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1

Autonomie und Tradition: Innovativer Konservatismus bei Rudolf Borchardt, Harold Bloom und Botho Strauss. Würzburg: Königshausen & Neumann, 2009.

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2

Schirrmacher, Frank. Schrift als Tradition: Die Dekonstruktion des literarischen Kanons bei Kafka und Harald Bloom. Frankfurt am Main: [s.n., 1987.

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3

Bolla, Peter De. Harold Bloom: Towards historical rhetorics. London: Routledge, 1988.

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4

Bolla, Peter De. Harold Bloom: Towards historical rhetorics. London: Routledge, 1988.

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5

Graham, Allen. Harold Bloom: Poetics of conflict. New York: Harvester Wheatsheaf, 1994.

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6

Harold Bloom: The rhetoric of Romantic vision. Amherst: University of Massachusetts Press, 1985.

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7

The saving lie: Harold Bloom and deconstruction. Evanston, Ill: Northwestern University Press, 2011.

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8

Bielik-Robson, Agata. The saving lie: Harold Bloom and deconstruction. Evanston, Ill: Northwestern University Press, 2011.

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9

Reading, writing and the influence of Harold Bloom. Manchester: Manchester University Press, 2010.

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10

Wamberg, Jacob. Doris Bloom. København: P. Fogtdal, 1991.

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11

Dukore, Bernard Frank. Harold Pinter. 2nd ed. London: Macmillan, 1988.

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12

Harold Pinter. London: Faber and Faber, 2000.

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13

Harold Pinter, the dramatist. New Delhi: Creative, 1992.

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14

Canziani, Roberto. Harold Pinter: Scena e potere. Milano: Garzanti, 2005.

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15

1936-, Vargas Llosa Mario, French Marilyn 1929-, and Cixous Hélène 1937-, eds. Bloom: Mario Vargas Llosa on Joyce. Dublin, Ireland: Kingstown Press, 1996.

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16

1954-, Desmet Christy, and Sawyer Robert 1953-, eds. Harold Bloom's Shakespeare. New York: Palgrave, 2002.

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17

H, Gale Steven, ed. Harold Pinter: Critical approaches. Rutherford: Fairleigh Dickinson University Press, 1986.

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18

G, Gordon Lois, ed. Harold Pinter: A casebook. New York: Garland Pub., 1990.

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19

Harold Pinter, le maître de la fragmentation. Paris: Harmattan, 2003.

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20

Radici sepolte: Il teatro di Harold Pinter. [Firenze]: L.S. Olschki, 1996.

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21

Wamberg, Jacob. The labyrinthine nest: The art of Doris Bloom. Bramley, Johannesburg: Taurus, 1991.

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22

Knowles, Ronald. Understanding Harold Pinter. Columbia, S.C: University of South Carolina Press, 1995.

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23

Harold, Bloom, ed. Ernest Hemingway's The sun also rises: Edited and with an introduction by Harold Bloom. New York: Chelsea House, 1996.

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24

Sorelli, Erica. Il testo ritrovato: Le sceneggiature di Harold Pinter. Firenze: MCS, 1990.

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25

Harold Pinter's The dumb waiter. Amsterdam: Rodopi, 2009.

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26

Behera, Guru Charan. Reality and illusion in the plays of Harold Pinter. New Delhi: Atlantic Publishers, 1998.

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27

Harold Pinter. New York: Continuum, 2008.

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28

Marzola, Alessandra. Sospensioni di senso in scena: Harold Pinter e Tom Stoppard. Ravenna: Longo, 1989.

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29

Linton, Harold. Harold Linton, paintings, 1976-1986: Muskegon Museum of Art. Muskegon, Mich: The Museum, 1986.

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30

Regal, Martin S. Harold Pinter: A question of timing. Basingstoke, Hampshire: Macmillan Press, 1995.

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31

Harold Pinter: The theatre of power. Ann Arbor: The University of Michigan Press, 2013.

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32

Harold Pinter: Towards a poetics of his plays. New York: P. Lang, 1989.

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33

Angst und Furcht in den Dramen Harold Pinters. Frankfurt am Main: P. Lang, 1990.

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34

Peter, Raby, ed. The Cambridge companion to Harold Pinter. 2nd ed. New York: Cambridge University Press, 2009.

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35

Peter, Raby, ed. The Cambridge companion to Harold Pinter. Cambridge: Cambridge University Press, 2001.

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36

The experimental plays of Harold Pinter. Newark: University of Delaware Press, 2012.

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37

The life and work of Harold Pinter. London: Faber and Faber, 1997.

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38

Peacock, D. Keith. Harold Pinter and the new British theatre. Westport, Conn: Greenwood Press, 1997.

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39

Oeder, Horst G. Die Philosophie in Harold Pinters Frühwerk: Verbindungen zum Neuplatonismus der italienischen Renaissance. Hamburg: Kovac, 2004.

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40

Oeder, Horst G. Die Philosophie in Harold Pinters Frühwerk: Verbindungen zum Neuplatonismus der italienischen Renaissance. Hamburg: Kovac, 2004.

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41

Jalote, S. R. The plays of Harold Pinter: A study in neurotic anxiety. New Delhi: Harman Pub. House, 1996.

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42

Pinter's female portraits: A study of female characters in the plays of Harold Pinter. Basingstoke: Macmillan, 1988.

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43

1937-, Everson A. Joseph, and Kim, Hyun Chul Paul, 1965-, eds. The desert will bloom: Poetic visions in Isaiah. Atlanta: Society of Biblical Literature, 2009.

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44

1943-, Bold Alan Norman, ed. Harold Pinter, you never heard such silence. London: Vision Press, 1985.

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45

Hirsch, Foster. Harold Prince and the American musical theatre. Cambridge: Cambridge University Press, 1989.

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46

Attridge, Harold W., Andrew Brian McGowan, and Kent Harold Richards. Method and meaning: Essays on New Testament interpretation in honor of Harold W. Attridge. Leiden: Brill, 2011.

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47

Craven, Tim. Harold Gilman + William Ratcliffe: "a clean and solid mosaic". London: P. Holberton Pub., 2002.

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48

William, Baker. Harold Pinter: A bibliographical history. London: British Library, 2005.

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49

1938-, Ross J. C., ed. Harold Pinter: A bibliographical history. New Castle, DE: Oak Knoll Press, 2005.

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50

Harold Prince and the American musical theatre. New York: Applause Theatre and Cinema Books, 2005.

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