Karine, Béatrice Desgranges, Brigitte Landeau, Jean-Claude Baron, and Francis Eustache. "Visual Priming Within and Across Symbolic Format Using a Tachistoscopic Picture Identification Task: A PET Study." Journal of Cognitive Neuroscience 13, no. 5 (2001): 670–86. http://dx.doi.org/10.1162/089892901750363226.

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The present work was aimed at characterizing picture priming effects from two complementary behavioral and functional neuroimaging (positron emission tomography, PET) studies. In two experiments, we used the same line drawings of common living/nonliving objects in a tachistoscopic identification task to contrast two forms of priming. In the within-format priming condition (picture-picture), subjects were instructed to perform a perceptual encoding task in the study phase, whereas in the cross-format priming condition (word-picture), they were instructed to perform a semantic encoding task. In
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Carroll, Clare. "Representations of Women in Some Early Modern English Tracts on the Colonization of Ireland." Albion 25, no. 3 (1993): 379–93. http://dx.doi.org/10.2307/4050874.

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Since D. B. Quinn's The Elizabethans and the Irish, the history of early modern Ireland has been the subject of a wide range of studies, but only recently has women's role in that history received attention. Similarly, Nicholas Canny's article on “Edmund Spenser and the Development of an Anglo-Irish Identity” initiated a debate about whether sixteenth-century tracts on Ireland express a unified colonialist ideology, but only recently has the construction of sexuality in these texts come under scrutiny. It is not surprising that those who study the history of women in early modern Ireland do no
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Horelova, V. S. "The Kharkiv actresses Polina Kumanchenko and Lidiya Krynytska in the image of a mother in the films “Human’s blood is not water”, “Dmytro Horytsvit”, “People don’t know the all” and “Lymerivna”." Aspects of Historical Musicology 17, no. 17 (2019): 130–47. http://dx.doi.org/10.34064/khnum2-17.09.

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Background. Domestic cultural space is in urgent need of selfpreservation, and a renaissance of national self-identity of the Ukrainian cinema is connected with the state interest in this topic. There are the discussions around the attempts to revive the Ukrainian poetic cinema with its inherent mythological outlook erasing the boundaries between imaginary and real. It is logical, that the further development and studying of national cinema is impossible without revise of creative work of actors of the past; they were the bearers of poetic worldview, guided by folk traditions and customs. The
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Murnaghan, Ann Marie F. "The City, the Country, and Toronto’s Bloor Viaduct, 1897–1919." Articles 42, no. 1 (2014): 41–50. http://dx.doi.org/10.7202/1022058ar.

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There are certain structures in cities that exemplify the grandiose designs of the city builders at the turn of the twentieth century. The Prince Edward or Bloor Viaduct is one of these structures crossing Toronto’s key landform, the Don Valley, immortalized in Michael Ondaatje’s In the Skin of a Lion. Plans to build the bridge emerged as early as 1897, although the construction did not begin until 1913. The Bloor Viaduct can help us consider the progressive era by examining how discussions of nature/culture and country/city were incorporated into the discourses of its planning and constructio
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Lubańska, Magdalena. "Między agape a krwawą ofiarą. Kurban w życiu religijnym wyznawców prawosławia (Rodopy Zachodnie, Bułgaria)." Slavia Meridionalis 11 (August 31, 2015): 303–20. http://dx.doi.org/10.11649/sm.2011.018.

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Between agape and blood sacrifice. Kurban in the religious life of Orthodox Christian (Western Rhodopes, Bulgaria)The article is an excerpt of the dissertation „Religious syncretism and anti-syncretism in the light of the coexistence between Muslims (Pomaks) and Orthodox Christians in the Western Rhodope Mountains in Bulgaria”. Dissertation is based on field research I did in 2005–2009 in the area of Gotse Delchev, a town in Blagoevgrad Province. I have interviewed community members invested with considerable symbolic potential, such as the mayor and the mufti, Orthodox clerics, hodjas, teache
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Purcar, Cristina. "A Tale of Two Lines: “The Transylvanian” and “The Imperial”: Mapping Territorial Integration through Railway Architecture." Social Science History 45, no. 2 (2021): 317–39. http://dx.doi.org/10.1017/ssh.2021.2.

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AbstractWhile states undertook railway construction targeting economic and military objectives, this article questions whether and to which extent their symbolic territorial cohesion was also at stake. The hypothesis we aim to verify is that railway buildings acted as recurrent visual signifiers of territorial coherence and had, therefore, the potential of being instrumental as state-building tools. This research explores how an architectural reading of railway networks can inform our understanding of state-building projects and processes. We expect that geographically scoped railway architect
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Iliadi, Alexander. "TYPOLOGY IN SEMANTICS: IRANIAN-SLAVIC SEMASIOLOGICAL PARALLELS." Naukovy Visnyk of South Ukrainian National Pedagogical University named after K. D. Ushynsky: Linguistic Sciences 2019, no. 29 (2019): 120–34. http://dx.doi.org/10.24195/2616-5317-2019-29-10.

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The article deals with a topical problem of general semasiology, namely the investigation of phenomenon of semantical development regularity in the vocabulary of two groups into Indo-European genetic family of languages. The approach with regard to analysis of semantics with taking into account of coverage of several lexical-and-semantic systems enables a researcher to imagine a fuller picture about extension of lingual phenomena and gives the solid ground for synthesis. Especially interesting is observing the vocabulary of languages, whose speakers are bearers of different cultures, including
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Liadova, Anna V. "The peculiarities of the development of sociology of medicine as the interdisciplinary scientific direction." Moscow State University Bulletin. Series 18. Sociology and Political Science 25, no. 1 (2019): 42–61. http://dx.doi.org/10.24290/1029-3736-2019-25-1-42-61.

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The article examines the main trends in the development of sociology of medicine as a branch of sociology. As it is pointed out by the author, nowadays sociology of medicine is an actual scientific course about social aspects of health and illness, medicine as a social structure. All these items are important under the modern social development. Based on the analysis of the main stages in the history of sociology of medicine, the author notes the contribution of physicians to this process and practical meaning of early studies. The accumulation of empirical knowledge on health led to the theor
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Manica, Daniela Tonelli, and Clarice Rios. "(In)visible Blood: menstrual performances and body art." Vibrant: Virtual Brazilian Anthropology 14, no. 1 (2017). http://dx.doi.org/10.1590/1809-43412017v14n1p124.

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Abstract Although the symbolic potential of menstrual blood has been widely explored in the context of ritual practices, this article focuses on the notion of performance and the experiential dimension of symbolic action associated with menstruation and menstrual blood. The term menstrual performance refers to various ways in which menstrual blood is used as an aesthetic and political expression. These uses are often related to artistic settings, but they also occur in more mundane contexts such as social networks in the Internet. The argument stresses two aspects of these performances: the em
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Jethani, Suneel, and Nadine Raydan. "Forming Persona through metrics: Can we think freely in the shadow of our data?" Persona Studies 1, no. 1 (2015). http://dx.doi.org/10.21153/ps2015vol1no1art451.

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The use of biosensors in wearable activity tracking devices to measure, record and share many aspects of life has been received with great enthusiasm for their potential to enhance conceptions of self through measuring variables relating to an individual’s health and productivity. In 2012, readers of the Economist were introduced to the idea of using numbers on oneself in the same way that charting progress towards a goal is commonplace in business. A new culture of self-improvement termed ‘self-tracking’ was beginning to gain currency. At the time that self-tracking was becoming mainstream it
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Gonzalo Carbó, Antoni. "«ENTRAREMOS EN TU TUMBA CON ESTE ASPECTO»." El Azufre Rojo, no. 8 (December 31, 2020). http://dx.doi.org/10.6018/azufre.464111.

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Resumen: El presente artículo es un análisis comparado de la experiencia visionaria del rojo de la sangre y las rosas vinculada a la presencia del ángel en la mística (Rūzbihān Baqlī), la poesía (Rilke) y el cine (Paradžanov) como expresión de la aniquilación de sí. Tanto el diarium spirituale de Rūzbihān, relato biográfico y hagiográfico extraordinario, como la filmografía de Paradžanov, llena de referencias simbólicas, entre otras, a la tradición persa y al Islam, y surcada, como el diario espiritual del místico persa, de experiencias visionarias extraordinarias, se muestran como elevadas ob
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Lerner, Miriam Nathan. "Narrative Function of Deafness and Deaf Characters in Film." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.260.

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Introduction Films with deaf characters often do not focus on the condition of deafness at all. Rather, the characters seem to satisfy a role in the story that either furthers the plot or the audience’s understanding of other hearing characters. The deaf characters can be symbolic, for example as a metaphor for isolation representative of ‘those without a voice’ in a society. The deaf characters’ misunderstanding of auditory cues can lead to comic circumstances, and their knowledge can save them in the case of perilous ones. Sign language, because of its unique linguistic properties and its la
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Trofimova, Evija, and Sophie Nicholls. "On Walking and Thinking: Two Walks across the Page." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1450.

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IntroductionTwo writers, stuck in our university offices, decide to take our thoughts “for a walk” across the page. Writing from Middlesbrough, United Kingdom, and Auckland, New Zealand, we are separated by 18,000 kilometres and 11 hours, and yet here, on the page, our paths meet. How does walking, imaginary or real, affect our thinking? How do the environments through which we move, and the things we see along the way, influence our writing? What role do rhythm and pace play in the process? We invite you to join us on two short walks that reflect on our shared challenges as writers from two d
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Ludewig, Alexandra. "Home Meets Heimat." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2698.

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 Home is the place where one knows oneself best; it is where one belongs, a space one longs to be. Indeed, the longing for home seems to be grounded in an anthropological need for anchorage. Although in English the German loanword ‘Heimat’ is often used synonymously with ‘home’, many would have claimed up till now that it has been a word particularly ill equipped for use outside the German speaking community, owing to its specific cultural baggage. However, I would like to argue that – not least due to the political dimension of home (such as in homeland security and homela
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Holden, Todd Joseph Miles. "The Evolution of Desire in Advertising." M/C Journal 2, no. 5 (1999). http://dx.doi.org/10.5204/mcj.1773.

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She's the dollars, she's my protection; she's a promise, in the year of election. Sister, I can't let you go; I'm like a preacher, stealing hearts at a traveling show. For love or money, money, money... Desire -- U2, "Desire" (1988) For the love of money. In the worship of things. Desire has traditionally been employed by advertising as a means of selling product. Regardless of culture, more powerful than context, desire is invoked as one of capitalism's iron-clad codes of quality. The Uses of Desire in Advertising Specifically, two variants have been most common. That in which desire is: (1)
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Hill, Wes. "Harmony Korine’s Trash Humpers: From Alternative to Hipster." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1192.

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IntroductionThe 2009 American film Trash Humpers, directed by Harmony Korine, was released at a time when the hipster had become a ubiquitous concept, entering into the common vernacular of numerous cultures throughout the world, and gaining significant press, social media and academic attention (see Žižek; Arsel and Thompson; Greif et al.; Stahl; Ouellette; Reeve; Schiermer; Maly and Varis). Trash Humpers emerged soon after the 2008 Global Financial Crisis triggered Occupy movements in numerous cities, aided by social media platforms, reported on by blogs such as Gawker, and stylized by multi
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Wise, Jenny, and Lesley McLean. "Making Light of Convicts." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2737.

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Introduction The social roles of alcohol consumption are rich and varied, with different types of alcoholic beverages reflecting important symbolic and cultural meanings. Sparkling wine is especially notable for its association with secular and sacred celebrations. Indeed, sparkling wine is rarely drunk as a matter of routine; bottles of such wine signal special occasions, heightened by the formality and excitement associated with opening the bottle and controlling (or not!) the resultant fizz (Faith). Originating in England and France in the late 1600s, sparkling wine marked a dramatic shift
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Ribas-Segura, Catalina. "Pigs and Desire in Lillian Ng´s "Swallowing Clouds"." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.292.

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Introduction Lillian Ng was born in Singapore and lived in Hong Kong and the United Kingdom before migrating to Australia with her daughter and Ah Mah Yin Jie (“Ah Mahs are a special group of people who took a vow to remain unmarried … [so they] could stick together as a group and make a living together” (Yu 118)). Ng studied classical Chinese at home, then went to an English school and later on studied Medicine. Her first book, Silver Sister (1994), was short-listed for the inaugural Angus & Robertson/Bookworld Prize in 1993 and won the Human Rights Award in 1995. Ng defines herself as a
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Seale, Kirsten. "Doubling." M/C Journal 8, no. 3 (2005). http://dx.doi.org/10.5204/mcj.2372.

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 ‘Artists are replicants who have found the secret of their obsolescence.’ (Brian Massumi)
 
 
 The critical reception to British writer Iain Sinclair’s most recent novel Dining on Stones (or, the Middle Ground) frequently focused on the British writer’s predilection for intertextual quotation and allusion, and more specifically, on his proclivity for integrating material from his own backlist. A survey of Dining on Stones reveals the following textual duplication: an entire short story, “View from My Window”, which was published in 2003; excerpts from a 2002
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Kelly, Elaine. "Growing Together? Land Rights and the Northern Territory Intervention." M/C Journal 13, no. 6 (2010). http://dx.doi.org/10.5204/mcj.297.

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Each community’s title deed carries the indelible blood stains of our ancestors. (Watson, "Howard’s End" 2)IntroductionAccording to the Oxford English Dictionary, the term coalition comes from the Latin coalescere or ‘coalesce’, meaning “come or bring together to form one mass or whole”. Coalesce refers to the unity affirmed as something grows: co – “together”, alesce – “to grow up”. While coalition is commonly associated with formalised alliances and political strategy in the name of self-interest and common goals, this paper will draw as well on the broader etymological understanding of coal
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Shiloh, Ilana. "A Vision of Complex Symmetry." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2674.

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 The labyrinth is probably the most universal trope of complexity. Deriving from pre-Greek labyrinthos, a word denoting “maze, large building with intricate underground passages”, and possibly related to Lydian labrys, which signifies “double-edged axe,” symbol of royal power, the notion of the labyrinth primarily evokes the Minoan Palace in Crete and the myth of the Minotaur. According to this myth, the Minotaur, a monster with the body of a man and the head of a bull, was born to Pesiphae, king Minos’s wife, who mated with a bull when the king of Crete was besieging Athen
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Morse, Nicole Erin. "Authenticity, Captioned: Hashtags, Emojis, and Visibility Politics in Alok Vaid-Menon’s Selfie Captions." M/C Journal 20, no. 3 (2017). http://dx.doi.org/10.5204/mcj.1240.

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IntroductionWithin social media visibility campaigns, selfie captions usually work to produce coherent identity categories, linking disparate selfies together through hashtags. Furthering visibility politics, such selfie captions claim that authentic identities can be made visible through selfies and can be described and defined by these captions. However, selfie captions by the trans artist Alok Vaid-Menon challenge the assumption that selfies and their captions can make authentic identity legible. Through hashtags, emojis, and punning text, Vaid-Menon’s selfie captions interrogate visibility
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Wright, Katherine. "Bunnies, Bilbies, and the Ethic of Ecological Remembrance." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.507.

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Wandering the aisles of my local Woolworths in April this year, I noticed a large number of chocolate bilbies replacing chocolate rabbits. In these harsh economic times it seems that even the Easter bunny is in danger of losing his Easter job. While the changing shape of Easter chocolate may seem to be a harmless affair, the expulsion of the rabbit from Easter celebrations has a darker side. In this paper I look at the campaign to replace the Easter bunny with the Easter bilby, and the implications this mediated conservation move has for living rabbits in the Australian ecosystem. Essential to
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Franks, Rachel. "Cooking in the Books: Cookbooks and Cookery in Popular Fiction." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.614.

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Introduction Food has always been an essential component of daily life. Today, thinking about food is a much more complicated pursuit than planning the next meal, with food studies scholars devoting their efforts to researching “anything pertaining to food and eating, from how food is grown to when and how it is eaten, to who eats it and with whom, and the nutritional quality” (Duran and MacDonald 234). This is in addition to the work undertaken by an increasingly wide variety of popular culture researchers who explore all aspects of food (Risson and Brien 3): including food advertising, food
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Coull, Kim. "Secret Fatalities and Liminalities: Translating the Pre-Verbal Trauma and Cellular Memory of Late Discovery Adoptee Illegitimacy." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.892.

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I was born illegitimate. Born on an existential precipice. My unwed mother was 36 years old when she relinquished me. I was the fourth baby she was required to give away. After I emerged blood stained and blue tinged – abject, liminal – not only did the nurses refuse me my mother’s touch, I also lost the sound of her voice. Her smell. Her heart beat. Her taste. Her gaze. The silence was multi-sensory. When they told her I was dead, I also lost, within her memory and imagination, my life. I was adopted soon after but not told for over four decades. It was too shameful for even me to know. Impri
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D'Cruz, Glenn. "Darkly Dreaming (in) Authenticity: The Self/Persona Opposition in Dexter." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.804.

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This paper will use the popular television character, Dexter Morgan, to interrogate the relationship between self and persona, and unsettle the distinction between the two terms. This operation will enable me to raise a series of questions about the critical vocabulary and scholarly agenda of the nascent discipline of persona studies, which, I argue, needs to develop a critical genealogy of the term “persona.” This paper makes a modest contribution to such a project by drawing attention to some key questions regarding the discourse of authenticity in persona studies. For those not familiar wit
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Frichot, Hélène. "On the relentless logic of the logo-sign." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2205.

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We do not bear a straightforwardly passive relationship with the ubiquitous regime of the logo-sign. As dwellers of the eternity of the consumer present, the luxury of our boredom allows us to pick and choose. The overwhelming celerity with which the everyday perpetually transforms its packaging, the excessively rapid turnover of signs has condensed our historical perspective. Tomorrow I will buy that new pair of shoes. As congenital sufferers of a logorrhea of the logo, our chatter is articulated by product placement. We become active in distinguishing ourselves with these loaded and at once
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Ryder, Paul. "Dream Machines: The Motorcar as Sign of Conquest and Destruction in F. Scott Fitzgerald's The Great Gatsby." M/C Journal 23, no. 1 (2020). http://dx.doi.org/10.5204/mcj.1636.

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In my article, "A New Sound; a New Sensation: A Cultural and Literary Reconsideration of the Motorcar in Modernity" (Ryder), I propose that "a range of semiotic engines" may be mobilised "to argue that, in the first quarter of the twentieth century, the motorcar is received as relatum profundis of freedom". In that 2019 article I further argue that, as Roland Barthes has indirectly proposed, the automobile fits into a "highway code" and into a broader "car system" in which its attributes—including its architectural details—are received as signs of liberation (Barthes Elements, 10, 29). While e
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Starrs, Bruno. "Writing Indigenous Vampires: Aboriginal Gothic or Aboriginal Fantastic?" M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.834.

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The usual postmodern suspicions about diligently deciphering authorial intent or stridently seeking fixed meaning/s and/or binary distinctions in an artistic work aside, this self-indulgent essay pushes the boundaries regarding normative academic research, for it focusses on my own (minimally celebrated) published creative writing’s status as a literary innovation. Dedicated to illuminating some of the less common denominators at play in Australian horror, my paper recalls the creative writing process involved when I set upon the (arrogant?) goal of creating a new genre of creative writing: th
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Das, Devaleena. "What’s in a Term: Can Feminism Look beyond the Global North/Global South Geopolitical Paradigm?" M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1283.

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Introduction The genealogy of Feminist Standpoint Theory in the 1970s prioritised “locationality”, particularly the recognition of social and historical locations as valuable contribution to knowledge production. Pioneering figures such as Sandra Harding, Dorothy Smith, Patricia Hill Collins, Alison Jaggar, and Donna Haraway have argued that the oppressed must have some means (such as language, cultural practices) to enter the world of the oppressor in order to access some understanding of how the world works from the privileged perspective. In the essay “Meeting at the Edge of Fear: Theory on
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Musgrove, Brian Michael. "Recovering Public Memory: Politics, Aesthetics and Contempt." M/C Journal 11, no. 6 (2008). http://dx.doi.org/10.5204/mcj.108.

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1. Guy Debord in the Land of the Long WeekendIt’s the weekend – leisure time. It’s the interlude when, Guy Debord contends, the proletarian is briefly free of the “total contempt so clearly built into every aspect of the organization and management of production” in commodity capitalism; when workers are temporarily “treated like grown-ups, with a great show of solicitude and politeness, in their new role as consumers.” But this patronising show turns out to be another form of subjection to the diktats of “political economy”: “the totality of human existence falls under the regime of the ‘perf
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Mason, Jody. "Rearticulating Violence." M/C Journal 4, no. 2 (2001). http://dx.doi.org/10.5204/mcj.1902.

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Wife (1975) is a novel ostensibly about immigration, but it is also about gender, ethnicity, and power. Bharati Mukherjee's well-known essay, "An Invisible Woman" (1981), describes her experience in Canada as one that created "double vision" because her self-perception was put so utterly at odds with her social standing (39). She experienced intense and horrifying racism in Canada, particularly in Toronto, and claims that the setting of Wife, her third novel, is "in the mind of the heroine...always Toronto" (39). Mukherjee concludes the article by saying that she eventually left Toronto, and C
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Jones, Timothy. "The Black Mass as Play: Dennis Wheatley's The Devil Rides Out." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.849.

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Literature—at least serious literature—is something that we work at. This is especially true within the academy. Literature departments are places where workers labour over texts carefully extracting and sharing meanings, for which they receive monetary reward. Specialised languages are developed to describe professional concerns. Over the last thirty years, the productions of mass culture, once regarded as too slight to warrant laborious explication, have been admitted to the academic workroom. Gothic studies—the specialist area that treats fearful and horrifying texts —has embraced the growi
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